11月 2026 更新 · 当サイトの人気スコア（各作品の検索数、閲覧数、注文数）に基づくランキング · 152点の アーヴィング・カウスの作品がカタログにあります
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当ギャラリーの視点では、アーヴィング・カウスの最も有名な作品はTaos Indian and Pottery (1920)です。 The Harvest Song (1920)とIndian Brave Recording General MacKenzie's Fight with the Cheyenes (1902)が加わり、誰もが一度は目にしたことのある至高のトリオが完成します。 当カタログに含まれるアーヴィング・カウスの作品152点の中から、特に有名な100点を厳選してご紹介します。各作品は、制作年、所蔵美術館、そしてその作品ならではの魅力とともに、一点物のオリジナル作品として掲載されています。
In 1920, E. Irving Couse captures a quiet moment of stillness in Taos Indian and Pottery. The scene unfolds within the intimate confines of an indoor space, perhaps a humble room or a traditional hut. A deep red wall provides a warm backdrop to the central figure, grounding the composition in a sense of place and purpose.
The air feels heavy with the scent of ripening produce in The Harvest Song, a work painted by E. Irving Couse in 1920. Within this sun-drenched field, a man sits amidst an abundance of nature, his breath steady as he plays a flute. Beside him, a woman holds a drum, her presence completing a rhythmic duet that seems to echo through the surrounding crops. They exist in a moment of…
In "Indian Brave Recording General MacKenzie's Fight with the Cheyenes" by E. Irving Couse, a quiet moment of creation unfolds. Two Native American men lean into their task, focused entirely on the act of painting a mural. They work upon a large, stretched animal hide, perhaps deer or buffalo, which serves as the canvas for their story. This central activity anchors the entire scene, drawing the eye directly to the…
In The Water Course, E. Irving Couse presents a quiet moment of interaction with the natural world. Painted around 1910, the work focuses on two Native American figures positioned within a rugged, sunlit landscape. They are situated near a flowing stream, their presence integrated into the terrain rather than imposed upon it. The scene captures a sense of tranquility, focusing on the subtle connection between the individuals and the land…
The Sculptor is an oil painting by E. Irving Couse, executed in 1914. The work focuses on a Native American man engaged in the act of creating petroglyphs or drawings upon a textured surface. The subject is positioned in a central-right profile, kneeling as he works against a shallow, textured background suggesting a rock face or cave wall.
The air feels heavy and still under a blanket of overcast clouds. Near the edge of a flowing river, a group of indigenous figures gathers, their presence deeply woven into the natural landscape. There is a quiet, somber energy in the way they move, a sense of ritual or perhaps a shared moment of mourning that settles over the scene. The water of the stream ripples softly, catching subtle highlights…
In The Mountain Stream, E. Irving Couse positions a solitary Indigenous man in the foreground, seated along a riverbank. The figure is the central focus, rendered with a posture and gaze that suggest deep introspection. This quietude is framed by a landscape of flowing water and dense foliage, creating a scene centered on contemplation and a profound connection with the natural world.
Indian Drinking from a Lake, painted in 1920, features a solitary Native American figure. The work is an oil painting by E. Irving Couse.
In this 1925 oil painting, a Native American hunter moves through a sun-dappled grove of birch or aspen trees. The composition is oriented vertically, drawing the eye to the profile of the figure on the left as he moves toward the right. There is a stillness here, a sense of quiet tension as the subject navigates the forest floor. Light filters through the canopy in patches of pale yellow, creating…
The Blanket Mender is an oil painting by E. Irving Couse. Created about 1934, this work captures a quiet moment of focused labor. The subject is a Native American figure, depicted in a state of stillness as they attend to a textile. There is a profound sense of patience in the way the figure engages with the fabric, a task requiring steady hands and a calm mind.
Flute Player1931 · Private collection
12
Untitled (AQU5U9)1899
13
Indian Weaver1914 · American Museum of Western Art
14
Untitled (AQU5U3)1927 · El Paso Museum of Art
15
Ambush1897 · Briscoe Western Art Museum
16
The Pictographs1919
17
The Captive1891
18
The Card Player1897
19
Klikitat Indian with Pony1898
20
Indian Seated by a Campfire1898
21
An Indian Hunter1897
22
The Peace Pipe1901 · メトロポリタン美術館
23
Indian Drinking1903
24
Moki Snake Sance1904 · American Museum of Western Art
25
Walpi Pueblo1903 · スミソニアン・アメリカン・アート・ミュージアム
26
The Forest PoolThe Owings Gallery
27
Quail Hunters
28
Sacred Watersインディアナポリス美術館
29
Woman in a White Dress
30
The Speaker
31
Indian Portrait
32
Evening Solitude
33
Western Sunlight
34
Medicine Man
35
Hunting Cranes
36
Klickitat Brave
37
The Sculptor
38
Ute Waterbottle
39
Young Kibbey Whitman Couse
40
The Thinker
41
The Setting Sun
42
John Concha, Taos Pueblo
43
Resting
44
Moonlight Meditation
45
The Master Workman
46
The Evening Meal
47
