Bartolomeo Passarottiの肖像画

ギャラリー厳選、Bartolomeo Passarottiによる最も有名な56の絵画

11月 2026 更新 · 当サイトの人気スコア(各作品の検索数、閲覧数、注文数)に基づくランキング · 59点の Bartolomeo Passarottiの作品がカタログにあります

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Bartolomeo Passarottiが遺したオリジナル作品の中で最も有名なものは、ウィーンの美術史美術館に収蔵されているPortrait of an old woman (1582)です。 それに次いで、The Anatomy Lesson (1550)とFamily Portrait (1585)が続きます。 Bartolomeo Passarottiによる59点の作品をカタログに掲載しています。当ギャラリーでは、世界が称賛する56点を選定し、制作年、所蔵美術館、そしてその背景にある物語とともにご紹介しています。

1529 – 1592, Bologna Renaissance 最多収蔵館: プラド美術館

Bartolomeo Passarottiの代表作10選:ギャラリー厳選の作品集

1
Portrait of an old woman (1582) による Bartolomeo Passarotti

Portrait of an old woman

1582 · Oil On Canvas · 美術史美術館, ウィーン

The Portrait of an old woman is a work by Bartolomeo Passarotti. Created around 1582, this oil on canvas belongs to the portrait genre. It captures a single subject, an elderly woman, in a moment of quiet presence. The sitter faces the viewer with a steady, unadorned gaze.

2
The Anatomy Lesson (1550) による Bartolomeo Passarotti

The Anatomy Lesson

1550 · Oil · ボルゲーゼ美術館, ローマ

The oil painting titled The Anatomy Lesson brings us into a crowded, intense moment of scholarly inquiry. Created by Bartolomeo Passarotti, this work captures a dramatic academic demonstration. The scene centers on an open human body, laid out for study. A professor, dressed in ecclesiastical attire, leads the lesson. He directs the attention of a group of listeners who gather closely to witness the unfolding dissection. The body rests above…

3
Family Portrait (1585) による Bartolomeo Passarotti

Family Portrait

1585 · Oil On Canvas · 美術史美術館, ウィーン

In this vertical composition from around 1585, we find ourselves in the presence of three generations, brought together in a quiet, somber arrangement. The painting depicts an older widow seated with a grown son standing behind her, while a small child stands before them. There is a certain stillness to the grouping, a sense of social hierarchy expressed through their physical placement and stoic expressions. The figures are tightly clustered…

6
Saint Jerome (1550) による Bartolomeo Passarotti

Saint Jerome

1550 · Oil On Canvas · National Gallery of Ireland, ダブリン

A muscular, semi-nude ascetic occupies the center of a rugged landscape. His skin, a stark white against the warm ochre and tan of the earth, catches a sharp light that carves out the heavy anatomy of his torso. He is a figure of monumental presence, positioned vertically to command the space. Deep shadows cling to the contours of his muscles, creating a sense of three-dimensional volume that feels heavy and…

7
The Fishmongers (1550) による Bartolomeo Passarotti

The Fishmongers

1550 · Oil On Canvas

The air in the scene feels heavy with the scent of salt and wet scales. A dense crowd gathers around a bounty of seafood, their bodies pressed close in a crowded, intimate space. An older man with a grey beard anchors the composition, his presence steady amidst the movement. Beside him, a younger man opens his mouth in a wide, theatrical expression, while a child looks upward, eyes searching the…

8
Self-portrait (1560) による Bartolomeo Passarotti

Self-portrait

1560 · Oil On Panel

The oil painting on panel presents a tightly framed view of Bartolomeo Passerotti, focusing on his face and upper torso. The subject is positioned in a one-point perspective, directing the viewer's gaze toward his features. A dark color palette dominates the work, utilizing shades of brown, black, and muted green. Light enters the scene to create strong contrasts, sculpting the musculature of the face and the folds of the garment.…

9
Portrait of a Scribe (1560) による Bartolomeo Passarotti

Portrait of a Scribe

1560 · Oil On Canvas

In this 1560 oil on canvas, we find ourselves in the private, silent world of a scholar. The subject, a man engaged in the act of writing, is seated at a desk, his presence defined by a sense of focused intellectualism. There is a certain stillness here, a moment captured where the only sound is the scratching of a quill against parchment. The composition is centered and formal, drawing the…

10
Three Men with Two Dogs (1550) による Bartolomeo Passarotti

Three Men with Two Dogs

1550 · Oil On Canvas

The composition centers on three men positioned in a tight, intimate arrangement. A central figure holds a glass containing a reddish liquid, acting as the focal point of the group. To his side, another man appears to play a flute, while the third man engages with the others in a shared social moment. Two dogs are integrated into the lower portion of the frame, their forms resting near their human…

