11月 2026 更新 · 当サイトの人気スコア（各作品の検索数、閲覧数、注文数）に基づくランキング · 46点の ジュール・タヴェルニエの作品がカタログにあります
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ギャラリーの視点では、ジュール・タヴェルニエの最も有名な作品はKilauea at Night (1888)であり、その原画はホノルルのホノルル美術館に展示されています。 Dry Creek (1881)とKilauea Fire Fountain (1884)が加わり、誰もが一度は目にしたことのある至高のトリオが完成します。 当カタログに含まれるジュール・タヴェルニエの作品46点の中から、特に有名な46点を厳選してご紹介します。各作品は、制作年、所蔵美術館、そしてその作品ならではの魅力とともに、一点物のオリジナル作品として掲載されています。
The night air seems to hold its breath in Kilauea at Night, a work by Jules Tavernier. This oil on canvas captures a specific, pulsing moment within the volcanic landscape of Hawaii. The scene unfolds with a raw energy that speaks to the untamed spirit of the islands. It is a vision of natural beauty, caught in the glow of geological power.
Dry Creek by Jules Tavernier presents a rural landscape scene composed of earthy tones. The composition is organized around a winding path that leads the eye from the foreground into the distance. This path is framed by a fence and several trees, which establish the boundaries of the immediate terrain. A solitary figure wearing red is positioned near a large tree, providing a singular point of focus within the pastoral…
In this 1884 oil on canvas, we find ourselves standing at the edge of a profound geological event. The scene captures the intense heat of a volcanic eruption, where molten red lava surges from the earth into a darkened sky. Smoke and ash hang heavy in the air, obscuring the horizon and creating a sense of immense, suffocating power. It is a moment of pure, unbridled natural force, caught in…
Jules Tavernier's “Dance in a Subterranean Roundhouse at Clear Lake, California” isn’t merely a painting; it’s a portal. Painted in 1878 during a pivotal moment of cultural exchange and encroaching Western influence, this work offers an intimate, almost voyeuristic view into the sacred practices of the Elem Pomo people of Northern California. Tavernier, a French-born artist who embraced the American West with an adventurous spirit, was commissioned by Tiburcio Parrott,…
Hostellerie de Trois Barbeaus (also known as A Street Scene in Old Paris)1877
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Indian Sun Dance Young Bucks Proving Their Endurance by Self Torture1875
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A Disputed Passage (also known as A Disputed Passage in the Days of '46)1876
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Dance in a Subterranean Roundhouse at Clear Lake, California1878 · メトロポリタン美術館
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The Crater of Kilauea, Island of Hawaii1885 · Russell-Cotes Art Gallery - Museum
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White Man's Weapon1880
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An Eruption, Hawaii1880 · ホノルル美術館
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Kilauea Caldera1885
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Kilauea Volcano and Rain Forest1885 · Isaacs Art Center
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Volcano at Night1885 · ホノルル美術館
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Kilauea Caldera1885
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Moonlight on the Coast1882
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El Rodeo, Rancho Santa Margarita1884
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Indian Encampment in the Desert1884 · American Museum of Western Art
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A Sunset in Waioming1889
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Kilauea Caldera, Sandwich Islands1886 · サンディエゴ美術館
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View of the Pali1886 · ホノルル美術館
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Halema'uma'u Crater, Kilauea Volcano1887 · Isaacs Art Center
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Wailuku Falls1886 · ホノルル美術館
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Sunrise over Diamond Head1888 · ホノルル美術館
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Full Moon over Kilauea1887
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Volcano Hawaii1888
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Hilo1886
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Kilauea at Dusk1887
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Hilo, Hawaii1886
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Hawaiian Landscape1889 · ホノルル美術館
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Hilo (also known as Hawaiian Volcano)1886
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Red Cloud Camp
39
Indian VillageGilcrease Museum
40
Nocturnal Landscape
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Montezuma Rising (also known as Waiting for Montezuma)
42
Indian Village at Dawn
43
Indian Encampment at Dusk
44
Kilauea Volcano
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Gathering of the Clans (also known as Sioux Encampment (Red Cloud's Camp, Wyoming))Oakland Museum of California
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Marin Sunset, Back of Petaluma1882 · Crocker Art Museum
これらのオリジナル作品に繰り返し描かれている4つの主題と、それぞれの最高傑作。
このページに掲載されている絵画を最も多く所蔵している 8 の美術館
| 美術館 | 都市 | ジュール・タヴェルニエの作品 | このリストの絵画 |
|---|---|---|---|
 ホノルル美術館 |
ホノルル | 8 | Kilauea at Night, Kilauea Fire Fountain, An Eruption, Hawaii |
 メトロポリタン美術館 |
ニューヨーク | 2 | Dance in a Subterranean Roundhouse at Clear Lake, California, Dance in a Subterranean Roundhouse at Clear Lake, California |
 Isaacs Art Center |
Hawaii County | 2 | Kilauea Volcano and Rain Forest, Halema'uma'u Crater, Kilauea Volcano |
 Monterey State Historic Park |
California | 1 | A Dream (also known as Lady Fishing) |
 Russell-Cotes Art Gallery - Museum |
Bournemouth | 1 | The Crater of Kilauea, Island of Hawaii |
 American Museum of Western Art |
Colorado | 1 | Indian Encampment in the Desert |
 サンディエゴ美術館 |
サンディエゴ | 1 | Kilauea Caldera, Sandwich Islands |
 Gilcrease Museum |
タルサ | 1 | Indian Village |
ジュール・タヴェルニエの芸術の19年、1871から1889まで：各時代の最も有名なオリジナル作品を通じて、その歩みを年ごとに辿ります。
年代を選択して、当時のオリジナル作品を見る
Jules Tavernier's “Dance in a Subterranean Roundhouse at Clear Lake, California” isn’t merely a painting; it’s a portal. Painted in 1878 during a pivotal moment of cultural exchange and encroaching Western influence, this work offers an intimate, almost voyeuristic view into the sacred practices of the Elem Pomo people of Northern California. Tavernier, a French-born artist who embraced the American West with an adventurous spirit, was commissioned by Tiburcio Parrott,…
1878のその他の作品
Dry Creek by Jules Tavernier presents a rural landscape scene composed of earthy tones. The composition is organized around a winding path that leads the eye from the foreground into the distance. This path is framed by a fence and several trees, which establish the boundaries of the immediate terrain. A solitary figure wearing red is positioned near a large tree, providing a singular point of focus within the pastoral…
In this 1884 oil on canvas, we find ourselves standing at the edge of a profound geological event. The scene captures the intense heat of a volcanic eruption, where molten red lava surges from the earth into a darkened sky. Smoke and ash hang heavy in the air, obscuring the horizon and creating a sense of immense, suffocating power. It is a moment of pure, unbridled natural force, caught in…
1884のその他の作品
The night air seems to hold its breath in Kilauea at Night, a work by Jules Tavernier. This oil on canvas captures a specific, pulsing moment within the volcanic landscape of Hawaii. The scene unfolds with a raw energy that speaks to the untamed spirit of the islands. It is a vision of natural beauty, caught in the glow of geological power.
