Jacob Gilligの肖像画

世界的に有名なJacob Gilligの名作12点、そのすべてが唯一無二の芸術品

11月 2026 更新 · 当サイトの人気スコア(各作品の検索数、閲覧数、注文数)に基づくランキング · 13点の Jacob Gilligの作品がカタログにあります

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Fish still life before a landscape with fishermen (1674)はJacob Gilligの作品の中で最も注目を集めている絵画です。原画はカッセルのヴィルヘルムスヘーエ城絵画館に所蔵されています。 その後、視線はDead Fish Overflowing from a Basket Placed on a Stone Slab (1650)とStill life with two fish (1660)へと移ります。 当カタログに含まれるJacob Gilligの13点の作品のうち、これら12点は最も有名な作品です。制作年、所蔵美術館、そして時代を超えて愛される理由とともに、一点もののオリジナル作品をご紹介します。

1636 – 1701, Utrecht 最多収蔵館: Centraal Museum

ギャラリーの視点で選ぶ、Jacob Gilligによるトップ10作品

Jacob Gilligの名作、11〜12点目

Jacob Gilligの原画を所蔵する美術館

このページに掲載されている絵画を最も多く所蔵している 5 の美術館

美術館 都市 Jacob Gilligの作品 このリストの絵画
Centraal Museum, ユトレヒトCentraal Museum ユトレヒト 3 Fish Still Life with Sliced Pike and Other Freshwater Fish, Fish Still Life with Sliced Sea Fish and Oysters; on the right in the background the sea and the beach with fisherman, lady and gentleman, Still Life with Freshwater Fish, Toe Trap and Fishing Net
ベルリン絵画館, ベルリンベルリン絵画館 ベルリン 2 Still Life with Dead Fish, Fish still life
Museum of Fine Arts Ghent (MSK), ゲントMuseum of Fine Arts Ghent (MSK) ゲント 2 Still Life with Fish, Still Life with Fish
ヴィルヘルムスヘーエ城絵画館, カッセルヴィルヘルムスヘーエ城絵画館 カッセル 1 Fish still life before a landscape with fishermen
ボイジャンズ・ヴァン・ビューニンゲン美術館, ロッテルダムボイジャンズ・ヴァン・ビューニンゲン美術館 ロッテルダム 1 Fish, lying on nets

Jacob Gilligの数十年にわたる軌跡:それぞれに唯一無二のオリジナル作品を

年代別作品数

その時代を象徴する名作を見るために、年代を選択してください。

Jacob Gilligの絵画:ギャラリーへの質問

Jacob Gilligの最も有名な作品は何ですか?答えを見る

Fish still life before a landscape with fishermen (1674)(ヴィルヘルムスヘーエ城絵画館, カッセル)。次いでDead Fish Overflowing from a Basket Placed on a Stone Slab (1650)、Still life with two fish (1660)が続きます。

Jacob GilligがFish still life before a landscape with fishermenを制作したのは何歳の時ですか?答えを見る

38歳:Fish still life before a landscape with fishermenは1674年の作品で、Jacob Gilligの生年は1636年です。

Jacob Gilligの最も有名な10作品は何ですか?答えを見る

Fish still life before a landscape with fishermen, Dead Fish Overflowing from a Basket Placed on a Stone Slab, Still life with two fish, Still Life with Dead Fish, Fish still life, Fish Still Life with Sliced Pike and Other Freshwater Fish, Fish Still Life with Sliced Sea Fish and Oysters; on the right in the background the sea and the beach with fisherman, lady and gentleman, Still Life with Freshwater Fish, Toe Trap and Fishing Net, Fish, lying on nets と Still Life with Fish。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。

Jacob Gilligの既知の作品数は?答えを見る

当カタログには、1650年から1687年にかけて制作されたJacob Gilligによる13点の作品が収められています。

最も有名なJacob Gilligのオリジナル作品はどこで見ることができますか?答えを見る

主にCentraal Museum (ユトレヒト), ベルリン絵画館 (ベルリン) と Museum of Fine Arts Ghent (MSK) (ゲント)に所蔵されています。上記の美術館一覧にすべて記載されています。

Jacob Gilligが最も有名な作品を制作したのは、どの時期ですか?答えを見る

1660s年:このページにある全12作品のうち、3作品がその時期に制作されました。そのうちStill life with two fish作品が含まれます。

Jacob Gilligの有名な絵画の中で、最も古い作品と最も新しい作品はどれですか?答えを見る

このページでは、最も古い作品はDead Fish Overflowing from a Basket Placed on a Stone Slab (1650)、最新の作品はFish Still Life with Sliced Sea Fish and Oysters; on the right in the background the sea and the beach with fisherman, lady and gentleman (1687)です。

Centraal Museumでは、Jacob Gilligのオリジナル作品を何点鑑賞できますか?答えを見る

Fish Still Life with Sliced Pike and Other Freshwater Fish, Fish Still Life with Sliced Sea Fish and Oysters; on the right in the background the sea and the beach with fisherman, lady and gentleman と Still Life with Freshwater Fish, Toe Trap and Fishing Net:Centraal Museum, ユトレヒトには、このページに掲載されている作品のうち3点が所蔵されています。

Jacob Gillig:アーティストの肖像画

The Silent Observer of Utrecht: The Life of Jacob Gillig

In the bustling heart of the Dutch Golden Age, amidst the vibrant commerce and rhythmic pulse of Utrecht, lived a man whose life was defined by an unusual duality. Jacob Gillig, born around 1636, did not follow the traditional path of a guild-sanctioned master. Instead, his existence was woven into the very fabric of civic duty and trade; he served as a merchant and later as a prison warden. There is a poetic irony in his biography, for the city prison where he worked stood adjacent to the local fish market. It was likely within this sensory landscape—the scent of salt, the shimmer of scales under morning light, and the lively bartering of vendors—that Gillig found his true calling. Though he did not begin his formal artistic journey until his twenties, the world around him provided a constant, living canvas that would eventually define his legacy.

While history notes that Gillig attempted his hand at portraiture, these early endeavors were met with mixed reviews, as contemporary accounts suggest his likenesses lacked the essential spark of their subjects. However, it was in the quiet, meticulous realm of still life that he found his true voice. He became a specialist of the aquatic, capturing the glistening textures and organic forms of various fish species with an intimacy that transcended mere documentation. His work moved beyond simple observation, embracing a pyramidal composition that lent a sense of structural stability and classical grace to even the most humble subjects. This mastery of form was so profound that his compositions were highly respected in Utrecht and even served as inspiration for other notable painters, such as Abraham Mignon.

A Legacy Captured in Scales and Light

The significance of Gillig’s oeuvre lies in its ability to elevate the mundane to the monumental. Through his brush, a simple catch from the market became an exploration of light, moisture, and life. His paintings are characterized by a remarkable attention to detail, where the damp sheen on a fish's skin or the subtle translucency of a fin can be felt by the viewer. This dedication to the tactile reality of his subjects allowed him to contribute meaningfully to the Dutch Golden Age tradition of still life painting, a genre that celebrated the abundance and prosperity of the era.

Though he never officially registered as a master with the Utrecht Guild of Painters, the enduring quality of his work ensured his place in the annals of art history. His life, which concluded in 1701, left behind a collection of works that continue to fascinate collectors and historians alike. To look upon a Gillig painting is to step into the atmosphere of 17th-century Utrecht, feeling the connection between the artist's daily labors as a warden and his transcendent ability to capture the fleeting beauty of the natural world.