11月 2026 更新 · 当サイトの人気スコア（各作品の検索数、閲覧数、注文数）に基づくランキング · 67点の ユゼフ・シムレルの作品がカタログにあります
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ギャラリーの視点では、ユゼフ・シムレルの最も有名な作品はPortrait of singer Wilhelm Troszel as Don Juan (1846)であり、その原画はワルシャワのワルシャワ国立博物館に展示されています。 Portrait of Field-Marshal Count Fiodor (Friedrich Wilhelm) Berg (1867)とPortrait of Teresa Kicka (1841)が加わり、誰もが一度は目にしたことのある至高のトリオが完成します。 当カタログに含まれるユゼフ・シムレルの作品67点の中から、特に有名な67点を厳選してご紹介します。各作品は、制作年、所蔵美術館、そしてその作品ならではの魅力とともに、一点物のオリジナル作品として掲載されています。
The air in the room feels heavy with the scent of old velvet and the cooling warmth of a dying sun. A man leans against a cold stone pillar, his posture a delicate balance of aristocratic poise and a quiet, poetic melancholy. He is not merely a man, but a character caught in a moment of theatrical stillness, embodying the legendary Don Juan. The light, streaming in from the left,…
The air in the room feels heavy with the weight of authority as Field-Marshal Count Fiodor Berg occupies the center of the frame. He stands with a quiet, commanding presence, his figure anchored by the deep shadows of a grand, 19th-century interior. A dark blue military uniform clings to him, its surface catching the light where gold buttons and medals glint against the fabric. The bright red of his trousers…
The air in the room feels heavy and still, as if time itself has paused to respect the dignity of the woman before us. Teresa Kicka sits in a quiet, formal poise, her gaze meeting the observer with a steady, unblinking clarity. She is draped in a garment of deep burgundy velvet, a color so saturated it seems to absorb the very light around it. The fabric possesses a palpable…
This 1852 oil portrait presents a middle-aged man in a moment of quiet contemplation. Captured in an oval format, the subject is positioned from the waist up, his gaze directed toward the viewer with a calm, steady expression. The composition relies on a controlled, directional light source from the upper left, which carves the contours of his face and creates a sense of physical volume. Dark, muted tones dominate the…
The room falls into a heavy, respectful silence as Julia Bock sits before us, her presence commanding the space through a quiet, aristocratic dignity. She is draped in voluminous black silk and satin, the fabric catching the light in deep, sweeping folds that suggest both weight and a slow, rhythmic movement. A stark white lace collar and cuffs frame her face and hands, creating a sharp, luminous contrast against the…
A profound stillness settles over the room as we encounter Nikodem Biernacki. Seated in a three-quarter pose, the man holds a stringed instrument—perhaps a cello or a violin—with a grace that suggests the music has only just ceased or is about to begin. The composition is contained within a soft oval, focusing all attention on the sitter and his instrument. Dark, earthy tones of deep brown and black dominate the…
In this 1865 oil on canvas, we find ourselves in a quiet, misty forest, where the atmosphere is thick with the scent of damp earth and evergreen. The subject, Ludwik Mycielski, is positioned with a quiet authority, standing amidst the vertical lines of the trees. He is a man of status, perhaps a soldier or a nobleman, holding a saber at his side with a practiced ease. His attire is…
In this 1863 oil on canvas, we encounter Colonel Konstanty Fiszer, a man whose very posture commands the space he occupies. He is depicted in mid-to-late adulthood, his white hair and mustache catching the light against a somber, dark background. There is a quiet authority in the way he holds his walking cane and a folded document, suggesting a life defined by duty and formal decorum. The composition is vertical,…
