要約すると
Jacob Calmeyerが遺したオリジナル作品の中で最も有名なものは、オスロのOslo Museumに収蔵されているSelf-portrait of Jacob Mathias Calmeyer (1800)です。 それに次いで、Jens Mathias Pram Kaurin (1827)とPortrait of the Poet J.S. Welhaven (1827)が続きます。 Jacob Calmeyerによる8点の作品をカタログに掲載しています。当ギャラリーでは、世界が称賛する8点を選定し、制作年、所蔵美術館、そしてその背景にある物語とともにご紹介しています。
Jacob Calmeyerの代表作10選:ギャラリー厳選の作品集
Jacob Calmeyerの原画を所蔵する美術館
このページに掲載されている絵画を最も多く所蔵している 2 の美術館
| 美術館 | 都市 | Jacob Calmeyerの作品 | このリストの絵画 |
|---|---|---|---|
| オスロ | 3 | Portrait of the Poet J.S. Welhaven, View of Svartediket near Bergen, The Waterfall at Lysaker | |
| オスロ | 2 | Self-portrait of Jacob Mathias Calmeyer, Portrait |
Jacob Calmeyerの年代別名作:各時代を象徴するオリジナル作品
Jacob Calmeyerの絵画に関するコレクターからの質問
Jacob Calmeyerの代表作は何ですか?答えを見る
Self-portrait of Jacob Mathias Calmeyer (1800)(Oslo Museum, オスロ)。次いでJens Mathias Pram Kaurin (1827)、Portrait of the Poet J.S. Welhaven (1827)が続きます。
Jacob Calmeyerが遺した作品数は?答えを見る
当カタログには、1827年から1880年にかけて制作されたJacob Calmeyerによる8点の作品が収められています。
Jacob Calmeyerの名作は、どの美術館に収蔵されていますか?答えを見る
主に国立美術館・建築・デザイン美術館 (オスロ) と Oslo Museum (オスロ)に所蔵されています。上記の美術館一覧にすべて記載されています。
Jacob Calmeyerが最も有名な作品を多く描いたのは何年ですか?答えを見る
1820s年:このページにある全8作品のうち、2作品がその時期に制作されました。そのうちJens Mathias Pram Kaurin作品が含まれます。
Jacob Calmeyerによる最初と最後の代表的なオリジナル作品は何ですか?答えを見る
このページでは、最も古い作品はJens Mathias Pram Kaurin (1827)、最新の作品はGeorg Carl Christian Wedel Prahl (1880)です。
国立美術館・建築・デザイン美術館にはどのJacob Calmeyerの作品が展示されていますか?答えを見る
Portrait of the Poet J.S. Welhaven, View of Svartediket near Bergen と The Waterfall at Lysaker:国立美術館・建築・デザイン美術館, オスロには、このページに掲載されている作品のうち3点が所蔵されています。
Jacob Calmeyer:生涯と作品
A Life Shaped by the Academy
Jacob Mathias Calmeyer emerged from Fredrikshald in 1802, a period when the foundations of Norwegian art were being quietly laid. His path toward the brush began in 1819, joining the very first class of students at the newly established Norwegian Royal Drawing School in Christiania. This early immersion in formal training provided him with a disciplined eye, guided by the instruction of Jacob Munch and Johannes Flintoe.
The pursuit of refinement eventually led him across the borders to Copenhagen. Between 1821 and 1826, Calmeyer studied at the Royal Danish Academy of Fine Arts. It was here that he encountered the influence of Christoffer Wilhelm Eckersberg, a connection that would leave its mark on his approach to composition and light. This period of academic rigor in Denmark prepared him for a career that would span several Scandinavian cities.
Movement Through Scandinavia
Calmeyer’s professional life was marked by a series of shifts between significant cultural centers. After establishing himself within the artist guild in Bergen in 1832, he moved toward Stockholm in 1835, where he remained for several years. This period of residence in Sweden allowed him to exist within a different artistic atmosphere before his eventual return to Norway in 1859.
Upon returning to Christiania, he settled into a later chapter of his life that included passing his knowledge to the next generation. His lineage of instruction can be seen in students such as Ragnvald Hjerlow. His presence in the Norwegian art scene was not merely through his own hand, but through this quiet continuity of technique and tradition.
The Painted Record
The works left behind by Calmeyer offer a window into the landscapes and subjects of his era. His paintings are held within significant collections, including the National Gallery of Norway, the Bergen Art Museum, and the National Museum. These institutions preserve pieces such as Svartediket ved Bergen and Lysakerfossen, works that reflect his engagement with the Norwegian terrain.
His output was not limited to the natural world; he also engaged with portraiture, capturing figures like Knud Bull. Through these varied subjects, Calmeyer contributed to the visual record of 19th-century Norway, leaving a body of work that remains part of the Royal Library in Stockholm and other esteemed repositories.






