11月 2026 更新 · 当サイトの人気スコア（各作品の検索数、閲覧数、注文数）に基づくランキング · 18点の ジュゼッペ・アッバーティの作品がカタログにあります
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Oration (The prayer) (1866)はジュゼッペ・アッバーティの作品の中で最も注目を集めている絵画です。原画はフィレンツェのピッティ宮殿に所蔵されています。 その後、視線はHorse in the Sunlight (1866)とMarina in Castiglioncello (1863)へと移ります。 当カタログに含まれるジュゼッペ・アッバーティの18点の作品のうち、これら18点は最も有名な作品です。制作年、所蔵美術館、そして時代を超えて愛される理由とともに、一点もののオリジナル作品をご紹介します。
A solitary woman sits within a dimly lit, classical interior, her figure centered in a quiet moment of introspection. She is absorbed in prayer or reading, her presence defined by the heavy folds of a voluminous skirt and a dark cloak. The scene is structured by the verticality of background columns and the geometric precision of a tiled floor, creating a sense of architectural permanence around her private ritual. A…
The sunlight washes over the scene in Horse in the Sunlight, a work that captures a quiet moment of care between a man and his animal. Giuseppe Abbati, the artist behind this piece, brings a sense of warmth to the subject through his specific handling of light. The painting, created in 1866, finds its origins in the life of an artist born in Naples, Italy, on January 13, 1836. Here,…
Marina in Castiglioncello is an oil on canvas work by the Italian painter Giuseppe Abbati. This piece captures a specific coastal view, reflecting the artist's engagement with the natural light of the Italian landscape. The work is attributed to Abbati, who was born in Naples in 1836.
is an oil painting by the Italian artist Giuseppe Abbati. Created in 1861, the work emerged during a transformative period in the artist's development following his participation in Garibaldi’s 1860 campaign for Italian unification. This period of conflict, which resulted in the loss of his right eye at the Battle of Capua, preceded his move to Florence and his subsequent association with the Macchiaioli movement.
Giuseppe Abbati’s Portrait of a man, created about 1867, presents a somber and intimate study of a male subject in profile. The composition utilizes a close-up head-and-shoulders view, focusing the viewer's attention on the lateral silhouette of the man. This perspective establishes a quiet sense of distance between the observer and the subject, fostering a contemplative mood. The subject's features are defined by organic shapes, particularly within the structure of…
The work before us is titled Interior of a cloister (San Marco), a piece painted by Giuseppe Abbati. This specific composition reflects the artist's early focus on architectural settings, a direction influenced by the training he received from his father, Vincenzo Abbati, who specialized in interior scenes. It is a quiet study that captures a moment of solitude within a structured, stone environment.
In the quietude of 1865, Giuseppe Abbati captured more than just a figure in repose; he bottled a fleeting fragment of human existence. "A Man Seated and Asleep" serves as a profound window into the heart of the Macchiaioli movement, an Italian avant-garde that sought to strip away the artifice of academic tradition in favor of raw, unadorned truth. The painting presents us with a solitary figure, his head resting…
The Arno river near Casaccia1863
12
Landscape at Castiglioncello1863 · 近代美術館
13
Country Road with Cypresses1860 · 近代美術館
14
The Tower of the Palazzo Del Podestà1865
15
Gallery with Armor Bearer1864
16
Portrait of a Woman1865 · 近代美術館
17
The milkman in Piagentina1864
18
The Artist Stanislao Pointeau1863 · Musée des impressionnismes Giverny
これらのオリジナル作品に繰り返し描かれている4つの主題と、それぞれの最高傑作。
このページに掲載されている絵画を最も多く所蔵している 5 の美術館
| 美術館 | 都市 | ジュゼッペ・アッバーティの作品 | このリストの絵画 |
|---|---|---|---|
 近代美術館 |
フィレンツェ | 4 | Cloister, Landscape at Castiglioncello, Country Road with Cypresses |
 ピッティ宮殿 |
フィレンツェ | 2 | Oration (The prayer), The Cloister of Santa Croce |
 Galleria d'arte moderna Ricci Oddi |
Piacenza | 1 | Portrait of a man |
 メトロポリタン美術館 |
ニューヨーク | 1 | A Man Seated and Asleep |
 Musée des impressionnismes Giverny |
ジヴェルニー | 1 | The Artist Stanislao Pointeau |
ここに掲載されているジュゼッペ・アッバーティの年代別のオリジナル作品は、1860年から1867年までの約10年間にわたるもので、その変遷を年を追うごとに辿ることができます。
年代を選択して、当時のオリジナル作品を見る
is an oil painting by the Italian artist Giuseppe Abbati. Created in 1861, the work emerged during a transformative period in the artist's development following his participation in Garibaldi’s 1860 campaign for Italian unification. This period of conflict, which resulted in the loss of his right eye at the Battle of Capua, preceded his move to Florence and his subsequent association with the Macchiaioli movement.
