August Allebéの肖像画

ギャラリー厳選、August Allebéによる最も有名な33の絵画

11月 2026 更新 · 当サイトの人気スコア(各作品の検索数、閲覧数、注文数)に基づくランキング · 33点の August Allebéの作品がカタログにあります

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August Allebéが遺したオリジナル作品の中で最も有名なものは、アムステルダムの国立美術館に収蔵されているA young Woman (1863)です。 それに次いで、Lethe (1863)とAnno 1704. Willem Vleertman explores the terrain near Höchstadt (1862)が続きます。 August Allebéによる33点の作品をカタログに掲載しています。当ギャラリーでは、世界が称賛する33点を選定し、制作年、所蔵美術館、そしてその背景にある物語とともにご紹介しています。

1838 – 1927, Amsterdam Amsterdam impressionism 最多収蔵館: 国立美術館

August Allebéの代表作10選:ギャラリー厳選の作品集

1
A young Woman (1863) による August Allebé

A young Woman

1863 · Oil On Canvas · 国立美術館, アムステルダム

A single figure occupies the center of this 1863 portrait. She stands with an upright, quiet dignity, her body turned slightly toward the viewer. The light enters from the upper left, catching the curve of her neck and the pale expanse of her face. She wears a white apron or shawl that gathers in heavy, sculptural folds. These highlights contrast sharply against a dark, atmospheric background, pulling her form out…

2
Lethe (1863) による August Allebé

Lethe

1863 · Oil On Canvas · Dordrechts Museum, ドルトレヒト

In Lethe, August Allebé places a solitary elderly man within the heavy silence of a dimly lit interior. The composition anchors itself upon the figure and the large, ornate architectural element of the hearth. Deep, warm tones of rich brown and burnt umber dominate the space, swallowing the corners of the room. A chiaroscuro effect emerges from these shadows, where light struggles against the dark. This low-key, dramatic lighting strikes…

3
Anno 1704. Willem Vleertman explores the terrain near Höchstadt (1862) による August Allebé

Anno 1704. Willem Vleertman explores the terrain near Höchstadt

1862 · Oil · アムステルダム博物館, アムステルダム

This landscape painting, titled Anno 1704. Willem Vleertman explores the terrain near Höchstadt, was executed by August Allebé. Created in 1862, the work captures a specific sense of place and time through its quiet, monochromatic presentation. It offers a glimpse into the artist's early period, a time when his hand was beginning to navigate the nuances of the romantic tradition.

4
Surprise of Coevorden by Van Thienen, 1672 (1862) による August Allebé

Surprise of Coevorden by Van Thienen, 1672

1862 · Oil On Canvas · アムステルダム博物館, アムステルダム

The oil on canvas captures a fragment of the 1672 conflict through a lens of academic realism. There is a heavy, quiet energy in the way the figures are positioned, suggesting a sudden disruption in a quiet landscape. The brushwork is loose, prioritizing the feeling of light hitting fabric and skin over meticulous detail. It is a scene of movement frozen in a dim, historical twilight. The light fades into…

5
Historical Representation (1860) による August Allebé

Historical Representation

1860 · Oil · アムステルダム博物館, アムステルダム

In "Historical Representation" by August Allebé, the composition centers on a luminous female figure positioned in the foreground. Dressed in light-colored clothing, she holds her hands near her chest in a gesture that suggests a contemplative or perhaps fearful state of mind. The scene is captured from a medium shot at eye level, creating an intimate encounter with the subject. This central figure is framed by a strictly grayscale color…

6
Oude vrouw (1861) による August Allebé

Oude vrouw

1861 · Oil

A single light source strikes from the upper right, carving the profile of an elderly woman out of the darkness. The light catches the ridges of her wrinkles and the heavy drape of her dark garment, turning skin into a landscape of texture. She sits in a quiet, side-profile view, her hands wrapped around a slender glass vessel. The composition is tight and intimate, pulling the viewer into a private…

7
Page (1860) による August Allebé

Page

1860 · Oil

A single male figure emerges from the gloom, caught in a moment of quiet stillness. He stands slightly off-center, his body turned toward the left as if responding to an unseen presence or a sudden thought. A dark, heavy coat or cloak envelops his frame, its thick texture catching a soft light that seems to spill from the front-left. This illumination carves his silhouette against an indistinct, atmospheric background, where…

8
Seamstress (1859) による August Allebé

Seamstress

1859 · Oil On Canvas

A soft, directional light spills from the upper left, catching the curve of a forehead and the bridge of a nose in a delicate dance of highlights. The young woman sits in profile, her body turned slightly away, lost in the rhythmic, silent labor of her needle. She is a figure of stillness, wrapped in a white shawl that glows against the deep, shadowy folds of her dark clothing. Every…

