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世界的に有名なEdmond Picardの名作1点、そのすべてが唯一無二の芸術品
11月 2026 更新 · 当サイトの人気スコア（各作品の検索数、閲覧数、注文数）に基づくランキング · 1点の Edmond Picardの作品がカタログにあります
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La vache malade (1889)はEdmond Picardの作品の中で最も注目を集めている絵画です。原画はSaint-BrieucのMusée d'art et d'histoire de Saint-Brieucに所蔵されています。 当カタログに含まれるEdmond Picardの1点の作品のうち、これら1点は最も有名な作品です。制作年、所蔵美術館、そして時代を超えて愛される理由とともに、一点もののオリジナル作品をご紹介します。
1861 – 1899, Besançon
最多収蔵館: Musée d'art et d'histoire de Saint-Brieuc
ギャラリーの視点で選ぶ、Edmond Picardによるトップ10作品
Edmond Picardの原画を所蔵する美術館
このページに掲載されている絵画を最も多く所蔵している 1 の美術館
| 美術館 | 都市 | Edmond Picardの作品 | このリストの絵画 |
|---|---|---|---|
 Musée d'art et d'histoire de Saint-Brieuc |
Saint-Brieuc | 1 | La vache malade |
Edmond Picardの歩み：それぞれの作品が持つ唯一無二のオリジナル
ここに表示されているEdmond Picardの年代別オリジナル作品はすべて1889年のもので、知名度の高い順に並んでいます。
年別作品数
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Edmond Picardの絵画：ギャラリーへの質問
Edmond Picardの最も有名な作品は何ですか？答えを見る
La vache malade (1889)
Edmond PicardがLa vache maladeを制作したのは何歳の時ですか？答えを見る
28歳：La vache maladeは1889年の作品で、Edmond Picardの生年は1861年です。
Edmond Picardの既知の作品数は？答えを見る
当カタログにはEdmond Picardによる作品が1点ございます。
最も有名なEdmond Picardのオリジナル作品はどこで見ることができますか？答えを見る
主にMusée d'art et d'histoire de Saint-Brieuc (Saint-Brieuc)に所蔵されています。上記の美術館一覧にすべて記載されています。
Edmond Picard：アーティストの肖像画
The Naturalist Eye of Edmond Picard
To look at the work of Edmond Picard is to witness a specific, disciplined transition in late 19th-century French painting. He did not rely on abstract whimsy; instead, he anchored his practice in the tangible realities of the Franche-Comté region and the rigorous training of the Parisian academies. Born in 1861, Picard entered the Besançon municipal drawing school at thirteen, a move that set the stage for a career defined by technical precision rather than mere sentiment.
His early development was shaped by direct mentorship. Under Honoré Chapuis and later the landscape artist Alexandre Rapin, Picard learned to observe the structural integrity of his subjects. This foundation allowed him to navigate the prestigious halls of the École nationale supérieure des arts décoratifs and study under established figures like Léon Gérôme and Jean Paul Laurens. By the time he first exhibited at the Salon in 1881, he possessed a command over form that was far beyond his years.
Technical Evolution and Achievement
Picard’s trajectory moved from academic discipline toward an assertive naturalism. While his early years focused on the controlled environments of genre scenes, his style matured significantly after 1890. He began to prioritize atmospheric rendering and emotional truth, seeking to capture the weight of a moment through light and texture. This shift is evident in his ability to handle both oil and pastel with equal authority.
His recognition was not merely anecdotal; it was backed by institutional validation. In 1885, he secured the Troyon prize for animal painting, an achievement that signaled his capability to handle complex, organic subjects. His repertoire remained grounded in the observable world, ranging from:
- Intimate genre scenes depicting everyday social interactions.
- Detailed landscapes that captured the specific light of the French countryside.
- Animal studies that demanded anatomical accuracy.
A Legacy of Regional Commitment
Picard was more than a solitary practitioner; he was an active architect of the local art scene. In 1893, he founded the Union comtoise des arts décoratifs, demonstrating a commitment to the institutional growth of his home region. He also shared his technical knowledge by teaching at the École municipale des Beaux-Arts in Besançon, ensuring that the standards of French naturalism were passed to the next generation.
His work, such as Les Adieux du marin (1893), remains a study in human gravity. Even in his more quiet compositions, there is a refusal to embellish reality. He focused on the grit and the grace of contemporary life, leaving behind a body of work that functions as a precise record of late 19th-century French society before his death in 1899.