Dead Wildfowl
Jacob Biltius rendered Dead Wildfowl in oil on canvas. The work dates to about 1674. It measures 79.5 x 61.0cm. A heavy silence rests within the frame, held by the stillness of the subjects.
要約すると
Dead Wildfowl (1674)はJacob Biltiusの作品の中で最も注目を集めている絵画です。原画はコペンハーゲンのStatens Museum For Kunstに所蔵されています。 その後、視線はDead Birds (1670)とSnip, hanging (1663)へと移ります。 当カタログに含まれるJacob Biltiusの10点の作品のうち、これら10点は最も有名な作品です。制作年、所蔵美術館、そして時代を超えて愛される理由とともに、一点もののオリジナル作品をご紹介します。
Jacob Biltius rendered Dead Wildfowl in oil on canvas. The work dates to about 1674. It measures 79.5 x 61.0cm. A heavy silence rests within the frame, held by the stillness of the subjects.
The stillness of Dead Birds meets the viewer through the meticulous hand of Jacob Biltius. This somber still life captures a quiet moment following a hunt, where the subjects rest in a heavy, atmospheric silence. The work carries the weight of the Dutch Golden Age, presenting a scene that feels both immediate and deeply still. Every feather and wooden grain exists in a space defined by shadow and light.
これらのオリジナル作品に繰り返し描かれている4つの主題と、それぞれの最高傑作。
このページに掲載されている絵画を最も多く所蔵している 3 の美術館
| 美術館 | 都市 | Jacob Biltiusの作品 | このリストの絵画 |
|---|---|---|---|
| コペンハーゲン | 5 | Dead Wildfowl, Dead Birds, Wildfowl on a Wooden Table | |
| レーワルデン | 2 | Snip, hanging, Dead Partridge, Hanging | |
| 1 | Trompe-l'oeil of an arms rack with a leading staff, a partizan, a matchlock musket, a longbow, a fowling piece with pistols, game bags, dead game and other instruments of the chase hanging on a wall |
17年にわたるキャリア、1663年から1679年まで:Jacob Biltiusの最も有名なオリジナル作品を、年代ごとにご紹介します。
年代を選択して、当時のオリジナル作品を見る
The stillness of Dead Birds meets the viewer through the meticulous hand of Jacob Biltius. This somber still life captures a quiet moment following a hunt, where the subjects rest in a heavy, atmospheric silence. The work carries the weight of the Dutch Golden Age, presenting a scene that feels both immediate and deeply still. Every feather and wooden grain exists in a space defined by shadow and light.
1670のその他の作品
Jacob Biltius rendered Dead Wildfowl in oil on canvas. The work dates to about 1674. It measures 79.5 x 61.0cm. A heavy silence rests within the frame, held by the stillness of the subjects.
Dead Wildfowl (1674)(Statens Museum For Kunst, コペンハーゲン)。次いでDead Birds (1670)、Snip, hanging (1663)が続きます。
41歳:Dead Wildfowlは1674年の作品で、Jacob Biltiusの生年は1633年です。
Dead Wildfowl, Dead Birds, Snip, hanging, Dead Partridge, Hanging, Wildfowl on a Wooden Table, A Dead Hare, A hunting still life with a partridge, a grouse, a hare and hunting paraphernalia, A still life of game and hunting acoutrements, on a stone ledge, Trompe-l'oeil of an arms rack with a leading staff, a partizan, a matchlock musket, a longbow, a fowling piece with pistols, game bags, dead game and other instruments of the chase hanging on a wall と Dead Wildfowl and a Huntsman's Net. Trompe l'oeil。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。
当カタログには、1663年から1679年にかけて制作されたJacob Biltiusによる10点の作品が収められています。
主にStatens Museum For Kunst (コペンハーゲン), Fries Museum (レーワルデン) と Kunsthandel P. de Boerに所蔵されています。上記の美術館一覧にすべて記載されています。
1663年:このページにある全10作品のうち、2作品がその時期に制作されました。そのうちSnip, hanging作品が含まれます。
このページでは、最も古い作品はSnip, hanging (1663)、最新の作品はDead Wildfowl and a Huntsman's Net. Trompe l'oeil (1679)です。
このページに掲載されている10点の作品におけるFeathers (2) と Dark background (2)
このページに掲載されている全10作品のうち、2作品のOil On Canvas
Dead Wildfowl, Dead Birds と Wildfowl on a Wooden Table:Statens Museum For Kunst, コペンハーゲンには、このページに掲載されている作品のうち5点が所蔵されています。
Jacob Biltius was a Dutch still life painter born in The Hague. He began his artistic training in The Hague, studying under the French painter Carel Hardy around 1651, and later trained with Pieter de Putter, who was known for his fish still lifes. His career saw him active in various locations, including The Hague, Amsterdam, Maastricht, Antwerp, Leeuwarden, and Bergen op Zoom. In 1660, he was admitted to the Confrerie Pictura.
Biltius married Adriana Proot van der Jeucht in 1653, and they had eight children, including two sons, Cornelis and Bartholomeus, who both became painters. His movements took him from Amsterdam to Maastricht, and eventually to Flanders, where he settled in Antwerp. While living in Antwerp, he and his wife were members of a secret society of local Calvinists known as de Consistorie van de Brabantsche Olijfberg. He was admitted to the Antwerp Guild of St Luke in the 1672–1673 guild year. He eventually moved to Bergen op Zoom, where he died.
The work of Jacob Biltius is characterized by his focus on still life subjects. He was specifically known for his:
Between 1663 and 1677, Biltius created many trompe-l'œil compositions, acting as a pioneer in the creation of the illusion of three-dimensional objects. His works are noted for a very accurate and precise representation of nature. Some of these compositions were of a large size, which contributed to their realism and illusionistic impact.