11月 2026 更新 · 当サイトの人気スコア（各作品の検索数、閲覧数、注文数）に基づくランキング · 14点の Angelo Caroselliの作品がカタログにあります
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ギャラリーの視点では、Angelo Caroselliの最も有名な作品はWenceslaus I, Duke of Bohemia (1628)であり、その原画はウィーンの美術史美術館に展示されています。 Saint Jerome in the Wilderness (1625)とSinging man, possibly a self-portrait (1620)が加わり、誰もが一度は目にしたことのある至高のトリオが完成します。 当カタログに含まれるAngelo Caroselliの作品14点の中から、特に有名な14点を厳選してご紹介します。各作品は、制作年、所蔵美術館、そしてその作品ならではの魅力とともに、一点物のオリジナル作品として掲載されています。
A heavy, red cloak spills across the floor like a pool of spilled wine. It gathers at the feet of Wenceslaus I, Duke of Bohemia, a man carved from light and deep shadow. He stands in a commanding pose, his body encased in dark metallic armor that catches the singular, directional light of the room. One hand reaches outward, an open gesture of supplication or perhaps a command to the…
The oil painting titled Saint Jerome in the Wilderness is a Baroque work by the Roman artist Angelo Caroselli. Created in Rome, Italy, the piece dates to about 1620-1630. It captures the theologian St. Jerome, who lived from approximately 340 to 420, during a period of intense spiritual focus.
A bearded man is captured in a moment of intense musical concentration, his gaze fixed upon a piece of sheet music held before him. The composition is an intimate close-up, focusing on the upper torso and head. A single light source cuts through the darkness, illuminating the side of his face and his hands while casting the rest of the figure into deep shadow. This use of chiaroscuro creates a…
Angelo Caroselli executed Madonna and Child with St. Lawrence and St. Stephen as a devotional work of religious art. The composition centers on the Virgin Mary and the Christ Child, flanked by the two saints. This piece belongs to the Baroque period, reflecting the stylistic shifts occurring in Rome during the seventeenth century.
The painting titled Allegory of Spring is an oil on canvas work created by the artist Angelo Caroselli. This piece belongs to the genre of allegory, utilizing symbolic figures to represent a specific concept or season. The subject matter is categorized as a genre painting, focusing on a figurative representation rather than a purely historical or religious narrative.
Angelo Caroselli captured the essence of the harvest in this Allegory of Autumn, a work dating to about 1630. The painting functions as one half of a seasonal dialogue, created as part of a pair alongside the work titled "Printemps." Together, these figures trace the cyclical movement of the year through the quietude of their gestures and the weight of their presence.
We are looking at the Allegory of Vanitas, a work painted by Angelo Caroselli in 1637. This piece is an oil on panel, a medium that allows for a specific kind of depth and texture in the rendering of skin and fabric. It is currently held within the collection of the Museum Boijmans Van Beuningen in Rotterdam, Netherlands.
The Necromancer is an oil on canvas portrait by the Roman Baroque painter Angelo Caroselli. Executed about 1649, the work belongs to a period in which the artist explored themes of witchcraft and sorcery. Caroselli, a self-taught painter who learned his craft through work as an art restorer and copyist, developed a style characterized by potent naturalism and the heavy use of chiaroscuro.
Angelo Caroselli’s "Rest on the Flight into Egypt" is not merely a depiction of a biblical passage; it is an immersive journey into the heart of Baroque drama, rendered with profound tenderness. The scene captures that pivotal moment when Mary cradles the infant Jesus amidst the arduous trek to Egypt. One can almost feel the dust of the road and hear the hushed whispers of the accompanying figures. Caroselli masterfully…
これらのオリジナル作品に繰り返し描かれている4つの主題と、それぞれの最高傑作。
このページに掲載されている絵画を最も多く所蔵している 7 の美術館
| 美術館 | 都市 | Angelo Caroselliの作品 | このリストの絵画 |
|---|---|---|---|
 美術史美術館 |
ウィーン | 2 | Wenceslaus I, Duke of Bohemia, Singing man, possibly a self-portrait |
 Walters Art Museum |
ボルチモア | 2 | Saint Jerome in the Wilderness, Madonna and Child with St. Lawrence and St. Stephen |
 フェッシュ美術館 |
エクス＝アン＝プロヴァンス | 2 | Allegory of Spring, Allegory of Autumn |
 ボイジャンズ・ヴァン・ビューニンゲン美術館 |
ロッテルダム | 1 | Allegory of Vanitas |
 Museo Civico |
アンコーナ | 1 | The necromancer |
 ギャラリー・ナショナル・ド・アート・アンティカ |
ローマ | 1 | Rest on the Flight into Egypt |
 ナショナル・ギャラリー |
ロンドン | 1 | The Plague at Ashdod ( Poussin) |
その時代を象徴する名作を見るために、年代を選択してください。
A heavy, red cloak spills across the floor like a pool of spilled wine. It gathers at the feet of Wenceslaus I, Duke of Bohemia, a man carved from light and deep shadow. He stands in a commanding pose, his body encased in dark metallic armor that catches the singular, directional light of the room. One hand reaches outward, an open gesture of supplication or perhaps a command to the…
The painting titled Allegory of Spring is an oil on canvas work created by the artist Angelo Caroselli. This piece belongs to the genre of allegory, utilizing symbolic figures to represent a specific concept or season. The subject matter is categorized as a genre painting, focusing on a figurative representation rather than a purely historical or religious narrative.
