11月 2026 更新 · 当サイトの人気スコア（各作品の検索数、閲覧数、注文数）に基づくランキング · 27点の ゴットフリート・リンダウアーの作品がカタログにあります
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Portrait of Mrs Rosalia Schischka (1876)はゴットフリート・リンダウアーの作品の中で最も注目を集めている絵画です。原画はオークランドのオークランド・アート・ギャラリー・トイ・オ・タマキに所蔵されています。 その後、視線はKuinioroa, Daughter of Rangi Kopinga - Te Rangi Pikinga (1880)とWiremu Kingi (1850)へと移ります。 当カタログに含まれるゴットフリート・リンダウアーの27点の作品のうち、これら27点は最も有名な作品です。制作年、所蔵美術館、そして時代を超えて愛される理由とともに、一点もののオリジナル作品をご紹介します。
Mrs. Rosalia Schischka sits in a quiet, suspended moment, her presence filling the space with a heavy, dignified stillness. The light catches the curve of her cheek and the delicate white of her lace chemisette, pulling her features forward from a deep, umber background. She looks directly at us, her steady gaze meeting the viewer with a calm that suggests a life of poise and social standing. There is a…
Kuinioroa, Daughter of Rangi Kopinga - Te Rangi Pikinga gazes out from a dark, monochromatic void, her presence commanding the space through a quiet, steady dignity. The light falls softly from the upper left, tracing the contours of her face and catching the subtle textures of her skin. Every line tells a story of a life lived with purpose. Fine wrinkles around her eyes and the intricate, stylized patterns of…
A close-up, three-quarter view captures Wiremu Kingi in a moment of quiet authority. The portrait focuses on the upper body, set against a dark, undifferentiated background that pushes the subject forward. Light enters from the upper left, casting soft shadows that define the contours of the face and the texture of the skin. Every strand of the white beard and the coarse, woven fibers of the flax cloak are rendered…
In this Self portrait, the artist Gottfried Lindauer presents a quiet, introspective view of himself. Painted about 1862, the work captures the artist during his early years, long before his later association with the landscapes and people of New Zealand. It is a rare moment of personal reflection from a man who would eventually become a significant figure in the art history of the South Pacific.
In this intimate oil portrait from 1860, we find ourselves in a close-up, three-quarter view of a Māori woman and a child. The woman faces slightly to the left, yet her gaze is directed toward us, creating an immediate sense of presence. Behind her shoulder, a small child peers out, adding a layer of tenderness to the composition. The palette is grounded in earthy, muted tones—creams, browns, and blacks—which allow…
The air feels heavy and still around the figure of Ihaka Whanga. He sits in a quiet, dark space, his presence commanding the viewer's immediate attention. Light spills softly from the upper left, catching the stark white of his beard and the deep, weathered textures of his skin. Every line on his face tells a story of survival and endurance. The shadows wrap around him, pulling him forward from the…
A formal full-length portrait from 1870 captures a man of significant standing, positioned with a quiet, commanding presence. He is rendered in a realistic academic style, his figure centered against a theatrical backdrop of deep crimson drapery. The subject holds a rolled document, a gesture signifying his profession or social status. Light enters from the upper left, carving out the volume of his face and the sharp tailoring of his…
Heeni Hirini and Child is an oil on canvas painting by the artist Gottfried Lindauer. Created about 1878, this portrait captures Heeni Hirini, who is also known as Ana Rupene. The work belongs to a series of portraits of Māori people that document the presence and identity of the indigenous people of New Zealand.
A formal and dignified portrait of a young Māori woman, executed with high realism. The composition is a medium close-up, centering the subject against a dark, muted background that emphasizes her presence. The color palette is dominated by earthy and rich tones: deep browns, blacks, and burgundies, contrasted by the bright white of her collar and the subtle warmth of her skin tone. Lines are used softly to define the…
Executed in 1876, this work reflects the high mastery of academic realism prevalent during the late 19th century. The smooth, blended transitions in skin tones demonstrate a disciplined approach to portraiture, where the goal was to achieve a lifelike likeness through controlled technique. The eye-level perspective establishes an intimate yet respectful connection, inviting a quiet observation of the man's features and the quiet gravity of his expression.