Bartolomeo Passarottiのセレクションが続きます、11から56まで

11Portrait of the Physician Carlo Fontana (1570) による Bartolomeo PassarottiPortrait of the Physician Carlo Fontana1570 · Museum of Fine Arts Ghent (MSK) 12Portrait of Pope Pius V (1579) による Bartolomeo PassarottiPortrait of Pope Pius V1579 13Portrait of a Young General (1575) による Bartolomeo PassarottiPortrait of a Young General1575 14Pope Gregory XIII (1580) による Bartolomeo PassarottiPope Gregory XIII1580 · Gemäldegalerie 15Portrait of a Man (1580) による Bartolomeo PassarottiPortrait of a Man1580 · ハーバード美術館 16Poultry dealer (1580) による Bartolomeo PassarottiPoultry dealer1580 · Fondazione di Studi di Storia dell'Arte Roberto Longhi 17Blood of the Redeemer による Bartolomeo PassarottiBlood of the Redeemerボストン美術館 18Portrait of Ignazio Danti (1597) による Bartolomeo PassarottiPortrait of Ignazio Danti1597 · Musée Des Beaux 19Portrait of a Man Playing a Lute (1576) による Bartolomeo PassarottiPortrait of a Man Playing a Lute1576 · ボストン美術館 20Copy after Michelangelo (1550) による Bartolomeo PassarottiCopy after Michelangelo1550 · ネルソン・アトキンス美術館 21DIANE CHASSERESSE による Bartolomeo PassarottiDIANE CHASSERESSEルーブル美術館 22The Holy Family with St Elizabeth and the Infant St John the Baptist (1572) による Bartolomeo PassarottiThe Holy Family with St Elizabeth and the Infant St John the Baptist1572 23Portrait of a Young Man Holding a Statuette (1575) による Bartolomeo PassarottiPortrait of a Young Man Holding a Statuette1575 24Portrait of a Man with a Dog (detail) (1585) による Bartolomeo PassarottiPortrait of a Man with a Dog (detail)1585 · カピトリーノ絵画館 25The Fishmonger's Shop (1580) による Bartolomeo PassarottiThe Fishmonger's Shop1580 · ギャラリー・ナショナル・ド・アート・アンティカ 26Portrait of a Man with a Dog (1585) による Bartolomeo PassarottiPortrait of a Man with a Dog1585 · カピトリーノ絵画館 27Study of Male Nudes Fighting (1572) による Bartolomeo PassarottiStudy of Male Nudes Fighting1572 28Perseus frees Andromeda (1575) による Bartolomeo PassarottiPerseus frees Andromeda1575 29Family portrait による Bartolomeo PassarottiFamily portraitゲマールデガレリー・アルテ・マイスター 30Saint John Baptist, Saint Jerome and Saint Francis of Assisi による Bartolomeo PassarottiSaint John Baptist, Saint Jerome and Saint Francis of Assisiストラスブール美術館 31Lute palyer による Bartolomeo PassarottiLute palyer 32Portrait d'homme en armure による Bartolomeo PassarottiPortrait d'homme en armure 33A Butchery (1575) による Bartolomeo PassarottiA Butchery1575 · ギャラリー・ナショナル・ド・アート・アンティカ 34Male Nude (1550) による Bartolomeo PassarottiMale Nude1550 · プラド美術館 35Copy of a Statue with A Female Nude From Back (1550) による Bartolomeo PassarottiCopy of a Statue with A Female Nude From Back1550 · プラド美術館 36Lucretia's Suicide (1550) による Bartolomeo PassarottiLucretia's Suicide1550 37Portrait of a Botanist (Ulisse Aldrovandi.) (1570) による Bartolomeo PassarottiPortrait of a Botanist (Ulisse Aldrovandi.)1570 · ガレリア・スパーダ 38Portrait of Pope Pius V (1566) による Bartolomeo PassarottiPortrait of Pope Pius V1566 · Walters Art Museum 39Portrait of a Lady with a Dog (1569) による Bartolomeo PassarottiPortrait of a Lady with a Dog1569 40Double Portrait of Musicians (1579) による Bartolomeo PassarottiDouble Portrait of Musicians1579 · カピトリーニ美術館 41Double Dressed Portrait of Circe and Ulysses (1575) による Bartolomeo PassarottiDouble Dressed Portrait of Circe and Ulysses1575 42Copy of the Good Thief, From the Last Judgement of Michelangelo (1570) による Bartolomeo PassarottiCopy of the Good Thief, From the Last Judgement of Michelangelo1570 · プラド美術館 43The Holy Family Accompained by an Angel and two Saints (1565) による Bartolomeo PassarottiThe Holy Family Accompained by an Angel and two Saints1565 · プラド美術館 44Portrait of a Gentleman (1580) による Bartolomeo PassarottiPortrait of a Gentleman1580 45Nude Studies (1580) による Bartolomeo PassarottiNude Studies1580 46Portrait of a Cavalier with his Hunting Dogs (1580) による Bartolomeo PassarottiPortrait of a Cavalier with his Hunting Dogs1580 · Rhode Island School of Design Museum of Art 47The Coronation of the Virgin with Saints Luke, Dominic, and John the Evangelist (1580) による Bartolomeo PassarottiThe Coronation of the Virgin with Saints Luke, Dominic, and John the Evangelist1580 · 南オーストラリア・ギャラリー 48St. Dominicus and the Albigensians (1580) による Bartolomeo PassarottiSt. Dominicus and the Albigensians1580 · ボローニャ国立美術館 49Domenico Giuliani and His Servant による Bartolomeo PassarottiDomenico Giuliani and His Servant 50Portrait of an Old Woman による Bartolomeo PassarottiPortrait of an Old Woman 51A Group of Six Men, Including a Self Portrait による Bartolomeo PassarottiA Group of Six Men, Including a Self Portrait 52Portrait of a lady, head and shoulders による Bartolomeo PassarottiPortrait of a lady, head and shouldersバイエルン州立絵画コレクション 53Portrait of an Unknown Soldier in Armour による Bartolomeo PassarottiPortrait of an Unknown Soldier in ArmourNational Trust 54Holy Family with the Infant St John the Baptist and St Catherine of Alexandria による Bartolomeo PassarottiHoly Family with the Infant St John the Baptist and St Catherine of AlexandriaChristian Museum 55Two market women and a boy with chicken and vegetables による Bartolomeo PassarottiTwo market women and a boy with chicken and vegetablesベルリン絵画館 56The Butcher's Shop (1580) による Bartolomeo PassarottiThe Butcher's Shop1580 · ギャラリー・ナショナル・ド・アート・アンティカ

