Joseph Badgerの肖像画

ギャラリー厳選、Joseph Badgerによる最も有名な32の絵画

11月 2026 更新 · 当サイトの人気スコア(各作品の検索数、閲覧数、注文数)に基づくランキング · 32点の Joseph Badgerの作品がカタログにあります

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Joseph Badgerが遺したオリジナル作品の中で最も有名なものは、ロサンゼルスのロサンゼルス・カウンティ・ミュージアム・オブ・アートに収蔵されているPortrait of Sarah Larrabee Edes (1760)です。 それに次いで、Little Girl Holding Flowers (attributed to Joseph Badger) (1755)とMrs. Richard Kent (Hannah Gookin) (1691-1758) (1746)が続きます。 Joseph Badgerによる32点の作品をカタログに掲載しています。当ギャラリーでは、世界が称賛する32点を選定し、制作年、所蔵美術館、そしてその背景にある物語とともにご紹介しています。

1708 – 1765, Charlestown 最多収蔵館: ボストン美術館

Joseph Badgerの代表作10選:ギャラリー厳選の作品集

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Portrait of Sarah Larrabee Edes (1760) による Joseph Badger

Portrait of Sarah Larrabee Edes

Sarah Larrabee Edes sits before us, suspended in a quiet moment of the mid-18th century. She is positioned in a three-quarter view, her gaze meeting the viewer with a steady, composed dignity. The light falls softly across her face and chest, carving her features out of a deep, atmospheric background of nebulous foliage and a hazy, indistinct sky. Her gown, a deep shade of blue, possesses a silken sheen that…

Joseph Badgerのセレクションが続きます、11から32まで

Joseph Badgerの原画を所蔵する美術館

このページに掲載されている絵画を最も多く所蔵している 8 の美術館

美術館 都市 Joseph Badgerの作品 このリストの絵画
ボストン美術館, ボストンボストン美術館 ボストン 5 William Foye, Jr., Mrs. William Foye (Elizabeth Campbell), Elizabeth Storer (Mrs. Isaac Smith)
ナショナル・ギャラリー・オブ・アート, ワシントンナショナル・ギャラリー・オブ・アート ワシントン 4 Captain Isaac Foster, Eleanor Wyer Foster (Mrs. Isaac Foster), Isaac Foster, Jr.
Worcester Art Museum, 伍斯特Worcester Art Museum 伍斯特 3 Portrait of Cornelius Waldo, Rebecca Orne, Lois Orne
Rhode Island School of Design Museum of Art, プロビデンスRhode Island School of Design Museum of Art プロビデンス 3 Portrait of Mr. Sargent, Portrait of Ann Savage, Portrait of an Unknown Woman
Yale University Art Gallery, ニューヘイブンYale University Art Gallery ニューヘイブン 2 Little Girl Holding Flowers (attributed to Joseph Badger), Mrs. Richard Kent (Hannah Gookin) (1691-1758)
Minneapolis Institute of Art, ミネアポリスMinneapolis Institute of Art ミネアポリス 2 Portrait of Mary Croswell (1730-1830?), Portrait of Abigail Gowen (1759-1850)
New Britain Museum of American Art, ニューブリテンNew Britain Museum of American Art ニューブリテン 2 Samuel Moody, Hannah Minot Moody
ロサンゼルス・カウンティ・ミュージアム・オブ・アート, ロサンゼルスロサンゼルス・カウンティ・ミュージアム・オブ・アート ロサンゼルス 1 Portrait of Sarah Larrabee Edes

Joseph Badgerの年代別名作:各時代を象徴するオリジナル作品

年代別作品数

その時代を象徴する名作を見るために、年代を選択してください。

Joseph Badgerの絵画に関するコレクターからの質問

Joseph Badgerの代表作は何ですか?答えを見る

Portrait of Sarah Larrabee Edes (1760)(ロサンゼルス・カウンティ・ミュージアム・オブ・アート, ロサンゼルス)。次いでLittle Girl Holding Flowers (attributed to Joseph Badger) (1755)、Mrs. Richard Kent (Hannah Gookin) (1691-1758) (1746)が続きます。

Portrait of Sarah Larrabee Edesが制作されたとき、Joseph Badgerは何歳でしたか?答えを見る

52歳:Portrait of Sarah Larrabee Edesは1760年の作品で、Joseph Badgerの生年は1708年です。

Joseph Badgerの最も有名な10作品とは?答えを見る

Portrait of Sarah Larrabee Edes, Little Girl Holding Flowers (attributed to Joseph Badger), Mrs. Richard Kent (Hannah Gookin) (1691-1758), Portrait of Cornelius Waldo, Portrait of John Gerry, William Foye, Jr., Mrs. William Foye (Elizabeth Campbell), Elizabeth Storer (Mrs. Isaac Smith), Mrs. John Edwards (Abigail Fowle) と George Whitefield (1714-1770)。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。

