11月 2026 更新 · 当サイトの人気スコア（各作品の検索数、閲覧数、注文数）に基づくランキング · 13点の Gustavus Behneの作品がカタログにあります
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ギャラリーの視点では、Gustavus Behneの最も有名な作品はPortrait of General George M. Keim (1861)であり、その原画はレディングのReading Public Museumに展示されています。 Moro Castle, Havana (1865)とAlpine Glow (1870)が加わり、誰もが一度は目にしたことのある至高のトリオが完成します。 当カタログに含まれるGustavus Behneの作品13点の中から、特に有名な13点を厳選してご紹介します。各作品は、制作年、所蔵美術館、そしてその作品ならではの魅力とともに、一点物のオリジナル作品として掲載されています。
In this 1861 oil portrait, we encounter General George M. Keim not as a distant figure of history, but as a man of palpable weight and quiet gravity. Presented in an oval format, the composition focuses on a bust-length view of the subject, whose gaze is directed forward, meeting the viewer with a steady, contemplative expression. There is a certain stillness here, a sense of a life lived through the…
このページに掲載されている絵画を最も多く所蔵している 1 の美術館
| 美術館 | 都市 | Gustavus Behneの作品 | このリストの絵画 |
|---|---|---|---|
 Reading Public Museum |
レディング | 13 | Portrait of General George M. Keim, Moro Castle, Havana, Alpine Glow |
Gustavus Behneの芸術の19年、1861から1879まで：各時代の最も有名なオリジナル作品を通じて、その歩みを年ごとに辿ります。
年代を選択して、当時のオリジナル作品を見る
In this 1861 oil portrait, we encounter General George M. Keim not as a distant figure of history, but as a man of palpable weight and quiet gravity. Presented in an oval format, the composition focuses on a bust-length view of the subject, whose gaze is directed forward, meeting the viewer with a steady, contemplative expression. There is a certain stillness here, a sense of a life lived through the…
Portrait of General George M. Keim (1861)（Reading Public Museum, レディング）。次いでMoro Castle, Havana (1865)、Alpine Glow (1870)が続きます。
33歳：Portrait of General George M. Keimは1861年の作品で、Gustavus Behneの生年は1828年です。
Portrait of General George M. Keim, Moro Castle, Havana, Alpine Glow, Der Wild Kaiser, Bavaria, Ammer Lake, Bavaria, George DeBenneville Keim, Portrait of Kaiser Frederick Wilhelm, Emperor Franz Josef of Austria, Sicilian Street Shrine と Brucke。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。
当カタログには、1861年から1879年にかけて制作されたGustavus Behneによる13点の作品が収められています。
主にReading Public Museum (レディング)に所蔵されています。上記の美術館一覧にすべて記載されています。
このページでは、最も古い作品はPortrait of General George M. Keim (1861)、最新の作品はAmmer Lake, Bavaria (1879)です。
Portrait of General George M. Keim, Moro Castle, Havana と Alpine Glow：Reading Public Museum, レディングには、このページに掲載されている作品のうち13点が所蔵されています。
Born in the Prussian lands of Nordhause, Gustavus Behne carried with him the disciplined spirit of the German academies. His early years were shaped by the rigorous training found at the Dusseldorf Academy, a place where the foundations of form and light were etched into his understanding of the brush. This education provided him with the technical vocabulary to later navigate much different landscapes, both physical and artistic.
The path of this painter was one of movement and migration. He eventually crossed the Atlantic, seeking new horizons in the United States. His early American years saw him settling in Reading, Pennsylvania, a period that allowed his German training to meet the varied subjects of the New World. It is said that during his time in Philadelphia, he may have walked the same paths as other great masters, absorbing the quiet lessons of the local art scene.
Behne possessed a versatile hand, capable of shifting from the intimate stillness of a small object to the grand scale of historical drama. He found equal footing in the realms of portraiture, landscape, and still life. His portraits were not merely likenesses but studies of character, including notable works such as his depiction of General Sam Houston of Texas. In these faces, one finds the careful observation of a man trained in the Dusseldorf tradition.
His work often reflected the dual influences of the Dusseldorf and Munich schools. This duality allowed him to capture the quietude of religious themes alongside the sweeping vistas of nature. Whether he was painting a Sicilian street shrine or the serene waters of Lake Chieming in Bavaria, his focus remained on the truth of the scene. His still lifes offered a different kind of meditation, focusing on the silent presence of objects held in perfect, frozen light.
As his life moved toward its conclusion near Munich, Behne had already left behind a body of work that bridged the gap between German academic precision and American subject matter. His ability to adapt to different environments—from the Duchy of Saxe-Coburg and Gotha to the bustling streets of Pennsylvania—defined his artistic identity. He remained a painter of the moment, capturing history, nature, and the human countenance with a steady, practiced hand.
The significance of his work lies in this very adaptability. Through his eyes, we see:
