11月 2026 更新 · 当サイトの人気スコア（各作品の検索数、閲覧数、注文数）に基づくランキング · 116点の フェデリコ・バロッチの作品がカタログにあります
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聖シモンと聖ユダを伴う聖母子像（サン・シモーネの聖母） (1567)はフェデリコ・バロッチの作品の中で最も注目を集めている絵画です。原画はウルビーノのGalleria Nazionale delle Marcheに所蔵されています。 その後、視線はRiver Divinity (Città del Vaticano, Casino of Pius IV) (1563)とThree Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) (1569)へと移ります。 当カタログに含まれるフェデリコ・バロッチの116点の作品のうち、これら94点は最も有名な作品です。制作年、所蔵美術館、そして時代を超えて愛される理由とともに、一点もののオリジナル作品をご紹介します。
1567年に描かれたフェデリコ・フィオリ・バロッチの「聖シモンと聖ユダを伴う聖母子像（サン・シモーネの聖母）」は、イタリア・ルネサンス美術の礎石として、またバロック様式の躍動感あふれるダイナミズムへと向かう転換点を示す極めて重要な作品として君臨しています。ロンバルディア州サッローノのサン・マドンナ・デイ・ミラコリ教会のために制作されたこの祭壇画は、緻密な観察眼と情緒的な精神性を融合させたバロッチ独自のスタイルを体現しており、母性と信仰の理想化された姿を見事に捉えています。
To gaze upon Federico Fiori Barocci's "River Divinity" is to step into a moment suspended between classical repose and profound vulnerability. This exquisite drawing, executed with the delicate precision of graphite on paper, immediately draws the viewer into its monochromatic embrace. It is not merely an image; it is a meditation rendered in shades of gray, black, and white—a visual whisper from the heart of the Renaissance spirit, yet imbued…
To gaze upon this preparatory drawing by Federico Fiori Barocci is to witness art not as a finished statement, but as pure, unbridled thought taking physical form. This piece, titled "Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo)," offers us an intimate glimpse into the mind of a master at work. It is less a depiction to be admired…
In this 1563 fresco, Federico Barocci arranges the figures of the Holy Family within a pyramidal structure. At the center, the Virgin Mary and the infant Jesus are positioned beneath a concentrated halo of light. To their side, Saint Elizabeth is depicted with an outstretched hand, a gesture directed toward the central group. The young Saint Giovannino, representing John the Baptist, is also present within the scene. Surrounding these primary…
Federico Barocci’s “Five Studies of Male Figure and two of His Right Hand and Arm,” created in 1579, isn’t merely a preparatory drawing; it’s a profound meditation on the act of creation itself. This intimate charcoal study, measuring just 20 x 32 cm, offers an unparalleled glimpse into the artist's meticulous process – a testament to Barocci’s dedication and his revolutionary approach to capturing human form. Far from a static…
Federico Fiori Barocci’s “Francesco II della Rovere” – A Portrait of Power and Renaissance Grace Federico Fiori Barocci, later known simply as Baroccio, stands as a pivotal figure bridging the Mannerist elegance of the late 16th century with the burgeoning dynamism of the Baroque. His portrait of Francesco Maria II della Rovere, painted in 1572, is not merely a likeness; it’s a carefully constructed tableau of power, lineage, and the…
Federico Fiori Barocci’s “Young Man’s Head with His Right Hand on His Face” – often referred to as “Assumption of the Virgin, Milano, Collezione Castelbarco Albani” – is not merely a portrait; it's a distilled essence of human vulnerability and a poignant meditation on mortality. Painted in 1612 during a period of profound artistic transition from Mannerism to Baroque, this intimate work offers a glimpse into the soul of its…
Federico Fiori Barocci's "Composition Study (for ‘Circumcision’, Paris, musée du Louvre)” isn’t merely a preparatory sketch; it’s a profound distillation of the artist’s vision for a monumental work depicting a pivotal scene from biblical history. Completed around 1590, this drawing offers an intimate glimpse into Barocci's meticulous process and reveals a remarkable sensitivity to light, gesture, and the emotional weight of the subject matter – the Circumcision of Isaac. It’s…
The portrait presents Monsignore Giuliano della Rovere in a moment of quiet study. Seated at a three-quarter length, the subject faces the viewer with a direct, focused gaze. He is positioned within an austere room characterized by grey walls, which provides a somber backdrop for his dark clerical attire. A diagonal line guides the eye from the upper left across the composition, leading toward a collection of books stacked in…
The Painting of the Circumcision is an oil on canvas work by the artist Federico Barocci. This religious composition depicts the scene of Christ being circumcised in the temple. The physical dimensions of the canvas measure approximately 103 x 82 cm.
