11月 2026 更新 · 当サイトの人気スコア（各作品の検索数、閲覧数、注文数）に基づくランキング · 38点の ジョン・スカーレット・デイビスの作品がカタログにあります
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The Cathedral of St Bavon, Ghent (1833)はジョン・スカーレット・デイビスの作品の中で最も注目を集めている絵画です。原画はバーミンガムのバーミンガム博物館・美術館に所蔵されています。 その後、視線はRue Saint Martin, ParisとLeominster Market Hall, Herefordshireへと移ります。 当カタログに含まれるジョン・スカーレット・デイビスの38点の作品のうち、これら38点は最も有名な作品です。制作年、所蔵美術館、そして時代を超えて愛される理由とともに、一点もののオリジナル作品をご紹介します。
In The Cathedral of St Bavon, Ghent, John Scarlett Davis turns his attention to the soaring interior of this Belgian landmark. Created about 1833, the work captures the immense scale of the Gothic nave. The artist focuses on the architectural rhythm of the space, documenting the way the structure rises toward the heavens. It is a quiet study of a sacred environment, rendered with a precision that reflects Davis's specialized…
Street Scene In Calais
12
A Herefordshire Worthy
13
Untitled
14
Figures And A Dog On The Quayside, Paris, Near The Pont Neuf
15
Portrait Of A Man
16
Self Portrait
17
Man In A Top Hat
18
Landscape With Trees
19
Head Of An Old Man
20
Interior Of St Peter's, Rome
21
Self Portrait In Oil
22
Caroline Ann Davisバイエルン州立絵画コレクション
23
Leominster, Herefordshire
24
Interior Of St Sulpice, Paris
25
View Of A Venetian Canal With A Religious Procession On A Bridge, And A Monk At The Foot Of The Steps
26
Interior Of Amiens Cathedral
27
Interior Of St Peter's Basilica, Rome
28
Amiens Cathedral Interior, France
29
Antwerp Cathedral, Belgium
30
The Artist's Brother, Edmund James Davis
31
The Interior Of The British Institution Galleryイェール英国美術館
32
The Tomb of Hendrick van Balen
33
Rembrandt's Studio
34
View From No.2 High Street Looking Down Church Street, Leominster
35
Interior Of A Church
36
The Library
37
Interior Of The Church Of St Michael, Munich, GermanyHereford Museum and Art Gallery
38
Main Gallery Of The Louvre, Paris
これらのオリジナル作品に繰り返し描かれている4つの主題と、それぞれの最高傑作。
このページに掲載されている絵画を最も多く所蔵している 5 の美術館
| 美術館 | 都市 | ジョン・スカーレット・デイビスの作品 | このリストの絵画 |
|---|---|---|---|
 バーミンガム博物館・美術館 |
バーミンガム | 1 | The Cathedral of St Bavon, Ghent |
 オークランド・アート・ギャラリー・トイ・オ・タマキ |
オークランド | 1 | Interior of a Church |
 バイエルン州立絵画コレクション |
ミュンヘン | 1 | Caroline Ann Davis |
 イェール英国美術館 |
ニューヘイブン | 1 | The Interior Of The British Institution Gallery |
 Hereford Museum and Art Gallery |
1 | Interior Of The Church Of St Michael, Munich, Germany |
ここに表示されているジョン・スカーレット・デイビスの年代別オリジナル作品はすべて1833年のもので、知名度の高い順に並んでいます。
年代を選択して、当時のオリジナル作品を見る
In The Cathedral of St Bavon, Ghent, John Scarlett Davis turns his attention to the soaring interior of this Belgian landmark. Created about 1833, the work captures the immense scale of the Gothic nave. The artist focuses on the architectural rhythm of the space, documenting the way the structure rises toward the heavens. It is a quiet study of a sacred environment, rendered with a precision that reflects Davis's specialized…
The Cathedral of St Bavon, Ghent (1833)（バーミンガム博物館・美術館, バーミンガム）。次いでRue Saint Martin, Paris、Leominster Market Hall, Herefordshireが続きます。
29歳：The Cathedral of St Bavon, Ghentは1833年の作品で、ジョン・スカーレット・デイビスの生年は1804年です。
The Cathedral of St Bavon, Ghent, Rue Saint Martin, Paris, Leominster Market Hall, Herefordshire, Portrait Of An Unknown Man, Self Portrait, Aged - (16), Interior of St. Peter's, Hampton Court Palace Interior, The Interior Of A Large Country House (great Hall, Mount Edgcumbe), Interior of a Church と Near The Seine。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。
当カタログにはジョン・スカーレット・デイビスによる作品が38点ございます。
主にバーミンガム博物館・美術館 (バーミンガム), オークランド・アート・ギャラリー・トイ・オ・タマキ (オークランド) と バイエルン州立絵画コレクション (ミュンヘン)に所蔵されています。上記の美術館一覧にすべて記載されています。
このページに掲載されている38点の作品におけるInterior (5), Saints (4) と France (4)
このページに掲載されているオリジナル作品から判断すると、Romanticismです。
Born in Leominster, England, John Scarlett Davis emerged from a family of skilled craftsmen, the son of a silversmith and watchmaker. His journey into the world of fine art began with an innate, precocious talent that was recognized even in his earliest years; by the age of eleven, he had already garnered accolades from local societies dedicated to the encouragement of the arts. This early spark led him from the quiet streets of his birthplace to the prestigious Royal Academy Schools in London, where he sought to refine his vision. Under the tutelage of masters such as Sir Thomas Lawrence, Davis developed a profound command over portraiture, while also absorbing the landscape techniques of contemporaries like David Cox. His early life was marked by this rapid ascent from a self-taught prodigy to a professional artist capable of navigating the complex demands of both the London art scene and the broader European continent.
While Davis was a versatile practitioner, his true artistic soul resided in the meticulous rendering of architectural grandeur and the intimate atmosphere of interior spaces. He possessed a rare, specialized ability to capture the essence of art galleries, documenting the very halls that housed the Old Masters. His work, such as The Interior of the British Institution Gallery, serves not merely as a painting but as a historical record of the collections of his era. This fascination with interiority extended far beyond England; his travels through Europe allowed him to immerse himself in the light and scale of magnificent structures, from the Louvre to the Uffizi Gallery in Florence. Whether through the delicate line work of a pencil sketch or the dramatic, layered compositions of oil on canvas, Davis sought to translate the weight of stone and the ethereal quality of light into a tangible experience for the viewer.
The career of John Scarlett Davis was as much defined by his travels as it was by his brushstrokes. Driven by a desire to capture the essence of the Grand Tour, he traversed through Italy, France, and the Netherlands, bringing back views of the Seine and the majestic interiors of cathedrals like Amiens. His work often reflected the influence of Richard Parkes Bonington, blending a sense of romanticism with a rigorous attention to detail. However, his life was not without its tribulations; despite his immense talent and the admiration of figures such as Turner, he faced significant financial hardships and periods of personal struggle. Though his time was tragically short, his contributions as a painter and lithographer remain a poignant testament to a life dedicated to observing the beauty of the world's most sacred and storied spaces.