Bartolomeo Passarottiの代表作、時代別一覧

Bartolomeo Passarottiが心を惹かれた主題

これらのオリジナル作品に繰り返し描かれている4つの主題と、それぞれの最高傑作。

Bartolomeo Passarottiの原画を所蔵する美術館

このページに掲載されている絵画を最も多く所蔵している 8 の美術館

美術館 都市 Bartolomeo Passarottiの作品 このリストの絵画
プラド美術館, マドリードプラド美術館 マドリード 4 Male Nude, Copy of a Statue with A Female Nude From Back, Copy of the Good Thief, From the Last Judgement of Michelangelo
美術史美術館, ウィーン美術史美術館 ウィーン 3 Portrait of an old woman, Family Portrait, Portrait of the physician Carlo Fontana
ギャラリー・ナショナル・ド・アート・アンティカ, ローマギャラリー・ナショナル・ド・アート・アンティカ ローマ 3 The Fishmonger's Shop, A Butchery, The Butcher's Shop
バイエルン州立絵画コレクション, ミュンヘンバイエルン州立絵画コレクション ミュンヘン 2 Portrait of a Man, Portrait of a lady, head and shoulders
ボストン美術館, ボストンボストン美術館 ボストン 2 Blood of the Redeemer, Portrait of a Man Playing a Lute
カピトリーノ絵画館, ローマカピトリーノ絵画館 ローマ 2 Portrait of a Man with a Dog (detail), Portrait of a Man with a Dog
ボルゲーゼ美術館, ローマボルゲーゼ美術館 ローマ 1 The Anatomy Lesson
National Gallery of Ireland, ダブリンNational Gallery of Ireland ダブリン 1 Saint Jerome

Bartolomeo Passarottiの年代別名作:各時代を象徴するオリジナル作品

年代別作品数

その時代を象徴する名作を見るために、年代を選択してください。

Bartolomeo Passarottiの絵画に関するコレクターからの質問

Bartolomeo Passarottiの代表作は何ですか?答えを見る

Portrait of an old woman (1582)(美術史美術館, ウィーン)。次いでThe Anatomy Lesson (1550)、Family Portrait (1585)が続きます。

Portrait of an old womanが制作されたとき、Bartolomeo Passarottiは何歳でしたか?答えを見る

53歳:Portrait of an old womanは1582年の作品で、Bartolomeo Passarottiの生年は1529年です。

Bartolomeo Passarottiの最も有名な10作品とは?答えを見る

Portrait of an old woman, The Anatomy Lesson, Family Portrait, Portrait of the physician Carlo Fontana, Portrait of a Man, Saint Jerome, The Fishmongers, Self-portrait, Portrait of a Scribe と Three Men with Two Dogs。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。

Bartolomeo Passarottiが遺した作品数は?答えを見る

当カタログには、1550年から1585年にかけて制作されたBartolomeo Passarottiによる59点の作品が収められています。

Bartolomeo Passarottiの名作は、どの美術館に収蔵されていますか?答えを見る

主にプラド美術館 (マドリード), 美術史美術館 (ウィーン) と ギャラリー・ナショナル・ド・アート・アンティカ (ローマ)に所蔵されています。上記の美術館一覧にすべて記載されています。

