Edward Matthew Wardの肖像画

Edward Matthew Wardの絵画:ギャラリーの視点で選ぶ、最も有名な38作品

11月 2026 更新 · 当サイトの人気スコア(各作品の検索数、閲覧数、注文数)に基づくランキング · 38点の Edward Matthew Wardの作品がカタログにあります

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ギャラリーの視点では、Edward Matthew Wardの最も有名な作品はA Game of Charades (1840)であり、その原画はプロビデンスのRhode Island School of Design Museum of Artに展示されています。 Doctor Johnson in the Ante-Room of the Lord Chesterfield Waiting for an Audience, 1748 (1845)とPhilip Henry Stanhope, Viscount Stanhope, later 5th Earl Stanhope, DCL, FRS, LLD (1805-1875) (1854)が加わり、誰もが一度は目にしたことのある至高のトリオが完成します。 当カタログに含まれるEdward Matthew Wardの作品38点の中から、特に有名な38点を厳選してご紹介します。各作品は、制作年、所蔵美術館、そしてその作品ならではの魅力とともに、一点物のオリジナル作品として掲載されています。

1816 – 1879, London 最多収蔵館: ナショナル・ポートレート・ギャラリー

ギャラリーが選ぶEdward Matthew Wardのトップ10作品

1
A Game of Charades (1840) による Edward Matthew Ward

A Game of Charades

1840 · Oil On Canvas · Rhode Island School of Design Museum of Art, プロビデンス

The scene unfolds within "A Game of Charades," a work painted by Edward Matthew Ward. This piece captures a lively moment of social interaction, frozen in time. The artist, Edward Matthew Ward, was born in Pimlico, London, in 1816. He lived until 1879, leaving behind a legacy of narrative painting that seeks to document the spirit of his era.

2
Doctor Johnson in the Ante-Room of the Lord Chesterfield Waiting for an Audience, 1748 (1845) による Edward Matthew Ward

Doctor Johnson in the Ante-Room of the Lord Chesterfield Waiting for an Audience, 1748

1845 · Oil On Canvas

In this work, titled Doctor Johnson in the Ante-Room of the Lord Chesterfield Waiting for an Audience, 1748, we encounter a scene of quiet social tension. The painting captures a specific moment of anticipation within an opulent setting, focusing on the figure of Dr. Johnson as he waits among a group of men. This historical narrative is brought to life by the hand of Edward Matthew Ward, a prominent English…

3
Philip Henry Stanhope, Viscount Stanhope, later  5th Earl Stanhope, DCL, FRS, LLD (1805-1875) (1854) による Edward Matthew Ward

Philip Henry Stanhope, Viscount Stanhope, later 5th Earl Stanhope, DCL, FRS, LLD (1805-1875)

1854 · Oil · Hughenden Manor, High Wycombe

A single lamp casts a steady glow across the heavy, dark-clothed table, illuminating the quiet labor of a man lost in thought. Philip Henry Stanhope sits amidst a sea of leather-bound volumes and scattered papers, his presence anchored by the weight of his surroundings. The room is thick with the scent of old paper and the stillness of a Victorian study. Deep burgundies and rich golds cling to the heavy…

4
Thomas Babington Macaulay, Baron Macaulay (1853) による Edward Matthew Ward

Thomas Babington Macaulay, Baron Macaulay

In this oil portrait, Edward Matthew Ward captures Thomas Babington Macaulay, Baron Macaulay, in a moment of quiet reflection. Painted about 1853, the work presents the subject during a period of significant political and intellectual activity. At this time, Macaulay was already a prominent figure in British public life, having served as the Secretary at War between 1839 and 1841. The portrait offers a glimpse into the persona of a…