9
Zelfportret 1862 (1862) による August Allebé

Zelfportret 1862

1862 · Oil On Canvas

The light catches the edge of a face, carving a profile out of the surrounding gloom. In this 1862 oil portrait, the artist gazes back at us, or perhaps inward, through a veil of shadow. He sits with a quiet, heavy presence, his features emerging from a deep, monochromatic darkness that feels almost tactile. A soft light brushes against his forehead and the bridge of his nose, highlighting the subtle…

10
Dr. G.A.N. Allebé (1810-1892) (1858) による August Allebé

Dr. G.A.N. Allebé (1810-1892)

1858 · Oil

This mid-19th-century oil portrait, dating to 1858, presents a formal and dignified depiction of an older gentleman, Dr. G.A.N. Allebé. The composition is a three-quarter length portrait where the subject is positioned slightly off-center, facing toward the left of the frame while his body is angled toward the viewer. He is depicted with a steady gaze and formal attire, conveying an air of intellectual authority and seriousness.

August Allebéのセレクションが続きます、11から33まで

August Allebéの代表作、時代別一覧

August Allebéが心を惹かれた主題

これらのオリジナル作品に繰り返し描かれている4つの主題と、それぞれの最高傑作。

August Allebéの原画を所蔵する美術館

このページに掲載されている絵画を最も多く所蔵している 8 の美術館

美術館 都市 August Allebéの作品 このリストの絵画
国立美術館, アムステルダム国立美術館 アムステルダム 9 A young Woman, Portrait of a Boy, August Allebé, 1856, Old Woman by the Fireplace, August Allebé, c. 1850 - c. 1875
アムステルダム博物館, アムステルダムアムステルダム博物館 アムステルダム 6 Anno 1704. Willem Vleertman explores the terrain near Höchstadt, Surprise of Coevorden by Van Thienen, 1672, Historical Representation
Dordrechts Museum, ドルトレヒトDordrechts Museum ドルトレヒト 2 Lethe, Turkeys in a Landscape
ボイジャンズ・ヴァン・ビューニンゲン美術館, ロッテルダムボイジャンズ・ヴァン・ビューニンゲン美術館 ロッテルダム 2 L'école buissonnière, Garden Corner (Poppies)
メスダ・コレクション, ハーグメスダ・コレクション ハーグ 1 An old friend
Museum Catharijneconvent, ユトレヒトMuseum Catharijneconvent ユトレヒト 1 Portrait of Ottho Gerhard Heldring (1804-1876)
Teylers Museum, ハーレンTeylers Museum ハーレン 1 Kraambezoek
Museum De Waag, デーフェンターMuseum De Waag デーフェンター 1 Interior of Barn with Old Open Doors and Sheaf of Corn

August Allebéの年代別名作:各時代を象徴するオリジナル作品

年代別作品数

その時代を象徴する名作を見るために、年代を選択してください。

August Allebéの絵画に関するコレクターからの質問

August Allebéの代表作は何ですか?答えを見る

A young Woman (1863)(国立美術館, アムステルダム)。次いでLethe (1863)、Anno 1704. Willem Vleertman explores the terrain near Höchstadt (1862)が続きます。

A young Womanが制作されたとき、August Allebéは何歳でしたか?答えを見る

25歳:A young Womanは1863年の作品で、August Allebéの生年は1838年です。

August Allebéの最も有名な10作品とは?答えを見る

A young Woman, Lethe, Anno 1704. Willem Vleertman explores the terrain near Höchstadt, Surprise of Coevorden by Van Thienen, 1672, Historical Representation, Oude vrouw, Page, Seamstress, Zelfportret 1862 と Dr. G.A.N. Allebé (1810-1892)。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。

August Allebéが遺した作品数は?答えを見る

当カタログには、1856年から1877年にかけて制作されたAugust Allebéによる33点の作品が収められています。

August Allebéの名作は、どの美術館に収蔵されていますか?答えを見る

主に国立美術館 (アムステルダム), アムステルダム博物館 (アムステルダム) と Dordrechts Museum (ドルトレヒト)に所蔵されています。上記の美術館一覧にすべて記載されています。

August Allebéが最も有名な作品を多く描いたのは何年ですか?答えを見る

1860s年:このページにある全33作品のうち、16作品がその時期に制作されました。そのうちA young Woman作品が含まれます。

August Allebéによる最初と最後の代表的なオリジナル作品は何ですか?答えを見る

このページでは、最も古い作品はPortrait of a Boy, August Allebé, 1856 (1856)、最新の作品はPortrait of Ottho Gerhard Heldring (1804-1876) (1877)です。