Eliza Brookes1876 · オークランド・アート・ギャラリー・トイ・オ・タマキ
12
Tukukino Te Ahiātaewa1878 · オークランド・アート・ギャラリー・トイ・オ・タマキ
13
Taraia Ngakuti Te Tumuhuia1874 · オークランド・アート・ギャラリー・トイ・オ・タマキ
14
Portrait of Eruera Maihi Patuone1874 · オークランド・アート・ギャラリー・トイ・オ・タマキ
15
Portrait of Pare Watene1878 · オークランド・アート・ギャラリー・トイ・オ・タマキ
16
Portrait of Terewai Horomona (b.1866)1878 · ロイヤル・コレクション
17
Portrait of Ngairo Rakai Hikuroa1878
18
Portrait of Wahanui Reihana Te Huatare1880
19
Portrait of Mrs. Paramena1885 · Museum of New Zealand Te Papa Tongarewa
20
Porträt des Mr Paramena1885
21
Kewene Te Haho1890 · オークランド・アート・ギャラリー・トイ・オ・タマキ
22
Portrait of William Smart1914 · オークランド・アート・ギャラリー・トイ・オ・タマキ
23
Self portrait1910
24
Tamati Waka Nene1890 · オークランド・アート・ギャラリー・トイ・オ・タマキ
25
Chief Ngairo Rakaihikuroa in Wairarapa, New ZealandDunedin Public Art Gallery
26
Paratene Te Manuオークランド・アート・ギャラリー・トイ・オ・タマキ
27
Portrait of Kate SperreyTe Whare O Rehua Sarjeant Gallery
これらのオリジナル作品に繰り返し描かれている4つの主題と、それぞれの最高傑作。
このページに掲載されている絵画を最も多く所蔵している 6 の美術館
| 美術館 | 都市 | ゴットフリート・リンダウアーの作品 | このリストの絵画 |
|---|---|---|---|
 オークランド・アート・ギャラリー・トイ・オ・タマキ |
オークランド | 13 | Portrait of Mrs Rosalia Schischka, Kuinioroa, Daughter of Rangi Kopinga - Te Rangi Pikinga, Wiremu Kingi |
 Museum of New Zealand Te Papa Tongarewa |
ウェリントン | 2 | Maori girl, Portrait of Mrs. Paramena |
 Gallery of Western Bohemia |
Plzeň | 1 | Self portrait |
 ロイヤル・コレクション |
ロンドン | 1 | Portrait of Terewai Horomona (b.1866) |
 Dunedin Public Art Gallery |
1 | Chief Ngairo Rakaihikuroa in Wairarapa, New Zealand | |
 Te Whare O Rehua Sarjeant Gallery |
1 | Portrait of Kate Sperrey |
その時代を象徴する名作を見るために、年代を選択してください。
A close-up, three-quarter view captures Wiremu Kingi in a moment of quiet authority. The portrait focuses on the upper body, set against a dark, undifferentiated background that pushes the subject forward. Light enters from the upper left, casting soft shadows that define the contours of the face and the texture of the skin. Every strand of the white beard and the coarse, woven fibers of the flax cloak are rendered…
In this Self portrait, the artist Gottfried Lindauer presents a quiet, introspective view of himself. Painted about 1862, the work captures the artist during his early years, long before his later association with the landscapes and people of New Zealand. It is a rare moment of personal reflection from a man who would eventually become a significant figure in the art history of the South Pacific.
Mrs. Rosalia Schischka sits in a quiet, suspended moment, her presence filling the space with a heavy, dignified stillness. The light catches the curve of her cheek and the delicate white of her lace chemisette, pulling her features forward from a deep, umber background. She looks directly at us, her steady gaze meeting the viewer with a calm that suggests a life of poise and social standing. There is a…
Kuinioroa, Daughter of Rangi Kopinga - Te Rangi Pikinga gazes out from a dark, monochromatic void, her presence commanding the space through a quiet, steady dignity. The light falls softly from the upper left, tracing the contours of her face and catching the subtle textures of her skin. Every line tells a story of a life lived with purpose. Fine wrinkles around her eyes and the intricate, stylized patterns of…
In the Portrait of William Smart, Gottfried Lindauer presents the subject in a three-quarter view. The man gazes slightly off-camera, maintaining a calm and composed expression. His features are illuminated by soft, directional light originating from the upper left, which creates gentle modeling across the face and subtle highlights on the hair and fabric. This lighting strategy emphasizes the luminous skin tones against a dark, somber background. A single pink…
Portrait of Mrs Rosalia Schischka (1876)（オークランド・アート・ギャラリー・トイ・オ・タマキ, オークランド）。次いでKuinioroa, Daughter of Rangi Kopinga - Te Rangi Pikinga (1880)、Wiremu Kingi (1850)が続きます。
37歳：Portrait of Mrs Rosalia Schischkaは1876年の作品で、ゴットフリート・リンダウアーの生年は1839年です。
Portrait of Mrs Rosalia Schischka, Kuinioroa, Daughter of Rangi Kopinga - Te Rangi Pikinga, Wiremu Kingi, Self portrait, Ana Rupene and child, Portrait of Ihaka Whanga, Porträt des Johann Weitzer, Heeni Hirini and Child, Maori girl と Charles Brookes。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。
当カタログには、1850年から1914年にかけて制作されたゴットフリート・リンダウアーによる27点の作品が収められています。
主にオークランド・アート・ギャラリー・トイ・オ・タマキ (オークランド), Museum of New Zealand Te Papa Tongarewa (ウェリントン) と Gallery of Western Bohemia (Plzeň)に所蔵されています。上記の美術館一覧にすべて記載されています。
1870s年：このページにある全27作品のうち、13作品がその時期に制作されました。そのうちPortrait of Mrs Rosalia Schischka作品が含まれます。
このページでは、最も古い作品はWiremu Kingi (1850)、最新の作品はPortrait of William Smart (1914)です。
このページに掲載されている27点の作品におけるMan (12), Woman (9) と Cloak (7)
このページに掲載されている全27作品のうち、21作品のOil On Canvas
このページに掲載されているオリジナル作品から判断すると、Academic realismです。
Portrait of Mrs Rosalia Schischka, Kuinioroa, Daughter of Rangi Kopinga - Te Rangi Pikinga と Wiremu Kingi：オークランド・アート・ギャラリー・トイ・オ・タマキ, オークランドには、このページに掲載されている作品のうち13点が所蔵されています。
