11月 2026 更新 · 当サイトの人気スコア（各作品の検索数、閲覧数、注文数）に基づくランキング · 80点の フランソワ・クルーエの作品がカタログにあります
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Mary, Queen of Scots (1542-87) (1560)はフランソワ・クルーエの作品の中で最も注目を集めている絵画です。原画はロンドンのロイヤル・コレクションに所蔵されています。 その後、視線はHenri II of Valois and Caterina de' Medici, Surrounded by Members of Their FamilyとMary, Queen of Scots (1560)へと移ります。 当カタログに含まれるフランソワ・クルーエの80点の作品のうち、これら78点は最も有名な作品です。制作年、所蔵美術館、そして時代を超えて愛される理由とともに、一点もののオリジナル作品をご紹介します。
François Clouet's 1560-61 portrait of Mary, Queen of Scots is more than just a likeness; it’s a meticulously crafted window into the turbulent heart of Renaissance Scotland and France. Commissioned during her time as Dauphine of France and later Queen of Scotland, this diminutive painting – a ‘miniature’ in the truest sense – transcends its small scale to embody the complexities of a woman caught between two powerful nations and…
In the grand tapestry of the French Renaissance, few works capture the sheer weight of royal lineage as profoundly as François Clouet’s "Henri II of Valois and Caterina de' Medici, Surrounded by Members of Their Family." This is not merely a portrait; it is a monumental tableau of power, a meticulously orchestrated assembly of faces that serves as a window into the heart of the 16th-century Valois court. As one…
The portrait titled Mary, Queen of Scots is a work by the French artist François Clouet. Created in 1560, this Queen's Portrait captures the likeness of Mary, Queen of Scots (1542-87). The image focuses on the sovereign during a period of significant transition in her life.
The subject is a bust-length portrait of a woman, positioned slightly off-center and facing toward the right of the frame. She is depicted with a calm expression and a steady gaze. Her attire consists of a heavy, patterned gown featuring vertical stripes and intricate embroidery. A high, structured collar frames her neck, and her head is adorned with a headpiece containing rounded pearls. A matching necklace of lustrous pearls rests…
In the grand tapestry of the French Renaissance, few images command the eye with such immediate and breathtaking authority as François Clouet’s Portrait of Francis I, King of France. Painted in 1540, this monumental work is far more than a mere likeness of a monarch; it is a profound visual manifesto of power, ambition, and the burgeoning spirit of an era. As the viewer encounters this masterpiece, they are not…
In this oil painting on oak wood, a woman identified as Elisabeth of Austria, Queen of France, occupies the central foreground. She is positioned with her head turned slightly toward the side, her gaze directed away from the viewer. Her hair is long and dark, framing a face marked by a stern expression. Around her neck, she wears a prominent ruffled collar and a necklace that rests against her chest.…
In the quiet, luminous atmosphere of François Clouet’s “A Lady in Her Bath,” the viewer is not merely an observer but a silent guest invited into a moment of profound domestic intimacy. Painted around 1571, this masterpiece serves as a breathtaking window into the private lives of the French aristocracy during the late Renaissance. The composition unfolds with a theatrical grace, where heavy red satin drapes are pulled back like…
In the grand tapestry of the French Renaissance, few images command the eye with such immediate and breathtaking authority as François Clouet’s Portrait of Francis I, King of France. Painted in 1540, this monumental oil on canvas is far more than a mere likeness of a monarch; it is a profound visual manifesto of power, ambition, and the burgeoning spirit of an era. As the viewer encounters this work, they…
The world of 16th-century France was one of opulent courts, shifting alliances, and burgeoning artistic innovation. Within this vibrant landscape emerged François Clouet, a master portraitist whose meticulous skill and subtle psychological insight continue to captivate viewers centuries later. His “Unknown Lady,” painted around 1555, is not merely a likeness; it’s a carefully constructed tableau of observation, hinting at the woman's character and the era she inhabited. The painting, now…
Odet de Coligny, Cardinal de Châtillon is a portrait executed by François Clouet in 1548. The sitter, a prominent figure of the French Renaissance, held the positions of Bishop of Beauvais and Archbishop of Toulouse. As the nephew of Constable Anne de Montmorency, his social standing is reflected in the formal presentation of the work.
