George Beareの肖像画

George Beareの絵画:ギャラリーの視点で選ぶ、最も有名な15作品

11月 2026 更新 · 当サイトの人気スコア(各作品の検索数、閲覧数、注文数)に基づくランキング · 15点の George Beareの作品がカタログにあります

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ギャラリーの視点では、George Beareの最も有名な作品はAn Unknown Woman, Called Peg Woffington (1740)であり、その原画はニューヘイブンのイェール英国美術館に展示されています。 Portrait of a Woman (1740)とPortrait of a Lady Holding a Book (1740)が加わり、誰もが一度は目にしたことのある至高のトリオが完成します。 当カタログに含まれるGeorge Beareの作品15点の中から、特に有名な15点を厳選してご紹介します。各作品は、制作年、所蔵美術館、そしてその作品ならではの魅力とともに、一点物のオリジナル作品として掲載されています。

1725 – 1749 最多収蔵館: イェール英国美術館

ギャラリーが選ぶGeorge Beareのトップ10作品

1
An Unknown Woman, Called Peg Woffington (1740) による George Beare

An Unknown Woman, Called Peg Woffington

1740 · Oil On Canvas · イェール英国美術館, ニューヘイブン

The light catches the soft, salmon-pink folds of a silk gown, pulling the viewer into a quiet, private moment from 1740. A woman sits poised, her presence defined by a calm and dignified expression that suggests a life lived in the public eye, yet here, she is captured in a moment of stillness. The deep black of the background recedes into shadow, pushing her figure forward through a masterful use…

2
Portrait of a Woman (1740) による George Beare

Portrait of a Woman

1740 · Oil · フィラデルフィア美術館, フィラデルフィア

There is a quietude in this 1740 oil portrait that commands immediate attention. The subject, an older woman, is presented in a three-quarter view, her form emerging from a dark, undifferentiated background that lends her a profound sense of physical volume. The lighting is deliberate, streaming from the upper left to catch the delicate folds of her translucent white headscarf and the subtle textures of her skin. It is a…

3
Portrait of a Lady Holding a Book (1740) による George Beare

Portrait of a Lady Holding a Book

1740 · Oil On Canvas · Walters Art Museum, ボルチモア

A single woman occupies the center of this 1740 oil on canvas, her presence defined by the quiet weight of a book held against her bodice. The light enters from the upper left, catching the sharp, white edges of her lace collar and the soft curve of her cheek. She is a figure of stillness. Her gaze is steady, meeting the viewer from an eye-level perspective that feels intimate rather…

4
Portrait of an Elderly Lady and a Girl (1747) による George Beare

Portrait of an Elderly Lady and a Girl

1747 · Oil · イェール英国美術館, ニューヘイブン

The oil painting titled Portrait of an Elderly Lady and a Girl was executed by the English artist George Beare in 1747. This work captures a quiet, generational intersection between two female figures. An elderly woman and a young girl occupy the center of the frame, their presence forming a silent link between different stages of life. The subject matter suggests a familial bond, likely representing a grandmother and her…

5
An Unknown Man (1746) による George Beare

An Unknown Man

1746 · Oil On Canvas · イェール英国美術館, ニューヘイブン

A single man occupies the center of an oval world. He is turned slightly, a three-quarter view that suggests a moment of quiet interruption. His face carries a soft, rosy flush against the pale cream of his skin, a warmth that contrasts with the cool, powdered white of his wig. The light falls from the upper left, carving the shape of his nose and the line of his jaw through…

