11月 2026 更新 · 当サイトの人気スコア（各作品の検索数、閲覧数、注文数）に基づくランキング · 10点の アントニオ・バディーレの作品がカタログにあります
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アントニオ・バディーレが遺したオリジナル作品の中で最も有名なものは、ヴェローナのカステルヴェッキオ美術館に収蔵されているPolyptych of the Four Crowned Saints, Simplicius (1552)です。 それに次いで、Portrait of an unknown woman (1550)とThe Virgin and Child with Saint John the Baptist (1550)が続きます。 アントニオ・バディーレによる10点の作品をカタログに掲載しています。当ギャラリーでは、世界が称賛する10点を選定し、制作年、所蔵美術館、そしてその背景にある物語とともにご紹介しています。
The figure of Simplicius emerges from a deep, shadowed interior, his presence commanding the space with a quiet, heavy authority. He stands centrally, his body turned slightly to the left, caught in a moment of solemn stillness. In his right hand, he holds a set of scales, the metal catching a directional light that carves his form out of the darkness. A laurel wreath rests upon his head, a symbol…
The portrait presents a woman in a three-quarter length view, positioned slightly off-center against a dark, indistinct background. Her body is angled toward the left, while her gaze is directed forward to meet the viewer. The lighting originates from the upper left, casting soft shadows across the right side of her face and creating a chiaroscuro effect that defines the contours of her features. She wears a structured bodice and…
In this 1550 oil on canvas, a pyramidal arrangement of figures emerges from a luminous, ethereal background. The Virgin Mary, the Christ Child, and Saint John the Baptist are positioned in an intimate, frontal perspective, creating a sense of immediate spiritual connection. A radiant glow emanates from behind the Virgin's head, casting a divine light that defines the contours of the figures while leaving the periphery in shadow. This use…
A middle-aged man emerges from a deep, indeterminate darkness, his form defined by a soft, directional light. He is positioned in a three-quarter view, gaze directed toward the left of the frame. The composition relies heavily on chiaroscuro, a technique where light and shadow define the volume of the face and the texture of the hands. A white collar provides a sharp point of contrast against the somber, dark drapery…
In the realm of Renaissance craftsmanship, few objects command attention quite like the Coffer of the Giusti Family with Stories of Virginia. This exquisite wedding chest, dating back to approximately 1400, serves as a breathtaking intersection of fine woodworking and classical storytelling. Crafted from sturdy fir wood using the meticulous dovetail joint technique, the piece is far more than a mere functional item; it is a portable stage for historical…
The polyptych was placed in the Veronese church of San Pietro Incarnario, on the altar pertaining to the art of stone cutting, of which the four crowned saints were patrons. There are represented the crowned figures of the saints, five Pannonian sculptors and four Roman officers, united in the original passio despite the two groups having been martyred two years apart. Responding to a demand for greater adherence to ancient…
The polyptych was placed in the Veronese church of San Pietro Incarnario, on the altar pertaining to the art of stone cutting, of which the four crowned saints were patrons. There are represented the crowned figures of the saints, five Pannonian sculptors and four Roman officers, united in the original passio despite the two groups having been martyred two years apart. Responding to a demand for greater adherence to ancient…
In the heart of Verona, within the hallowed halls of the Castelvecchio Museum, resides a profound testament to the spiritual and artistic fervor of the mid-16th century. Antonio Badile III’s Polyptych of the Four Crowned Saints, Simphorianus is not merely a painting but a window into the soul of the Counter-Reformation. Created in 1552, this masterful oil on board captures the solemnity of Saint Simphorianus with a gravity that commands…
