11月 2026 更新 · 当サイトの人気スコア（各作品の検索数、閲覧数、注文数）に基づくランキング · 88点の アントニオ・パレイラスの作品がカタログにあります
要約すると
アントニオ・パレイラスが遺したオリジナル作品の中で最も有名なものは、リオデジャネイロのMuseu Antonio Parreirasに収蔵されているJudgement of Filipe do Santos (1923)です。 それに次いで、The End of the Romance (1915)とFire (1937)が続きます。 アントニオ・パレイラスによる88点の作品をカタログに掲載しています。当ギャラリーでは、世界が称賛する87点を選定し、制作年、所蔵美術館、そしてその背景にある物語とともにご紹介しています。
The canvas captures a heavy moment in the town square of Vila Rica, Minas Gerais, Brazil. A man stands before a horse, his presence anchoring a scene of gathering crowds and scattered animals. The air feels thick with the weight of a public spectacle. People cluster in small groups, some holding umbrellas against the sun or the threat of rain, while others drift through the open space. The composition breathes…
A man lies upon the earth, his head resting against the neck of a standing horse. This central figure finds a sense of stillness amidst a larger gathering of people. Above the assembly, a single bird takes flight, introducing a sense of movement to an otherwise tranquil scene. The composition emphasizes a tender connection between human and animal, framed by a landscape that suggests a peaceful, perhaps even somber, atmosphere.
The canvas presents a forest scene characterized by a dense arrangement of trees and undergrowth. In the foreground, several trees are positioned with visible brown branches and green leaves, some of which appear desiccated. These botanical elements extend into the midground, where the vegetation becomes more compressed. In the background, a fire burns, casting light across the surrounding landscape. The flames consume the greenery, creating a visual tension between the…
This 1892 oil portrait presents a middle-aged man in a formal, three-quarter profile. Captured in a bust-length view, the subject gazes toward the right, his presence defined by a sense of quiet contemplation. The composition relies on a controlled palette of deep purples and brownish-mauves in the background, which pushes the figure forward. Dark blacks and charcoals of his suit provide a sharp contrast to the naturalistic flesh tones of…
A formal oil portrait from 1905 captures Coronel José Claro Ferreira da Silva in a moment of quiet, somber dignity. The subject is rendered from the chest up, presented in a centered, bust-length composition that demands an immediate, eye-level connection with the viewer. His expression is serious, marked by the weight of his station. Light enters from the upper left, casting soft shadows across the right side of his face…
A Morte de Virgínia (Estudo) by Antonio Parreiras is a somber oil study executed about 1904. The composition is dominated by the elongated form of a deceased female figure lying horizontally across the frame. This central subject is positioned from the left to the right side of the canvas, creating a sense of stillness. The perspective is a direct, eye-level view of the subject lying on a flat surface, which…
The composition is defined by a wide, receding avenue that draws the eye toward a distant horizon under a heavy, overcast sky. Mature trees line both sides of the path, their forms rendered with soft, blended brushstrokes that suggest a lush, green canopy. The perspective is somewhat flattened, creating depth through the overlapping of organic shapes and a subtle atmospheric haze. Along the walkway, indistinct figures move through the space,…
In this impressionistic oil study, Antonio Parreiras presents a quiet, intimate moment through the figure of a reclining nude. Titled "Dolorida - Paris, França (Estudo)", the work focuses on a woman captured in a relaxed, perhaps sleeping, pose. The composition is anchored by the strong diagonal line of her body, which stretches from the lower left toward the upper right. This movement creates a sense of languid ease within the…
Flor Brasileira - Paris, França (Estudo) is an oil study of a female nude by the Brazilian artist Antonio Parreiras. Created about 1911, the work originates from a period when the artist maintained a second studio in Paris, having been named a delegate of the Société Nationale des Beaux-Arts that same year.
In this oil painting, titled Jesus Christ on the Edge of Golgotha, the artist Antonio Parreiras presents a scene of profound solitude. Created about 1907, the work captures a moment of quietude within a desolate landscape. The subject is positioned amidst a vast, empty environment that emphasizes a sense of isolation.
