11月 2026 更新 · 当サイトの人気スコア（各作品の検索数、閲覧数、注文数）に基づくランキング · 63点の ヤコブ・ムンクの作品がカタログにあります
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当ギャラリーの視点では、ヤコブ・ムンクの最も有名な作品はUntitled (AQTTAM)です。 Portrait (1800)とPortrait of Barbara Omsted (1800)が加わり、誰もが一度は目にしたことのある至高のトリオが完成します。 当カタログに含まれるヤコブ・ムンクの作品63点の中から、特に有名な63点を厳選してご紹介します。各作品は、制作年、所蔵美術館、そしてその作品ならではの魅力とともに、一点物のオリジナル作品として掲載されています。
This artwork is titled Untitled (AQTTAM) and was executed by the Norwegian artist Jacob Munch. The subject of the painting is a formal portrait of a woman. The composition focuses on the sitter, whose presentation and attire suggest a representation of nobility or high social status. The work is a product of the artist's engagement with portraiture, a field in which he established a professional reputation.
A formal oil portrait from 1800 captures a woman in three-quarter view, her gaze directed steadily toward the viewer. She is draped in a midnight blue velvet bodice, the heavy pile of the fabric rendered with tactile precision. A cream-colored cloth rests against her arm, providing a sharp tonal contrast to the deep saturation of her gown. Gold accents emerge from her tiara and jewelry, catching a soft, directional light…
In this 1800 portrait, we encounter Barbara Omsted in a moment of quiet, dignified repose. The composition follows the traditions of the bust-length portrait, positioning her slightly off-center to create a sense of natural movement. She turns her head toward the viewer's left, yet her gaze remains fixed upon us, establishing an immediate, intimate connection. The lighting, descending softly from the upper left, carves out the contours of her face…
The Portrait of Lars Roverud is a work by the Norwegian artist Jacob Munch. Executed around 1800, the painting captures the likeness of Lars Roverud, a prominent figure in Norwegian musical history. Roverud was a music educator and music dealer who played a significant role in the development of musical publishing and pedagogy in Norway.
Jacob Munch painted Norwegian Fru Gjertrud Arbin, f. Juel in 1804. The subject is a woman presented in a formal portrait, capturing her likeness during a period of significant social transition in Norway. Munch, a Norwegian military officer and painter, executed this work during his early career, following his training in Copenhagen and Paris.
The Portrait of Jørgen Pløen by Jacob Munch presents a formal, bust-length depiction of a middle-aged man. The subject is framed within an oval format, shown from the chest up against a neutral background that transitions from light grey to a warm tan. Jørgen Pløen is positioned with his torso facing slightly toward the viewer's left, while his gaze is directed straight forward. This centered and balanced composition establishes a…
A young boy occupies the center of a lush, green landscape. He stands upon a dirt path that curves through the grass, his body held in a relaxed contrapposto stance. In his right hand, he grips a tennis racket; in his raised left hand, he holds a small cup. His attire reflects the fashion of 1813, featuring a white shirt with puffed sleeves, a blue waistcoat trimmed in white, and…
The gaze of Eleonore Clauson-Kaas, married Thulstrup, meets the observer from across the years, preserved in this portrait by Jacob Munch. She appears as a single female figure, captured in a moment of quiet dignity. The work emerges from about 1808, a time when the artist was refining his ability to translate the presence of his subjects onto the canvas.
This oil-on-canvas work is the Self-Portrait by Jacob Munch. Created in 1809, the painting depicts the artist himself in a bust-length composition. The subject is positioned slightly off-center, facing toward the viewer's right while directing his gaze toward the observer. He is shown wearing a dark, heavy coat over a white cravat, with one hand placed near his chest.