George Beareの絵画、ランキング11位から15位

George Beareが心を惹かれた主題

これらのオリジナル作品に繰り返し描かれている4つの主題と、それぞれの最高傑作。

George Beareの原画を所蔵する美術館

このページに掲載されている絵画を最も多く所蔵している 7 の美術館

美術館 都市 George Beareの作品 このリストの絵画
イェール英国美術館, ニューヘイブンイェール英国美術館 ニューヘイブン 3 An Unknown Woman, Called Peg Woffington, Portrait of an Elderly Lady and a Girl, An Unknown Man
Salisbury - South Wiltshire Museum, ソールズベリーSalisbury - South Wiltshire Museum ソールズベリー 2 Sir Frederick Evelyn (1733 1734–1812), as a Boy, Miss Fort of Alderbury House, Wiltshire
ナショナル・ポートレート・ギャラリー, ロンドンナショナル・ポートレート・ギャラリー ロンドン 2 Francis Price, Thomas Chubb
フィラデルフィア美術館, フィラデルフィアフィラデルフィア美術館 フィラデルフィア 1 Portrait of a Woman
Walters Art Museum, ボルチモアWalters Art Museum ボルチモア 1 Portrait of a Lady Holding a Book
Salisbury Guildhall, SalisburySalisbury Guildhall Salisbury 1 Thomas Chubb of Salisbury (1679–1747)
Bristol Museum - Art Gallery, ブリストルBristol Museum - Art Gallery ブリストル 1 Portrait of an Unknown Man in Brown

George Beare、各年の代表作

1740年から1749年までの10年余りの歳月は、George Beareにとって非常に重要なものでした。ギャラリーでは、名作の原画を次々と辿りながら、その歩みを年ごとに振り返ります。

年別作品数

年代を選択して、当時のオリジナル作品を見る

George Beareの絵画:ギャラリーの回答

George Beareの作品の中で、最も有名な絵画は何ですか?答えを見る

An Unknown Woman, Called Peg Woffington (1740)(イェール英国美術館, ニューヘイブン)。次いでPortrait of a Woman (1740)、Portrait of a Lady Holding a Book (1740)が続きます。

George BeareがAn Unknown Woman, Called Peg Woffingtonを完成させた時の年齢は?答えを見る

15歳:An Unknown Woman, Called Peg Woffingtonは1740年の作品で、George Beareの生年は1725年です。

George Beareの代表的な絵画トップ10は?答えを見る

An Unknown Woman, Called Peg Woffington, Portrait of a Woman, Portrait of a Lady Holding a Book, Portrait of an Elderly Lady and a Girl, An Unknown Man, Sir Charles Clarke (1702–1750), Baron of the Exchequer (1743–1750), Thomas Chubb of Salisbury (1679–1747), Sir Frederick Evelyn (1733 1734–1812), as a Boy, Portrait of a Lady と Portrait of a Gentleman, possibly Hugh Marriott。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。

George Beareの作品数は?答えを見る

当カタログには、1740年から1749年にかけて制作されたGeorge Beareによる15点の作品が収められています。

George Beareの最も有名なオリジナル作品はどこに展示されていますか?答えを見る

主にイェール英国美術館 (ニューヘイブン), Salisbury - South Wiltshire Museum (ソールズベリー) と ナショナル・ポートレート・ギャラリー (ロンドン)に所蔵されています。上記の美術館一覧にすべて記載されています。

George Beareが最も有名な作品を描いたのはいつですか?答えを見る

1747年:このページにある全15作品のうち、5作品がその時期に制作されました。そのうちPortrait of an Elderly Lady and a Girl作品が含まれます。

George Beareの初期および後期の代表作は何ですか?答えを見る

このページでは、最も古い作品はAn Unknown Woman, Called Peg Woffington (1740)、最新の作品はPortrait of a Lady (1749)です。

George Beare が最も多く描いた主題は何ですか?答えを見る

このページに掲載されている15点の作品におけるWoman (4), Lace (3) と White fabric (3)

George Beare が最も多く用いた技法は何ですか?答えを見る

このページに掲載されている全15作品のうち、3作品のOil On Canvas

イェール英国美術館が所蔵するGeorge Beareのオリジナル作品は何ですか?答えを見る

An Unknown Woman, Called Peg Woffington, Portrait of an Elderly Lady and a Girl と An Unknown Man:イェール英国美術館, ニューヘイブンには、このページに掲載されている作品のうち3点が所蔵されています。