Bartolomeo Passarottiが最も有名な作品を多く描いたのは何年ですか?答えを見る

1580s年:このページにある全56作品のうち、15作品がその時期に制作されました。そのうちPortrait of an old woman作品が含まれます。

Bartolomeo Passarottiによる最初と最後の代表的なオリジナル作品は何ですか?答えを見る

このページでは、最も古い作品はThe Anatomy Lesson (1550)、最新の作品はFamily Portrait (1585)です。

Bartolomeo Passarotti が最も多く描いた主題は何ですか?答えを見る

このページに掲載されている56点の作品におけるMan (19), Beard (8) と Book (6)

Bartolomeo Passarotti が最も多く使用した技法は何ですか?答えを見る

このページに掲載されている全56作品のうち、17作品のOil On Canvas

Bartolomeo Passarottiはどの芸術運動に属していますか?答えを見る

このページに掲載されているオリジナル作品から判断すると、Renaissance と Mannerismです。

プラド美術館にはどのBartolomeo Passarottiの作品が展示されていますか?答えを見る

Male Nude, Copy of a Statue with A Female Nude From Back と Copy of the Good Thief, From the Last Judgement of Michelangelo:プラド美術館, マドリードには、このページに掲載されている作品のうち4点が所蔵されています。

Bartolomeo Passarotti:生涯と作品

The Bolognese Master of Mannerist Splendor

In the vibrant, shifting landscape of the late sixteenth century, few artists captured the transition from the structured elegance of the High Renaissance to the dramatic intensity of the Baroque as skillfully as Bartolomeo Passarotti. Born in Bologna in 1529, Passarotti emerged not merely as a painter, but as a pivotal bridge between eras. His early years were defined by a profound immersion in the Roman art scene, where between 1550 and 1555, he sought the guidance of masters such as Giacomo Barozzi da Vignola and Taddeo Zuccari. This period of Roman training was transformative; it instilled in him a deep reverence for classical antiquity and the humanist principles of anatomical precision and balanced composition, even as he began to experiment with the more elongated and complex forms that would define the Mannerist movement.

Upon his return to his native Bologna, Passarotti did not merely settle into local practice; he established a formidable artistic powerhouse. His studio became a crucible of innovation, attracting a generation of talent that would eventually reshape European art. Among his most notable pupils were Agostino Carracci, Lucio Massari, and Francesco Brizzi—artists who would carry the seeds of his stylistic experimentation into the burgeoning Baroque era. This legacy of mentorship ensured that Passarotti’s influence extended far beyond the walls of his own workshop, as his approach to light, texture, and subject matter permeated the very fabric of the Bolognese school.

A Tapestry of Genre and Drama

Passarotti’s oeuvre is celebrated for its remarkable versatility, ranging from the divine to the deeply terrestrial. He possessed a unique ability to navigate between grand religious altarpiements and intimate, often gritty, genre scenes. His work often features a striking use of chiaroscuro, utilizing stark contrasts between light and shadow to imbue his subjects with a sense of psychological depth and physical presence. This technique, which prefigured the dramatic lighting later perfected by Caravaggio, allowed him to breathe life into both mythological figures and everyday laborers.

In his genre paintings, Passarotti displayed an extraordinary eye for detail and a fascination with the textures of daily existence. Works such as The Butcher's Shop (1580) serve as captivating windows into the late Renaissance world, showcasing a masterful command of warm tones and a realistic depiction of communal life. Similarly, his ability to render the divine is evident in pieces like Diane Chasseresse, where the Roman goddess of the hunt is captured with a dynamic, muscular grace that embodies the very essence of Mannerist energy. Whether depicting the quiet solitude of a Lute Player or the solemnity of religious devotion, his brushwork consistently sought to capture the fleeting tension between the ideal and the real.

Legacy and Historical Significance

While history sometimes overlooks Passarotti in favor of more revolutionary figures like Michelangelo, his importance to the evolution of Italian art is undeniable. He was a master of transition, an artist who understood how to honor the classical past while simultaneously preparing the ground for the emotional turbulence of the next century. His later works, influenced by Tuscan models such as Giorgio Vasari and Prospero Fontana, demonstrate a continuous evolution and an enduring curiosity about the changing tides of aesthetic taste.

The historical significance of Bartolomeo Passarotti lies in his role as a foundational figure for the Carracci Academy and the broader Bolognese tradition. His life’s work—a blend of meticulous anatomical study, dramatic lighting, and a profound interest in the human condition—remains a testament to the enduring power of Mannerism. Through his studio, his pupils, and his evocative canvases, Passarotti ensured that the spirit of Bologna would remain at the heart of the European artistic dialogue for generations to come.