Augustus Fullerの肖像画

世界的に有名なAugustus Fullerの名作6点、そのすべてが唯一無二の芸術品

11月 2026 更新 · 当サイトの人気スコア(各作品の検索数、閲覧数、注文数)に基づくランキング · 6点の Augustus Fullerの作品がカタログにあります

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Mr. Pierce (1843)はAugustus Fullerの作品の中で最も注目を集めている絵画です。原画はニューヨークのメトロポリタン美術館に所蔵されています。 その後、視線はEmancipation (1913)とInseparables (1900)へと移ります。 当カタログに含まれるAugustus Fullerの6点の作品のうち、これら6点は最も有名な作品です。制作年、所蔵美術館、そして時代を超えて愛される理由とともに、一点もののオリジナル作品をご紹介します。

1812 – 1873, Deerfield 最多収蔵館: Museum of African American History

ギャラリーの視点で選ぶ、Augustus Fullerによるトップ10作品

1
Mr. Pierce (1843) による Augustus Fuller

Mr. Pierce

1843 · Watercolor · メトロポリタン美術館, ニューヨーク

This black and white miniature portrait, titled Mr. Pierce, was created by Augustus Fuller in 1843. The composition focuses on the head and shoulders of the subject, presented within an oval frame that features a decorative loop or bail at the top, suggesting it may have been intended as jewelry. The portrait is rendered in a grayscale palette, utilizing a range of tones from deep blacks to light whites to…

2
Emancipation (1913) による Augustus Fuller

Emancipation

1913 · Sculpture · Museum of African American History, Boston

To stand before Emancipation is to witness a profound moment of transition captured in bronze. Created in 1913, this work emerged during the 50th anniversary of the Emancipation Proclamation, a period when the memory of the Civil War was being actively reclaimed. The sculpture depicts a group of figures emerging from the center of a tree of knowledge, a composition that suggests a collective movement toward light and autonomy. There…

3
Inseparables (1900) による Augustus Fuller

Inseparables

1900 · Oil · 南オーストラリア・ギャラリー, アデレード

In the gentle embrace of Augustus Fuller’s 1900 masterpiece, Inseparables, we are invited into a sanctuary of profound stillness and domestic warmth. The painting presents a captivating portrait of a woman lost in the pages of a book, her legs crossed in a posture of complete ease. As she sits within her chair, the world around her seems to fade, leaving only the intimate connection between the reader and her…

Augustus Fullerが心を惹かれた主題

これらのオリジナル作品に繰り返し描かれている4つの主題と、それぞれの最高傑作。

Augustus Fullerの原画を所蔵する美術館

このページに掲載されている絵画を最も多く所蔵している 3 の美術館

美術館 都市 Augustus Fullerの作品 このリストの絵画
Museum of African American History, BostonMuseum of African American History Boston 3 Emancipation, Talking Skull, In Memory of Mary Turner As A Silent Protest Against Mob Violence
メトロポリタン美術館, ニューヨークメトロポリタン美術館 ニューヨーク 2 Mr. Pierce, Portrait of a Boy
南オーストラリア・ギャラリー, アデレード南オーストラリア・ギャラリー アデレード 1 Inseparables

Augustus Fullerの歩み:それぞれの作品が持つ唯一無二のオリジナル

ここに表示されているAugustus Fullerの年代別オリジナル作品はすべて1843年のもので、知名度の高い順に並んでいます。

年別作品数

年代を選択して、当時のオリジナル作品を見る

Augustus Fullerの絵画:ギャラリーへの質問

Augustus Fullerの最も有名な作品は何ですか?答えを見る

Mr. Pierce (1843)(メトロポリタン美術館, ニューヨーク)。次いでEmancipation (1913)、Inseparables (1900)が続きます。

Augustus FullerがMr. Pierceを制作したのは何歳の時ですか?答えを見る

31歳:Mr. Pierceは1843年の作品で、Augustus Fullerの生年は1812年です。

Augustus Fullerの既知の作品数は?答えを見る

当カタログにはAugustus Fullerによる作品が6点ございます。

最も有名なAugustus Fullerのオリジナル作品はどこで見ることができますか?答えを見る

主にMuseum of African American History (Boston), メトロポリタン美術館 (ニューヨーク) と 南オーストラリア・ギャラリー (アデレード)に所蔵されています。上記の美術館一覧にすべて記載されています。