Portrait of a Man1579 · エルミタージュ美術館
12
Madonna di san Giovanni1564 · Galleria Nazionale delle Marche
13
Il Perdono di Assisi1580 · Galleria Nazionale delle Marche
14
Quintilia Fischieri1600 · ナショナル・ギャラリー・オブ・アート
15
Immacolata Concezione1575 · Galleria Nazionale delle Marche
16
Head of an Old Bearded Man, 1584-15861586 · アルベリナ美術館
17
Portrait of Ippolito della Rovere1602 · イタリア大使館
18
Head of Saint Mary Magdalene1550 · Musée Bonnat-Helleu
19
Burial of Christ1550
20
Communion of Saint Magdalene1573 · バイエルン州立絵画コレクション
21
Crocifissione con i dolenti1566 · Galleria Nazionale delle Marche
22
The Virgin and Child in Glory with Saint Anthony Abbot and Saint Lucy1587
23
Cristo e la Maddalena1590 · バイエルン州立絵画コレクション
24
Assumption1606 · Galleria Nazionale delle Marche
25
Portrait of men1602
26
Saint Francis1604 · メトロポリタン美術館
27
Martyrdom of Saint Catherine of Alexandria1610
28
Annunciation1610
29
Portrait of Antonio Galli1600 · Statens Museum For Kunst
30
Three Studies of Male Bust and Two of a Knee (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera)1583 · ウフィツィ美術館
31
Aeneas' Flight from Troy (detail)1598 · ボルゲーゼ美術館
32
Three Studies of Bending Figure and One of His Head (for “Assumption of the Virgin”, Milano, Collezione Castelbarco Albani)1612 · ウフィツィ美術館
33
The Nativity1597 · プラド美術館
34
Three Studies of Sitting Figure, Drapery Sketches (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera)1583 · ウフィツィ美術館
35
Three Studies of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche)1595 · ウフィツィ美術館
36
Head of a Woman, 1568-15691569 · アルベリナ美術館
37
Annunciation1582 · バチカン・ピナコテカ
38
Donkey (for “Rest on the Flight to Egypt”, Città del Vaticano, Pinacoteca dei Musei Vaticani)1573 · ウフィツィ美術館
39
Nude Male Figure Playing Hurdy-gurdy, Studies of His Bust, Head and Hands (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi)1579 · ウフィツィ美術館
40
Presentation of Virgin Mary at the Temple1600 · サンタ・マリア・イン・ヴァッリチェッラ
41
Portrait of a Man1572
42
Portrait of a Lady1595 · エルミタージュ美術館
43
The Farewell of Christ to His Mother1612 · コンデ美術館
44
Reclining Monk with Left Arm Leaning on a Rock (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche)1595 · ウフィツィ美術館
45
Figure genuflesse e studi di mani (per laウフィツィ美術館
46
Portrait of a Young Lady1600 · National Gallery of Denmark
47
Portrait of a Young Woman1570 · ウフィツィ美術館
48
The Adoration of the Magi1561 · 国立美術館
49
Christ on the Cross1604 · プラド美術館
50
Male Figure Stooping to Lift a Cauldron1590 · ルーブル美術館
51
Female Portraitエルミタージュ美術館
52
St Jerome1598 · ボルゲーゼ美術館
53
Eternal Father and AngelsGalleria Nazionale delle Marche
54
The Head of a Priest, study for The Circumcision国立美術館
55
Head of Christボンネファンテン美術館
56
Con una figura che sorregge lウフィツィ美術館
57
Francesco II della Rovere
58
Rest on the Flight into Egyptシュテデル美術館
59
Cloaked Male Figure and Studies of His Left Leg; Drapery Studies (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique)1583 · ウフィツィ美術館
60
Stone-thrower for the Martyrdom of St Vitalis1582 · 南オーストラリア・ギャラリー
61
Head of a Shepherd, study for The Circumcision国立美術館
62
Saint LawrenceGalleria Nazionale delle Marche
63
Half-Bust Nude Male Figure (for “Presentation of the Virgin in the Temple”, Roma, Church of Santa Maria in Vallicella)1603 · ウフィツィ美術館
64
Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies1579 · ウフィツィ美術館
65
Man’s Head (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique)1583 · ウフィツィ美術館
66
Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera)1583 · ウフィツィ美術館
67
Three Studies and a Sketch of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche); Profile1595 · ウフィツィ美術館
68
Self-Portrait1600 · Residenzgalerie
69
Studies of Hand, Fingers and Leg, Foot Sketch (for “Rest on the Flight to Egypt”, Città del Vaticano, Pinacoteca Vaticana)1573 · ウフィツィ美術館
70
Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique)1583 · ウフィツィ美術館
71
Bending Male Bust; Two Hand Studies (for “Presentation of the Virgin in the Temple”, Roma, Church of Santa Maria in Vallicella)1603 · ウフィツィ美術館
72