Indian By A Stream
48
The LoversBrigham Young University Museum of Art
49
Lamb
50
Young Hunter by a Stream
51
Portrait Of Kibbey Whitman Couse
52
Flute Player, Rio Lucero, Taos, NM
53
The Arrow Maker
54
Indians in Moonlight
55
The Tom Tom Lesson
56
The Lesson
57
Lovers (Indian Love Song)
58
The Peace Pipe
59
Putting on the War Shoes
60
Indian Painter
61
The Drink
62
Serenade
63
The Pottery Maker
64
Indian by the Fire
65
Return of the War Party1910
66
The Beaded Tobacco Bag
67
By the Fire
68
Beaded Bag
69
Evening Reverie1911
70
The Love Call1908
71
The Pottery Decorator
72
New Rug1917
73
Making Pottery1912
74
Lone Hunter1915
75
The Sentinel1912
76
The Successful Hunter1913
77
Indian Girl in a Blanket1921
78
Crow Tent1918
79
The Evening Meal1918
80
The Magic Flute (also known as Flute Player at the Spring)1918
81
The Flute Ceremony1922
82
Untitled (AQU5UF)1921 · El Paso Museum of Art
83
Indian Summer1924
84
Moonlight on the Hondo1928
85
Hunting the Turkey in the Aspens1926
86
Flute Song, Moonlight1927
87
Sheep At Sundown
88
Pottery Vendor1916 · Philbrook Museum of Art
89
The Chief
90
Chief David Shoppenegons1911 · デトロイト美術館
91
The Lesson1902
92
Indian PainterMinneapolis Institute of Art
93
Hidden House
94
Moving In Clouds
95
Purple Shore
96
Boat Alone
97
Trees In Snow
98
Lillies
99
At The Spring (Sheep In Field)
100
Taos Canyon Creek
これらのオリジナル作品に繰り返し描かれている4つの主題と、それぞれの最高傑作。
このページに掲載されている絵画を最も多く所蔵している 8 の美術館
| 美術館 | 都市 | アーヴィング・カウスの作品 | このリストの絵画 |
|---|---|---|---|
 Reading Public Museum |
レディング | 2 | The Water Course, Indian Hunter |
| The Owings Gallery | Santa Fe | 2 | The Blanket Mender, The Forest Pool |
 American Museum of Western Art |
Colorado | 2 | Indian Weaver, Moki Snake Sance |
 El Paso Museum of Art |
エルパソ | 2 | Untitled (AQU5U3), Untitled (AQU5UF) |
 スミソニアン・アメリカン・アート・ミュージアム |
Washington, D.C. | 2 | Walpi Pueblo |
 シンシナティ美術館 |
シンシナティ | 1 | Indian Drinking from a Lake |
 Private collection |
アクロン | 1 | Flute Player |
 Briscoe Western Art Museum |
San Antonio | 1 | Ambush |
その時代を象徴する名作を見るために、年代を選択してください。
This work, titled Untitled (AQU5U9), was painted in 1899 by Eanger Irving Couse. It represents a moment from the artist's early career, a period when he was establishing his presence within the American art landscape. At the time of this creation, Couse was living in New York City, maintaining a studio at the Van Dyck Studios on 8th Avenue.
In "Indian Brave Recording General MacKenzie's Fight with the Cheyenes" by E. Irving Couse, a quiet moment of creation unfolds. Two Native American men lean into their task, focused entirely on the act of painting a mural. They work upon a large, stretched animal hide, perhaps deer or buffalo, which serves as the canvas for their story. This central activity anchors the entire scene, drawing the eye directly to the…
In The Water Course, E. Irving Couse presents a quiet moment of interaction with the natural world. Painted around 1910, the work focuses on two Native American figures positioned within a rugged, sunlit landscape. They are situated near a flowing stream, their presence integrated into the terrain rather than imposed upon it. The scene captures a sense of tranquility, focusing on the subtle connection between the individuals and the land…
In 1920, E. Irving Couse captures a quiet moment of stillness in Taos Indian and Pottery. The scene unfolds within the intimate confines of an indoor space, perhaps a humble room or a traditional hut. A deep red wall provides a warm backdrop to the central figure, grounding the composition in a sense of place and purpose.
The Blanket Mender is an oil painting by E. Irving Couse. Created about 1934, this work captures a quiet moment of focused labor. The subject is a Native American figure, depicted in a state of stillness as they attend to a textile. There is a profound sense of patience in the way the figure engages with the fabric, a task requiring steady hands and a calm mind.
Taos Indian and Pottery (1920)。続いてThe Harvest Song (1920)、Indian Brave Recording General MacKenzie's Fight with the Cheyenes (1902)が続きます。
54歳：Taos Indian and Potteryは1920年の作品で、アーヴィング・カウスの生年は1866年です。
Taos Indian and Pottery, The Harvest Song, Indian Brave Recording General MacKenzie's Fight with the Cheyenes, The Water Course, The Sculptor, The Cooling Stream, The Mountain Stream, Indian Drinking from a Lake, Indian Hunter と The Blanket Mender。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。
当カタログには、1891年から1934年にかけて制作されたアーヴィング・カウスによる152点の作品が収められています。
主にReading Public Museum (レディング), The Owings Gallery (Santa Fe) と American Museum of Western Art (Colorado)に所蔵されています。上記の美術館一覧にすべて記載されています。
1910s年：このページにある全100作品のうち、18作品がその時期に制作されました。そのうちThe Water Course作品が含まれます。
このページでは、最も古い作品はThe Captive (1891)、最新の作品はThe Blanket Mender (1934)です。
このページに掲載されている100点の作品におけるNative american (14), Native american culture (13) と Southwestern landscape (10)
このページに掲載されている全100作品のうち、10作品のOil On Canvas
The Water Course と Indian Hunter：Reading Public Museum, レディングには、このページに掲載されている作品のうち2点が所蔵されています。
