John Neagleの肖像画

ギャラリー厳選、John Neagleによる最も有名な32の絵画

11月 2026 更新 · 当サイトの人気スコア(各作品の検索数、閲覧数、注文数)に基づくランキング · 32点の John Neagleの作品がカタログにあります

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John Neagleが遺したオリジナル作品の中で最も有名なものは、Washington, D.C.の国立肖像画美術館に収蔵されているJunius Brutus Booth as Sir Edward Mortimer (1823)です。 それに次いで、Portrait of a Man (1845)とPortrait of Henry Clay (1842)が続きます。 John Neagleによる32点の作品をカタログに掲載しています。当ギャラリーでは、世界が称賛する32点を選定し、制作年、所蔵美術館、そしてその背景にある物語とともにご紹介しています。

1796 – 1865, Boston Romanticism 最多収蔵館: ナショナル・ギャラリー・オブ・アート

John Neagleの代表作10選:ギャラリー厳選の作品集

1
Junius Brutus Booth as Sir Edward Mortimer (1823) による John Neagle

Junius Brutus Booth as Sir Edward Mortimer

1823 · Oil On Canvas · 国立肖像画美術館, Washington, D.C.

A single, piercing gaze cuts through the gloom. Junius Brutus Booth, caught in the heavy mantle of Sir Edward Mortimer, stares from the canvas with a brow furrowed by internal conflict. The light clings to the stark white of a ruffled collar, a bright island in a sea of deep blues and earthy browns. This is not a quiet moment. It is the tension of a character suspended between thought…

2
Portrait of a Man (1845) による John Neagle

Portrait of a Man

1845 · Oil On Canvas · ブルックリン美術館, ブルックリン

This 1845 oil on canvas presents a three-quarter length portrait of a man, rendered with the disciplined precision of the American academic style. The subject is positioned slightly off-center, his gaze directed toward the viewer's left, projecting a sense of composed dignity. A dramatic chiaroscuro effect defines the composition, where a strong light source illuminates the contours of the face, neck, and hand, leaving the remainder of the figure to…

3
Portrait of Henry Clay (1842) による John Neagle

Portrait of Henry Clay

1842 · Oil On Canvas · 国立肖像画美術館, Washington, D.C.

The Portrait of Henry Clay is an oil on canvas painted by John Neagle in 1842. This work captures the likeness of Henry Clay, who lived from 1777 to 1852. The image was commissioned by the National Clay Club of Philadelphia to honor its patron. Neagle, a prominent figure in the American portrait tradition, rendered the subject with a focus on the individual's presence.

4
George Peabody (1822) による John Neagle

George Peabody

1822 · Oil On Canvas · ボストン美術館, ボストン

This portrait of George Peabody, painted by John Neagle, offers a quiet encounter with a man of significant influence. Created in 1822, the work captures Peabody during a formative period of his life. He was a prominent American financier and philanthropist, a man whose legacy would eventually extend far beyond the financial circles of his era. In this depiction, we see the individual behind the substantial charitable contributions that would…

5
Reverend Gregory Townsend Bedell (1830) による John Neagle

Reverend Gregory Townsend Bedell

1830 · Oil On Canvas · デトロイト美術館, デトロイト

A single point of white light breaks the darkness of the canvas. It is the crisp, starched edge of a clerical collar, a sharp horizontal line that separates the face from the heavy shadows of the torso. Reverend Gregory Townsend Bedell meets the viewer's gaze with a steady, unblinking directness. His eyes hold the quiet gravity of a man accustomed to the weight of spiritual counsel. The light falls from…

7
William Strickland (1787-1854) (1829) による John Neagle

William Strickland (1787-1854)

1829 · Oil On Canvas · Yale University Art Gallery, ニューヘイブン

In this 1829 portrait, we find ourselves in the presence of William Strickland, a man whose very posture suggests the precision of his craft. He is captured in a three-quarter view, seated amidst the tools of his intellect. A drawing board rests before him, and his hands hold the implements of an architect, grounding the subject in his professional identity. The composition is deliberate, using a slightly low-angle perspective to…

