11月 2026 更新 · 当サイトの人気スコア（各作品の検索数、閲覧数、注文数）に基づくランキング · 33点の Edward Hallidayの作品がカタログにあります
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Conversation Piece Worcester College, Oxford (1937)はEdward Hallidayの作品の中で最も注目を集めている絵画です。原画はオックスフォードのWorcester Collegeに所蔵されています。 その後、視線はHillary of Poitiers (1931)とEvelyn Fitzmaurice (1870–1960), Duchess of Devonshire (1950)へと移ります。 当カタログに含まれるEdward Hallidayの33点の作品のうち、これら32点は最も有名な作品です。制作年、所蔵美術館、そして時代を超えて愛される理由とともに、一点もののオリジナル作品をご紹介します。
The scene unfolds in Conversation Piece Worcester College, Oxford, a work that captures a specific moment of social gathering. This oil on canvas, painted about 1937, brings together a group of individuals gathered before a building, their presence frozen in a quiet exchange. The composition centers on the interaction between the people, creating a sense of community within the academic setting of the college.
Owen Gillam, Messenger at Trinity College (retired 1932)1929
12
W. F. Cholmeley, FRCS (1866–1949)1931 · New Cross Hospital
13
Professor William Ernest Stephen Turner (1881–1963)1938
14
Dr Stanley B. Bagley (1874–1957)1939
15
Her Royal Highness Princess Elizabeth (b.1926), and the Duke of Edinburgh (b.1921)1949
16Elizabeth II (b.1926)1955 · ウォーカー・アート・ギャラリー
17
Sir Charles Sydney Jones (1872–1947), Pro Chancellor of the University of Liverpool (1936–1942)
18
Seascape
19
Sir Frank Whittle (1907–1996)Ministry of Defence
20
Thomas Benjamin Sands Johnson (1910–1989)
21
Frank AbbottGuildhall Art Gallery
22
William Sutherland Thatcher (1888–1966)Fitzwilliam College
23
Cameron Fromanteel Cobbold (1904–1987), Governor of the Bank of England (1949–1961)
24
George Rowley Stanley Baring (1918–1991), Earl of Cromer, MBE, Governor of the Bank of England
25
Professor Lionel Robert Wilberforce (1861–1944), Chair of Physics, University of Liverpool (1900–1935)
26
Surgeon Edward Deanesly (1866–1948)New Cross Hospital
27
St Paul Meeting Lydia of Thyatira
28
Reverend Canon Arthur Couratin, Former Principal of St Stephen's Housest Stephen's House
29
Olive Gertrude Deer (1897–1983)Guildhall Art Gallery
30
The Contest between Athena and Poseidon for the Patronage of Athens
31
Edward VIII (1894–1972), Arriving at Westminster for the State Opening of ParliamentNational Trust
32
Edward George Villiers Stanley (1865–1948), The Right Honourable The Earl of Derby, KG, GCB, GCVO, LLD, Chancellor, University of Liverpool, (1908–1948)
これらのオリジナル作品に繰り返し描かれている4つの主題と、それぞれの最高傑作。
このページに掲載されている絵画を最も多く所蔵している 8 の美術館
| 美術館 | 都市 | Edward Hallidayの作品 | このリストの絵画 |
|---|---|---|---|
 ウォーカー・アート・ギャラリー |
リバプール | 4 | Hillary of Poitiers, Athena and Arachne, Dr William Brogden Paterson (1864–1934) |
 New Cross Hospital |
Wolverhampton | 3 | Frederick Edge (1863–1937), W. F. Cholmeley, FRCS (1866–1949), Surgeon Edward Deanesly (1866–1948) |
 Guildhall Art Gallery |
ロンドン | 2 | Frank Abbott, Olive Gertrude Deer (1897–1983) |
 Worcester College |
オックスフォード | 1 | Conversation Piece Worcester College, Oxford |
 National Trust |
チェスターフィールド | 1 | Evelyn Fitzmaurice (1870–1960), Duchess of Devonshire |
 Harris Manchester College |
Oxford | 1 | Henry Gow (1861–1938) |
 クイーンズ・カレッジ |
オックスフォード | 1 | Thomas William Allen (1862–1950), Fellow (1890), Librarian |
 Ministry of Defence |
London | 1 | Sir Frank Whittle (1907–1996) |
その時代を象徴する名作を見るために、年代を選択してください。
The scene unfolds in Conversation Piece Worcester College, Oxford, a work that captures a specific moment of social gathering. This oil on canvas, painted about 1937, brings together a group of individuals gathered before a building, their presence frozen in a quiet exchange. The composition centers on the interaction between the people, creating a sense of community within the academic setting of the college.
