10月 2026 更新 · 当サイトの人気スコア（各作品の検索数、閲覧数、注文数）に基づくランキング · 32点の Christopher Paudißの作品がカタログにあります
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Martyrdom of Saint Thiemo (1662)はChristopher Paudißの作品の中で最も注目を集めている絵画です。原画はウィーンの美術史美術館に所蔵されています。 その後、視線はPeasants in a tavern (1664)とPortrait of a man with dark hair, probably Alphons Zeffiri (1660)へと移ります。 当カタログに含まれるChristopher Paudißの32点の作品のうち、これら32点は最も有名な作品です。制作年、所蔵美術館、そして時代を超えて愛される理由とともに、一点もののオリジナル作品をご紹介します。
The air in the room feels heavy, thick with the scent of iron and dust. On the ground, a pale, limp body lies prone, the stillness of death clashing violently with the chaos surrounding it. This is the end of Saint Thiemo, a man once of noble Bavarian blood and a high prelate of Salzburg, now reduced to a silent, broken form. The scene is a whirlwind of motion and…
A single, steady light spills from the upper right, cutting through the heavy gloom of a 17th-century tavern. It finds an elderly man seated in a chair, his white beard catching the glow against the deep umber of the room. Beside him, a younger boy sits on the floor, a quiet presence in the cramped, dim space. The air feels thick with the scent of wood and old dust. A…
A man stares directly from the canvas, his gaze meeting the viewer with a quiet, heavy intensity. He sits in a space defined by deep, umber shadows, where the darkness seems to press in from the edges of the frame. A strong light source from the upper left cuts through this gloom, washing over the pale skin of his face and catching the crisp, white folds of a voluminous collar.…
In The Head of a Girl by Christopher Paudiß, we find a quiet, intimate encounter with a single human figure. The composition is a close-up portrait, focusing our attention entirely on the subject's head and shoulders. By positioning the girl slightly off-center, Paudiß avoids a rigid symmetry, lending the work a natural, unforced presence. The background is composed of deep, moody blues that recede into shadow, allowing the subject to…
Old man with a slate1645 · バイエルン州立絵画コレクション
12
Christ at Emmaus1644 · バイエルン州立絵画コレクション
13
Diogenes1645 · バイエルン州立絵画コレクション
14
The kiss of Judas and the arrest of Christ1645 · バイエルン州立絵画コレクション
15
Tronie of an old man with beard and baret1643
16
Still Life with Beer, Herring and Pipe1660 · ボイジャンズ・ヴァン・ビューニンゲン美術館
17
Self-Portrait?1661 · 国立プラハ美術館
18
Tronie of a man with a beret1653 · Augusteum
19
Portrait of a Hajduk with cap1663 · ゲマールデガレリー・アルテ・マイスター
20
Self-portrait with hat1665 · バイエルン州立絵画コレクション
21
Peasant couple resting on the road1663 · バイエルン州立絵画コレクション
22
The court butcher of Freising1664 · バイエルン州立絵画コレクション
23
Der hl. Hieronymus1665 · バイエルン州立絵画コレクション
24
Portrait of a bearded old man with hat1663 · 美術史美術館
25
Tronie of an old man with a fur cap1654 · ドレスデン州立美術館
26
Self-portrait with a grey hat1659 · ドレスデン州立美術館
27
still life with two fishes1643
28
Kitchen Still Life1661 · ブダペスト美術館
29
Portrait of a lady1660 · プーシキン美術館
30
Bust portrait of an old man with a gorget1653 · ベルリン絵画館
31
Still life with the heads of two calves1658 · ドレスデン州立美術館
32
Woman with Headscarfバイエルン州立絵画コレクション
これらのオリジナル作品に繰り返し描かれている4つの主題と、それぞれの最高傑作。
このページに掲載されている絵画を最も多く所蔵している 8 の美術館
| 美術館 | 都市 | Christopher Paudißの作品 | このリストの絵画 |
|---|---|---|---|
 バイエルン州立絵画コレクション |
ミュンヘン | 15 | Tronie of an old man with beret, Peasant returning from the market, Girl lighting a candle |
 美術史美術館 |
ウィーン | 4 | Martyrdom of Saint Thiemo, Peasants in a tavern, Portrait of a man with dark hair, probably Alphons Zeffiri |
 ドレスデン州立美術館 |
ドレスデン | 3 | Tronie of an old man with a fur cap, Self-portrait with a grey hat, Still life with the heads of two calves |
 エルミタージュ美術館 |
サンクトペテルブルク | 1 | The Head of a Girl |
 ボイジャンズ・ヴァン・ビューニンゲン美術館 |
ロッテルダム | 1 | Still Life with Beer, Herring and Pipe |
 国立プラハ美術館 |
プラハ | 1 | Self-Portrait? |
 Augusteum |
Oldenburg | 1 | Tronie of a man with a beret |
 ゲマールデガレリー・アルテ・マイスター |
ドレスデン | 1 | Portrait of a Hajduk with cap |
その時代を象徴する名作を見るために、年代を選択してください。
In The Head of a Girl by Christopher Paudiß, we find a quiet, intimate encounter with a single human figure. The composition is a close-up portrait, focusing our attention entirely on the subject's head and shoulders. By positioning the girl slightly off-center, Paudiß avoids a rigid symmetry, lending the work a natural, unforced presence. The background is composed of deep, moody blues that recede into shadow, allowing the subject to…