8
Pat Lyon at the Forge (1829) による John Neagle

Pat Lyon at the Forge

1829 · Oil On Canvas · Pennsylvania Academy of Fine Arts, フィラデルフィア

In the dim, heat-heavy air of the workshop, John Neagle captures a moment of intense labor in 1829. This oil on canvas presents a full length portrait of Mr. Patrick Lyon, a man whose life is defined by the rhythmic strike of metal against metal. He stands at his anvil, a Scottish-born American blacksmith, mechanic, and inventor, caught in the midst of his craft. The scene is not one of…

9
Gilbert Stuart (1825) による John Neagle

Gilbert Stuart

1825 · Oil On Canvas · ボストン美術館, ボストン

John Neagle painted this portrait of Gilbert Stuart in 1825. At this time, Neagle was a prominent figure in Philadelphia, where he established a studio that attracted the era's political and intellectual elite. The sitter, Stuart, was a significant figure in early American portraiture, and Neagle’s depiction captures him during the final years of his life.

10
Pat Lyon at the Forge (1826) による John Neagle

Pat Lyon at the Forge

1826 · Oil · ボストン美術館, ボストン

In this work, Pat Lyon at the Forge, the artist John Neagle captures a moment of intense industry. The painting depicts Patrick Lyon, a man who moved from his native Scotland to become a prominent blacksmith, mechanic, and inventor in America. Lyon was a self-made businessman who earned a reputation as a working class hero. The portrait was commissioned by Lyon himself on November 4, 1825, reflecting a desire to…

John Neagleのセレクションが続きます、11から32まで

John Neagleが心を惹かれた主題

これらのオリジナル作品に繰り返し描かれている4つの主題と、それぞれの最高傑作。

John Neagleの原画を所蔵する美術館

このページに掲載されている絵画を最も多く所蔵している 8 の美術館

美術館 都市 John Neagleの作品 このリストの絵画
ナショナル・ギャラリー・オブ・アート, ワシントンナショナル・ギャラリー・オブ・アート ワシントン 8 Portrait of a Lady, Thomas W. Dyott, George Dodd
国立肖像画美術館, Washington, D.C.国立肖像画美術館 Washington, D.C. 4 Junius Brutus Booth as Sir Edward Mortimer, Portrait of Henry Clay, Henry Clay
ボストン美術館, ボストンボストン美術館 ボストン 3 George Peabody, Gilbert Stuart, Pat Lyon at the Forge
メトロポリタン美術館, ニューヨークメトロポリタン美術館 ニューヨーク 3 John Haviland, Reverend Samuel Brown Wiley, John Walsh
Pennsylvania Academy of Fine Arts, フィラデルフィアPennsylvania Academy of Fine Arts フィラデルフィア 2 Pat Lyon at the Forge, Anna Gibbon Johnson
ブルックリン美術館, ブルックリンブルックリン美術館 ブルックリン 1 Portrait of a Man
デトロイト美術館, デトロイトデトロイト美術館 デトロイト 1 Reverend Gregory Townsend Bedell
Rhode Island School of Design Museum of Art, プロビデンスRhode Island School of Design Museum of Art プロビデンス 1 Portrait of Gilbert Stuart

John Neagleの年代別名作:各時代を象徴するオリジナル作品

年代別作品数

その時代を象徴する名作を見るために、年代を選択してください。

John Neagleの絵画に関するコレクターからの質問

John Neagleの代表作は何ですか?答えを見る

Junius Brutus Booth as Sir Edward Mortimer (1823)(国立肖像画美術館, Washington, D.C.)。次いでPortrait of a Man (1845)、Portrait of Henry Clay (1842)が続きます。

Junius Brutus Booth as Sir Edward Mortimerが制作されたとき、John Neagleは何歳でしたか?答えを見る

27歳:Junius Brutus Booth as Sir Edward Mortimerは1823年の作品で、John Neagleの生年は1796年です。

John Neagleの最も有名な10作品とは?答えを見る

Junius Brutus Booth as Sir Edward Mortimer, Portrait of a Man, Portrait of Henry Clay, George Peabody, Reverend Gregory Townsend Bedell, Portrait of Gilbert Stuart, William Strickland (1787-1854), Pat Lyon at the Forge, Gilbert Stuart と Pat Lyon at the Forge。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。