Conversation Piece Worcester College, Oxford (1937)（Worcester College, オックスフォード）。次いでHillary of Poitiers (1931)、Evelyn Fitzmaurice (1870–1960), Duchess of Devonshire (1950)が続きます。
35歳：Conversation Piece Worcester College, Oxfordは1937年の作品で、Edward Hallidayの生年は1902年です。
Conversation Piece Worcester College, Oxford, Hillary of Poitiers, Evelyn Fitzmaurice (1870–1960), Duchess of Devonshire, The Story of Marsyas, Henry Gow (1861–1938), Christian and Hopeful Arrive before the Celestial City, Athena and Arachne, Dr William Brogden Paterson (1864–1934), Thomas William Allen (1862–1950), Fellow (1890), Librarian と Frederick Edge (1863–1937)。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。
当カタログには、1926年から1955年にかけて制作されたEdward Hallidayによる33点の作品が収められています。
主にウォーカー・アート・ギャラリー (リバプール), New Cross Hospital (Wolverhampton) と Guildhall Art Gallery (ロンドン)に所蔵されています。上記の美術館一覧にすべて記載されています。
1930s年：このページにある全32作品のうち、8作品がその時期に制作されました。そのうちConversation Piece Worcester College, Oxford作品が含まれます。
このページでは、最も古い作品はChristian and Hopeful Arrive before the Celestial City (1926)、最新の作品はElizabeth II (b.1926) (1955)です。
このページに掲載されている32点の作品におけるPortrait (3), Wealth (2) と Victorian era (2)
このページに掲載されているオリジナル作品から判断すると、Contemporary realismです。
Hillary of Poitiers, Athena and Arachne と Dr William Brogden Paterson (1864–1934)：ウォーカー・アート・ギャラリー, リバプールには、このページに掲載されている作品のうち4点が所蔵されています。
Born in Garston, Liverpool, in 1902, Edward Irvine Halliday developed a way of seeing that favored the quiet weight of reality. His training at the Liverpool School of Art and Design instilled in him a devotion to technical precision and anatomical accuracy, qualities that would define his career. He did not merely paint faces; he sought to capture the psychological depth of his subjects through a careful marriage of meticulous realism and subtle impressionistic touches. This approach allowed him to move beyond simple likeness, finding the character hidden within a gaze or the specific texture of a heavy fabric.
His work often occupied the space between the formal and the atmospheric. While his reputation was built on the dignity of his portraiture, his versatility extended into the landscape. Through a collaboration with Frederick Edge, Halliday explored the emotional potential of color and brushwork, producing works like Cameron Fromanteel Cobbold that emphasized the mood of the environment. This ability to shift from the intimate details of a human expression to the expansive feeling of a landscape marked him as a painter of significant breadth.
Halliday’s life was characterized by a rare balance between the private world of the studio and the public responsibilities of the state. While he was establishing himself as a respected portraitist, he was also deeply engaged in the civic life of Britain. His professional life took a notable turn when he served as the Governor of the Bank of England from 1949 to 1961. This period of high-level public service coincided with a time of significant transition in British history, yet he maintained his commitment to his craft throughout.
His contributions to the arts and public life were recognized with a CBE (Commander of the Order of the British Empire). His portraits remain part of significant collections, including the St Stephens House Art Collection and Worcester College, University of Oxford. Whether depicting the contemplative gaze of the Duchess of Devonshire or the quietude of Undergraduates in a Worcester College Room, his work remains a study in the power of observation. He died in 1984, leaving behind a body of work that remains rooted in the truth of the subject.
