10月 2026 更新 · 当サイトの人気スコア（各作品の検索数、閲覧数、注文数）に基づくランキング · 9点の Antoni Cabaの作品がカタログにあります
要約すると
ギャラリーの視点では、Antoni Cabaの最も有名な作品はThe Heroine of Peralada (1864)であり、その原画はマドリードのプラド美術館に展示されています。 Portrait of the Painter Ramon Padró (1867)とPortrait of the painter Joaquim Vayreda (1870)が加わり、誰もが一度は目にしたことのある至高のトリオが完成します。 当カタログに含まれるAntoni Cabaの作品9点の中から、特に有名な9点を厳選してご紹介します。各作品は、制作年、所蔵美術館、そしてその作品ならではの魅力とともに、一点物のオリジナル作品として掲載されています。
The composition centers on a physical struggle between a female figure and a mounted knight. A diagonal line directs the eye from the woman's raised sword, cutting through the air, down toward the horse and the knight's defensive posture. The woman's hair and fabric appear to flow with the momentum of her movement. The knight is positioned on a horse, creating a sense of urgent, kinetic energy. Light enters from…
このページに掲載されている絵画を最も多く所蔵している 2 の美術館
| 美術館 | 都市 | Antoni Cabaの作品 | このリストの絵画 |
|---|---|---|---|
 カタルーニャ国立美術館 |
バルセロナ | 7 | Portrait of the Painter Ramon Padró, Portrait of the painter Joaquim Vayreda, Self-portrait |
 プラド美術館 |
マドリード | 1 | The Heroine of Peralada |
その時代を象徴する名作を見るために、年代を選択してください。
The composition centers on a physical struggle between a female figure and a mounted knight. A diagonal line directs the eye from the woman's raised sword, cutting through the air, down toward the horse and the knight's defensive posture. The woman's hair and fabric appear to flow with the momentum of her movement. The knight is positioned on a horse, creating a sense of urgent, kinetic energy. Light enters from…
The Heroine of Peralada (1864)（プラド美術館, マドリード）。次いでPortrait of the Painter Ramon Padró (1867)、Portrait of the painter Joaquim Vayreda (1870)が続きます。
26歳：The Heroine of Peraladaは1864年の作品で、Antoni Cabaの生年は1838年です。
当カタログには、1864年から1891年にかけて制作されたAntoni Cabaによる9点の作品が収められています。
主にカタルーニャ国立美術館 (バルセロナ) と プラド美術館 (マドリード)に所蔵されています。上記の美術館一覧にすべて記載されています。
1860s年：このページにある全9作品のうち、2作品がその時期に制作されました。そのうちThe Heroine of Peralada作品が含まれます。
このページでは、最も古い作品はThe Heroine of Peralada (1864)、最新の作品はPortrait of Claudi Lorenzale (1891)です。
Portrait of the Painter Ramon Padró, Portrait of the painter Joaquim Vayreda と Self-portrait：カタルーニャ国立美術館, バルセロナには、このページに掲載されている作品のうち7点が所蔵されています。
Antoni Caba lived his life within the light and dark of Barcelona. His early years in the 1850s were spent at the Escola de la Llotja, sitting before the lessons of Pau Milà i Fontanals and Claudi Lorenzale. He later moved to Madrid to study at the Real Academia de Bellas Artes de San Fernando, where Federico de Madrazo guided his hand. A period in Paris brought him under the direction of Charles Gleyre at the Académie des Beaux-Arts, a time that helped shape how he handled the weight of oil on canvas.
His work often rests in the quiet space between light and deep shadow. He used chiaroscuro to pull figures out from dark backgrounds, a technique that earned him the nickname fotográficos among those who saw his portraits of the Catalan middle class. His brush moved through different phases, moving from flamigere and neo-greek styles toward more anecdotal, hard, and photographic approaches. In these works, one sees the careful placement of color and composition.
Caba did not only paint; he taught the next generation how to see. From 1874, he held the position of Professor of Color and Composition at the Escola de la Llotja. Later, from 1887 to 1901, he served as the Director of the school. His presence in the halls of the academy was marked by a commitment to the realistic style.
His achievements were recognized through specific honors and public displays:
The faces he captured remain in collections like the Museu Nacional d'Art de Catalunya and the Museo del Prado. He painted many individuals, from the painter Joaquim Vayreda to Queen Maria Cristina of Spain and her son Alfonso XIII. Some of his portraits, such as those of Lluïsa Dulce i Tresserra or Ramon Padró, show a focus on the sitter's presence through strong contrasts.
Beyond the human face, he worked on larger compositions like The Triumph of Day over Night Preceded by Dawn. He also left behind smaller studies, such as a study of a hand or his own self-portraits. These pieces show a man deeply involved in the technicalities of his craft, from the way light hits a straw hat to the precise rendering of a blue bow.