5
Queen Victoria at the Tomb of Napoleon, 24 August 1855 (1857) による Edward Matthew Ward

Queen Victoria at the Tomb of Napoleon, 24 August 1855

1857 · Oil On Canvas · バッキンガム宮殿, London

The air inside the chapel feels heavy, thick with the scent of old stone and the weight of a shared, silent history. We find ourselves in Paris, standing within the dim, atmospheric reaches of Les Invalides, where the light falls in dramatic, chiaroscuro-inspired shafts upon a gathering of royalty. At the center of this theatrical arrangement, Queen Victoria moves with a quiet, regal grace. She is not merely a visitor;…

6
The Investiture of Napoleon III with the Order of the Garter, 18 April 1855 (1860) による Edward Matthew Ward

The Investiture of Napoleon III with the Order of the Garter, 18 April 1855

1860 · Oil On Canvas · ロイヤル・コレクション, ロンドン

The scene unfolds within the grand, ceremonial atmosphere of Windsor Castle, capturing a momentous exchange of honors. In this 1860 history painting, titled The Investiture of Napoleon III with the Order of the Garter, 18 April 1855, the artist Edward Matthew Ward freezes a significant diplomatic encounter in time. The air seems heavy with the weight of tradition as Napoleon III receives the Order of the Garter from Queen Victoria.…

7
The Last Sleep of Argyle before his Execution 1685 (1866) による Edward Matthew Ward

The Last Sleep of Argyle before his Execution 1685

1866 · Oil · バーミンガム博物館・美術館, バーミンガム

The Last Sleep of Argyle before his Execution 1685 is a somber oil painting by Edward Matthew Ward. Created about 1866, the work captures a heavy, enclosed atmosphere within a dark, rustic interior. A single figure lies in bed, anchored by the weight of impending tragedy. The scene is a quiet moment of tension, where shadows press against the stark white of linens and the deep, earthy tones of a…

8
The Last Parting of Marie-Antoinette and her Son による Edward Matthew Ward

The Last Parting of Marie-Antoinette and her Son

Oil On Canvas

The Last Parting of Marie-Antoinette and her Son by Edward Matthew Ward captures a pivotal moment from the Reign of Terror during the French Revolution. This oil on canvas history painting portrays the farewell between Marie Antoinette and her son, Louis XVII, on 3 July 1793. The scene focuses on the emotional separation of the former queen from her child amidst the political upheaval of the era.

9
The Royal Family of France in the Temple による Edward Matthew Ward

The Royal Family of France in the Temple

Oil On Canvas

The painting titled The Royal Family of France in the Temple is a work by the British painter Edward Matthew Ward. This piece belongs to the historical genre, a field in which Ward specialized throughout his career. The composition focuses on a group of individuals gathered around a dining table within a room that contains a couch and various chairs. The scene depicts members of the French royal family during…

10
Marie Antoinette And Her Children による Edward Matthew Ward

Marie Antoinette And Her Children

Oil

The painting titled Marie Antoinette And Her Children is a work by Edward Matthew Ward. It captures the last Queen of France before the French Revolution within a quiet, indoor setting. The scene likely takes place in a room in the Palace of Versailles, where the air feels heavy with the weight of a changing era.

Edward Matthew Wardの絵画、ランキング11位から38位

Edward Matthew Wardが心を惹かれた主題

これらのオリジナル作品に繰り返し描かれている4つの主題と、それぞれの最高傑作。

Edward Matthew Wardの原画を所蔵する美術館

このページに掲載されている絵画を最も多く所蔵している 7 の美術館

美術館 都市 Edward Matthew Wardの作品 このリストの絵画
ナショナル・ポートレート・ギャラリー, ロンドンナショナル・ポートレート・ギャラリー ロンドン 2 Thomas Babington Macaulay, Baron Macaulay, Daniel Maclise
ロイヤル・コレクション, ロンドンロイヤル・コレクション ロンドン 2 The Investiture of Napoleon III with the Order of the Garter, 18 April 1855, The Tomb of Napoleon
Rhode Island School of Design Museum of Art, プロビデンスRhode Island School of Design Museum of Art プロビデンス 1 A Game of Charades
Hughenden Manor, High WycombeHughenden Manor High Wycombe 1 Philip Henry Stanhope, Viscount Stanhope, later 5th Earl Stanhope, DCL, FRS, LLD (1805-1875)
バッキンガム宮殿, Londonバッキンガム宮殿 London 1 Queen Victoria at the Tomb of Napoleon, 24 August 1855
バーミンガム博物館・美術館, バーミンガムバーミンガム博物館・美術館 バーミンガム 1 The Last Sleep of Argyle before his Execution 1685
Harris Museum - Art Gallery, プレストンHarris Museum - Art Gallery プレストン 1 The Royal Family Of France In The Prison