Study of a Bent Right Arm1590 · ルーブル美術館
73
Three Studies of One Figure Supporting Another and Figure Sketch (for “Lamentation”, Bologna, Palazzo D’Accursio)ウフィツィ美術館
74
Drapery Study (for “Immaculate Conception”, Urbino, Galleria Nazionale delle Marche)ウフィツィ美術館
75
Self portrait
76
One Study of a Standing Nude Male Figure and Two Studies of a Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique)1583 · ウフィツィ美術館
77
Puttoウフィツィ美術館
78
Face of a Woman with Downcast Eyesルーブル美術館
79
Kneeling Male Figure and Studies of His Right Foot, Arms, Head and Drapery (for “Last Supper”, Urbino, Cathedral of Santa Maria Vergine Assunta)ウフィツィ美術館
80
Schizzo compositivo (per lウフィツィ美術館
81
Angels in Flight and Drapery Studiesウフィツィ美術館
82
Tre schizzi di figureウフィツィ美術館
83
The Institution of the Eucharist1608 · Basilica di Santa Maria sopra Minerva
84
The nativityプラド美術館
85
Studies for the figure of Christ in the painting Noli me tangereクーパーシュティヒカビネット
86
Madonna del Popolo1575 · ウフィツィ美術館
87
The Madonna of the Cat (La Madonna del Gatto)ナショナル・ギャラリー
88
Descent from the Cross1568
89
Aeneas' Flight from Troyボルゲーゼ美術館
90
Rest on the Flight to Egypt
91
Portrait of a Young Man1580 · ストラスブール美術館
92
Annunciationナンシー美術館
93
The Circumcision1590 · ルーブル美術館
94
Self-Portrait1570 · ウフィツィ美術館
#3 Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo)
#30 Three Studies of Male Bust and Two of a Knee (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera)
#64 Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies
#4 Holy Family with Saint Giovannino and Saint Elizabeth (Città del Vaticano, Casino of Pius IV)
#5 Five Studies of Male Figure and two of His Right Hand and Arm (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi)
#6 Francesco II della Rovere
#7 Young Man’s Head with His Right Hand on His Face (for “Assumption of the Virgin”, Milano, Collezione Castelbarco Albani)
#8 Composition Study (for “Circumcision”, Paris, musée du Louvre)
これらのオリジナル作品に繰り返し描かれている4つの主題と、それぞれの最高傑作。
#8 Composition Study (for “Circumcision”, Paris, musée du Louvre)
#32 Three Studies of Bending Figure and One of His Head (for “Assumption of the Virgin”, Milano, Collezione Castelbarco Albani)
#35 Three Studies of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche)
#47 Portrait of a Young Woman
このページに掲載されている絵画を最も多く所蔵している 8 の美術館
| 美術館 | 都市 | フェデリコ・バロッチの作品 | このリストの絵画 |
|---|---|---|---|
 ウフィツィ美術館 |
フィレンツェ | 36 | River Divinity (Città del Vaticano, Casino of Pius IV), Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo), Holy Family with Saint Giovannino and Saint Elizabeth (Città del Vaticano, Casino of Pius IV) |
 Galleria Nazionale delle Marche |
ウルビーノ | 8 | 聖シモンと聖ユダを伴う聖母子像（サン・シモーネの聖母）, Madonna di san Giovanni, Il Perdono di Assisi |
 ルーブル美術館 |
パリ | 4 | Male Figure Stooping to Lift a Cauldron, Study of a Bent Right Arm, Face of a Woman with Downcast Eyes |
 エルミタージュ美術館 |
サンクトペテルブルク | 3 | Portrait of a Man, Portrait of a Lady, Female Portrait |
 ボルゲーゼ美術館 |
ローマ | 3 | Aeneas' Flight from Troy (detail), St Jerome, Aeneas' Flight from Troy |
 プラド美術館 |
マドリード | 3 | The Nativity, Christ on the Cross, The nativity |
 アルベリナ美術館 |
ウィーン | 2 | Head of an Old Bearded Man, 1584-1586, Head of a Woman, 1568-1569 |
 バイエルン州立絵画コレクション |
ミュンヘン | 2 | Communion of Saint Magdalene, Cristo e la Maddalena |
その時代を象徴する名作を見るために、年代を選択してください。
The "Head of Saint Mary Magdalene" by Federico Barocci, dated about 1550, presents a close-up, profile view of a woman's head facing left. The composition focuses entirely on the subject's profile through a shallow depth of field. Long, flowing blonde hair cascades down the back and shoulders of the figure. This hair moves in organic and fluid shapes, creating a sense of motion within the frame. The subject is positioned…
1567年に描かれたフェデリコ・フィオリ・バロッチの「聖シモンと聖ユダを伴う聖母子像（サン・シモーネの聖母）」は、イタリア・ルネサンス美術の礎石として、またバロック様式の躍動感あふれるダイナミズムへと向かう転換点を示す極めて重要な作品として君臨しています。ロンバルディア州サッローノのサン・マドンナ・デイ・ミラコリ教会のために制作されたこの祭壇画は、緻密な観察眼と情緒的な精神性を融合させたバロッチ独自のスタイルを体現しており、母性と信仰の理想化された姿を見事に捉えています。
