11月 2026 更新 · 当サイトの人気スコア（各作品の検索数、閲覧数、注文数）に基づくランキング · 35点の Joseph Légaréの作品がカタログにあります
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当ギャラリーの視点では、Joseph Légaréの最も有名な作品はConversion of Saint Paul (1822)です。 Le Massacre des Hurons par les Iroquois (1827)とLe Père éternel entouré d'anges (1824)が加わり、誰もが一度は目にしたことのある至高のトリオが完成します。 当カタログに含まれるJoseph Légaréの作品35点の中から、特に有名な23点を厳選してご紹介します。各作品は、制作年、所蔵美術館、そしてその作品ならではの魅力とともに、一点物のオリジナル作品として掲載されています。
The oil on canvas titled Conversion of Saint Paul represents a significant moment in the career of Joseph Légaré. Created about 1822, the work captures a profound spiritual transformation through the medium of oil. The pigments settle into the weave of the fabric, anchoring a scene of divine encounter within the physical weight of the canvas.
Le Massacre des Hurons par les Iroquois is a historical painting by the artist Joseph Légaré. The work was created between 1827 and 1828. It depicts a violent conflict between Indigenous groups. The scene captures a chaotic battle or massacre occurring within a dense forest.
In the work Le Père éternel entouré d'anges by Joseph Légaré, the composition follows a vertical portrait format. A middle-aged man occupies the central position within the frame, presented in a medium close-up. The subject is captured in a moment of animation, with his expression appearing mid-speech. His hands are raised in an open, gesturing motion toward the viewer. This physical engagement is emphasized by the sharp focus maintained on…
The air in the composition feels heavy with the weight of the divine. A muscular, semi-nude Saint Jerome recoils from the sky, his torso draped in a deep red cloth that anchors him to the rocky earth. He looks upward, eyes fixed on a celestial rupture where light breaks through swirling, luminous clouds. From this heavenly opening, an angelic figure descends, blowing a long trumpet to signal the Last Judgment.…
La Vision de saint Roch is an oil painting by Joseph Légaré. The artist, born in 1795 in Quebec City, Canada, captured this religious scene about 1825. His hand moved across the canvas to translate a moment of spiritual revelation into a permanent image of light and shadow.
Josephte Ourné by Joseph Légaré presents a full-length fashion photograph of a model captured in mid-stride. The composition is centered on the subject as she walks down a runway, set against a dense wall of green leaves. This lush, textured backdrop provides depth through a shallow depth of field that softly blurs the foliage. The lighting is bright and even, reminiscent of studio or stage lighting, which highlights the specific…
The work titled Landscape is a creation by the artist Joseph Légaré. This piece dates to about 1844. Légaré was born in 1795 in Quebec City, Canada.
The Battle of Sainte-Foy is a medium painting by Joseph Légaré. Created about 1854, the work captures a moment of historical tension through the artist's brush. Joseph Légaré rendered the scene with a focus on the specific topography of the site, ensuring the landscape remains an accurate anchor for the composition. While the terrain follows the physical reality of the location, the battle scene itself remains an imaginary construction of…
Cholera Plague, Quebec1832 · カナダ国立美術館
12
Sainte Marguerite d'Antioche1825 · Musée Des Beaux
13
Saint François d'Assise en prière devant un crucifix1825 · Musée Des Beaux
14
Madame Charles-Maxime Defoy, née Marie-Louise Légaré, soeur de l'artiste1830 · Musée Des Beaux
15
Nature morte au portrait de Calvin1835 · Musée Des Beaux
16
La Chute Montmorency1839 · Musée Des Beaux
17
The Corpus Christi Procession, Nicolet1832 · カナダ国立美術館
18
L'Incendie du quartier Saint-Jean à Québec, vu vers l'ouest1845 · Musée Des Beaux
19
Paysage au monument à Wolfe1845 · Musée Des Beaux
20
The Martyrdom of Fathers Brébeuf and Lalemant1843 · カナダ国立美術館
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The Engagement of an Indian Girl1844 · カナダ国立美術館
22
The Rock Slide at Cape Diamond1841 · Musée de la civilisation
23
The Church of Sainte-FoyMusée de la civilisation
これらのオリジナル作品に繰り返し描かれている4つの主題と、それぞれの最高傑作。
このページに掲載されている絵画を最も多く所蔵している 3 の美術館
| 美術館 | 都市 | Joseph Légaréの作品 | このリストの絵画 |
|---|---|---|---|
 Musée Des Beaux |
ケベックシティ | 11 | Le Massacre des Hurons par les Iroquois, Le Père éternel entouré d'anges, Saint Jérôme entendant la trompette du Jugement dernier (La Vision de saint Jérôme) |
 カナダ国立美術館 |
オタワ | 9 | Josephte Ourné, Landscape, The Battle of Sainte-Foy |
 Musée de la civilisation |
Quebec City | 2 | The Rock Slide at Cape Diamond, The Church of Sainte-Foy |
その時代を象徴する名作を見るために、年代を選択してください。
The oil on canvas titled Conversion of Saint Paul represents a significant moment in the career of Joseph Légaré. Created about 1822, the work captures a profound spiritual transformation through the medium of oil. The pigments settle into the weave of the fabric, anchoring a scene of divine encounter within the physical weight of the canvas.