August Allebé が最も多く描いた主題は何ですか?答えを見る

このページに掲載されている33点の作品におけるMan (8), Woman (6) と Portrait (4)

August Allebé が最も多く使用した技法は何ですか?答えを見る

このページに掲載されている全33作品のうち、14作品のOil On Canvas

August Allebéはどの芸術運動に属していますか?答えを見る

このページに掲載されているオリジナル作品から判断すると、Amsterdam impressionismです。

国立美術館にはどのAugust Allebéの作品が展示されていますか?答えを見る

A young Woman, Portrait of a Boy, August Allebé, 1856 と Old Woman by the Fireplace, August Allebé, c. 1850 - c. 1875:国立美術館, アムステルダムには、このページに掲載されている作品のうち9点が所蔵されています。

August Allebé:生涯と作品

August Allebé: Pioneer of Amsterdam Impressionism

August Allebé (1838 – 1927) stands as a cornerstone figure in the burgeoning artistic landscape of late nineteenth-century Holland, specifically within the vibrant movement known as Amsterdam Impressionism. Born in Amsterdam, Allebé’s formative years were marked by exposure to artistic instruction and intellectual stimulation—he pursued evening classes at Felix Meritis and studied diligently at both Antwerp Academy and the Royal Academy of Amsterdam (Rijksakademie van beeldende kunsten), demonstrating a commitment to broadening his artistic horizons. His academic training under luminaries like Petrus Franciscus Greive, Adolphe Mouilleron, Charles Rochussen, and Louis Royer instilled in him a cosmopolitan outlook that would profoundly shape his artistic endeavors and pedagogical approach.
  • Early Romantic Influences:
  • Allebé’s initial artistic output leaned heavily into the romantic tradition, characterized by dramatic landscapes and emotionally charged depictions of human subjects—a stylistic choice reflective of the prevailing aesthetic sensibilities of his time.
  • Transition to Realism & Impressionism:
  • However, Allebé swiftly recognized the limitations of romantic formalism and embraced realism alongside impressionistic techniques. This pivotal shift propelled him toward capturing fleeting moments of light and color with unprecedented accuracy, mirroring the revolutionary spirit of the era.

Amsterdam Impressionism: A Countercurrent to Hague School Dominance

Allebé’s artistic vision wasn't merely a personal stylistic evolution; it represented a deliberate challenge to the dominant aesthetic currents emanating from The Hague School. While the Hague School prioritized meticulous detail and idealized representations of Dutch history and culture, Allebé championed a looser brushstroke style—a movement he spearheaded through St Lucas Artist Group – prioritizing atmospheric effects and subjective perception. This divergence fostered an environment where younger artists could experiment with innovative approaches to painting, establishing Amsterdam Impressionism as a distinct artistic identity.
  • St Lucas Artist Group:
  • Allebé founded St Lucas Artist Group in 1880, fostering collaboration and intellectual exchange among aspiring painters. This collective served as a crucible for experimentation and propelled the movement forward.
  • Influence on Students & Artistic Development:
  • As Professor at Rijksakademie van beeldende kunsten, Allebé cultivated a stimulating atmosphere where students were encouraged to pursue their artistic ambitions with unwavering determination—a legacy that continues to resonate within Dutch art history.

Notable Works & Artistic Techniques

Allebé’s oeuvre comprises numerous paintings showcasing his mastery of realism and impressionistic principles. Pieces like “Portrait of a Boy” (1856) exemplify his meticulous attention to detail, capturing youthful innocence with subtle impasto textures—a testament to his dedication to portraying the human form with nuanced sensitivity. Similarly, “Old Woman by the Fireplace” (c. 1850 – c. 1875) demonstrates Allebé’s ability to convey emotion through color and light, creating a poignant depiction of domestic life.
  • "Life's Eventide" exemplifies Allebé's exploration of capturing fleeting moments of beauty and emotion with expressive brushstrokes.

Historical Significance & Legacy

August Allebé’s contribution to Dutch art history extends far beyond his individual artistic achievements. He served as a catalyst for artistic innovation, fostering a spirit of experimentation that irrevocably altered the trajectory of modern Dutch painting. His unwavering belief in nurturing talent and promoting intellectual discourse cemented his position as a champion of progressive artistic ideals—a legacy that continues to inspire artists and scholars alike. Allebé’s influence can be seen throughout Amsterdam Impressionism and beyond, securing his place as one of the most important figures in shaping the visual culture of his era.