In this copy after Philippe de Champaigne's portrait of Robert Arnaud d'Andilly... by Jacob Munch, we encounter a formal portrait of a distinguished gentleman. The subject is presented in a three-quarter view, positioned slightly off-center to create a sense of quiet presence. He is depicted from the waist up, his figure emerging from a dark and indistinct background that offers no environmental context. This lack of setting focuses the viewer…
Genuesian Lady with her Son1810 · 国立美術館・建築・デザイン美術館
12
Ragne Mariboe1813
13
Christian Ancher Collett1820
14
Valentin Christian Wilhelm Sibbern1816
15
Johan Collett1817
16
Portrait of Johan Randulf Bull1819 · Oslo Museum
17
Portrait of Ole Leuthen Ring1820 · 国立美術館・建築・デザイン美術館
18
Fru biskop Bech1820 · 国立美術館・建築・デザイン美術館
19
Portrait of Gesina Ørbech Ring, b. Berg1820 · 国立美術館・建築・デザイン美術館
20
Biskop Bech1820 · 国立美術館・建築・デザイン美術館
21
Portrait of Architect Olav Olavsen1820 · 国立美術館・建築・デザイン美術館
22
Johan Storm Munch1821
23
Niels Aall1815
24
Hans Aall1815
25
Untitled (AQTTAH)1816
26
Untitled (AQTTAZ)1821
27
Untitled (AQTTAP)1815 · Oslo Museum
28
Portrait of Cabinet Minister Nicolay Johan Lohmann Krog1825 · 国立美術館・建築・デザイン美術館
29
Lars Bastian Stabell1824
30
Ida Kjerulf1839
31
Portrait of Andreas Aagaard Kiønig1835 · Oslo Museum
32
Dameportrett, Signora Contessa di Mollinasko1834 · 国立美術館・建築・デザイン美術館
33
Portrait of Sophie and Jacob Munch1836 · 国立美術館・建築・デザイン美術館
34
Flateby in Enebakk1809 · Oslo Museum
35
Untitled (AQTTAT)1813 · 国立美術館・建築・デザイン美術館
36
Our Saviour's Church and the Churchyard seen from Lille Kirkebakke1820 · Oslo Museum
37
Untitled (AQTTAR)1820
38
Untitled (AQTTAX)1816
39
Untitled (AQTTBF)1820 · アムステルダム博物館
40
Untitled (AQTTB5)1820
41
Henrik Anker Bjerregaard1820 · Oslo Museum
42
Untitled (AQTTA5)1817
43
Untitled (AQTTA7)1817 · Yale University Art Gallery
44
Norwegian Diderich Hegermann (1763 1835), generalmajor, 18161816
45
Coronation of Carl XIV Johan of Norway and Sweden in Nidaros Cathedral 18181822
46
Untitled (AQTTB7)1828 · 国立美術館・建築・デザイン美術館
47
Untitled (AQTTAK)1833 · Oslo Museum
48
Elen Birgitte Lorck
49
Jacob Marcus Schawland Gram
50
Peder Anker
51
Christian Krohg
52
Self-Portrait国立美術館・建築・デザイン美術館
53
Hans Jørgen Wetlesen
54
Niels Arntzen Sem
55
Ferdinanda Augusta Linstow
56
Untitled (AQTTAD)
57
Untitled (AQTTAV)
58
Untitled (AQTTAF)
59
A Skipperbolig at Nøtterland near Tønsberg
60
Untitled (AQTTBM)
61
Untitled (AQTTBK)Eidsvoll 1814
62
Untitled (AQTTBH)
63
Portrait of Anders RambechEidsvoll 1814
これらのオリジナル作品に繰り返し描かれている4つの主題と、それぞれの最高傑作。
このページに掲載されている絵画を最も多く所蔵している 5 の美術館
| 美術館 | 都市 | ヤコブ・ムンクの作品 | このリストの絵画 |
|---|---|---|---|
 国立美術館・建築・デザイン美術館 |
オスロ | 14 | Self-Portrait, Copy after Philippe de Champaigne's portrait of Robert Arnaud d'Andilly..., Genuesian Lady with her Son |
 Oslo Museum |
オスロ | 12 | Portrait, Portrait of Barbara Omsted, Portrait of Lars Roverud |
 Eidsvoll 1814 |
Eidsvoll | 3 | Painting, Untitled (AQTTBK), Portrait of Anders Rambech |
 アムステルダム博物館 |
アムステルダム | 1 | Untitled (AQTTBF) |
 Yale University Art Gallery |
ニューヘイブン | 1 | Untitled (AQTTA7) |
その時代を象徴する名作を見るために、年代を選択してください。