George Beare:アーティスト

A Fleeting Glimpse: The Life and Art of George Beare

George Beare remains a somewhat enigmatic figure in the landscape of 18th-century English portraiture, a talent whose career blossomed briefly yet left behind a captivating legacy of refined skill and insightful character studies. Born around 1724 or 1725, his life is shrouded in relative obscurity, known primarily through the surviving corpus of his work and scattered historical records. He was active mainly in Salisbury, Wiltshire, where he established himself as an “eminent Face Painter,” a designation that speaks to the importance of portraiture within provincial society during this period. Tragically, Beare’s artistic journey was cut short by his untimely death near Andover in 1749, leaving behind approximately forty known paintings—a modest output, yet one brimming with quality and nuance.

The Provincial Portraitist: Style and Technique

Beare's art reflects the prevailing stylistic currents of the mid-18th century, drawing heavily from the traditions established by artists like Sir Godfrey Kneller and William Hogarth. However, he wasn’t merely an imitator; Beare possessed a distinctive sensibility that set his work apart. His portraits are characterized by their meticulous attention to detail—the delicate rendering of lace collars, the subtle sheen of silk fabrics, and the precise depiction of facial features. He favored a restrained palette, employing muted tones and soft lighting to create a sense of intimacy and psychological depth. Unlike some of his contemporaries who embraced flamboyant displays of wealth and status in their portraits, Beare’s subjects are often presented with quiet dignity and understated elegance. His brushwork is remarkably smooth, indicative of careful layering and glazing techniques—a testament to his technical mastery. He excelled at capturing not just the likeness of his sitters but also a sense of their inner character, imbuing each portrait with a unique personality.

Wiltshire Society and Notable Patrons

Beare’s clientele primarily consisted of members of the gentry and prosperous merchants in and around Salisbury. His paintings offer a fascinating glimpse into the social fabric of Wiltshire society during the Georgian era. Among his most celebrated works are portraits of Thomas Chubb, a renowned clockmaker and outspoken critic of religious hypocrisy, painted in 1747—a piece that showcases Beare’s ability to convey intellectual strength and moral conviction. Another notable commission was a portrait of Colonel George Treby, Mayor of Plympton, revealing the artist's skill in depicting authority and civic pride. These portraits weren’t simply exercises in representation; they were statements of social standing, expressions of personal identity, and enduring testaments to the lives of those who commissioned them. The Salisbury Civic Society has rightly recognized Beare’s importance through a commemorative plaque, acknowledging his contribution to the artistic heritage of the region.

A Brief but Impactful Career: Legacy and Rediscovery

Despite his short career, George Beare left an indelible mark on the local art scene. His paintings were highly sought after during his lifetime, and they continue to be admired for their technical brilliance and psychological insight. While he didn’t achieve widespread fame like some of his contemporaries, his work has experienced a resurgence in recent years, thanks to increased scholarly attention and growing appreciation for provincial portraiture. Art UK and the Tate Gallery have both included Beare in their online collections, making his art accessible to a wider audience.
  • His paintings provide valuable insights into 18th-century English society.
  • Beare’s meticulous technique and restrained style set him apart from many of his contemporaries.
  • The rediscovery of his work has shed light on the artistic landscape beyond London.

Beyond the Brush: Unanswered Questions

Much about Beare's life remains a mystery. The location of his studio, the extent of his formal training, and the full scope of his artistic influences are still subjects of ongoing research. However, the surviving paintings offer compelling evidence of a gifted artist who possessed a keen eye for detail, a sensitive understanding of human character, and a remarkable ability to capture the essence of his sitters. George Beare’s story serves as a reminder that artistic excellence can flourish even in the most provincial settings, and that every portrait—however modest—can hold a wealth of historical and cultural significance.