11月 2026 更新 · 当サイトの人気スコア（各作品の検索数、閲覧数、注文数）に基づくランキング · 263点の ジョン・フレデリック・ルイスの作品がカタログにあります
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ジョン・フレデリック・ルイスが遺した数多くのオリジナル作品の中で、最も有名なものはInterior of the Residence of the Pasha, New Orsova (1838)です。 それに次いで、Lilium Auratum (1871)とJohn Clark with the Animals at Sandpit Gate (1825)が続きます。 ジョン・フレデリック・ルイスによる263点の作品をカタログに掲載しています。当ギャラリーでは、世界が称賛する100点を選定し、制作年、所蔵美術館、そしてその背景にある物語とともにご紹介しています。
Interior of the Residence of the Pasha, New Orsova is a work by John Frederick Lewis, executed in 1838. This piece belongs to the Orientalism style, reflecting the artist's engagement with the domestic and architectural realities of the Ottoman-influenced regions he encountered during his travels.
John Frederick Lewis's "Lilium Auratum," painted in 1871, is more than just a depiction of two women amidst a profusion of flowers; it’s a meticulously crafted window into the opulent sensibilities and burgeoning Orientalist movement of Victorian England. This captivating work, housed within the broader context of Lewis’s extensive travels through the Mediterranean and North Africa, offers a rare glimpse into a world of leisure, beauty, and carefully constructed narratives.…
In the lush, verdant expanse of Windsor Great Park, specifically at the historic Sandpit Gate, John Frederick Lewis captures a moment that transcends mere landscape painting to become a profound tableau of 19-century British life. Completed around 1825, John Clark with the Animals at Sandpit Gate is much more than a portrait of a man; it is an exquisite celebration of the harmonious, albeit curated, relationship between humanity and the…
In A Gondolier, Venice by John Frederick Lewis, the viewer is placed at eye level, standing upon a quay as if sharing a quiet moment of repose. The composition is vertically oriented, drawing the eye upward from the immediate foreground toward the historic architecture of the city. A man stands prominently in the foreground, positioned slightly off-center to the right, his presence grounding the scene. At his feet, a resting…
The engraving titled Return of the Sultan Mahmoud from the Mosque was created by the artist John Frederick Lewis. This work is a monochromatic print produced through the technique of incising lines into a metal plate, such as copper or steel, to create the final image on paper. The piece dates to about 1838.
This monochromatic engraving, titled Sketches of a trip to Spain: Capilla de Villaviciosa, offers a quiet glimpse into the architectural history of Spain. Created by the English artist John Frederick Lewis, the work dates to 1836. It emerged from a period when Lewis was deeply engaged with the Mediterranean, specifically during his travels through Spain and Morocco between 1832 and 1834.
The scene unfolds within the quietude of a Bulgarian village, a moment captured by the artist John Frederick Lewis in 1838. This work presents a detailed view of a rural settlement, where the architecture of the period takes center stage. A traditional building with a distinctive overhanging roof dominates the view, anchoring the composition amidst a landscape of rolling hills. The atmosphere feels still, as if the viewer has stumbled…
The Port of Constantinople is a work by the English Orientalist painter John Frederick Lewis, dating to about 1838. Born in London, United Kingdom, Lewis developed a specialized focus on Mediterranean and Oriental scenes, often capturing the architectural and maritime life of the Ottoman Empire. This particular piece reflects his interest in the topographical details of the region during his travels.
In Sweet Waters (in Asia), John Frederick Lewis organizes a quiet, observational landscape that draws the eye through a series of layered planes. The central focus is an ornate pavilion, positioned slightly off-center to create a natural, unforced balance. To the left, a body of water occupies a significant portion of the frame, its surface broken only by the presence of a small boat. This aquatic element provides a sense…
is a work by the English artist John Frederick Lewis. Created about 1838, this piece reflects the artist's engagement with the Mediterranean and Ottoman worlds during a period of significant travel and stylistic development.
