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当ギャラリーの視点では、Copley Fieldingの最も有名な作品はRichmond hill, (1830)です。 Ambelside, (1829)とLake Nemi with Pontine Marshes in the Background (1837)が加わり、誰もが一度は目にしたことのある至高のトリオが完成します。 当カタログに含まれるCopley Fieldingの作品105点の中から、特に有名な89点を厳選してご紹介します。各作品は、制作年、所蔵美術館、そしてその作品ならではの魅力とともに、一点物のオリジナル作品として掲載されています。
ギャラリーが選ぶCopley Fieldingのトップ10作品
Copley Fieldingの絵画、ランキング11位から89位
Copley Fieldingが心を惹かれた主題
これらのオリジナル作品に繰り返し描かれている4つの主題と、それぞれの最高傑作。
Beach 11点
Landscape 9点
Animals 8点
Copley Fieldingの原画を所蔵する美術館
このページに掲載されている絵画を最も多く所蔵している 4 の美術館
| 美術館 | 都市 | Copley Fieldingの作品 | このリストの絵画 |
|---|---|---|---|
| バーミンガム | 2 | Lake Nemi with Pontine Marshes in the Background, Scottish Loch With Mountains | |
| シドニー | 1 | Dunster Castle, sunset | |
| ニューヘイブン | 1 | A Scene On The Coast, Merionethshire | |
| 1 | William Gibbs |
Copley Fielding、10年ごとに1枚の代表作
Copley Fieldingの絵画:ギャラリーの回答
Copley Fieldingの作品の中で、最も有名な絵画は何ですか?答えを見る
Richmond hill, (1830)。続いてAmbelside, (1829)、Lake Nemi with Pontine Marshes in the Background (1837)が続きます。
Copley FieldingがRichmond hill,を完成させた時の年齢は?答えを見る
43歳:Richmond hill,は1830年の作品で、Copley Fieldingの生年は1787年です。
Copley Fieldingの代表的な絵画トップ10は?答えを見る
Richmond hill,, Ambelside,, Lake Nemi with Pontine Marshes in the Background, Scottish Loch With Mountains, Ubaldo and Carlo in the Enchanted Boat,, Byland Abbey,, A Herdsman With Cattle Above Rydal Water In The Lake District, Sunset, Sussex, Beached Fishing Vessels At Low Tide と Unloading the catch, whitby。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。
Copley Fieldingの作品数は?答えを見る
当カタログには、1829年から1851年にかけて制作されたCopley Fieldingによる105点の作品が収められています。
Copley Fieldingの最も有名なオリジナル作品はどこに展示されていますか?答えを見る
主にバーミンガム博物館・美術館 (バーミンガム), アートギャラリー・オブ・ニューサウスウェルス (シドニー) と イェール英国美術館 (ニューヘイブン)に所蔵されています。上記の美術館一覧にすべて記載されています。
Copley Fieldingが最も有名な作品を描いたのはいつですか?答えを見る
1830s年:このページにある全89作品のうち、4作品がその時期に制作されました。そのうちRichmond hill,作品が含まれます。
Copley Fieldingの初期および後期の代表作は何ですか?答えを見る
このページでは、最も古い作品はAmbelside, (1829)、最新の作品はByland Abbey, (1851)です。
Copley Fielding が最も多く描いた主題は何ですか?答えを見る
このページに掲載されている89点の作品におけるBeach (11), Landscape (9) と Animals (8)
Copley Fieldingはどの芸術運動に関連していますか?答えを見る
このページに掲載されているオリジナル作品から判断すると、Romanticismです。
バーミンガム博物館・美術館が所蔵するCopley Fieldingのオリジナル作品は何ですか?答えを見る
Lake Nemi with Pontine Marshes in the Background と Scottish Loch With Mountains:バーミンガム博物館・美術館, バーミンガムには、このページに掲載されている作品のうち2点が所蔵されています。
Copley Fielding:アーティスト
The Visionary Brush of Anthony Vandyke Copley Fielding
In the golden age of British watercolor, few names resonate with as much elegance and technical prowess as Anthony Vandyke Copley Fielding. Born in 1787 in the industrious landscape of Sowerby, near Halifax, Fielding emerged from the rugged textures of Yorkshire to become a defining voice of the Victorian era. His life was a masterful composition of scientific precision and romantic sensibility, a duality that allowed him to capture not just the surface of the natural world, but its very soul. As a pupil of the esteemed John Varley, Fielding inherited a profound respect for the nuances of light and atmosphere, a foundation upon which he built a career that would eventually lead him to the presidency of the Royal Society of Watercolours.
Fielding’s artistic development was deeply intertwined with his intellectual pursuits. His time as a Fellow of Trinity College, Cambridge, provided him with a unique vantage point; here, the rigors of scientific inquiry met the fluidity of artistic expression. This intersection is perhaps most visible in his meticulous approach to anatomy and nature. Having engaged in the study of dissections, he brought an unparalleled understanding of structure to his work, whether rendering the powerful musculature of a subject in portraiture or the intricate skeletal details of flora and fauna. This scientific eye did not stifle his creativity but rather anchored it, allowing him to depict the elements—the crashing waves of a coastal storm or the gentle light of a sunset—with a realism that felt both grounded and transcendent.
A Mastery of Landscape and Marine Subjects
The breadth of Fielding’s oeuvre is nothing short of extraordinary, spanning from the tranquil valleys of the English Lake District to the dramatic, wind-swept coasts of Wales. He was a painter who understood the language of the weather. His landscapes often eschewed mere rustic charm in favor of an idealized, classical beauty inspired by the great Richard Wilson. In his hands, the British countryside became a stage for the sublime. One might find himself lost in the turbulent energy of A Scene on the Coast, Merionethshire - Storm Passing Off, where the tension between sea and sky is palpable, or find peace in the soft, luminous washes of his more pastoral views.
His fascination with marine subjects further solidified his reputation as a premier watercolorist. Fielding possessed a rare ability to capture the weight and movement of water, utilizing a sophisticated palette of inks, graphite, and watercolors to create depth and motion. His works often evoke a sense of profound openness, inviting the viewer to breathe in the salt spray or feel the sudden chill of an approaching gale. This mastery was not limited to the canvas; his influence extended into the realm of printmaking and teaching, where he shared his sophisticated techniques with a new generation of artists, ensuring that his legacy of atmospheric precision would endure.
Legacy and Historical Significance
The accolades bestowed upon Fielding during his lifetime serve as a testament to his standing among the giants of 19th-century art. His triumph at the Paris Salon of 1824, where he stood alongside luminaries such as John Constable and Richard Parkes Bonington, marked his arrival on the international stage. Furthermore, the high regard in which he was held by the influential critic John Ruskin underscores the lasting impact of his aesthetic vision. Fielding was more than a mere chronicler of scenery; he was an architect of atmosphere.
Today, the works of Anthony Vandyke Copley Fielding reside in some of the world's most prestigious institutions, including the Victoria & Albert Museum and the Yale Center for British Art. His contribution to the canon of British art remains significant because he bridged the gap between the meticulous observation of the Enlightenment and the emotive power of Romanticism. To look upon a Fielding painting is to witness a moment caught in the delicate balance between the tangible world and the infinite imagination, a legacy that continues to inspire collectors and art historians alike.