Imprisonment of Antônio Carlos1909 · Museu Antonio Parreiras
12
Nonchalance1915 · Museu Histórico Nacional
13
Head of a Man1917 · Museu Antonio Parreiras
14
O Pequeno Corso1918 · Museu Antonio Parreiras
15
Relique Sacrée1918 · Museu Antonio Parreiras
16
Português Queimada1930
17
The Emerald Hunter1911 · Museu Antonio Parreiras
18
My First Oil Study1883 · Museu Antonio Parreiras
19
The Windstorm1888 · Pinacoteca do Estado de São Paulo
20
In the Afternoon1887 · Museu Antonio Parreiras
21
Morning in the Adriatic Sea1887 · Museu Antonio Parreiras
22
Português Gragoatá depois da trovoada English Gragoatá after the storm1886
23
Still Water1894 · Pinacoteca do Estado de São Paulo
24
Forest1896 · Museu Antonio Parreiras
25
Português Chácara da Consolação1893
26
Português Sertanejas (Teresópolis, RJ)1896
27
Paisagem1901 · イピランガ博物館
28
Cabrália Bay1900 · Pinacoteca do Estado de São Paulo
29
Untitled (AQR284)1904
30
Praça Batista Campos I1905
31
Português Morte de Virgínia1905
32
Hazy Day1900 · Pinacoteca do Estado de São Paulo
33
Clareira no Bosque1905
34
Entrada do Bosque Municipal1905
35
A Catedral de Belém1905
36
Bois Pastando1910 · Museu Antonio Parreiras
37
Bênção das Bandeiras da Revolução de 1817
38
Untitled (AQR276)1910
39
Iracema1909 · マサプ美術館
40
Imprisonment of Tiradentes (study)1910 · Museu Antonio Parreiras
41
Head of an Indian Girl1909 · Museu Antonio Parreiras
42
Head of an Indian1909 · Museu Antonio Parreiras
43
Fantasia1909
44
Paisagem1912 · イピランガ博物館
45
Uma Rua em Loêche les Bains1917 · Museu Antonio Parreiras
46
Neve - Suíça1915 · Museu Antonio Parreiras
47
Estudo de Nu1916 · Museu Antonio Parreiras
48
Estudo de Nu Feminino1916 · Museu Antonio Parreiras
49
L'Aube1916 · Museu Antonio Parreiras
50
Head of an Old Man1912 · Museu Antonio Parreiras
51
Flor da Rua1917 · Museu Antonio Parreiras
52
Morning Read1916 · Museu Antonio Parreiras
53
The Founding of São Paulo1913
54
Vieux Parc, Paris1914
55
Embarcações1921 · Museu Victor Meirelles
56
Plage Deserte1918 · Museu Antonio Parreiras
57
Praia Deserta1918 · Museu Antonio Parreiras
58
Flower of Evil1918 · Museu Antonio Parreiras
59
Gospel in the jungle1920
60
Model Resting1919 · Museu Antonio Parreiras
61
Homeland Noon1922 · Museu Antonio Parreiras
62
English Iguazu Falls Português Cataratas do Iguaçu1920
63
English Untitled Português Sem título1920
64
The Last Song1919 · Museu Antonio Parreiras
65
The Fourty Eight Year Old Man1920 · Museu Antonio Parreiras
66
A Friend (also known as Portrait of the Painter Numa Camille Ayrinhac)1918 · Museu Antonio Parreiras
67
English Landscape Português Paisagem1919
68
Português Morte de Fernão Dias Paes Leme English Death of Fernão Dias Paes Leme1920
69
Morte de Fernão Dias Paes Leme1920 · Centro Cultural São Paulo
70
Journey of the Martyrs1928
71
The Martyrs1927 · Museu Antonio Parreiras
72
Homeland Morning1923 · Museu Antonio Parreiras
73
Homeland Evening1923 · Museu Antonio Parreiras
74
Português Paisagem English Landscape1928
75
Farm Gate1933 · Museu Antonio Parreiras
76
Português Croquis d'O Labor1930 · Museu de Arte do Rio Grande do Sul Ado Malagoli
77
The Invaders1936 · Museu Antonio Parreiras
78
The Foundation of Rio de Janeiro Additional Act (study)1934 · Museu Antonio Parreiras
79
Paisagem1978 · Museu Antonio Parreiras
80
Botafogo Beach in day of regatta1886
81
Marinha1902 · Pinacoteca do Estado de São Paulo
82
ComposiçãoMuseu Antonio Parreiras
83
Maravilhas do BrasilMuseu Antonio Parreiras
84
Landscape
85
Houses in Piana, Corsica1915 · Museu Antonio Parreiras
86
The First Step for the Independence of Bahia1931
87
Português Paisagem do Campo do Ipiranga1893 · イピランガ博物館
これらのオリジナル作品に繰り返し描かれている4つの主題と、それぞれの最高傑作。
このページに掲載されている絵画を最も多く所蔵している 8 の美術館
| 美術館 | 都市 | アントニオ・パレイラスの作品 | このリストの絵画 |
|---|---|---|---|
 Museu Antonio Parreiras |
リオデジャネイロ | 46 | Judgement of Filipe do Santos, Fire, Retrato |
 Pinacoteca do Estado de São Paulo |
サンパウロ | 5 | The Windstorm, Still Water, Cabrália Bay |
 イピランガ博物館 |
サンパウロ | 3 | Paisagem, Paisagem, Português Paisagem do Campo do Ipiranga |