Sir William Kirkcaldy of Grange1570 · スコットランド国立肖像画館
12
King Charles IX of France1561 · 美術史美術館
13
Portrait of a Man, so-called "Don Juan".1555 · チャルトリスキ美術館
14
Mary, Queen of Scots1561 · スコットランド国立肖像画館
15
Portrait of King Charles IX of France1566 · 美術史美術館
16
Charles IX1570 · Birmingham Museum of Art
17
Portrait of Catherine de' Medici1580 · Walters Art Museum
18
Portrait of a Man1543 · ナショナル・ギャラリー
19
Elisabeth of Austria, Queen of France1571 · コンデ美術館
20
Portrait of Charles IX, King of France (1550-1574)1562
21
Marie de Gaignon, Marquise de Boissy (c. 1524-1565)1560
22
Henry II (1519-1559), King of France.1559
23
Claude de Beaune de Semblançay, Lady of Chateaubrun (c. 1530-1571).1563
24
Portrait of Admiral Gaspard II de Coligny1550 · セントルイス美術館
25
Marguerite of Valois1560 · コンデ美術館
26
Portrait of Claudia de Valois (1547-1575)1563 · バイエルン州立絵画コレクション
27
Louise de Lorraine1550 · ヒューストン美術館
28
Mary, Queen of Scots (1542-87)1559 · ロイヤル・コレクション
29
François de Lorraine, 2nd Duke de Guise (1519-1563)1555
30
Portrait of François de Lorraine1562
31
Mary, Queen of Scots1561
32
Diane de France, Duchess of Angoulême (1538-1619), natural and legitimized daughter of Henry II, King of France.1568
33
Portrait "Unknown Lady" on wood, from the school of Francois Clouet, ca. 15701570
34
Portrait of "Elisabeth van Habsburg" on wood, by a follower of Francois Clouet, after 15711571
35
Portrait of François de Coligny1569 · Dayton Art Institute
36
Portrait of Charles IX1570 · Collection Bemberg
37
Portrait of François de Scepeaux1566 · インディアナポリス美術館
38
Portrait of a Man, called the Duc d'Alençon1569 · スコットランド国立美術館
39
The Love Letter1570 · ティッセン・ボルネミッサ美術館
40
Françoise Robertet, lady of La Bourdaisière then Countess of Châteauroux1565 · シャトー・ド・シャンティイ
41
Portrait of a Lady1550 · シュテデル美術館
42
A Lady in Her Bath1571 · ナショナル・ギャラリー・オブ・アート
43
Hercule François de Valois-Angoulême, Duc d'Alençon et d'Anjou (1555–1584)Touchstones Rochdale
44
Le bain de Diane detail1565 · ルーアン美術館
45
Henry d'Albret, King of Navarre1527
46
Henri II1550
47
Francois Hercule de France, Duke of Alencon1560
48
Hercule Francois, Duke of Alencon and of Anjou1561
49
Jossine de Pisseleu d1550 · シャトー・ド・シャンティイ
50
Jeanne D'Albret, Queen of Navarre1570 · コンデ美術館
51
The Lady in Her Bath1571
52
Portrait of Claude Gouffier1568 · ヴェルサイユ宮殿
53
A Lady in Her Bath (detail)1571 · ナショナル・ギャラリー・オブ・アート
54
Isabelle (Isabeau) d1547 · シャトー・ド・シャンティイ
55
Elisabeth of France, Queen of Spain, known as Isabella of Peace1550 · シャトー・ド・シャンティイ
56
Portrait of Henri II1547
57
The Bath of Diana1550 · サンパウロ美術館
58
Renée de Rieux, Marquise de Nesle, known as Guyonne, Countess of Laval1560 · シャトー・ド・シャンティイ
59
Marguerite of France, Duchess of Berry and Savoy1550 · シャトー・ド・シャンティイ
60
Portrait of King Charles IX of France1561 · 美術史美術館
61
Portrait of Princess Margarida de Valois1561 · Soares dos Reis National Museum
62
Portrait of a Lady in a Black Dress with Marie Stuart CoiffureBowes Museum
63
Female PortraitBowes Museum
64
Diane de Poitiers (1499-1566), Duchess of Valentinois
65
Portrait of a lady
66
Henry III (1551–1589), King of France
67
French, approx. )1510
68
A Nobleman of the Valois Courtデトロイト美術館
69
Henry II (1519–1559), King of France
70
Henry II of France (detail)
71
Francois I of France on HorsebackUpton House
72
Henry II of France on HorsebackUpton House
73
Charles IX (1550–1574), King of France
74
ヘンリエット・ド・クレーヴスGovernment Art Collection
75
A Lady in Her Bath1571 · ナショナル・ギャラリー・オブ・アート
76
Pierre Quthe1562 · ルーブル美術館
77
Guy XVII, Comte de Laval1540 · Timken Museum of Art
78
The Bath of Diana1550 · ルーアン美術館
これらのオリジナル作品に繰り返し描かれている4つの主題と、それぞれの最高傑作。
このページに掲載されている絵画を最も多く所蔵している 8 の美術館
| 美術館 | 都市 | フランソワ・クルーエの作品 | このリストの絵画 |
|---|---|---|---|
 シャトー・ド・シャンティイ |
シャンティイ | 7 | Unknown lady, probably an Italian, known as, Françoise Robertet, lady of La Bourdaisière then Countess of Châteauroux, Jossine de Pisseleu d |
 ナショナル・ギャラリー・オブ・アート |
ワシントン | 4 | A Lady in Her Bath, A Lady in Her Bath, A Lady in Her Bath (detail) |
 コンデ美術館 |
シャンティイ | 4 | Odet de Coligny, Cardinal de Châtillon, Elisabeth of Austria, Queen of France, Marguerite of Valois |