Joseph Légaré’s “Cholera Plague, Quebec,” painted in 1832, is more than a simple depiction of a nighttime scene; it’s a haunting meditation on vulnerability and societal disruption rendered with the stark clarity of black and white. Measuring 82 x 111 cm, this artwork immediately draws the viewer into a world steeped in shadow and anxiety, reflecting the profound anxieties gripping Quebec during the devastating cholera epidemic of that year.
Josephte Ourné by Joseph Légaré presents a full-length fashion photograph of a model captured in mid-stride. The composition is centered on the subject as she walks down a runway, set against a dense wall of green leaves. This lush, textured backdrop provides depth through a shallow depth of field that softly blurs the foliage. The lighting is bright and even, reminiscent of studio or stage lighting, which highlights the specific…
The Battle of Sainte-Foy is a medium painting by Joseph Légaré. Created about 1854, the work captures a moment of historical tension through the artist's brush. Joseph Légaré rendered the scene with a focus on the specific topography of the site, ensuring the landscape remains an accurate anchor for the composition. While the terrain follows the physical reality of the location, the battle scene itself remains an imaginary construction of…
Conversion of Saint Paul (1822)。続いてLe Massacre des Hurons par les Iroquois (1827)、Le Père éternel entouré d'anges (1824)が続きます。
27歳：Conversion of Saint Paulは1822年の作品で、Joseph Légaréの生年は1795年です。
Conversion of Saint Paul, Le Massacre des Hurons par les Iroquois, Le Père éternel entouré d'anges, Saint Jérôme entendant la trompette du Jugement dernier (La Vision de saint Jérôme), La Vision de saint Roch, Josephte Ourné, Landscape, The Battle of Sainte-Foy, Saint Francis of Paola Raising his Sister's Child from the Dead と Saint Philip Baptizing the Eunuch of Queen Candace。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。
当カタログには、1821年から1854年にかけて制作されたJoseph Légaréによる35点の作品が収められています。
主にMusée Des Beaux (ケベックシティ), カナダ国立美術館 (オタワ) と Musée de la civilisation (Quebec City)に所蔵されています。上記の美術館一覧にすべて記載されています。
1820s年：このページにある全23作品のうち、9作品がその時期に制作されました。そのうちConversion of Saint Paul作品が含まれます。
このページでは、最も古い作品はSaint Francis of Paola Raising his Sister's Child from the Dead (1821)、最新の作品はThe Battle of Sainte-Foy (1854)です。
このページに掲載されている23点の作品におけるMan (5), Clouds (3) と Green leaves (2)
このページに掲載されている全23作品のうち、3作品のOil On Canvas
Le Massacre des Hurons par les Iroquois, Le Père éternel entouré d'anges と Saint Jérôme entendant la trompette du Jugement dernier (La Vision de saint Jérôme)：Musée Des Beaux, ケベックシティには、このページに掲載されている作品のうち11点が所蔵されています。
Joseph Légaré (1795-1855) was a pivotal Canadian artist and politician whose life embodies the intersection of creativity and public service. Born in Saint-Jacques, Canada East, Légaré left an indelible mark on the country’s cultural landscape.
Légaré's early life was marked by a natural inclination towards artistic expression. Though details of his formative years remain somewhat obscure, it is evident he honed skills that would lead him to become one of the founding members of Willow Bunch, Saskatchewan. He wasn’t solely an artist; Légaré skillfully balanced multiple roles throughout his life – painter, glazier, seigneur, and political figure.
Demonstrating a strong entrepreneurial spirit, Légaré ventured into cattle and horse ranching in the Willow Bunch area. This showcased his adaptability and willingness to embrace diverse opportunities. Further solidifying his commitment to community, he served as postmaster in Willow Bunch from 1898 until his death in 1918.
While a significant portion of Légaré’s artistic output remains undocumented, his influence on Canadian art is undeniable. He is particularly remembered for his historical paintings and religious scenes. Cholera Plague, Quebec stands as one of his most recognized works, capturing a poignant moment in the region's history.
Information regarding specific artistic influences on Légaré is limited due to the scarcity of documented sources about his early training. However, it’s reasonable to assume he was influenced by the prevailing artistic styles of Lower Canada during the 19th century – a blend of European traditions adapted to the Canadian context.
Légaré’s life serves as a fascinating case study in the intersection of art and politics. He represents a generation of Canadians who actively participated in both cultural development and civic leadership. His legacy continues to inspire those interested in the rich history of Canadian art and its connection to the nation's social and political evolution.