Edward Matthew Ward、10年ごとに1枚の代表作

年代別作品数

その時代を象徴する名作を見るために、年代を選択してください。

Edward Matthew Wardの絵画:ギャラリーの回答

Edward Matthew Wardの作品の中で、最も有名な絵画は何ですか?答えを見る

A Game of Charades (1840)(Rhode Island School of Design Museum of Art, プロビデンス)。次いでDoctor Johnson in the Ante-Room of the Lord Chesterfield Waiting for an Audience, 1748 (1845)、Philip Henry Stanhope, Viscount Stanhope, later 5th Earl Stanhope, DCL, FRS, LLD (1805-1875) (1854)が続きます。

Edward Matthew WardがA Game of Charadesを完成させた時の年齢は?答えを見る

24歳:A Game of Charadesは1840年の作品で、Edward Matthew Wardの生年は1816年です。

Edward Matthew Wardの代表的な絵画トップ10は?答えを見る

A Game of Charades, Doctor Johnson in the Ante-Room of the Lord Chesterfield Waiting for an Audience, 1748, Philip Henry Stanhope, Viscount Stanhope, later 5th Earl Stanhope, DCL, FRS, LLD (1805-1875), Thomas Babington Macaulay, Baron Macaulay, Queen Victoria at the Tomb of Napoleon, 24 August 1855, The Investiture of Napoleon III with the Order of the Garter, 18 April 1855, The Last Sleep of Argyle before his Execution 1685, The Last Parting of Marie-Antoinette and her Son, The Royal Family of France in the Temple と Marie Antoinette And Her Children。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。

Edward Matthew Wardの作品数は?答えを見る

当カタログには、1840年から1866年にかけて制作されたEdward Matthew Wardによる38点の作品が収められています。

Edward Matthew Wardの最も有名なオリジナル作品はどこに展示されていますか?答えを見る

主にナショナル・ポートレート・ギャラリー (ロンドン), ロイヤル・コレクション (ロンドン) と Rhode Island School of Design Museum of Art (プロビデンス)に所蔵されています。上記の美術館一覧にすべて記載されています。

Edward Matthew Wardが最も有名な作品を描いたのはいつですか?答えを見る

1840s年:このページにある全38作品のうち、4作品がその時期に制作されました。そのうちA Game of Charades作品が含まれます。

Edward Matthew Wardの初期および後期の代表作は何ですか?答えを見る

このページでは、最も古い作品はA Game of Charades (1840)、最新の作品はThe Last Sleep of Argyle before his Execution 1685 (1866)です。

Edward Matthew Ward が最も多く描いた主題は何ですか?答えを見る

このページに掲載されている38点の作品におけるMan (6), People (4) と Woman (3)

Edward Matthew Ward が最も多く用いた技法は何ですか?答えを見る

このページに掲載されている全38作品のうち、7作品のOil On Canvas

ナショナル・ポートレート・ギャラリーが所蔵するEdward Matthew Wardのオリジナル作品は何ですか?答えを見る

Thomas Babington Macaulay, Baron Macaulay と Daniel Maclise:ナショナル・ポートレート・ギャラリー, ロンドンには、このページに掲載されている作品のうち2点が所蔵されています。

Edward Matthew Ward:アーティスト

Edward Matthew Ward: A Victorian Narrative Painter of British History

  • Born: Pimlico, United Kingdom (1816)
  • Died: 1879

Edward Matthew Ward RA was a prominent English Victorian narrative painter celebrated for his monumental murals within the Palace of Westminster. These works depict significant episodes from British history, spanning the tumultuous period of the English Civil War to the Glorious Revolution. Beyond these large-scale commissions, Ward’s career encompassed a diverse range of subjects, reflecting his evolving artistic interests and engagement with contemporary social and political themes.