 ルーブル美術館 |
パリ | 3 | Elisabeth of Austria, Queen of France, Portrait of Francis I, King of France, Pierre Quthe |
 美術史美術館 |
ウィーン | 3 | King Charles IX of France, Portrait of King Charles IX of France, Portrait of King Charles IX of France |
 ロイヤル・コレクション |
ロンドン | 2 | Mary, Queen of Scots (1542-87), Mary, Queen of Scots (1542-87) |
 ウフィツィ美術館 |
フィレンツェ | 2 | Henri II of Valois and Caterina de' Medici, Surrounded by Members of Their Family, Portrait of Francis I, King of France |
 スコットランド国立肖像画館 |
Edinburgh | 2 | Sir William Kirkcaldy of Grange, Mary, Queen of Scots |
その時代を象徴する名作を見るために、年代を選択してください。
To look upon this portrait of Henry d'Albret, King of Navarre, is to encounter the quiet gravity of the sixteenth century. Created in 1527, this watercolor on paper offers a delicate window into a period of profound transition. The subject, a man of significant standing, is rendered with a precision that speaks to the refined sensibilities of the French court. There is a certain stillness here, a moment caught in…
In the grand tapestry of the French Renaissance, few images command the eye with such immediate and breathtaking authority as François Clouet’s Portrait of Francis I, King of France. Painted in 1540, this monumental work is far more than a mere likeness of a monarch; it is a profound visual manifesto of power, ambition, and the burgeoning spirit of an era. As the viewer encounters this masterpiece, they are not…
The subject is a bust-length portrait of a woman, positioned slightly off-center and facing toward the right of the frame. She is depicted with a calm expression and a steady gaze. Her attire consists of a heavy, patterned gown featuring vertical stripes and intricate embroidery. A high, structured collar frames her neck, and her head is adorned with a headpiece containing rounded pearls. A matching necklace of lustrous pearls rests…
François Clouet's 1560-61 portrait of Mary, Queen of Scots is more than just a likeness; it’s a meticulously crafted window into the turbulent heart of Renaissance Scotland and France. Commissioned during her time as Dauphine of France and later Queen of Scotland, this diminutive painting – a ‘miniature’ in the truest sense – transcends its small scale to embody the complexities of a woman caught between two powerful nations and…
In this oil painting on oak wood, a woman identified as Elisabeth of Austria, Queen of France, occupies the central foreground. She is positioned with her head turned slightly toward the side, her gaze directed away from the viewer. Her hair is long and dark, framing a face marked by a stern expression. Around her neck, she wears a prominent ruffled collar and a necklace that rests against her chest.…
Mary, Queen of Scots (1542-87) (1560)（ロイヤル・コレクション, ロンドン）。次いでHenri II of Valois and Caterina de' Medici, Surrounded by Members of Their Family、Mary, Queen of Scots (1560)が続きます。
50歳：Mary, Queen of Scots (1542-87)は1560年の作品で、フランソワ・クルーエの生年は1510年です。
Mary, Queen of Scots (1542-87), Henri II of Valois and Caterina de' Medici, Surrounded by Members of Their Family, Mary, Queen of Scots, Mary, Queen of Scots (1542-1587), Portrait of Francis I, King of France, Elisabeth of Austria, Queen of France, A Lady in Her Bath, Portrait of Francis I, King of France, Unknown lady, probably an Italian, known as と Odet de Coligny, Cardinal de Châtillon。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。
当カタログには、1527年から1571年にかけて制作されたフランソワ・クルーエによる80点の作品が収められています。
主にシャトー・ド・シャンティイ (シャンティイ), ナショナル・ギャラリー・オブ・アート (ワシントン) と コンデ美術館 (シャンティイ)に所蔵されています。上記の美術館一覧にすべて記載されています。
1560s年：このページにある全78作品のうち、25作品がその時期に制作されました。そのうちMary, Queen of Scots (1542-87)作品が含まれます。
このページでは、最も古い作品はHenry d'Albret, King of Navarre (1527)、最新の作品はElisabeth of Austria, Queen of France (1571)です。
このページに掲載されている78点の作品におけるWoman (23), Man (21) と Renaissance (19)
このページに掲載されている全78作品のうち、39作品のOil On Panel
このページに掲載されているオリジナル作品から判断すると、ルネサンスです。
Unknown lady, probably an Italian, known as, Françoise Robertet, lady of La Bourdaisière then Countess of Châteauroux と Jossine de Pisseleu d：シャトー・ド・シャンティイ, シャンティイには、このページに掲載されている作品のうち7点が所蔵されています。