1861のその他の作品
Marina in Castiglioncello is an oil on canvas work by the Italian painter Giuseppe Abbati. This piece captures a specific coastal view, reflecting the artist's engagement with the natural light of the Italian landscape. The work is attributed to Abbati, who was born in Naples in 1836.
1863のその他の作品
The work before us is titled Interior of a cloister (San Marco), a piece painted by Giuseppe Abbati. This specific composition reflects the artist's early focus on architectural settings, a direction influenced by the training he received from his father, Vincenzo Abbati, who specialized in interior scenes. It is a quiet study that captures a moment of solitude within a structured, stone environment.
1865のその他の作品
A solitary woman sits within a dimly lit, classical interior, her figure centered in a quiet moment of introspection. She is absorbed in prayer or reading, her presence defined by the heavy folds of a voluminous skirt and a dark cloak. The scene is structured by the verticality of background columns and the geometric precision of a tiled floor, creating a sense of architectural permanence around her private ritual. A…
1866のその他の作品
Giuseppe Abbati’s Portrait of a man, created about 1867, presents a somber and intimate study of a male subject in profile. The composition utilizes a close-up head-and-shoulders view, focusing the viewer's attention on the lateral silhouette of the man. This perspective establishes a quiet sense of distance between the observer and the subject, fostering a contemplative mood. The subject's features are defined by organic shapes, particularly within the structure of…
Oration (The prayer) (1866)（ピッティ宮殿, フィレンツェ）。次いでHorse in the Sunlight (1866)、Marina in Castiglioncello (1863)が続きます。
30歳：Oration (The prayer)は1866年の作品で、ジュゼッペ・アッバーティの生年は1836年です。
Oration (The prayer), Horse in the Sunlight, Marina in Castiglioncello, Cloister, Portrait of a man, Interior of a cloister (San Marco), A Man Seated and Asleep, Beach at Caletta, The Cloister of Santa Croce と House at the River。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。
当カタログには、1860年から1867年にかけて制作されたジュゼッペ・アッバーティによる18点の作品が収められています。
主に近代美術館 (フィレンツェ), ピッティ宮殿 (フィレンツェ) と Galleria d'arte moderna Ricci Oddi (Piacenza)に所蔵されています。上記の美術館一覧にすべて記載されています。
1863年：このページにある全18作品のうち、6作品がその時期に制作されました。そのうちMarina in Castiglioncello作品が含まれます。
このページでは、最も古い作品はCountry Road with Cypresses (1860)、最新の作品はPortrait of a man (1867)です。
このページに掲載されている18点の作品におけるMan (2), Landscape (2) と Italian art (2)
このページに掲載されている全18作品のうち、5作品のOil On Canvas
Cloister, Landscape at Castiglioncello と Country Road with Cypresses：近代美術館, フィレンツェには、このページに掲載されている作品のうち4点が所蔵されています。
Giuseppe Abbati was born in Naples, Italy, on January 13, 1836. He received his initial artistic training from his father, Vincenzo Abbati, who specialized in paintings of architectural interiors. This early influence is evident in Giuseppe’s first works, which also focused on interior scenes.
Abbati's life took a dramatic turn when he participated in Garibaldi’s 1860 campaign for Italian unification. During the Battle of Capua, he tragically lost his right eye. Following this experience, he moved to Florence, a pivotal moment that shaped his artistic trajectory. In Florence, at the famed Caffè Michelangiolo, he connected with key figures who would become known as the Macchiaioli – Giovanni Fattori, Silvestro Lega, and others.
Initially recognized for his interior views—for which he even received a medal at the National Exposition in Florence in 1861 (which he refused as protest against the jury)—Abbati soon embraced plein air painting, influenced by his new circle of artists. His style became characterized by a bold treatment of light and shadow, focusing on capturing luminous effects in landscapes. He often depicted scenes viewed through doorways or windows, creating a sense of depth and atmosphere.
Abbati’s artistic pursuits were again interrupted in 1866 when he enlisted in the army for the Third Independence War. He was captured by Austrian forces in Croatia before returning to civilian life at the end of the year. He spent his final year painting in the countryside near Castelnuovo della Misericordia. Tragically, Abbati died on February 21, 1868, in Florence, after being bitten by his own dog and contracting rabies.
Abbati was significantly influenced by the ideals of the Macchiaioli movement, which sought to break away from academic traditions and embrace a more realistic depiction of Italian life. He contributed to the Risorgimento artistic expression through his depictions of landscapes and everyday scenes. While his career was cut short, Abbati’s work remains important for its innovative use of light, its connection to the Macchiaioli aesthetic, and its reflection of a pivotal period in Italian history.