A Café on the Bosphorus1838
12
New Orsova; Exterior of the Pasha'a Residence1838
13
Yeni Jami, (or Mosque of the New Tomb)1838
14
Tophana1838
15
Asking for Alms1833
16
Portrait of John Ponsonby, 1st Viscount Ponsonby1841
17
Easter Day at Rome1840
18
Sheik Hussein of Gebel Tor and His Son1843 · イェール英国美術館
19
The Pipe Bearer1856 · バーミンガム博物館・美術館
20
A Syrian Sheik, Egypt1856 · Fitzwilliam Museum
21
The Doubtful Coin1869 · バーミンガム博物館・美術館
22
The Harem1876 · バーミンガム博物館・美術館
23
On the Banks of the Nile, Upper Egypt1876 · イェール英国美術館
24
Arabian Nights1876
25
Seated Turk1841 · イェール英国美術館
26
Arab School1851 · メトロポリタン美術館
27
Study of a Lion and Study of a Lioness' Head1820 · イェール英国美術館
28
The Courtyard of the Coptic Patriarch's House in Cairo1864 · テート・ブリテン
29
Girl with Two Caged Doves
30
Highland Hospitality
31
A Head Keeper, Windsor Castle1826 · イェール英国美術館
32
The Bazaar of the Ghûriyah from the Steps of the Mosque of El-Ghûri, Cairo
33
A Street Scene in Granada on the Day of the Bullfight1833 · イェール英国美術館
34
A View Of The Street And Morque Of Ghorreyah, Cairo
35
The Siesta
36
Head of a cow
37
The Ramesseum at Thebes1851 · イェール英国美術館
38
?A Sketch for `Foresters Stalking Deer'1824 · イェール英国美術館
39
The Head of a Tigress (felis Tigris). Etching with Engraving1825
40
Saint Sophia and Distant View of Sultan Achmet (mosques)1838
41
A Turkish Araba Drawn by Two White Oxen1841 · イェール英国美術館
42
Seraglio Point1838
43
Artillery Barracks, Tophana1838
44
An Interior1834
45
Four Women in ann Interior, Brussa, Turkey1841
46
The Harem Introduction of an Abyssinian slave1860
47
An Intercepted Correspondence1869
48
Interior of An Eastern House1851 · イェール英国美術館
49
Study for the Proclamation of Don Carlos1838 · イェール英国美術館
50
A hunting scene
51
Self-portrait sketch 1
52
Portrait sketch of Mrs Birch
53
Face of a lion
54
Self-portrait of the artist as a boy
55
Head of a lioness 1
56
Sleeping Lion 1
57
Head of a man in profile
58
A hunting scene in winter
59
Portrait sketch of Edwin Landseer
60
Portrait drawing of the artist's grandmother
61
J.F. Lewis by himself on the Rhine
62
Earl Grey and his daughter Lady Elizabeth Bulteel
63
A group of three figures, one kneeling, possibly before a shrine
64
A sleeping child
65
A huntsman with dead deer
66
Head and shoulders of a young woman
67
Sheet of rough sketches including a caricature of a monk's head
68
A woman seated in a rustic interior
69
A farm horse
70
Puma and pug at Exeter Change
71
Scutari
72
Portrait sketch of Charles George Lewis
73
A sleeping lion
74
A lion at the 'Old Exeter Change'
75
Sleeping Lion
76
A lioness at the Old Exeter Change
77
Great Mosque at Brusa
78
A man and a boy in rustic dress
79
A lioness
80
Sleeping Lion and Lioness
81
A man sawing timber
82
The Leaning Tower of Saragoza
83
J. F. Lewis by himself
84
A young girl
85
Contrabandistas1836 · 大英博物館
86
At Uncle Charles the Binder
87
Windsor Castle
88
Fountain from the Gate of the Seraglio
89
Mule and Muleteer
90
Head of a lion 1
91
Cannon Foundry, Tophane
92
Head of a cat
93
The Coffee Bearerマンチェスター美術館
94
Farm workers resting
95
The entrance to the Great Mosque at Bursa, Turkey
96
Portrait
97
Brusa
98
Study of three Turks at Bursa
99
Arab School
100
A Halt in the Desert
これらのオリジナル作品に繰り返し描かれている4つの主題と、それぞれの最高傑作。
このページに掲載されている絵画を最も多く所蔵している 8 の美術館
| 美術館 | 都市 | ジョン・フレデリック・ルイスの作品 | このリストの絵画 |
|---|---|---|---|
 イェール英国美術館 |
ニューヘイブン | 28 | Sheik Hussein of Gebel Tor and His Son, On the Banks of the Nile, Upper Egypt, Seated Turk |
 バーミンガム博物館・美術館 |
バーミンガム | 4 | The Pipe Bearer, The Doubtful Coin, The Harem |
 メトロポリタン美術館 |
ニューヨーク | 3 | Arab School |
 テート・ブリテン |
ロンドン | 2 | The Courtyard of the Coptic Patriarch's House in Cairo |
 大英博物館 |
ロンドン | 2 | Contrabandistas |
 バーミンガム・ミュージアム&アートギャラリー |
バーミンガム | 1 | Lilium Auratum |
 ロイヤル・コレクション |
ロンドン | 1 | John Clark with the Animals at Sandpit Gate |
 Fitzwilliam Museum |
1 | A Syrian Sheik, Egypt |
その時代を象徴する名作を見るために、年代を選択してください。
In the lush, verdant expanse of Windsor Great Park, specifically at the historic Sandpit Gate, John Frederick Lewis captures a moment that transcends mere landscape painting to become a profound tableau of 19-century British life. Completed around 1825, John Clark with the Animals at Sandpit Gate is much more than a portrait of a man; it is an exquisite celebration of the harmonious, albeit curated, relationship between humanity and the…
Interior of the Residence of the Pasha, New Orsova is a work by John Frederick Lewis, executed in 1838. This piece belongs to the Orientalism style, reflecting the artist's engagement with the domestic and architectural realities of the Ottoman-influenced regions he encountered during his travels.
