11月 2026 更新 · 当サイトの人気スコア（各作品の検索数、閲覧数、注文数）に基づくランキング · 7点の Ferdinand Oldeweltの作品がカタログにあります
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A Gypsy Girl in a Church (1917)はFerdinand Oldeweltの作品の中で最も注目を集めている絵画です。原画はロッテルダムのボイジャンズ・ヴァン・ビューニンゲン美術館に所蔵されています。 その後、視線はWoman with spinning wheel (1886)とGypsy girl (1905)へと移ります。 当カタログに含まれるFerdinand Oldeweltの7点の作品のうち、これら7点は最も有名な作品です。制作年、所蔵美術館、そして時代を超えて愛される理由とともに、一点もののオリジナル作品をご紹介します。
A young girl occupies the center of this 1917 oil painting, positioned slightly to the left of the vertical axis. She is depicted in a full-length portrait, standing within a muted interior that suggests a church setting. Her figure is defined by a heavy, saturated red coat that provides the primary color weight in the composition. A teal-green scarf is wrapped around her neck, offering a cool contrast to the…
このページに掲載されている絵画を最も多く所蔵している 4 の美術館
| 美術館 | 都市 | Ferdinand Oldeweltの作品 | このリストの絵画 |
|---|---|---|---|
 アムステルダム博物館 |
アムステルダム | 4 | Woman with spinning wheel, Mr. Willem Frederik Hendrik Oldewelt (1895-?), Portrait of an angora cat |
 ボイジャンズ・ヴァン・ビューニンゲン美術館 |
ロッテルダム | 1 | A Gypsy Girl in a Church |
 Dordrechts Museum |
ドルトレヒト | 1 | Gypsy girl |
 Groninger Museum |
フローニンゲン | 1 | Varkensmarkt on the Grote Markt, Groningen, |
その時代を象徴する名作を見るために、年代を選択してください。
A young girl occupies the center of this 1917 oil painting, positioned slightly to the left of the vertical axis. She is depicted in a full-length portrait, standing within a muted interior that suggests a church setting. Her figure is defined by a heavy, saturated red coat that provides the primary color weight in the composition. A teal-green scarf is wrapped around her neck, offering a cool contrast to the…
A Gypsy Girl in a Church (1917)（ボイジャンズ・ヴァン・ビューニンゲン美術館, ロッテルダム）。次いでWoman with spinning wheel (1886)、Gypsy girl (1905)が続きます。
60歳：A Gypsy Girl in a Churchは1917年の作品で、Ferdinand Oldeweltの生年は1857年です。
当カタログには、1886年から1925年にかけて制作されたFerdinand Oldeweltによる7点の作品が収められています。
主にアムステルダム博物館 (アムステルダム), ボイジャンズ・ヴァン・ビューニンゲン美術館 (ロッテルダム) と Dordrechts Museum (ドルトレヒト)に所蔵されています。上記の美術館一覧にすべて記載されています。
1880s年：このページにある全7作品のうち、3作品がその時期に制作されました。そのうちWoman with spinning wheel作品が含まれます。
このページでは、最も古い作品はWoman with spinning wheel (1886)、最新の作品はMr. Willem Frederik Hendrik Oldewelt (1895-?) (1925)です。
Woman with spinning wheel, Mr. Willem Frederik Hendrik Oldewelt (1895-?) と Portrait of an angora cat：アムステルダム博物館, アムステルダムには、このページに掲載されている作品のうち4点が所蔵されています。
Ferdinand Oldewelt lived a life shaped by the steady rhythm of the studio and the classroom. Born in Amsterdam, he spent his early years absorbing the technical rigor required of a professional artist. His training took him from the Rijksakademie van beeldende kunsten, where he studied under August Allebé and Barend Wijnveld, to the Koninklijke Academie voor Schone Kunsten in Antwerp. It was here, under the guidance of Charles Verlat, that his hand found its specific way of seeing. He was not merely a painter but a man of many tools, working as a printmaker, watercolorist, and etcher. His hands were as comfortable with the sharp bite of an etching needle as they were with the soft spread of a watercolor wash.
His career was defined by a commitment to the instruction of others. He moved through various roles of leadership and teaching, shaping the hands of many students. His influence stretched across several institutions, leaving a mark on the way art was taught in the Netherlands during his lifetime.
By 1890, Oldewelt was among the first to settle near the village of Laren, a place that would become a gathering point for many painters. While he did not officially make Laren his permanent home until 1922, his presence in the area was felt long before. He became part of the Larense School, a group of artists drawn to the rural landscape and the quietude of interior scenes. His work often focused on these intimate subjects, such as a woman with a spinning wheel, capturing the stillness of a moment. He was a man of his community, holding memberships in groups like Arti et Amicitiae and Pulchri Studio.
His technical skill was evident in the way he handled light and form, whether in a formal drawing or a finished painting. He taught many notable figures, including Pieter den Besten and Gesina Boevé, passing down the discipline he had acquired in his own youth. He remained active in his craft and his teaching until his death in Laren in 1935.