In the Book of Tobit the angel Raphael was invoked by Tobit, a just and poor man, to accompany his son Tobias to collect a credit of ten silver talents contracted ten years earlier. During the journey Raffaele showed Tobias the safest way and saved him more than once, without ever revealing himself as an angel, except at the end of the story. In the painting, the angel has already…
The triptych represent saints Cecilia, Tiburtius and Valerius in an original attempt on the part of the artist to absorb Renaissance artistic innovations, such as the perspective of the pavement and the marble parapet decorated with classical medallions, within the confines of a linear style that is still Gothic. The studio of the “Master of the Cespo di Garofano”, so-called for his habit of inserting carnation plants as decorative motifs…
これらのオリジナル作品に繰り返し描かれている4つの主題と、それぞれの最高傑作。
このページに掲載されている絵画を最も多く所蔵している 3 の美術館
| 美術館 | 都市 | アントニオ・バディーレの作品 | このリストの絵画 |
|---|---|---|---|
 カステルヴェッキオ美術館 |
ヴェローナ | 7 | Polyptych of the Four Crowned Saints, Simplicius, Coffer of the Giusti Family with Stories of Virginia, Polyptych of the Four Crowned Saints, Claudius |
 プラド美術館 |
マドリード | 1 | Portrait of an unknown woman |
 国立美術館・建築・デザイン美術館 |
オスロ | 1 | Portrait of a Musician |
わずか10年余りの1550年から1560年にかけて、アントニオ・バディーレによるこのセレクションに含まれるすべての年代のオリジナル作品が世界に発表されました。その軌跡を年ごとにご紹介します。
年代を選択して、当時のオリジナル作品を見る
The portrait presents a woman in a three-quarter length view, positioned slightly off-center against a dark, indistinct background. Her body is angled toward the left, while her gaze is directed forward to meet the viewer. The lighting originates from the upper left, casting soft shadows across the right side of her face and creating a chiaroscuro effect that defines the contours of her features. She wears a structured bodice and…
1550のその他の作品
The figure of Simplicius emerges from a deep, shadowed interior, his presence commanding the space with a quiet, heavy authority. He stands centrally, his body turned slightly to the left, caught in a moment of solemn stillness. In his right hand, he holds a set of scales, the metal catching a directional light that carves his form out of the darkness. A laurel wreath rests upon his head, a symbol…
1552のその他の作品
In the Book of Tobit the angel Raphael was invoked by Tobit, a just and poor man, to accompany his son Tobias to collect a credit of ten silver talents contracted ten years earlier. During the journey Raffaele showed Tobias the safest way and saved him more than once, without ever revealing himself as an angel, except at the end of the story. In the painting, the angel has already…
Polyptych of the Four Crowned Saints, Simplicius (1552)（カステルヴェッキオ美術館, ヴェローナ）。次いでPortrait of an unknown woman (1550)、The Virgin and Child with Saint John the Baptist (1550)が続きます。
34歳：Polyptych of the Four Crowned Saints, Simpliciusは1552年の作品で、アントニオ・バディーレの生年は1518年です。
Polyptych of the Four Crowned Saints, Simplicius, Portrait of an unknown woman, The Virgin and Child with Saint John the Baptist, Portrait of a Musician, Coffer of the Giusti Family with Stories of Virginia, Polyptych of the Four Crowned Saints, Claudius, Polyptych of the Four Crowned Saints, Nicostratus, Polyptych of the Four Crowned Saints, Simphorianus, Tobias and the Angel と Saints Cecilia, Tiburtius, Valerian。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。
当カタログには、1550年から1560年にかけて制作されたアントニオ・バディーレによる10点の作品が収められています。
主にカステルヴェッキオ美術館 (ヴェローナ), プラド美術館 (マドリード) と 国立美術館・建築・デザイン美術館 (オスロ)に所蔵されています。上記の美術館一覧にすべて記載されています。
1552年：このページにある全10作品のうち、4作品がその時期に制作されました。そのうちPolyptych of the Four Crowned Saints, Simplicius作品が含まれます。
このページでは、最も古い作品はPortrait of an unknown woman (1550)、最新の作品はTobias and the Angel (1560)です。
このページに掲載されている10点の作品におけるMan (2), Drapery (2) と Woman (2)
このページに掲載されている全10作品のうち、3作品のOil On Canvas
このページに掲載されているオリジナル作品から判断すると、Renaissanceです。
Polyptych of the Four Crowned Saints, Simplicius, Coffer of the Giusti Family with Stories of Virginia と Polyptych of the Four Crowned Saints, Claudius：カステルヴェッキオ美術館, ヴェローナには、このページに掲載されている作品のうち7点が所蔵されています。