The Portrait of John Ponsonby, 1st Viscount Ponsonby is a work by the artist John Frederick Lewis. Created in 1841, the portrait captures a man of significant standing. The subject, John Ponsonby, 1st Viscount Ponsonby, lived from 1770 to 1855. He sits within the frame, a figure of quiet authority held in the artist's steady gaze.
The Pipe Bearer is an oil painting by John Frederick Lewis, executed about 1856. The work originates from the artist's period of intense engagement with Orientalist themes, a phase shaped by his extensive travels and residence in Cairo. This specific composition captures a moment of quietude within a Middle Eastern or North African setting.
The Doubtful Coin is an oil painting by John Frederick Lewis, executed about 1869. The artist, who was born in London, United Kingdom, produced this work during a period of his career focused on detailed genre scenes. Lewis lived in London until his death in 1876.
John Frederick Lewis's "Lilium Auratum," painted in 1871, is more than just a depiction of two women amidst a profusion of flowers; it’s a meticulously crafted window into the opulent sensibilities and burgeoning Orientalist movement of Victorian England. This captivating work, housed within the broader context of Lewis’s extensive travels through the Mediterranean and North Africa, offers a rare glimpse into a world of leisure, beauty, and carefully constructed narratives.…
Interior of the Residence of the Pasha, New Orsova (1838)。続いてLilium Auratum (1871)、John Clark with the Animals at Sandpit Gate (1825)が続きます。
33歳：Interior of the Residence of the Pasha, New Orsovaは1838年の作品で、ジョン・フレデリック・ルイスの生年は1805年です。
Interior of the Residence of the Pasha, New Orsova, Lilium Auratum, John Clark with the Animals at Sandpit Gate, A Gondolier, Venice, Return of the Sultan Mahmoud from the Mosque, Sketches of a trip to Spain: Capilla de Villaviciosa, Bulgarian Village, the Port of Constantinople, Sweet Waters (in Asia) と Turkish Female。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。
当カタログには、1820年から1876年にかけて制作されたジョン・フレデリック・ルイスによる263点の作品が収められています。
主にイェール英国美術館 (ニューヘイブン), バーミンガム博物館・美術館 (バーミンガム) と メトロポリタン美術館 (ニューヨーク)に所蔵されています。上記の美術館一覧にすべて記載されています。
1830s年：このページにある全100作品のうち、20作品がその時期に制作されました。そのうちInterior of the Residence of the Pasha, New Orsova作品が含まれます。
このページでは、最も古い作品はStudy of a Lion and Study of a Lioness' Head (1820)、最新の作品はThe Harem (1876)です。
このページに掲載されている100点の作品におけるAnimals (11), Figures (8) と Buildings (8)
このページに掲載されている全100作品のうち、10作品のWatercolor
このページに掲載されているオリジナル作品から判断すると、Orientalist paintingです。
Sheik Hussein of Gebel Tor and His Son, On the Banks of the Nile, Upper Egypt と Seated Turk：イェール英国美術館, ニューヘイブンには、このページに掲載されている作品のうち11点が所蔵されています。
ジョン・フレデリック・ルイスは、1804年7月14日にロンドンで生まれました。彼の父、フレデリック・クリスチャン・ルイスは、版画家であり風景画家でした。この芸術的な家庭環境は、彼のかつてない才能の開花に大きな影響を与えたことは間違いありません。正式な訓練は、サー・トーマス・ローレンスの下で始まり、エドウィン・ランドシーアのような同僚たちと共に技術と構成力を磨きました。この基礎的な時期は、彼に確固たる技術的理解と構図力を植え付けました。
ルイスの芸術的キャリアは、進化するスタイルとテーマに焦点を当てたいくつかの明確な段階を経て展開されました:
ルイスは、その細部へのこだわりと喚起的な雰囲気で称賛される膨大な数の作品を制作しました。彼の最も有名な作品には以下が含まれます:
ルイスのスタイルは、いくつかの影響を受けて形作られました。最も注目すべきは、サー・トーマス・ローレンスによる肖像画と構成への重点です。しかし、中東文化を直接観察することで、彼は以下によって特徴付けられる独自の美学を発展させることができました:
ルイスの芸術界への貢献は、オリエンタリズム絵画の開発における彼の重要な役割にあります。イスラム建築、家具、衣装の丹念な描写は、ジャンル内でのリアリズムの新たな基準を設定しました。彼は西洋の聴衆の間で中東のロマンチックでありながら詳細なビジョンを広めるのに役立ちました。1851年にイングランドに戻った後、彼は8月15日にウォルトン・オン・テムズで亡くなるまで絵を描き続けました。
彼の作品は、芸術的価値と19世紀のオリエントに対する歴史的な洞察力のために研究され、賞賛され続けています。