John Neagleが遺した作品数は?答えを見る

当カタログには、1822年から1852年にかけて制作されたJohn Neagleによる32点の作品が収められています。

John Neagleの名作は、どの美術館に収蔵されていますか?答えを見る

主にナショナル・ギャラリー・オブ・アート (ワシントン), 国立肖像画美術館 (Washington, D.C.) と ボストン美術館 (ボストン)に所蔵されています。上記の美術館一覧にすべて記載されています。

John Neagleが最も有名な作品を多く描いたのは何年ですか?答えを見る

1820s年:このページにある全32作品のうち、12作品がその時期に制作されました。そのうちJunius Brutus Booth as Sir Edward Mortimer作品が含まれます。

John Neagleによる最初と最後の代表的なオリジナル作品は何ですか?答えを見る

このページでは、最も古い作品はGeorge Peabody (1822)、最新の作品はGeorge Dodd (1852)です。

John Neagle が最も多く描いた主題は何ですか?答えを見る

このページに掲載されている32点の作品におけるMan (19), Dark background (10) と Portrait (8)

John Neagle が最も多く使用した技法は何ですか?答えを見る

このページに掲載されている全32作品のうち、20作品のOil On Canvas

John Neagleはどの芸術運動に属していますか?答えを見る

このページに掲載されているオリジナル作品から判断すると、Romanticismです。

ナショナル・ギャラリー・オブ・アートにはどのJohn Neagleの作品が展示されていますか?答えを見る

Portrait of a Lady, Thomas W. Dyott と George Dodd:ナショナル・ギャラリー・オブ・アート, ワシントンには、このページに掲載されている作品のうち8点が所蔵されています。

John Neagle:生涯と作品

A Master of American Character

In the vibrant landscape of nineteenth-century American art, few names resonated with as much fashionable prestige as John Neagle. A painter whose brush captured the very essence of a developing nation, Neagle emerged as a prominent figure in Philadelphia, a city that served as the beating heart of his creative life. His journey began in Boston, but it was through an early apprenticeship to Thomas Wilson—a skilled painter of signs and coaches—that his path toward fine art was paved. This formative period, though rooted in the practical craft of decorative painting, provided him with the technical foundation that would later allow him to master the complexities of light and human expression.

Neagle’s artistic evolution was deeply shaped by the masters who crossed his path. Through Wilson, he was introduced to Bass Otis and the celebrated Thomas Sully, the latter becoming a pivotal influence and even a future relative by marriage. Under their guidance, Neagle moved beyond the utilitarian world of coach painting to embrace the sophisticated realm of portraiture. His style, characterized by an incisive attention to psychology and a dazzling brushwork reminiscent of van Dyck and Sir Thomas Lawrence, allowed him to breathe life into his subjects, transforming mere likenesses into profound studies of character.

The Spirit of the Portrait

While Neagle’s career took him on brief sojourns to Lexington, Kentucky, and New Orleans, Louisiana, it was in Philadelphia where he truly established his dominion. By 1818, he had committed himself exclusively to the art of the portrait, setting up a studio that would attract the most notable figures of the era. His work was not merely about capturing a face; it was about documenting the soul of American society. His sitters ranged from the political elite and merchants to intellectuals and professionals, all rendered with a realism that balanced elegance with an unmistakable truth.

Among his most enduring contributions to the American canon is the strikingly unconventional Pat Lyon at the Forge. In this work, Neagle departed from the traditional, polished manner of portraiture to present a heroic, almost brutal depiction of a blacksmith. This masterpiece, which reached a wide audience through engraving, showcased his ability to blend the grand style with a raw, narrative power. His repertoire also included monumental works such as the Portrait of Henry Clay and portraits of figures like James Fenimore Cooper and the Marquis de Lafayette, cementing his status as a chronicler of American greatness.

Legacy and Artistic Contribution

Beyond the canvas, Neagle was a pillar of the artistic community. His commitment to the advancement of art in America was evidenced by his service as a Director of the Pennsylvania Academy of the Fine Arts and his role as a founder and president of the Artist's Fund Society of Philadelphia. These leadership roles reflected a man deeply invested in the institutional growth of his craft.

The significance of John Neagle lies in his ability to marry the grace of Romanticism with a rigorous, observant realism. His portraits remain vital windows into the nineteenth century, offering more than just historical documentation; they offer an emotional connection to the people who shaped the American identity. Through his masterful use of light and his profound understanding of human psychology, Neagle ensured that the faces of his era would endure long after the era itself had passed.