11月 2026 更新 · 当サイトの人気スコア（各作品の検索数、閲覧数、注文数）に基づくランキング · 42点の ヘンリー・モスラーの作品がカタログにあります
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Pilgrims' Grace (1897)は、ヘンリー・モスラーの作品の中で最も注目を集めている絵画です。 その後、視線はChristmas Morning (1916)とElizabeth Moerlein Portrait, 1869 (1869)へと移ります。 当カタログに含まれるヘンリー・モスラーの42点の作品のうち、これら40点は最も有名な作品です。制作年、所蔵美術館、そして時代を超えて愛される理由とともに、一点もののオリジナル作品をご紹介します。
Pilgrims' Grace is an oil on canvas by Henry Mosler. Created about 1897, the work belongs to the artist's later period of genre painting, a phase in which he frequently explored themes of colonial history and domestic life.
In this 1916 work, we find ourselves in a private, intimate moment of domestic life. Two children stand at the threshold of a doorway, their bodies angled toward the interior of a room. They are caught in a state of quiet observation, peering into a space that holds the promise of holiday discovery. The scene is illuminated by the soft, warm glow of several lit candles, which cast a gentle…
In the Elizabeth Moerlein Portrait, 1869, Henry Mosler captures a quiet moment in the life of a young girl. She stands amidst a wooded setting, her presence anchored by a stone pedestal to her side. The air feels still, as if the rustle of the leaves in the background has just subsided. She looks directly at us, her expression serious and steady, meeting the gaze of anyone who pauses to…
In this bust-length oil portrait, Henry Mosler captures Carl Heinrich Spitzner within a formal oval format. The subject sits slightly off-center, his gaze directed toward the viewer with a calm and serious expression. This eye-level perspective establishes an intimate connection, pulling the sitter into the immediate space of the observer. The dignity of the 19th-century sitter is held in the stillness of his posture.
In this oval-shaped bust-length portrait, Henry Mosler presents Mathilde Therese Pannwitz Spitzner with a quiet, dignified presence. The subject is positioned centrally, emerging from a dark, muted, and non-descript background that offers little distraction from her persona. This lack of environmental detail focuses the viewer entirely on her poised and calm expression. The composition relies on a restrained color palette, where deep blacks and dark browns establish a somber atmosphere,…
The oil sketch titled Sketch for Chimney Corner is a work by the artist Henry Mosler. Created about 1892, the piece captures a fleeting moment of domestic light. It remains part of the permanent collection at the Cincinnati Art Museum.
In this formal, classical oil portrait by Henry Mosler, titled George B. Cox, the subject is presented in a bust-length composition. The man is positioned slightly off-center, creating a subtle tension within the frame. While his body is turned toward the viewer's left, his gaze is directed straight forward, meeting the observer with a sense of stability and importance. This arrangement, dating from about 1900, emphasizes the dignity of the…
In "The Spirit of the Rainbow" by Henry Mosler, a nude female figure is positioned in a reclining, weightless pose, appearing to float across a large, sweeping arc. This rainbow spans the composition from the upper left to the lower right, establishing a sense of movement and celestial scale. The figure's pale skin is illuminated by light that emanates from within the rainbow itself, casting a soft glow across the…
In "The Beauty" by Henry Mosler, painted about 1920, the viewer is brought into a quiet, intimate moment through a medium shot at eye level. The composition centers on a female figure, though she is positioned slightly to the right of the vertical axis, creating a naturalistic balance within the frame. She is captured in a moment of quiet contemplation, admiring a large bouquet of flowers held before her. This…
In this Henry Mosler Self-portrait, the artist Henry Mosler presents himself in a bust-length composition that feels remarkably intimate. He is positioned slightly off-center, meeting the viewer through a close-up, eye-level view. His gaze is steady and contemplative, suggesting a moment of quiet introspection. The subject is an elderly man, and the arrangement of his features invites a sense of psychological depth. This approach is characteristic of late 19th-century academic…
Later Afternoon1919
12
Lost Cause1869
13
Plum Street Temple1866
14
Portrait of a Rabbi's Wife (Ktherine Schiff Illowy.)1869
15
Portrait of a Rabbi (Rabbi Bernard Illowy.)1869
16
Heidi1877
17
Quadroon Girl1878
18
The Quadroon Girl1878 · シンシナティ美術館
19
The Last Sacraments1884
20
Peasant Girl and Doves1880
21
Harvest Festival1884
22
Return of the Shrimp Fishers1880
23