Federico Barocci’s “Five Studies of Male Figure and two of His Right Hand and Arm,” created in 1579, isn’t merely a preparatory drawing; it’s a profound meditation on the act of creation itself. This intimate charcoal study, measuring just 20 x 32 cm, offers an unparalleled glimpse into the artist's meticulous process – a testament to Barocci’s dedication and his revolutionary approach to capturing human form. Far from a static…
The celestial vision of Il Perdono di Assisi emerges from the brush of Federico Barocci, a painter whose hand captures a profound moment of divine grace. Created around 1580–83, this oil on canvas presents a sacred encounter that feels immediate and alive. The work exists as a shortened version of a larger altarpiece originally intended for the church of San Francesco in Urbino. Through this smaller scale, the intensity of…
Federico Fiori Barocci's "Composition Study (for ‘Circumcision’, Paris, musée du Louvre)” isn’t merely a preparatory sketch; it’s a profound distillation of the artist’s vision for a monumental work depicting a pivotal scene from biblical history. Completed around 1590, this drawing offers an intimate glimpse into Barocci's meticulous process and reveals a remarkable sensitivity to light, gesture, and the emotional weight of the subject matter – the Circumcision of Isaac. It’s…
The oil on canvas titled Quintilia Fischieri was executed by Federico Barocci in 1600. This painting captures a singular moment of quietude. The subject is rendered with the precision of a steady hand, fixed upon the page of a book. It is a work of focused intent, a study of light and stillness held within a rectangular frame.
Federico Fiori Barocci’s “Young Man’s Head with His Right Hand on His Face” – often referred to as “Assumption of the Virgin, Milano, Collezione Castelbarco Albani” – is not merely a portrait; it's a distilled essence of human vulnerability and a poignant meditation on mortality. Painted in 1612 during a period of profound artistic transition from Mannerism to Baroque, this intimate work offers a glimpse into the soul of its…
聖シモンと聖ユダを伴う聖母子像（サン・シモーネの聖母） (1567)（Galleria Nazionale delle Marche, ウルビーノ）。次いでRiver Divinity (Città del Vaticano, Casino of Pius IV) (1563)、Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) (1569)が続きます。
32歳：聖シモンと聖ユダを伴う聖母子像（サン・シモーネの聖母）は1567年の作品で、フェデリコ・バロッチの生年は1535年です。
聖シモンと聖ユダを伴う聖母子像（サン・シモーネの聖母）, River Divinity (Città del Vaticano, Casino of Pius IV), Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo), Holy Family with Saint Giovannino and Saint Elizabeth (Città del Vaticano, Casino of Pius IV), Five Studies of Male Figure and two of His Right Hand and Arm (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi), Francesco II della Rovere, Young Man’s Head with His Right Hand on His Face (for “Assumption of the Virgin”, Milano, Collezione Castelbarco Albani), Composition Study (for “Circumcision”, Paris, musée du Louvre), Ritratto di monsignor Giuliano della Rovere と Painting of the Circumcision。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。
当カタログには、1550年から1612年にかけて制作されたフェデリコ・バロッチによる116点の作品が収められています。
主にウフィツィ美術館 (フィレンツェ), Galleria Nazionale delle Marche (ウルビーノ) と ルーブル美術館 (パリ)に所蔵されています。上記の美術館一覧にすべて記載されています。
1570s年：このページにある全94作品のうち、13作品がその時期に制作されました。そのうちFive Studies of Male Figure and two of His Right Hand and Arm (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi)作品が含まれます。
このページでは、最も古い作品はHead of Saint Mary Magdalene (1550)、最新の作品はYoung Man’s Head with His Right Hand on His Face (for “Assumption of the Virgin”, Milano, Collezione Castelbarco Albani) (1612)です。
このページに掲載されている94点の作品におけるRenaissance (30), Man (19) と Woman (19)
このページに掲載されている全94作品のうち、34作品のOil On Canvas
このページに掲載されているオリジナル作品から判断すると、Mannerismです。
River Divinity (Città del Vaticano, Casino of Pius IV), Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) と Holy Family with Saint Giovannino and Saint Elizabeth (Città del Vaticano, Casino of Pius IV)：ウフィツィ美術館, フィレンツェには、このページに掲載されている作品のうち36点が所蔵されています。
