Barnett Samuel Marksの肖像画

世界的に有名なBarnett Samuel Marksの名作23点、そのすべてが唯一無二の芸術品

11月 2026 更新 · 当サイトの人気スコア(各作品の検索数、閲覧数、注文数)に基づくランキング · 23点の Barnett Samuel Marksの作品がカタログにあります

要約すると

John Hemingway (1795–1872) (1860)は、Barnett Samuel Marksの作品の中で最も注目を集めている絵画です。 その後、視線はThe Dock, a Reminiscence of the Court (1871)とBoard School Children (1874)へと移ります。 当カタログに含まれるBarnett Samuel Marksの23点の作品のうち、これら23点は最も有名な作品です。制作年、所蔵美術館、そして時代を超えて愛される理由とともに、一点もののオリジナル作品をご紹介します。

1827 – 1916 最多収蔵館: The Library And Museum of Freemasonry

ギャラリーの視点で選ぶ、Barnett Samuel Marksによるトップ10作品

Barnett Samuel Marksの名作、11〜23点目

Barnett Samuel Marksの原画を所蔵する美術館

このページに掲載されている絵画を最も多く所蔵している 6 の美術館

美術館 都市 Barnett Samuel Marksの作品 このリストの絵画
The Library And Museum of Freemasonry, LondonThe Library And Museum of Freemasonry London 6 Sir John Braddick Monckton (1832–1902), HRH George (1762–1830), Prince of Wales, KG, HRH Augustus Frederick (1773–1843), Duke of Sussex
Llyfrgell Genedlaethol Cymru / The National Library of Wales, アベリストイースLlyfrgell Genedlaethol Cymru / The National Library of Wales アベリストイース 2 Reverend Edward Matthews (1813–1892), David Duncan
Ealing Central Library, LondonEaling Central Library London 2 John Allen Brown (1833–1903), FRGS, First Chairman of the Ealing Free Library, Self Portrait
National Maritime Museum, ロンドンNational Maritime Museum ロンドン 2 Saved from the Streets, Portraits of Boys on Board the 'Chichester' Training Ship In Deep Mire Where There is No Standing, Saved from the Streets, Portraits of Boys on Board the 'Chichester' Training Ship Escape as a Bird out of the Snare of the Fowler
ウォーカー・アート・ギャラリー, リバプールウォーカー・アート・ギャラリー リバプール 1 The Dock, a Reminiscence of the Court
Victoria Art Gallery, バースVictoria Art Gallery バース 1 Mrs Mary Frost at the Age of 80

Barnett Samuel Marksの数十年にわたる軌跡:それぞれに唯一無二のオリジナル作品を

年代別作品数

その時代を象徴する名作を見るために、年代を選択してください。

Barnett Samuel Marksの絵画:ギャラリーへの質問

Barnett Samuel Marksの最も有名な作品は何ですか?答えを見る

John Hemingway (1795–1872) (1860)。続いてThe Dock, a Reminiscence of the Court (1871)、Board School Children (1874)が続きます。

Barnett Samuel MarksがJohn Hemingway (1795–1872)を制作したのは何歳の時ですか?答えを見る

33歳:John Hemingway (1795–1872)は1860年の作品で、Barnett Samuel Marksの生年は1827年です。

Barnett Samuel Marksの最も有名な10作品は何ですか?答えを見る

John Hemingway (1795–1872), The Dock, a Reminiscence of the Court, Board School Children, Sir John Braddick Monckton (1832–1902), HRH George (1762–1830), Prince of Wales, KG, HRH Augustus Frederick (1773–1843), Duke of Sussex, Frederic Davison (c.1815–1889), Thomas Fenn (1820–1901), Reverend Dr Thomas Davies と Reverend Edward Matthews (1813–1892)。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。

Barnett Samuel Marksの既知の作品数は?答えを見る

当カタログには、1860年から1899年にかけて制作されたBarnett Samuel Marksによる23点の作品が収められています。

最も有名なBarnett Samuel Marksのオリジナル作品はどこで見ることができますか?答えを見る

主にThe Library And Museum of Freemasonry (London), Llyfrgell Genedlaethol Cymru / The National Library of Wales (アベリストイース) と Ealing Central Library (London)に所蔵されています。上記の美術館一覧にすべて記載されています。

Barnett Samuel Marksが最も有名な作品を制作したのは、どの時期ですか?答えを見る

1880s年:このページにある全23作品のうち、7作品がその時期に制作されました。そのうちSir John Braddick Monckton (1832–1902)作品が含まれます。

Barnett Samuel Marksの有名な絵画の中で、最も古い作品と最も新しい作品はどれですか?答えを見る

このページでは、最も古い作品はJohn Hemingway (1795–1872) (1860)、最新の作品はDavid Duncan (1899)です。

The Library And Museum of Freemasonryでは、Barnett Samuel Marksのオリジナル作品を何点鑑賞できますか?答えを見る