Visit of the Marquese1887
24
The Husking Bee1890
25
New Year's Morning1888
26
Portrait of Agnes1888
27
Daydreaming1898
28
The Chimney Corner1893 · シンシナティ美術館
29
Portrait of Edithシンシナティ美術館
30
Charles Henry Spitzner as a Young Child
31
The Sewing Lesson
32
Siesta1910
33
Vegetable Vendor1906
34
Quilting Bee1916
35
Rio Aguirvate1913
36
Young Indian Woman (also known as Young Indian Girl)1887
37
Courtship1874 · ネルソン・アトキンス美術館
38
Just Moved1870 · メトロポリタン美術館
39
Study for EVENING OF THE BATTLE (1882)シンシナティ美術館
40
The Return of the Prodigal Son1879 · オルセー美術館
これらのオリジナル作品に繰り返し描かれている4つの主題と、それぞれの最高傑作。
このページに掲載されている絵画を最も多く所蔵している 8 の美術館
| 美術館 | 都市 | ヘンリー・モスラーの作品 | このリストの絵画 |
|---|---|---|---|
 シンシナティ美術館 |
シンシナティ | 5 | Sketch for Chimney Corner, The Quadroon Girl, The Chimney Corner |
 Cincinnati Museum Center at Union Terminal |
Cincinnati | 2 | Elizabeth Moerlein Portrait, 1869, George B. Cox |
 スミソニアン・アメリカン・アート・ミュージアム |
Washington, D.C. | 1 | The Spirit of the Rainbow |
 Dayton Art Institute |
デイトン | 1 | The Beauty |
 国立肖像画美術館 |
Washington, D.C. | 1 | Henry Mosler Self-portrait |
 ネルソン・アトキンス美術館 |
カンザスシティ | 1 | Courtship |
 メトロポリタン美術館 |
ニューヨーク | 1 | Just Moved |
 オルセー美術館 |
パリ | 1 | The Return of the Prodigal Son |
その時代を象徴する名作を見るために、年代を選択してください。
In the Elizabeth Moerlein Portrait, 1869, Henry Mosler captures a quiet moment in the life of a young girl. She stands amidst a wooded setting, her presence anchored by a stone pedestal to her side. The air feels still, as if the rustle of the leaves in the background has just subsided. She looks directly at us, her expression serious and steady, meeting the gaze of anyone who pauses to…
In this oval-shaped bust-length portrait, Henry Mosler presents Mathilde Therese Pannwitz Spitzner with a quiet, dignified presence. The subject is positioned centrally, emerging from a dark, muted, and non-descript background that offers little distraction from her persona. This lack of environmental detail focuses the viewer entirely on her poised and calm expression. The composition relies on a restrained color palette, where deep blacks and dark browns establish a somber atmosphere,…
Pilgrims' Grace is an oil on canvas by Henry Mosler. Created about 1897, the work belongs to the artist's later period of genre painting, a phase in which he frequently explored themes of colonial history and domestic life.
In this formal, classical oil portrait by Henry Mosler, titled George B. Cox, the subject is presented in a bust-length composition. The man is positioned slightly off-center, creating a subtle tension within the frame. While his body is turned toward the viewer's left, his gaze is directed straight forward, meeting the observer with a sense of stability and importance. This arrangement, dating from about 1900, emphasizes the dignity of the…
In this 1916 work, we find ourselves in a private, intimate moment of domestic life. Two children stand at the threshold of a doorway, their bodies angled toward the interior of a room. They are caught in a state of quiet observation, peering into a space that holds the promise of holiday discovery. The scene is illuminated by the soft, warm glow of several lit candles, which cast a gentle…
In "The Beauty" by Henry Mosler, painted about 1920, the viewer is brought into a quiet, intimate moment through a medium shot at eye level. The composition centers on a female figure, though she is positioned slightly to the right of the vertical axis, creating a naturalistic balance within the frame. She is captured in a moment of quiet contemplation, admiring a large bouquet of flowers held before her. This…
Pilgrims' Grace (1897)。続いてChristmas Morning (1916)、Elizabeth Moerlein Portrait, 1869 (1869)が続きます。
56歳：Pilgrims' Graceは1897年の作品で、ヘンリー・モスラーの生年は1841年です。
Pilgrims' Grace, Christmas Morning, Elizabeth Moerlein Portrait, 1869, Carl Heinrich Spitzner, Mathilde Therese Pannwitz Spitzner, Sketch for Chimney Corner, George B. Cox, The Spirit of the Rainbow, The Beauty と Henry Mosler Self-portrait。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。
当カタログには、1866年から1920年にかけて制作されたヘンリー・モスラーによる42点の作品が収められています。
主にシンシナティ美術館 (シンシナティ), Cincinnati Museum Center at Union Terminal (Cincinnati) と スミソニアン・アメリカン・アート・ミュージアム (Washington, D.C.)に所蔵されています。上記の美術館一覧にすべて記載されています。
1880s年：このページにある全40作品のうち、8作品がその時期に制作されました。そのうちThe Last Sacraments作品が含まれます。
このページでは、最も古い作品はPlum Street Temple (1866)、最新の作品はThe Beauty (1920)です。
このページに掲載されている40点の作品におけるMan (4), Woman (4) と People (3)
このページに掲載されている全40作品のうち、8作品のOil On Canvas
このページに掲載されているオリジナル作品から判断すると、Realismです。
Sketch for Chimney Corner, The Quadroon Girl と The Chimney Corner：シンシナティ美術館, シンシナティには、このページに掲載されている作品のうち5点が所蔵されています。
