11月 2026 更新 · 当サイトの人気スコア（各作品の検索数、閲覧数、注文数）に基づくランキング · 43点の Józef Mehofferの作品がカタログにあります
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ギャラリーの視点では、Józef Mehofferの最も有名な作品はWife’s portrait study, sketch for “Strange garden” (1902)であり、その原画はワルシャワのワルシャワ国立博物館に展示されています。 Marshal Milkowski (1885)とIza Axentowicz (1907)が加わり、誰もが一度は目にしたことのある至高のトリオが完成します。 当カタログに含まれるJózef Mehofferの作品43点の中から、特に有名な43点を厳選してご紹介します。各作品は、制作年、所蔵美術館、そしてその作品ならではの魅力とともに、一点物のオリジナル作品として掲載されています。
A woman’s face emerges from a deep, nocturnal gloom. The light catches the curve of her cheek and the bridge of her nose, pulling her features forward from a background of ink and midnight blue. She wears a large, dark hat, a heavy shape defined by swirling, green feather-like strokes that seem to pulse with a life of their own. This is a moment of quietude, a sketch captured in…
The gaze of Iza Axentowiczowa née Giełgud meets the viewer through this intimate portrait, a work that captures a specific moment of poise and presence. Painted in 1907, the image presents a woman of quiet dignity, her form rendered with a sensitivity that suggests a deep familiarity between the subject and the artist. This portrait of Iza Axentowicz remains a significant piece of the artist's legacy, capturing her essence through…
Strange garden1903 · ワルシャワ国立博物館
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Portrait of Wife1904 · クラクフ国立美術館
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Paon (Sketches by the Artists of the Young Poland from the Café "Paon" of Ferdynand Turliński)1899 · クラクフ国立美術館
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Three angels1901 · ワルシャワ国立博物館
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Head of a girl against gold background1901 · ワルシャワ国立博物館
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Portrait of Iza Axentowicz (nee Giełgud)1907 · ワルシャワ国立博物館
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Portrait of artist's wife, Jadwiga (nee Janakowska)1907 · ワルシャワ国立博物館
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Portrait of Maksymilian Ehrenpreis1911 · ワルシャワ国立博物館
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Portrait of artist's wife with Pegasus.1913 · Museum of Art in Łódź
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ヴィータ ソムニウム ブレヴェ1906 · クラクフ国立美術館
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Planty Park in Kraków1898 · ワルシャワ国立博物館
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Our Lady Victorious1898 · Fribourg Cathedral
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Head of a Model1896
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La Gorge d'Areuse1897 · Muzeum Narodowe w Pozaniu
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The Muse1897 · Muzeum Narodowe w Warszawie
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The Mantelpiece1895 · Muzeum Narodowe w Pozaniu
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Main Market Square in Krakow1903 · クラクフ国立美術館
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Landscape, sketch for “Strange garden”1902 · ワルシャワ国立博物館
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Eucharist1901 · Fribourg Cathedral
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The Farewell1900
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Three Kings1905 · Fribourg Cathedral
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The Florentine Portrait of the Artist's Wife1900
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Martyrs1905 · Fribourg Cathedral
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May sun1911 · ワルシャワ国立博物館
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Zinnias1911 · ワルシャワ国立博物館
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St. George, Michael, Anne and Mary Magdalene1910 · Fribourg Cathedral
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Saints bishops and deacons (St. Stephen, Lawrence, Martin of Tours and Claudio of Besançon),1917 · Fribourg Cathedral
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Portrait of Father J. Joachim Berthier1918
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Portrait of Juliusz Kossakワルシャワ国立博物館
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Allegory of Prosperity
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Mosaic in the Armenian Cathedral in Lviv
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Wife's portrait1909 · Silesian Museum in Katowice
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Red Umbrella1917 · クラクフ国立美術館
これらのオリジナル作品に繰り返し描かれている4つの主題と、それぞれの最高傑作。
このページに掲載されている絵画を最も多く所蔵している 7 の美術館
| 美術館 | 都市 | Józef Mehofferの作品 | このリストの絵画 |
|---|---|---|---|
 ワルシャワ国立博物館 |
ワルシャワ | 17 | Wife’s portrait study, sketch for “Strange garden”, Iza Axentowicz, Portrait of Wanda Strażyńska |
 クラクフ国立美術館 |
クラクフ | 8 | Self-Portrait (1898), Self-Portrait, Sketch to the Painting "Conversation" |
 Fribourg Cathedral |
Fribourg | 6 | Our Lady Victorious, Eucharist, Three Kings |
