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世界的に有名なCheng Suiの名作3点、そのすべてが唯一無二の芸術品
11月 2026 更新 · 当サイトの人気スコア（各作品の検索数、閲覧数、注文数）に基づくランキング · 3点の Cheng Suiの作品がカタログにあります
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Untitled (1673)はCheng Suiの作品の中で最も注目を集めている絵画です。原画は北京の故宮博物院に所蔵されています。 その後、視線はUntitledとUntitledへと移ります。 当カタログに含まれるCheng Suiの3点の作品のうち、これら3点は最も有名な作品です。制作年、所蔵美術館、そして時代を超えて愛される理由とともに、一点もののオリジナル作品をご紹介します。
1605 – 1691
最多収蔵館: 故宮博物院
ギャラリーの視点で選ぶ、Cheng Suiによるトップ10作品
Cheng Suiの原画を所蔵する美術館
このページに掲載されている絵画を最も多く所蔵している 1 の美術館
| 美術館 | 都市 | Cheng Suiの作品 | このリストの絵画 |
|---|---|---|---|
 故宮博物院 |
北京 | 3 | Untitled, Untitled, Untitled |
Cheng Suiの歩み：それぞれの作品が持つ唯一無二のオリジナル
ここに表示されているCheng Suiの年代別オリジナル作品はすべて1673年のもので、知名度の高い順に並んでいます。
Cheng Suiの絵画：ギャラリーへの質問
Cheng Suiの最も有名な作品は何ですか？答えを見る
Untitled (1673)（故宮博物院, 北京）。次いでUntitled、Untitledが続きます。
Cheng SuiがUntitledを制作したのは何歳の時ですか？答えを見る
68歳：Untitledは1673年の作品で、Cheng Suiの生年は1605年です。
Cheng Suiの既知の作品数は？答えを見る
当カタログにはCheng Suiによる作品が3点ございます。
最も有名なCheng Suiのオリジナル作品はどこで見ることができますか？答えを見る
主に故宮博物院 (北京)に所蔵されています。上記の美術館一覧にすべて記載されています。
故宮博物院では、Cheng Suiのオリジナル作品を何点鑑賞できますか？答えを見る
Untitled, Untitled と Untitled：故宮博物院, 北京には、このページに掲載されている作品のうち3点が所蔵されています。
Cheng Sui：アーティストの肖像画
The Quiet Brush of She County
In the hills of She County, Anhui, a man named Jiang Fang began a life that would eventually be known by many other names. He was a man of many disciplines, moving between the precision of seal cutting and the fluid grace of calligraphy. His hands were accustomed to the weight of a brush and the sharp edge of a carving tool. He lived through the transition of dynasties, a period of shifting loyalties and changing landscapes in China. His work was not a loud declaration, but a steady presence in the shifting currents of the Ming and Qing eras.
His landscapes were built with a specific kind of intention. He favored dry and dark brushstrokes, a technique that allowed the texture of the paper to speak alongside the ink. There is a certain weight to his compositions, a sense of the earth and stone captured through deliberate, unhurried movements. He did not seek to decorate, but to record the essence of the terrain through the interplay of light and shadow created by the ink's density.
A Life of Many Names
To understand his presence in history, one must look at the various identities he carried. He was a man who existed within several layers of tradition, often referred to by names that reflected his character or his scholarly pursuits. His life was defined by these various roles:
- Painter of landscapes
- Poet and writer
- Seal cutter
- Calligrapher
His connection to the Xin'an School placed him within a specific lineage of thought and style. This was not a matter of mere membership, but a way of seeing the world through the lens of his surroundings. His landscapes were not just views, but reflections of a specific way of being in the world, captured through the ink and the brush.
The Mark of the Ink
The legacy of his work remains in the quiet details of his brushwork. His landscapes, such as those held in the Palace Museum in Beijing, show a mastery of the dry stroke. This method requires a certain restraint; one cannot hide a mistake behind a heavy wash of ink. Every line is a choice. Every dark stroke is a decision about where the mountain meets the sky. He lived until 1691, leaving behind a body of work that speaks of a man who understood the value of a single, well-placed mark.