11月 2026 更新 · 当サイトの人気スコア（各作品の検索数、閲覧数、注文数）に基づくランキング · 38点の David Martinの作品がカタログにあります
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ギャラリーの視点では、David Martinの最も有名な作品はSelf-portrait (1760)であり、その原画はエディンバラのスコットランド国立美術館に展示されています。 David Martin, 1737 - 1797. Portrait painter (Self-portrait) (1760)とAlexander Udney, older brother to George (1757)が加わり、誰もが一度は目にしたことのある至高のトリオが完成します。 当カタログに含まれるDavid Martinの作品38点の中から、特に有名な37点を厳選してご紹介します。各作品は、制作年、所蔵美術館、そしてその作品ならではの魅力とともに、一点物のオリジナル作品として掲載されています。
The oil on canvas titled Self-portrait presents the artist David Martin as his own subject. Painted about 1760, the work captures a youthful version of the man who would become a prominent figure in Scottish portraiture. The image serves as a direct encounter between the painter and the viewer, fixed in the medium of oil.
Sir Hector Munro1785 · ナショナル・ポートレート・ギャラリー
12
William Murray, 1st Earl of Mansfield, 1705 - 1793. Lord Chief Justice1777
13
Willielma Campbell, Viscountess Glenorchy, 1741 - 1786. Religious enthusiast and benefactor of the Society for Promoting Christian Knowledge1780 · スコットランド国立肖像画館
14
Parrot, from 'Histoire Naturelle des Oiseaux' by Georges de Buffon published1777
15
Lilias Seton, Lady Steuart of Allanton (died 1821)1789 · スコットランド国立美術館
16
Henry Home, Lord Kames, 1696 - 1782. Scottish judge and author1794 · スコットランド国立肖像画館
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Alexander Murray, Lord Henderland, 1736 - 17951787 · スコットランド国立肖像画館
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William Abernethy Drummond, 1719 / 1720 - 1809. Bishop of Edinburgh1788 · スコットランド国立肖像画館
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Mary Barbara Drummond, Mrs William Abernethy Drummond, 1721 / 1722 - 1789. Wife of the Bishop of Edinburgh1788 · スコットランド国立肖像画館
20
Captain Patrick Hunter1786
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Mary Martin, Mrs Alexander Gowan (1716 - 1795)スコットランド国立美術館
22
Rev. Alexander Webster, 1707 - 1784. Moderator of the General Assemblyスコットランド国立肖像画館
23
Thomas Hay, 9th Earl of Kinnoull, 1710 - 1787. Statesmanスコットランド国立肖像画館
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John Hume of Ninewells, 1709 - 1786. Brother of David Humeスコットランド国立肖像画館
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Mary Knox, Mrs Andrew Duncan, d. 1839. Wife of Andrew Duncan, the physicianスコットランド国立肖像画館
26
Hoopoe Starling
27
Oye De Guinée
28
Peruche de Gingi
29
Ara Rouge
30
Psittacula Eques
31
Mascarinus
32
Ara Guadeloupensis
33
Reunion Parakeet
34
Cuban Macaw
35
White-headed Munia, Double Coloured Seed Eater And Violet Eared Waxbill
36
Portrait of Dido Elizabeth Belle and Lady Elizabeth Murray1778
37
Portrait of Benjamin Franklin1767
これらのオリジナル作品に繰り返し描かれている4つの主題と、それぞれの最高傑作。
このページに掲載されている絵画を最も多く所蔵している 6 の美術館
| 美術館 | 都市 | David Martinの作品 | このリストの絵画 |
|---|---|---|---|
 スコットランド国立肖像画館 |
Edinburgh | 15 | David Martin, 1737 - 1797. Portrait painter (Self-portrait), Alexander Udney, older brother to George, Rev. Robert Henry, 1718 - 1790. Historian |
 スコットランド国立美術館 |
エディンバラ | 3 | Self-portrait, Lilias Seton, Lady Steuart of Allanton (died 1821), Mary Martin, Mrs Alexander Gowan (1716 - 1795) |
 Pennsylvania Academy of Fine Arts |
フィラデルフィア | 1 | Benjamin Franklin |
 Balliol College |
Oxford | 1 | Henry Bathurst (1714–1794), 2nd Earl Bathurst, Fellow Commoner (1730), Lord Chancellor (1771–1778) |
 Basildon Park |
1 | Charles Dillon-Lee, 12th Viscount Dillon of Costello-Gallin KP, FRS, MP (1745-1813) | |
 ナショナル・ポートレート・ギャラリー |
ロンドン | 1 | Sir Hector Munro |
その時代を象徴する名作を見るために、年代を選択してください。
The oil on canvas titled Self-portrait presents the artist David Martin as his own subject. Painted about 1760, the work captures a youthful version of the man who would become a prominent figure in Scottish portraiture. The image serves as a direct encounter between the painter and the viewer, fixed in the medium of oil.