A formal oil portrait from 1800 captures a woman in three-quarter view, her gaze directed steadily toward the viewer. She is draped in a midnight blue velvet bodice, the heavy pile of the fabric rendered with tactile precision. A cream-colored cloth rests against her arm, providing a sharp tonal contrast to the deep saturation of her gown. Gold accents emerge from her tiara and jewelry, catching a soft, directional light…
The Portrait of Jørgen Pløen by Jacob Munch presents a formal, bust-length depiction of a middle-aged man. The subject is framed within an oval format, shown from the chest up against a neutral background that transitions from light grey to a warm tan. Jørgen Pløen is positioned with his torso facing slightly toward the viewer's left, while his gaze is directed straight forward. This centered and balanced composition establishes a…
The portrait captures a moment of profound stability. There is a sense of permanence in the way the subject holds himself, a stillness that suggests a life governed by order and law. The book beneath his hand acts as a silent witness to his station. The composition is balanced and eye-level, creating a direct connection that feels personal yet formal. It is a record of a man defined by his…
In this bust-length portrait of Ida Kjerulf, Jacob Munch centers the viewer's gaze entirely upon the subject's face and upper torso. The composition is contained within an elegant oval format, a choice that draws the eye inward toward the woman's steady presence. She sits against a dark, undifferentiated background, a void that strips away the distractions of a room or a landscape. This lack of environmental detail creates a profound…
Untitled (AQTTAM)。続いてPortrait (1800)、Portrait of Barbara Omsted (1800)が続きます。
Untitled (AQTTAM), Portrait, Portrait of Barbara Omsted, Portrait of Lars Roverud, Norwegian Fru Gjertrud Arbin, f. Juel, Portrait of Jørgen Pløen, Painting, Eleonore Clauson-Kaas, married Thulstrup, Self-Portrait と Copy after Philippe de Champaigne's portrait of Robert Arnaud d'Andilly...。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。
当カタログには、1800年から1839年にかけて制作されたヤコブ・ムンクによる63点の作品が収められています。
主に国立美術館・建築・デザイン美術館 (オスロ), Oslo Museum (オスロ) と Eidsvoll 1814 (Eidsvoll)に所蔵されています。上記の美術館一覧にすべて記載されています。
1820s年：このページにある全63作品のうち、17作品がその時期に制作されました。そのうちChristian Ancher Collett作品が含まれます。
このページでは、最も古い作品はPortrait (1800)、最新の作品はIda Kjerulf (1839)です。
このページに掲載されている63点の作品におけるPortrait (30), Man (27) と Woman (13)
このページに掲載されている全63作品のうち、26作品のOil On Canvas
このページに掲載されているオリジナル作品から判断すると、Neoclassicism と Romanticismです。
Self-Portrait, Copy after Philippe de Champaigne's portrait of Robert Arnaud d'Andilly... と Genuesian Lady with her Son：国立美術館・建築・デザイン美術館, オスロには、このページに掲載されている作品のうち14点が所蔵されています。
おそらく最も重要な事実は、ヤコブ・ムンクがモダン・アートにおける最も影響力のある人物の一人であるエドヴァルド・ムンクの親族であったという点です。二人の芸術的スタイルは、対照的とも言えるほど大きく異なっています。エドヴァルドの作品が剥き出しの感情と心理的な強烈さを特徴としているのに対し、ヤコブが初期に試みた人間の感情への探求は、疑いようもなく甥であるエドヴァルドに影響を与えました。表現主義の種は、このムンク家の中に蒔かれていたのです。それは、不安や死、そして人間の精神の暗部といったテーマを、エドヴァルドが画期的な手法で掘り下げていくことへと結実しました。したがって、ヤコブの芸術的な歩みは、18世紀から19世紀にかけての古典的な伝統と、20世紀の革命的な革新とを繋ぐ極めて重要な架け橋となっており、ノルウェー美術史における彼の不朽の影響力を物語っています。