Joseph Badgerが遺した作品数は?答えを見る

当カタログには、1745年から1763年にかけて制作されたJoseph Badgerによる32点の作品が収められています。

Joseph Badgerの名作は、どの美術館に収蔵されていますか?答えを見る

主にボストン美術館 (ボストン), ナショナル・ギャラリー・オブ・アート (ワシントン) と Worcester Art Museum (伍斯特)に所蔵されています。上記の美術館一覧にすべて記載されています。

Joseph Badgerが最も有名な作品を多く描いたのは何年ですか?答えを見る

1750s年:このページにある全32作品のうち、18作品がその時期に制作されました。そのうちLittle Girl Holding Flowers (attributed to Joseph Badger)作品が含まれます。

Joseph Badgerによる最初と最後の代表的なオリジナル作品は何ですか?答えを見る

このページでは、最も古い作品はPortrait of John Gerry (1745)、最新の作品はPortrait of Mary Croswell (1730-1830?) (1763)です。

ボストン美術館にはどのJoseph Badgerの作品が展示されていますか?答えを見る

William Foye, Jr., Mrs. William Foye (Elizabeth Campbell) と Elizabeth Storer (Mrs. Isaac Smith):ボストン美術館, ボストンには、このページに掲載されている作品のうち5点が所蔵されています。

Joseph Badger:生涯と作品

The Artisan of Colonial Boston: The Life and Legacy of Joseph Badger

In the bustling, salt-aired streets of eighteenth-century Boston, where the intellectual fervor of the Enlightenment began to stir amidst colonial tradition, there lived a man whose brush captured the very soul of a burgeoning nation. Joseph Badger (c. 1707–1765) was far more than a mere recorder of faces; he was a bridge between the practical grit of colonial craftsmanship and the refined elegance of high portraiture. Born in Charlestown to Stephen Badger, a skilled tailor, and Mercy Kettell, his early life was rooted in the industrious spirit of Massachusetts. Before he ever commanded the attention of the merchant elite, Badger honed his eye through the meticulous labor of an apprentice house painter and glazier. This foundational period of manual artistry instilled in him a profound reverence for materials and a precision of touch that would later define his most celebrated canvases.

Badger’s journey was one of constant movement and adaptation, reflecting the fluid social structures of his era. After marrying Katharine Felch in 1731, he transitioned to the heart of Boston around 1733, establishing himself within a community of thinkers and traders. While his primary calling was the pursuit of fine art, the economic realities of colonial life required a versatile hand. To sustain his practice during periods when portrait commissions were sparse, Badger turned to the more utilitarian arts, painting signs, hatchments, and heraldic devices. This duality of vocation—the ability to move between the decorative and the profound—allowed him to maintain a constant presence in the visual landscape of the city, ensuring that even his most commercial works carried the weight of his developing mastery.

A Mastery of Light and Character

The true brilliance of Badger’s work lies in his ability to transcend simple likeness, imbuing his subjects with an unmistakable sense of presence and intellect. Influenced by the enduring traditions of European portraiture, particularly the subtle realism found in Dutch masters, he developed a technique characterized by an expressive handling of light and shadow. His portraits do not merely sit upon the canvas; they breathe with the dignity of their sitters. In his famous 1747 depiction of James Bowdoin, one can observe how Badger utilizes composition to convey status and curiosity, placing the subject against a backdrop that suggests both maritime prosperity and scholarly depth.

His subjects were often the architects of colonial society—wealthy merchants, influential clergymen, and prominent families who sought to immortalize their legacy. Through his brush, these figures are rendered with a realism that captures the texture of fine fabrics, the glint of light on polished surfaces, and the nuanced expressions of a class navigating a changing world. His work serves as a vital historical window, offering glimpses into the social fabric of Boston through the very clothing, posture, and gaze of its most notable citizens.

Historical Significance and Rediscovery

Though his talent was respected during his lifetime, the true magnitude of Joseph Badger’s contribution to American art underwent a period of quietude following his death in 1765. For many years, his name resided in the shadows of later, more famous American masters. It was not until the early twentieth century, through the scholarly efforts of historians like Lawrence Park, that the significance of his oeuvre was fully re-evaluated and brought back into the light of art historical discourse.

Today, Badger’s legacy is preserved in some of the most prestigious institutions in the United States, serving as a cornerstone for anyone studying the evolution of American portraiture. His works can be found in:

  • The Museum of Fine Arts, Boston: Where his ability to capture the colonial spirit remains on permanent display.
  • The Worcester Art Museum: Housing pieces that showcase his technical command and historical importance.
  • Historic New England’s Phillips House: Preserving the connection between his art and the domestic history of Salem.

Ultimately, Joseph Badger remains a pivotal figure in the narrative of early American art. He represents the transition from the functional trades of the colonial era to the sophisticated artistic expressions of a maturing society. His life, marked by both the humble work of a glazier and the elevated pursuit of the portraitist, mirrors the very growth of the American identity itself—a journey from craftsmanship toward a distinct and enduring cultural voice.