 Museu Histórico Nacional |
リオデジャネイロ | 1 | Nonchalance |
 マサプ美術館 |
サンパウロ | 1 | Iracema |
 Museu Victor Meirelles |
Florianópolis | 1 | Embarcações |
 Centro Cultural São Paulo |
サンパウロ | 1 | Morte de Fernão Dias Paes Leme |
 Museu de Arte do Rio Grande do Sul Ado Malagoli |
Porto Alegre | 1 | Português Croquis d'O Labor |
その時代を象徴する名作を見るために、年代を選択してください。
A weathered building of brick and stone occupies the center of this 1883 composition. Its red roof shows signs of age, and an open doorway on the left suggests a quiet, lived-in interior. To the right, a single window breaks the masonry. In the foreground, two barrels sit side by side, grounding the scene in a sense of rural utility. The work captures a moment of stillness within an old-fashioned…
This 1892 oil portrait presents a middle-aged man in a formal, three-quarter profile. Captured in a bust-length view, the subject gazes toward the right, his presence defined by a sense of quiet contemplation. The composition relies on a controlled palette of deep purples and brownish-mauves in the background, which pushes the figure forward. Dark blacks and charcoals of his suit provide a sharp contrast to the naturalistic flesh tones of…
A formal oil portrait from 1905 captures Coronel José Claro Ferreira da Silva in a moment of quiet, somber dignity. The subject is rendered from the chest up, presented in a centered, bust-length composition that demands an immediate, eye-level connection with the viewer. His expression is serious, marked by the weight of his station. Light enters from the upper left, casting soft shadows across the right side of his face…
A man lies upon the earth, his head resting against the neck of a standing horse. This central figure finds a sense of stillness amidst a larger gathering of people. Above the assembly, a single bird takes flight, introducing a sense of movement to an otherwise tranquil scene. The composition emphasizes a tender connection between human and animal, framed by a landscape that suggests a peaceful, perhaps even somber, atmosphere.
The canvas captures a heavy moment in the town square of Vila Rica, Minas Gerais, Brazil. A man stands before a horse, his presence anchoring a scene of gathering crowds and scattered animals. The air feels thick with the weight of a public spectacle. People cluster in small groups, some holding umbrellas against the sun or the threat of rain, while others drift through the open space. The composition breathes…
The canvas presents a forest scene characterized by a dense arrangement of trees and undergrowth. In the foreground, several trees are positioned with visible brown branches and green leaves, some of which appear desiccated. These botanical elements extend into the midground, where the vegetation becomes more compressed. In the background, a fire burns, casting light across the surrounding landscape. The flames consume the greenery, creating a visual tension between the…
Judgement of Filipe do Santos (1923)（Museu Antonio Parreiras, リオデジャネイロ）。次いでThe End of the Romance (1915)、Fire (1937)が続きます。
63歳：Judgement of Filipe do Santosは1923年の作品で、アントニオ・パレイラスの生年は1860年です。
Judgement of Filipe do Santos, The End of the Romance, Fire, Retrato, Coronel José Claro Ferreira da Silva, A Morte de Virgínia (Estudo), Calçada do Largo da Pólvora, Dolorida - Paris, França (Estudo), Flor Brasileira - Paris, França (Estudo) と Jesus Christ on the Edge of Golgotha。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。
当カタログには、1883年から1937年にかけて制作されたアントニオ・パレイラスによる88点の作品が収められています。
主にMuseu Antonio Parreiras (リオデジャネイロ), Pinacoteca do Estado de São Paulo (サンパウロ) と イピランガ博物館 (サンパウロ)に所蔵されています。上記の美術館一覧にすべて記載されています。
1910s年：このページにある全87作品のうち、30作品がその時期に制作されました。そのうちThe End of the Romance作品が含まれます。
このページでは、最も古い作品はMy First Oil Study (1883)、最新の作品はFire (1937)です。
このページに掲載されている87点の作品におけるMan (8), Landscape (6) と Woman (5)
このページに掲載されている全87作品のうち、11作品のOil
このページに掲載されているオリジナル作品から判断すると、Impressionismです。
Judgement of Filipe do Santos, Fire と Retrato：Museu Antonio Parreiras, リオデジャネイロには、このページに掲載されている作品のうち46点が所蔵されています。