The air in the room feels heavy, thick with the scent of iron and dust. On the ground, a pale, limp body lies prone, the stillness of death clashing violently with the chaos surrounding it. This is the end of Saint Thiemo, a man once of noble Bavarian blood and a high prelate of Salzburg, now reduced to a silent, broken form. The scene is a whirlwind of motion and…
Martyrdom of Saint Thiemo (1662)（美術史美術館, ウィーン）。次いでPeasants in a tavern (1664)、Portrait of a man with dark hair, probably Alphons Zeffiri (1660)が続きます。
32歳：Martyrdom of Saint Thiemoは1662年の作品で、Christopher Paudißの生年は1630年です。
Martyrdom of Saint Thiemo, Peasants in a tavern, Portrait of a man with dark hair, probably Alphons Zeffiri, The Head of a Girl, Tronie of an old man with beret, Peasant returning from the market, Girl lighting a candle, Dancing peagant couple in a taproom, Old man singing and playing the lute と Portrait of a young man with hat。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。
当カタログには、1643年から1665年にかけて制作されたChristopher Paudißによる32点の作品が収められています。
主にバイエルン州立絵画コレクション (ミュンヘン), 美術史美術館 (ウィーン) と ドレスデン州立美術館 (ドレスデン)に所蔵されています。上記の美術館一覧にすべて記載されています。
1660s年：このページにある全32作品のうち、13作品がその時期に制作されました。そのうちMartyrdom of Saint Thiemo作品が含まれます。
このページでは、最も古い作品はTronie of an old man with beard and baret (1643)、最新の作品はSelf-portrait with hat (1665)です。
このページに掲載されている32点の作品におけるMan (4), Earthy tones (3) と Shadows (2)
このページに掲載されている全32作品のうち、4作品のOil On Canvas
このページに掲載されているオリジナル作品から判断すると、Baroqueです。
Tronie of an old man with beret, Peasant returning from the market と Girl lighting a candle：バイエルン州立絵画コレクション, ミュンヘンには、このページに掲載されている作品のうち15点が所蔵されています。
The life of Christoph Paudiss moved with the restless energy of the seventeenth century, tracing a path from Lower Saxony to the final years spent in Freising. Born around 1630, his early years were shaped by the profound influence of Rembrandt van Rijn. In the studios of Amsterdam and Leiden, he learned the language of light and shadow, a technical foundation that would define his later work across Europe. His career was marked by constant movement through the great centers of the era, including Stuttgart, Prague, Dresden, Vienna, and Salzburg.
This peripatetic existence reflected the shifting political landscape of the Bavarian Baroque period. By 1656, he was working in Stuttgart, and later moved through the courts of Central Europe. His final years were anchored in Freising, where he served under Fürstbischof Albrecht Sigismund von Bayern. It was here, amidst the quietude of Upper Bavaria, that his life reached its premature end in 1666.
Paudiss possessed a particular talent for capturing the somber realities of daily existence. His paintings and frescoes often focused on dark, unadorned scenes of common life. He did not seek to idealize his subjects; instead, he utilized chiaroscuro to bring a sense of weight and psychological depth to the ordinary. Whether depicting a kitchen still life or a portrait of a young man in a fur hat, his brushwork emphasized texture and the heavy presence of light against deep umber and ochre tones.
His repertoire was varied, ranging from religious subjects to intimate genre scenes. Some of his notable works include:
In his still lifes, such as those featuring beer, herring, and a pipe, he used everyday objects to create a sense of presence. These compositions often functioned as quiet meditations on the passage of time. The technical precision with which he rendered ceramic glazes or the rough grain of a wall allowed him to communicate a sense of realism that resonated within the German Baroque tradition.
Though his life was short, the physical remnants of his work remain distributed across the continent. Much of his output is held within the Freisinger Diözesanmuseum, which contains the largest collection of his paintings. Other pieces reside in the Hermitage Museum in Saint Petersburg and the Gemäldegalerie Alte Meister in Dresden. His ability to translate the Dutch influence of Rembrandt into a specifically Bavarian context left a distinct mark on the regional art of his time.