 Muzeum Narodowe w Pozaniu |
Poznań | 2 | La Gorge d'Areuse, The Mantelpiece |
 Museum of Art in Łódź |
Łódź | 1 | Portrait of artist's wife with Pegasus. |
 Muzeum Narodowe w Warszawie |
ワルシャワ | 1 | The Muse |
 Silesian Museum in Katowice |
Katowice | 1 | Wife's portrait |
その時代を象徴する名作を見るために、年代を選択してください。
A woman’s face emerges from a deep, nocturnal gloom. The light catches the curve of her cheek and the bridge of her nose, pulling her features forward from a background of ink and midnight blue. She wears a large, dark hat, a heavy shape defined by swirling, green feather-like strokes that seem to pulse with a life of their own. This is a moment of quietude, a sketch captured in…
Wife’s portrait study, sketch for “Strange garden” (1902)（ワルシャワ国立博物館, ワルシャワ）。次いでMarshal Milkowski (1885)、Iza Axentowicz (1907)が続きます。
33歳：Wife’s portrait study, sketch for “Strange garden”は1902年の作品で、Józef Mehofferの生年は1869年です。
Wife’s portrait study, sketch for “Strange garden”, Marshal Milkowski, Iza Axentowicz, Portrait of Wanda Strażyńska, Portrait of sculptor Konstanty Laszczka., Self-Portrait (1898), Self-Portrait, Sketch to the Painting "Conversation", Self-portrait と Village girl。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。
当カタログには、1885年から1918年にかけて制作されたJózef Mehofferによる43点の作品が収められています。
主にワルシャワ国立博物館 (ワルシャワ), クラクフ国立美術館 (クラクフ) と Fribourg Cathedral (Fribourg)に所蔵されています。上記の美術館一覧にすべて記載されています。
1900s年：このページにある全43作品のうち、17作品がその時期に制作されました。そのうちWife’s portrait study, sketch for “Strange garden”作品が含まれます。
このページでは、最も古い作品はMarshal Milkowski (1885)、最新の作品はPortrait of Father J. Joachim Berthier (1918)です。
このページに掲載されている43点の作品におけるPortrait (3) と Woman (2)
このページに掲載されている全43作品のうち、2作品のOil On Canvas
このページに掲載されているオリジナル作品から判断すると、Art nouveauです。
Wife’s portrait study, sketch for “Strange garden”, Iza Axentowicz と Portrait of Wanda Strażyńska：ワルシャワ国立博物館, ワルシャワには、このページに掲載されている作品のうち17点が所蔵されています。
Józef Mehoffer arrived in the world in Ropczyce, Poland, in 1869, though his path to the easel was not immediate. Before he embraced the brush, he pursued legal studies, a direction that only shifted after a gift of paints revealed a different vocation. He sought formal training at the Academy of Fine Arts in Kraków under Władysław Łuszczkiewicz, later expanding his horizons through studies in Vienna and Paris at the Académie Colarossi. This period of wandering through Europe’s great art centers allowed him to absorb the diverse currents of his era.
His work became a bridge between the academic traditions of his teachers, such as Jan Matejko, and the emerging avant-garde. He moved with ease between easel painting and the monumental demands of decorative arts. Whether working on portraits, landscapes, or intricate book illustrations, Mehoffer sought a fusion of form and color. His style grew to include elements of Post- Impressionism and the Secession movement, often utilizing bold palettes and fluid lines that mirrored the organic spirit of Art Nouveau.
While his presence was felt throughout Poland, Mehoffer achieved significant recognition through his work in Switzerland. Between 1895 and 1936, he dedicated decades to a cycle of thirteen stained-glass compositions for the Cathedral of St. Nicholas in Fribourg. This undertaking required immense technical precision, as he treated the lead came not merely as a structural necessity but as an autonomous graphic line. He selected glass of varying thicknesses and textures, using silver stain and vitreous black to manipulate how light moved through the windows.
The success of these windows brought him international attention. At the 1900 Paris World's Fair, his window titled The Martyrs earned a gold medal. This period of his life saw him blending Polish folk motifs with the sophisticated aesthetics of European Art Nouveau. His ability to translate complex religious and symbolic themes into luminous glass remains a central part of his professional identity.
Mehoffer’s creative output was remarkably broad, refusing to be confined to a single medium. He was as much a designer of furniture, textiles, and posters as he was a painter of canvases. His hand could be found in the mosaics of the Armenian Cathedral in Lviv and the frescoes of Wawel Cathedral. In 1897, he helped found the society Sztuka, an organization that sought to assert the independence of Polish art from the influence of occupying powers.
In his later years, Mehoffer established a home and studio on Krupnicza Street in Kraków. This house, which he purchased in 1932, became a center for musical and literary gatherings, reflecting his role as a figure of the Polish intelligentsia. He lived through the profound shifts of the early twentieth century, continuing to work even during the hardships of the Second World War. When he passed away in Wadowice in 1946, he left behind a body of work that spanned the transition from nineteenth-century tradition to the modern decorative era.