The Necromancer is an oil on canvas portrait by the Roman Baroque painter Angelo Caroselli. Executed about 1649, the work belongs to a period in which the artist explored themes of witchcraft and sorcery. Caroselli, a self-taught painter who learned his craft through work as an art restorer and copyist, developed a style characterized by potent naturalism and the heavy use of chiaroscuro.
Wenceslaus I, Duke of Bohemia (1628)（美術史美術館, ウィーン）。次いでSaint Jerome in the Wilderness (1625)、Singing man, possibly a self-portrait (1620)が続きます。
43歳：Wenceslaus I, Duke of Bohemiaは1628年の作品で、Angelo Caroselliの生年は1585年です。
Wenceslaus I, Duke of Bohemia, Saint Jerome in the Wilderness, Singing man, possibly a self-portrait, Madonna and Child with St. Lawrence and St. Stephen, Allegory of Spring, Allegory of Autumn, Allegory of Vanitas, The necromancer, Rest on the Flight into Egypt と Portrait of a Young Man in Armor, as Saint George。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。
当カタログには、1620年から1649年にかけて制作されたAngelo Caroselliによる14点の作品が収められています。
主に美術史美術館 (ウィーン), Walters Art Museum (ボルチモア) と フェッシュ美術館 (エクス＝アン＝プロヴァンス)に所蔵されています。上記の美術館一覧にすべて記載されています。
1620s年：このページにある全14作品のうち、4作品がその時期に制作されました。そのうちWenceslaus I, Duke of Bohemia作品が含まれます。
このページでは、最も古い作品はSinging man, possibly a self-portrait (1620)、最新の作品はThe necromancer (1649)です。
このページに掲載されている14点の作品におけるWoman (5), Man (4) と Beard (2)
このページに掲載されている全14作品のうち、4作品のOil On Canvas
このページに掲載されているオリジナル作品から判断すると、Baroqueです。
Wenceslaus I, Duke of Bohemia と Singing man, possibly a self-portrait：美術史美術館, ウィーンには、このページに掲載されている作品のうち2点が所蔵されています。
Angelo Caroselli was born in Rome, Italy, in 1585. Little is known about his early training; sources indicate he did not formally apprentice under a single master, a factor that would later influence the trajectory of his career. This lack of traditional grounding led to an eclectic style and a somewhat precarious professional life.
Caroselli operated during the Baroque period, and his work reflects the dynamism and dramatic flair characteristic of that era. He was significantly influenced by two key artistic currents: Caravaggism – the style pioneered by Michelangelo Merisi da Caravaggio, emphasizing strong contrasts of light and shadow (tenebrism) and realistic depictions – and the Bamboccianti, a group of Dutch and Flemish painters in Rome known for their genre scenes depicting everyday life. His style blended these influences, resulting in works that were both dramatic and grounded in reality.
Caroselli’s career was marked by instability. Contemporary accounts, particularly those of Giovanni Battista Passeri, describe him as lacking consistent patronage. He traveled to Naples and Piedmont de Liso seeking employment, but his independent nature and perhaps a somewhat questionable reputation hindered his success. A notable incident involved accusations of creating forgeries in the style of established masters, further complicating his professional life.
Caroselli experienced personal loss, being widowed twice. His second marriage connected him to a prominent artistic family; he married Brigitta Lauwers, daughter of the Flemish landscape painter Balthasar Lauwers, becoming brother-in-law to Filippo and Francesco Lauwers. He also trained pupils including Pietro Paolini and his son Carlo Caroselli.
While not as widely celebrated as some of his Baroque contemporaries, Angelo Caroselli represents an interesting facet of Roman art during the 17th century. His eclectic style and independent spirit set him apart. He demonstrates the diverse artistic currents flowing through Rome at the time and provides insight into the challenges faced by artists operating outside established patronage networks. His pupils continued to spread his influence, ensuring a modest but lasting legacy.