Sir John Braddick Monckton (1832–1902), HRH George (1762–1830), Prince of Wales, KG と HRH Augustus Frederick (1773–1843), Duke of Sussex:The Library And Museum of Freemasonry, Londonには、このページに掲載されている作品のうち6点が所蔵されています。

Barnett Samuel Marks:アーティストの肖像画

Barnett Samuel Marks: A Welsh Painter Bridging Tradition and Social Realism

Barnett Samuel Marks (1827-1916) stands as a compelling figure in 19th and early 20th century British art, a painter whose career unfolded across Cardiff and London, marked by both the refinement of classical portraiture and a growing engagement with social issues. Born into a prominent Jewish family deeply rooted in Welsh commerce and culture, Marks’ life was one of artistic ambition tempered by familial obligations and a keen awareness of his community's evolving role within British society. His legacy lies not just in the elegant portraits he created – many commissioned by wealthy patrons – but also in the poignant depictions of poverty and childhood that emerged later in his career, revealing a sensitive artist grappling with the complexities of his time.

Marks’ early life in Cardiff was one of privilege and cultural immersion. The Marks family were significant figures in the city's burgeoning Jewish community, involved in trade, finance, and social affairs. Barnett received a private education, supplemented by artistic instruction, demonstrating an early aptitude for both music and painting. He quickly established himself as a portrait artist, catering to a clientele that included members of Cardiff’s elite – the Marchioness of Bute being particularly influential in his career. His style during this period leaned heavily towards the neoclassical tradition, characterized by meticulous detail, balanced compositions, and an emphasis on capturing the dignity and character of his subjects. These early portraits, often depicting nobility and prominent figures, showcase a mastery of technique and a keen eye for likeness – qualities that secured him recognition at the Royal Academy in London.

  • Early Influences: While Marks’ formal training remains somewhat undocumented, it's clear he was influenced by the prevailing artistic currents of his time. The classical ideals championed by artists like Ingres and David undoubtedly shaped his early work.
  • Cardiff Connections: His strong ties to Cardiff – both professionally and personally – remained a constant throughout his life. He continued to exhibit in the city, support local initiatives, and maintain connections with fellow artists and cultural figures.

The Transition to Social Realism

A pivotal moment in Marks’ artistic development occurred during the 1860s, coinciding with his move to London. The experience of urban poverty – particularly the plight of children – profoundly impacted him. Witnessing the stark realities of Victorian society fueled a desire to depict these issues through his art. This shift is most dramatically illustrated by his series of diptychs depicting young boys before and after their rescue by Dr. Barnardo’s Homes. These works, characterized by their emotional intensity and unflinching portrayal of hardship, marked a significant departure from the idealized portraits that had defined much of his earlier career.

The reception to these social realist paintings was notably positive, with critics praising Marks' ability to convey empathy and compassion. Ruskin himself offered encouragement, recognizing the power of his work to raise awareness about the plight of vulnerable children. This period demonstrated a willingness to engage with contemporary social concerns – a characteristic that distinguished him from many of his contemporaries.

  • Dr. Barnardo’s Homes Series: These paintings are arguably Marks' most significant contribution to social commentary, offering a stark contrast to the formal portraits he had previously produced.
  • Ruskin’s Endorsement: The praise from John Ruskin highlighted the artistic merit and social impact of these works.

A Royal Cambrian Academician and Continued Artistic Activity

Barnett Samuel Marks' career continued to flourish throughout the late 19th and early 20th centuries. In 1887, he was elected a full member of the Royal Cambrian Academy, a prestigious honor that recognized his contributions to Welsh art. This affiliation solidified his position within the artistic community and provided him with further opportunities for exhibition and recognition. He remained active in Cardiff, supporting local initiatives and continuing to paint portraits on commission.

Beyond portraiture, Marks also engaged in landscape painting, often depicting scenes of the Welsh countryside – a reflection of his strong ties to his birthplace. His later works demonstrate a growing interest in capturing the atmospheric qualities of light and shadow, suggesting an evolving artistic sensibility. He was a member of Freemasonry for over 50 years, serving as Master of the Buckingham and Chandos Lodge, further cementing his place within London’s social and cultural elite.

  • Royal Cambrian Academician: This honor reflected Marks' standing as a respected artist in Wales.
  • Landscape Painting: His later works reveal an exploration of landscape themes alongside portraiture.

Legacy and Historical Significance

Barnett Samuel Marks’ artistic legacy is complex and multifaceted. He was a skilled portraitist who successfully navigated the conventions of Victorian society, capturing the likenesses of prominent figures with technical precision and elegance. However, he was also an artist willing to confront social issues and express his compassion for those less fortunate. His shift towards social realism represents a significant moment in his career – a testament to his artistic integrity and his commitment to using art as a means of engaging with the world around him.

Marks’ work offers valuable insights into Victorian society, reflecting both its wealth and its poverty, its formality and its compassion. His paintings serve as reminders of a time when artists were increasingly expected to engage with social concerns – a tradition that continues to resonate today. Barnett Samuel Marks remains an important figure in British art history, a painter whose career spanned decades and whose work continues to be studied and appreciated for its technical skill, emotional depth, and historical significance.

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