Early Life and Artistic Development

  • Early Training & Illustrations: Born in Pimlico, London, Ward demonstrated artistic talent early on. He contributed illustrations to the popular satirical book Rejected Addresses alongside his uncles, James and Horace Smith, and also illustrated works by Washington Irving. Winning the "silver palette" from the Society of Arts in 1830 marked an early recognition of his abilities.
  • Royal Academy & Rome: Supported by David Wilkie and Francis Leggatt Chantrey, Ward became a student at the Royal Academy Schools. A pivotal moment arrived with his journey to Rome in 1836, where he received a silver medal from the Academy of St Luke in 1838 for his painting "Cimabue and Giotto." This work was subsequently exhibited at the Royal Academy in 1839, establishing him on the artistic scene.
  • The Clique & Early Influences: During his time at the Royal Academy Schools, Ward became part of a group known as “The Clique,” led by Richard Dadd. The Clique championed a distinctly national style, drawing inspiration from artists like Hogarth and Wilkie. This influence is evident in many of Ward’s early paintings, which frequently depicted scenes set in the 18th century or explored Hogarthian themes. His interest in 17th-century history was fueled by his friendship with historian Thomas Babington Macaulay.

Major Works and Artistic Style

  • Westminster Murals: Ward’s most significant achievement remains the eight murals he painted for the Palace of Westminster, commissioned despite an earlier unsuccessful competition entry in 1843. These murals dramatically portray parallel events from the Royalist and Parliamentary sides during the English Civil War, presenting opposing figures as if confronting one another across the corridor – a striking visual representation of historical conflict.
  • Hogarthian Subjects & Historical Scenes: Throughout the 1860s, Ward continued to explore Hogarthian themes and episodes from British history. Notable examples include "Hogarth's Studio in 1739" (York City Art Gallery) and "The Antechamber at Whitehall during the Dying Moments of Charles II" (Walker Art Gallery, Liverpool).
  • Artistic Style: Ward’s style is characterized by a dramatic narrative approach, meticulous attention to detail, and a strong sense of historical accuracy. While influenced by Hogarth's satirical commentary and Wilkie's realism, he developed his own distinctive voice, blending historical documentation with theatrical presentation. His works often feature large casts of figures engaged in dynamic action, creating compelling visual narratives.

Later Life, Personal Tragedy & Legacy

  • Conflict with the Pre-Raphaelites: In the 1850s, Ward publicly criticized the Pre-Raphaelite movement, particularly Millais’ style, which he deemed un-British. A controversial moment arose when his painting "Charlotte Corday Being Led to Execution" won a prize over Millais' "Ophelia" at Liverpool, sparking considerable debate within the art world.
  • Personal Life & Relationships: Ward married Henrietta Ward (no relation), in 1848 after an elopement facilitated by Wilkie Collins. Their relationship was complicated by Henrietta’s mother’s disapproval and disinheritance. Collins is believed to have drawn inspiration from their story for his novel Basil. Henrietta later became a successful art teacher and wrote memoirs about their life together.
  • Tragic End & Family: Towards the end of his life, Ward suffered from illness and depression. He tragically died by suicide in January 1879. His son, Leslie Ward, achieved fame as a caricaturist for Vanity Fair under the pseudonym "Spy."
  • Historical Significance: Edward Matthew Ward’s legacy rests primarily on his monumental Westminster murals, which remain an important part of British heritage and offer a powerful visual record of key historical events. His work reflects the Victorian fascination with history and narrative painting, while also demonstrating a commitment to portraying national identity and values.