Self-portrait (1760)（スコットランド国立美術館, エディンバラ）。次いでDavid Martin, 1737 - 1797. Portrait painter (Self-portrait) (1760)、Alexander Udney, older brother to George (1757)が続きます。
23歳：Self-portraitは1760年の作品で、David Martinの生年は1737年です。
Self-portrait, David Martin, 1737 - 1797. Portrait painter (Self-portrait), Alexander Udney, older brother to George, Rev. Robert Henry, 1718 - 1790. Historian, Elizabeth Rannie, Viscountess Melville, 1751 - 1843. Wife of 1st Viscount Melville., Henry Dundas, 1st Viscount Melville, 1742 - 1811. Statesman, James Russell, d. 1773. Professor of Natural Philosophy at Edinburgh) University (With his son James Russell, 1754 - 1836. President of the Royal College of Surgeons of Edinburgh), Benjamin Franklin, Henry Bathurst (1714–1794), 2nd Earl Bathurst, Fellow Commoner (1730), Lord Chancellor (1771–1778) と Charles Dillon-Lee, 12th Viscount Dillon of Costello-Gallin KP, FRS, MP (1745-1813)。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。
当カタログには、1757年から1794年にかけて制作されたDavid Martinによる38点の作品が収められています。
主にスコットランド国立肖像画館 (Edinburgh), スコットランド国立美術館 (エディンバラ) と Pennsylvania Academy of Fine Arts (フィラデルフィア)に所蔵されています。上記の美術館一覧にすべて記載されています。
1770s年：このページにある全37作品のうち、8作品がその時期に制作されました。そのうちRev. Robert Henry, 1718 - 1790. Historian作品が含まれます。
このページでは、最も古い作品はAlexander Udney, older brother to George (1757)、最新の作品はHenry Home, Lord Kames, 1696 - 1782. Scottish judge and author (1794)です。
David Martin, 1737 - 1797. Portrait painter (Self-portrait), Alexander Udney, older brother to George と Rev. Robert Henry, 1718 - 1790. Historian：スコットランド国立肖像画館, Edinburghには、このページに掲載されている作品のうち15点が所蔵されています。
François Nicolas Martinet, a name perhaps less familiar than those of his contemporaries in 18th-century French art, nevertheless holds a profound and quietly significant place within the history of ornithological illustration. Born in Paris around 1731, Martinet’s journey wasn't one of grand artistic ambition initially; he began his career as an engineer and draftsman, skills honed within the meticulous framework of the Royal Workshops. Yet, it was through his engagement with the burgeoning field of natural history that he discovered his true calling – capturing the exquisite detail and vibrant beauty of birds in a way that transcended mere documentation.
His early life remains somewhat shrouded in obscurity, details scarce beyond his formal training. However, around 1756, Martinet transitioned into engraving for the King’s cabinet, a position that provided him with access to influential figures and projects within the scientific community. This shift marked a turning point, as he began dedicating himself increasingly to producing illustrations for books – specifically, those focused on the natural world. His son, Alexandre, would later assist him in this endeavor, continuing the legacy of meticulous detail and artistic observation.
What distinguishes Martinet’s work is not simply his technical proficiency – though he was undoubtedly a skilled engraver – but rather his remarkable ability to imbue his bird illustrations with a sense of life. Prior to his time, many attempts at depicting birds in books were hampered by the limitations of the printing process and a lack of understanding of avian anatomy. Early engravings often resulted in distorted proportions, awkward poses, and an overall impression of stiffness. Martinet recognized this deficiency and painstakingly developed a method that prioritized accurate observation and realistic representation.
He meticulously studied birds in their natural habitats, paying close attention to their movements, plumage variations, and subtle behavioral cues. This dedication translated directly into his engravings, which are characterized by an astonishing level of detail – from the intricate patterns on feathers to the delicate structure of beaks and talons. Martinet’s illustrations weren't merely static representations; they conveyed a sense of dynamism and immediacy, as if capturing a fleeting moment in a bird’s life. His use of light and shadow further enhanced this effect, creating depth and volume within each image.
Martinet's most significant contribution to the world of ornithological illustration came through his extensive work with Georges-Louis Leclerc, Comte de Buffon, a leading French naturalist and encyclopedist. For Buffon’s monumental *Histoire Naturelle des Oiseaux* (Natural History of Birds), Martinet produced over 1000 engravings – a staggering number that underscored the scale and ambition of Buffon's project.
His work extended beyond Buffon’s encyclopedia, contributing illustrations to other important natural history publications, including those by Mathurin Jacques Brisson. These collaborations cemented Martinet’s reputation as a leading ornithological artist and ensured that his images would reach a wide audience of scholars, collectors, and enthusiasts.
Notable Works:François Nicolas Martinet's legacy extends far beyond his individual illustrations. He played a crucial role in shaping the visual representation of birds during a period when scientific illustration was still evolving. His commitment to accuracy, combined with his artistic sensibility, set a new standard for ornithological art – one that continues to inspire artists and researchers today.
His work is particularly significant because it demonstrates how observation, meticulous study, and technical skill can be combined to create images that are both scientifically informative and aesthetically compelling. Martinet’s legacy lies not only in the beauty of his illustrations but also in their contribution to our understanding of the natural world.
