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Auguste de Creuseが遺したオリジナル作品の中で最も有名なものは、ヴェルサイユのヴェルサイユ宮殿に収蔵されているPortrait of Susanne de Baudéan (1625-1700) (1837)です。 それに次いで、Portrait of Louise Françoise Bouthillier de Chavigny, traditionally identified as Laure Mancini (1839)とPortrait de Louis IX, roi de Franceが続きます。 Auguste de Creuseによる8点の作品をカタログに掲載しています。当ギャラリーでは、世界が称賛する8点を選定し、制作年、所蔵美術館、そしてその背景にある物語とともにご紹介しています。
Auguste de Creuseの代表作10選:ギャラリー厳選の作品集
Auguste de Creuseの原画を所蔵する美術館
このページに掲載されている絵画を最も多く所蔵している 1 の美術館
| 美術館 | 都市 | Auguste de Creuseの作品 | このリストの絵画 |
|---|---|---|---|
| ヴェルサイユ | 4 | Portrait of Susanne de Baudéan (1625-1700), Portrait of Louise Françoise Bouthillier de Chavigny, traditionally identified as Laure Mancini, EUGENE ADELAIDE LOUISE D'ORLEANS, MADAME ADELAIDE (1777 1847) |
Auguste de Creuseの歩み:その時代を象徴するオリジナル作品
1837年から1839年までのわずか3年間にわたる、厳選されたAuguste de Creuseの歴代作品:各年代の最高傑作がここに揃っています。
Auguste de Creuseの絵画に関するコレクターからの質問
Auguste de Creuseの代表作は何ですか?答えを見る
Portrait of Susanne de Baudéan (1625-1700) (1837)(ヴェルサイユ宮殿, ヴェルサイユ)。次いでPortrait of Louise Françoise Bouthillier de Chavigny, traditionally identified as Laure Mancini (1839)、Portrait de Louis IX, roi de Franceが続きます。
Portrait of Susanne de Baudéan (1625-1700)が制作されたとき、Auguste de Creuseは何歳でしたか?答えを見る
31歳:Portrait of Susanne de Baudéan (1625-1700)は1837年の作品で、Auguste de Creuseの生年は1806年です。
Auguste de Creuseが遺した作品数は?答えを見る
当カタログには、1837年から1839年にかけて制作されたAuguste de Creuseによる8点の作品が収められています。
Auguste de Creuseの名作は、どの美術館に収蔵されていますか?答えを見る
主にヴェルサイユ宮殿 (ヴェルサイユ)に所蔵されています。上記の美術館一覧にすべて記載されています。
Auguste de Creuseによる最初と最後の代表的なオリジナル作品は何ですか?答えを見る
このページでは、最も古い作品はPortrait of Susanne de Baudéan (1625-1700) (1837)、最新の作品はPortrait of Louise Françoise Bouthillier de Chavigny, traditionally identified as Laure Mancini (1839)です。
ヴェルサイユ宮殿にはどのAuguste de Creuseの作品が展示されていますか?答えを見る
Portrait of Susanne de Baudéan (1625-1700), Portrait of Louise Françoise Bouthillier de Chavigny, traditionally identified as Laure Mancini と EUGENE ADELAIDE LOUISE D'ORLEANS, MADAME ADELAIDE (1777 1847):ヴェルサイユ宮殿, ヴェルサイユには、このページに掲載されている作品のうち4点が所蔵されています。
Auguste de Creuse:生涯と作品
The Luminous Legacy of Auguste de Creuse
In the grand, sweeping tapestry of nineteenth-century French painting, certain names shine with an enduring brilliance, while others flicker like a candle in a drafty corridor, leaving behind only a hauntingly beautiful afterglow. Auguste de Creuse, born Jean-Pierre Decreuse, belongs to that poignant second category. A master of the portrait, his life was a brief but intense burst of artistic vitality that spanned from his birth in Montrond-le-Château in 1806 to his untimely passing in Paris in 1839. Though his career was tragically truncated at the age of thirty-three, the works he left behind serve as elegant windows into the soul of a bygone era, capturing the quiet dignity of the aristocracy and the storied grandeur of French history.
The trajectory of Creuse’s talent was irrevocably shaped by his time at the École Supérieure des Beaux-Arts in Paris. It was here that he came under the tutelage of the formidable Antoine-Jean Gros, a mentorship that would become the cornerstone of his aesthetic identity. From Gros, Creuse inherited more than just technical proficiency; he absorbed a profound reverence for historical narrative and an almost surgical precision in detail. This lineage is evident in his ability to weave together the monumental scale of history with the intimate nuances of individual character, creating canvases that feel both epic and deeply personal.
A Mastery of Light and Lineage
To observe a portrait by Creuse is to enter a world defined by a restrained yet evocative palette. Eschewing the garish or the overly dramatic, he favored a sophisticated arrangement of muted browns, warm ochres, and soft creams. This deliberate choice of color allowed him to master the art of sfumato and subtle tonal gradations, employing thin, delicate layers of paint to achieve a luminous quality that seems to emanate from within the subjects themselves. His brushwork, remarkably fine and controlled, captured the tactile reality of silk, lace, and velvet, lending his aristocratic sitters an air of timeless grace.
His technical prowess was not merely reserved for contemporary faces; Creuse possessed a unique ability to breathe life into the ghosts of France's past. His repertoire included:
- Royal Portraits: He achieved significant recognition for his depictions of the House of Orléans, including works featuring the young Louis-Philippe, which found prestigious homes in the Châteaux of Versailles and Trianon.
- Historical Figures: Creuse demonstrated a remarkable capacity for historical reconstruction, painting legendary figures such as Jean Bart and the Duchesse de Belleval.
- The Monarchs of Old: His involvement in the series commissioned by Louis Philippe I for the Musée historique de Versailles allowed him to portray medieval and Renaissance icons, including Louis IX (Saint Louis) and Catherine de Médicis.
An Enduring Impression
The historical significance of Auguste de Creuse lies in his role as a bridge between the classical traditions of the early nineteenth century and the burgeoning romanticism of his era. While he operated within the established frameworks of his mentors, his sensitivity to psychological depth pushed his portraiture beyond mere likeness. He sought to reveal the character beneath the velvet, the humanity beneath the crown. Though his death in 1839 silenced his brush, the echoes of his talent remain preserved in the halls of Versailles and the collections of art historians worldwide. He remains a vital figure for anyone seeking to understand the elegance, the precision, and the profound emotional resonance of French portraiture during one of its most transformative centuries.