1888のその他の作品
Kilauea at Night (1888)（ホノルル美術館, ホノルル）。次いでDry Creek (1881)、Kilauea Fire Fountain (1884)が続きます。
44歳：Kilauea at Nightは1888年の作品で、ジュール・タヴェルニエの生年は1844年です。
Kilauea at Night, Dry Creek, Kilauea Fire Fountain, Dance in a Subterranean Roundhouse at Clear Lake, California, Fort Lee, Trading Post of J. S. Collins, Eagle Rock, An Emigrants' Boarding House in New York, In Wildwood Glen, Saucelito , California と A Dream (also known as Lady Fishing)。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。
当カタログには、1871年から1889年にかけて制作されたジュール・タヴェルニエによる46点の作品が収められています。
主にホノルル美術館 (ホノルル), メトロポリタン美術館 (ニューヨーク) と Isaacs Art Center (Hawaii County)に所蔵されています。上記の美術館一覧にすべて記載されています。
1886年：このページにある全46作品のうち、6作品がその時期に制作されました。そのうちKilauea Caldera, Sandwich Islands作品が含まれます。
このページでは、最も古い作品はFort Lee (1871)、最新の作品はA Sunset in Waioming (1889)です。
このページに掲載されている46点の作品におけるUsa (4), Mountains (3) と Landscape (3)
このページに掲載されている全46作品のうち、3作品のOil On Canvas
Kilauea at Night, Kilauea Fire Fountain と An Eruption, Hawaii：ホノルル美術館, ホノルルには、このページに掲載されている作品のうち8点が所蔵されています。
Born in Paris, France, Jules Tavernier was a man whose life was as much a journey of exploration as it was a pursuit of aesthetic mastery. Trained under the French painter Félix-Joseph Barrias, his early years were steeped in the classical traditions of Europe, yet his spirit was far too restless to be confined by the salons of Paris alone. After experiencing the turbulence of the Franco-Prussian War, Tavernier’s path took him through London and eventually across the Atlantic, where he would find a new canvas in the vast, untamed landscapes of the American West. As a painter, draftsman, and illustrator, he possessed a unique ability to translate the raw energy of the natural world into evocative works of art.
His career was defined by an adventurous spirit that led him from the rugged frontiers of California to the volcanic heart of Hawaii. In the United States, his talent caught the attention of major institutions; notably, his work as an illustrator for Harper's Magazine allowed him to document the American frontier during a year-long sketching tour of the coast. This period of travel was instrumental in shaping his vision, as he captured the essence of Native American themes and pastoral scenes that were then being transformed by westward expansion.
Tavernier is perhaps most celebrated for his association with Hawaii’s Volcano School, a movement characterized by its intense focus on the dramatic geological phenomena of the islands. His time in Hawaii allowed him to witness and record the terrifying beauty of volcanic eruptions, a subject he treated with profound technical skill. In masterpieces such as Kilauea Fire Fountain, Tavernier utilized bold brushstrokes and a vibrant palette to convey the heat and power of flowing lava against darkened, ash-filled skies. His technique often involved thick layers of oil paint, creating a sense of three-dimensional depth that made the molten landscapes appear almost tangible to the viewer.
Beyond the volcanic landscapes, his work also served as a vital historical record of cultural encounters. In pieces like Dance in a Subterranean Roundhouse at Clear Lake, California, he demonstrated a masterful command of chiaroscuro, using stark contrasts between light and shadow to illuminate the sacred rituals of the Elem Pomo people. Through his use of earthy tones punctuated by flashes of red and ochre, he captured not just a scene, but an atmosphere of mystery and reverence. His ability to blend the ethnographic with the atmospheric ensured that his paintings functioned as both fine art and poignant meditations on tradition and change.
The significance of Jules Tavernier lies in his role as a visual bridge between the Old World and the New. He brought the refined training of French academic art to the wild, burgeoning landscapes of the American West and the Pacific. His work remains a vital window into a period of intense cultural exchange and environmental awe. Whether capturing the serene sunset over Marin or the subterranean shadows of a California roundhouse, Tavernier’s legacy is one of profound observation and an enduring passion for the sublime power of the natural world.