The composition is a vertical arrangement of three primary subjects: two young girls and a large dog. One girl stands, holding a leash, while the second girl sits on the floor, cradling a doll. A large, black, long-haired dog is positioned beside them. The scene is set within a staged environment featuring a heavy, rectangular pedestal and a draped velvet curtain. In the foreground, fruit is placed upon the floor.…
In this 1849 oil on canvas, Józef Simmler turns his gaze toward the intimate sphere of family, capturing his sister, Katarzyna Jahn. The composition follows a traditional three-quarter view, positioning her from the waist up against a dark, atmospheric backdrop that pushes her figure into the foreground. A soft, directional light enters from the upper left, sculpting the contours of her face and the delicate architecture of her neck. This…
Nobleman with a Parrot1859 · クラクフ国立美術館
12
Portrait of Dr. Teodor Teutold-Tripplin, traveler.1852 · ワルシャワ国立博物館
13
Portrait of Julia Simmlerowa née Hoeggenstaller, artist's wife.1863 · ワルシャワ国立博物館
14
Portrait of Aleksander Waszkowski, member of the National Government in 18631864 · ワルシャワ国立博物館
15
Portrait of countess Róża Sobańska1867 · ワルシャワ国立博物館
16
Study of a male nude.1841 · ワルシャワ国立博物館
17
Wacław's farewell to Maria1848 · ワルシャワ国立博物館
18
Portrait of Jakub Simmler, artist’s father1847 · ワルシャワ国立博物館
19
Male nude study1841 · ワルシャワ国立博物館
20
Portrait study of a lady.1855 · ワルシャワ国立博物館
21
Portrait of Miss Pisarzowska1852 · クラクフ国立美術館
22
Portrait of Jan Reszke1862 · ワルシャワ国立博物館
23
Portrait of Mrs. Skwarcowa1855 · ワルシャワ国立博物館
24
Entombment of Christ, sketch for a painting1850 · ワルシャワ国立博物館
25
Portrait of Antoni Kruszewski, prelate1850 · ワルシャワ国立博物館
26
Portrait of Juliusz Kossak1860 · ワルシャワ国立博物館
27
Portrait of Aleksandra Zatlerowa.1862 · ワルシャワ国立博物館
28
Martyrdom of Josaphat Kuntsevych1861 · ワルシャワ国立博物館
29
Catherine Jagiellon and her son Sigismund in Gripsholm prison1859 · ワルシャワ国立博物館
30
Portrait of Matylda Wernerowa.1858 · ワルシャワ国立博物館
31
Catherine Jagiellon with her son Sigismund imprisoned in the Gripshom Castle (sketch)1859 · ワルシャワ国立博物館
32
Wacław's farewell to Maria1856 · ワルシャワ国立博物館
33
Portrait of a man1856 · ワルシャワ国立博物館
34
Portrait of Capuchin Beniamin Szymański1856 · ワルシャワ国立博物館
35
Boy at breakfast1856 · ワルシャワ国立博物館
36
Queen Jadwiga's oath.1867 · ワルシャワ国立博物館
37
Portrait of Emilia Włodkowska1865 · ワルシャワ国立博物館
38
Sketch for “Crucifixion”1868 · ワルシャワ国立博物館
39
Portrait of Maurycy Brauman1866 · ワルシャワ国立博物館
40
Portrait of Julia Simmler, artist's daughter1864 · ワルシャワ国立博物館
41
Portrait of Emilia Mielżyńska née Bnińska1866 · ワルシャワ国立博物館
42
Portrait of Emilia Reszke1862 · ワルシャワ国立博物館
43
Portrait of Mrs. Kruszewska née Komorowskaワルシャワ国立博物館
44
Study of the hands of Sigismund Augustus for the painting “Death of Barbara Radziwiłł”1860 · ワルシャワ国立博物館
45
Jaśko of Tenczyn. Study to the Painting "The Oath of Queen Jadwiga"クラクフ国立美術館
46
Sketch to the Painting "Three Marys Walking to Christ's Tomb "クラクフ国立美術館
47
Study of the Amor Figure to the Painting "Wedding Procession of Amor and Psyche"クラクフ国立美術館
48
Study to the Painting "The Death of Barbara Radziwiłł" – Head of Quinn Barbaraクラクフ国立美術館
49
Figures of Armoured Guards. Study to the Painting "Catherine Jagiellon in Gripsholm Prison"クラクフ国立美術館
50
The Entombmentクラクフ国立美術館
51
Portrait of a ladyワルシャワ国立博物館
52
Portrait studyワルシャワ国立博物館
53
Portrait of Teofil Lenartowicz, poet and sculptorワルシャワ国立博物館
54
Portrait of a manワルシャワ国立博物館
55
The Death of Barbara Radziwiłłワルシャワ国立美術館
56
Quinn's Attire and a Drapery. Studies to the Painting "The Oath of Queen Jadwiga"クラクフ国立美術館
57
Study of Both Hands of the Bishop for the Painting "The Oath of Queen Jadwiga"クラクフ国立美術館
58
Study (I) of Both Hands of the Bishop to the Painting "The Oath of Queen Jadwiga"クラクフ国立美術館
59
Study of Władysław Jagiełło's Garment to the Painting "The Oath of Queen Jadwiga"クラクフ国立美術館
60