Augustus Fullerが好んだ主題は何ですか?答えを見る

このページに掲載されている6点の作品におけるMan (2) と Portrait (2)

Museum of African American Historyでは、Augustus Fullerのオリジナル作品を何点鑑賞できますか?答えを見る

Emancipation, Talking Skull と In Memory of Mary Turner As A Silent Protest Against Mob Violence:Museum of African American History, Bostonには、このページに掲載されている作品のうち3点が所蔵されています。

Augustus Fuller:アーティストの肖像画

A Silent Voice: The Life and Art of Augustus Fuller

Augustus Fuller, a name often whispered in the annals of American folk art, represents more than just a painter; he embodies resilience, self-taught skill, and a unique perspective born from silence. Born in Deerfield, Massachusetts, around 1812, Fuller navigated a world largely inaccessible to him as a deaf-mute individual. His story is one of overcoming societal barriers through artistic expression, becoming an itinerant portraitist who captured the essence of his subjects with striking simplicity and directness. While biographical details remain fragmented, piecing together accounts from letters, historical records, and surviving artworks reveals a life dedicated to observation, connection, and the quiet power of visual communication. Fuller’s early exposure to art likely stemmed from his family; his stepmother came from an artistic background, providing a nurturing environment that fostered his innate talent. A pivotal moment arrived with his attendance at the American Asylum for the Deaf in Hartford, Connecticut, where he received formal instruction in drawing and painting—a rare opportunity for someone with his disabilities during that era. This foundational training equipped him with technical skills but couldn’t fully contain the burgeoning artistic vision within him.

The Itinerant Life: Painting a New England Portrait

Fuller eschewed the traditional path of settling into a single community, instead embracing the life of an itinerant portrait painter. Traveling throughout New England and western New York in the mid-19th century, he offered his services to those who sought to preserve their likenesses—farmers, merchants, families, individuals from all walks of life. This nomadic existence was not merely a matter of professional necessity; it was also a means of connection. Unable to communicate verbally, Fuller relied on keen observation and empathetic engagement with his sitters. His portraits are remarkable for their intimacy, capturing not just physical features but also the personality and spirit of each individual. He worked primarily in watercolor on ivory, creating miniature masterpieces that were affordable and accessible to a wider clientele. The small scale of these works perhaps reflected both practical considerations—ease of transport during his travels—and an artistic preference for focused detail and emotional resonance. His half-brother, George Fuller, initially accompanied him on his painting tours before embarking on his own successful career as an artist, demonstrating the familial encouragement that underpinned Augustus’s journey.

Simplicity and Social Commentary: A Unique Artistic Style

Fuller's artistic style is characterized by its deliberate simplicity—a rejection of elaborate ornamentation in favor of directness and emotional honesty. His figures are rendered with a gentle realism, often set against plain backgrounds that emphasize their presence. While he adhered to the conventions of folk portraiture, Fuller infused his work with subtle yet powerful social commentary. Several of his most intriguing paintings address themes of slavery and abolitionism. “Emancipation”, for example, depicts a Black man breaking free from chains—a bold statement against the institution of slavery that was particularly striking for its time. Perhaps even more arresting is “Talking Skull”, a haunting image of a skull with an open mouth, seemingly speaking out against injustice and oppression. These works reveal Fuller’s awareness of the social issues surrounding him and his willingness to use his art as a vehicle for protest—a silent yet potent form of activism. The inclusion of such imagery in his repertoire sets him apart from many of his contemporaries, highlighting his unique perspective and moral convictions.

Legacy and Historical Significance

Augustus Fuller’s life was cut short in 1873 at the age of 61, leaving behind a body of work that continues to captivate and inspire. Though he received little recognition during his lifetime, his paintings have gained increasing attention in recent decades as scholars and collectors rediscover the richness and depth of American folk art. His story challenges conventional notions of artistic genius, demonstrating that creativity can flourish even in the face of adversity. Fuller’s work is not merely a reflection of 19th-century New England society; it is a testament to the power of human connection, the importance of self-expression, and the enduring legacy of an artist who found his voice—not through words, but through the eloquent language of paint. He stands as a significant figure in American art history, not only for his artistic skill but also for his unwavering commitment to social justice and his ability to transcend personal limitations through the transformative power of creativity.
  • Pioneered silent protest art within the folk painting tradition.
  • Demonstrated the accessibility of portraiture to a wider audience.
  • Challenged societal norms through depictions of abolitionist themes.