Jaśko of Tęczyn's Garment. Study to the Painting "The Oath of Queen Jadwiga"クラクフ国立美術館
61
Study of a Lady with a Lute's Robe. Study to the Painting "Upbringing of Sigismund Augustus"クラクフ国立美術館
62
Study of a Brocade Hangingクラクフ国立美術館
63
Study of Quinn Barbara's Arm to the Painting "The Death of Barbara Radziwiłł"クラクフ国立美術館
64
Sleeves of King's Attire. Study to the Painting "The Death of Barbara Radziwiłł"クラクフ国立美術館
65
Sketch to the Painting "Three Marys Walking to Christ's Tomb"クラクフ国立美術館
66
Fragment of the Cover of Quinn's Bed. Study to the Painting "The Death of Barbara Radziwiłł"クラクフ国立美術館
67
La Mort de Barbara Radziwiłł by Józef Simmler1860 · ワルシャワ国立博物館
これらのオリジナル作品に繰り返し描かれている4つの主題と、それぞれの最高傑作。
このページに掲載されている絵画を最も多く所蔵している 4 の美術館
| 美術館 | 都市 | ユゼフ・シムレルの作品 | このリストの絵画 |
|---|---|---|---|
 ワルシャワ国立博物館 |
ワルシャワ | 45 | Portrait of singer Wilhelm Troszel as Don Juan, Portrait of Teresa Kicka, Portrait of Ksawery Skrzyński |
 クラクフ国立美術館 |
クラクフ | 20 | Portrait of Ludwik Mycielski, Nobleman with a Parrot, Portrait of Miss Pisarzowska |
 エルミタージュ美術館 |
サンクトペテルブルク | 1 | Portrait of Field-Marshal Count Fiodor (Friedrich Wilhelm) Berg |
 ワルシャワ国立美術館 |
ワルシャワ | 1 | The Death of Barbara Radziwiłł |
その時代を象徴する名作を見るために、年代を選択してください。
The air in the room feels heavy with the scent of old velvet and the cooling warmth of a dying sun. A man leans against a cold stone pillar, his posture a delicate balance of aristocratic poise and a quiet, poetic melancholy. He is not merely a man, but a character caught in a moment of theatrical stillness, embodying the legendary Don Juan. The light, streaming in from the left,…
This 1852 oil portrait presents a middle-aged man in a moment of quiet contemplation. Captured in an oval format, the subject is positioned from the waist up, his gaze directed toward the viewer with a calm, steady expression. The composition relies on a controlled, directional light source from the upper left, which carves the contours of his face and creates a sense of physical volume. Dark, muted tones dominate the…
The air in the room feels heavy with the weight of authority as Field-Marshal Count Fiodor Berg occupies the center of the frame. He stands with a quiet, commanding presence, his figure anchored by the deep shadows of a grand, 19th-century interior. A dark blue military uniform clings to him, its surface catching the light where gold buttons and medals glint against the fabric. The bright red of his trousers…
Portrait of singer Wilhelm Troszel as Don Juan (1846)（ワルシャワ国立博物館, ワルシャワ）。次いでPortrait of Field-Marshal Count Fiodor (Friedrich Wilhelm) Berg (1867)、Portrait of Teresa Kicka (1841)が続きます。
23歳：Portrait of singer Wilhelm Troszel as Don Juanは1846年の作品で、ユゼフ・シムレルの生年は1823年です。
Portrait of singer Wilhelm Troszel as Don Juan, Portrait of Field-Marshal Count Fiodor (Friedrich Wilhelm) Berg, Portrait of Teresa Kicka, Portrait of Ksawery Skrzyński, Portrait of Julia Bock, Nikodem Biernacki, Portrait of Ludwik Mycielski, Portrait of colonel Konstanty Fiszer, Portrait of Kronenberg sisters (Maria Róża and Róża Maria Karolina) with a dog と Portrait of Katarzyna Jahn, artist's sister.。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。
当カタログには、1841年から1868年にかけて制作されたユゼフ・シムレルによる67点の作品が収められています。
主にワルシャワ国立博物館 (ワルシャワ), クラクフ国立美術館 (クラクフ) と エルミタージュ美術館 (サンクトペテルブルク)に所蔵されています。上記の美術館一覧にすべて記載されています。
1860s年：このページにある全67作品のうち、22作品がその時期に制作されました。そのうちPortrait of Field-Marshal Count Fiodor (Friedrich Wilhelm) Berg作品が含まれます。
このページでは、最も古い作品はPortrait of Teresa Kicka (1841)、最新の作品はSketch for “Crucifixion” (1868)です。
このページに掲載されている67点の作品におけるMan (22), Woman (19) と Lace (8)
このページに掲載されている全67作品のうち、39作品のOil On Canvas
このページに掲載されているオリジナル作品から判断すると、Academic realismです。
Portrait of singer Wilhelm Troszel as Don Juan, Portrait of Teresa Kicka と Portrait of Ksawery Skrzyński：ワルシャワ国立博物館, ワルシャワには、このページに掲載されている作品のうち45点が所蔵されています。
