11月 2026 更新 · 当サイトの人気スコア（各作品の検索数、閲覧数、注文数）に基づくランキング · 33点の アミコ・アスペルティーニの作品がカタログにあります
要約すると
Female Portrait (1502)はアミコ・アスペルティーニの作品の中で最も注目を集めている絵画です。原画はウィーンの美術史美術館に所蔵されています。 その後、視線はPortrait of a Man (1505)とView of the Oratory (1504)へと移ります。 当カタログに含まれるアミコ・アスペルティーニの33点の作品のうち、これら32点は最も有名な作品です。制作年、所蔵美術館、そして時代を超えて愛される理由とともに、一点もののオリジナル作品をご紹介します。
A single woman faces left, her silhouette carved against a soft, atmospheric landscape. She is a study in profile, a quiet geometry of chin, nose, and brow. Her head is draped in a white veil that falls in precise, delicate folds, contrasting with the patterned bodice of her garment. The light arrives from the front left, casting gentle shadows across the curve of her neck and the smooth plane of…
The Portrait of a Man by Amico Aspertini presents a quiet encounter with a young man. Created around 1505, the work captures a singular moment of stillness. The subject is framed in a medium close-up, a view that begins at the chest and rises to the head. He sits centrally, a steady presence against the distant world behind him.
The creation of View of the Oratory by Amico Aspertini marks a significant moment in the artistic development of Bologna. Around 1504, the artist joined Francesco Francia and Lorenzo Costa to undertake the decoration of the Oratory of Santa Cecilia. This collaborative effort was commissioned by Giovanni II Bentivoglio, the ruler of Bologna at the time. The project brought together several prominent figures of the Bolognese School to transform the…
Amico Aspertini’s “Adoration of the Shepherds,” painted in 1515, isn't merely a depiction of a biblical scene; it’s a vibrant, emotionally charged window into the heart of early Mannerism – a period poised between the High Renaissance and the radical innovations to come. This oil on wood panel, now residing within the Uffizi Gallery in Florence, immediately captivates with its dramatic use of light and shadow, a hallmark of Aspertini’s…
In the painting Heroic Head by Amico Aspertini, the subject is a man depicted from the chest up. He possesses curly hair and wears a hat. A beard and a mustache cover his lower face. The man's gaze is directed toward the viewer, and his expression is serious and contemplative. This portrait is executed in tempera on canvas, a technique that provides the surface with an old-fashioned appearance.
In this 1505 portrait, we encounter a figure of profound vulnerability. A woman sits upon a ledge, her hands bound behind her back with heavy rope, a detail that immediately establishes a sense of unease. The composition is defined by a stark, dark background that pushes the subject toward the viewer, forcing an intimate encounter with her distress. There is a palpable tension in her posture, a quiet suffering that…
The fresco titled Legend of Sts Cecilia and Valerian, Scene 6 is a work by the Bolognese painter Amico Aspertini. Created about 1504, this piece belongs to a larger cycle of frescoes. These paintings occupy the walls of the Oratorio di Santa Cecilia in Bologna. The series traces the life of Saint Cecilia and her husband, Valerian.
Legend of Sts Cecilia and Valerian, Scene 5 is a fresco painting by Amico Aspertini. Created in 1504, this work occupies a specific place within a larger decorative cycle. The artist joined Francesco Francia and Lorenzo Costa to execute these frescoes for the Oratory of Santa Cecilia. This sacred space in Bologna, Italy, received its commission from Giovanni II Bentivoglio.
In the Portrait of Albertus Magnus and Duns Scotus by Amico Aspertini, two figures emerge from the shadows, locked in a moment of intense intellectual or spiritual exchange. Created about 1545, the work presents these two men in heavy religious garb, their presence commanding the space. On the left, one man leans forward, his mouth open as if caught mid-sentence or perhaps in the heat of a sudden, profound realization.…
Portrait of Tommaso Raimondi1500 · ティッセン・ボルネミッサ美術館
12
Ercole e il cinghiale di Erimantoウフィツィ美術館
13
Venere con Amore nella fucina di Vulcanoウフィツィ美術館
14
Statua di Pan/Leone che azzanna un cavalloウフィツィ美術館
15
Nereidi, Tritoni e putti alati sopra delfiniウフィツィ美術館
16
San Cristoforo con Gesù Bambinoウフィツィ美術館
17
the flight to Egypt
18
The Beheading of Saint John the BaptistFitzwilliam Museum
19
The Adoration of the Shepherds
20
Female Saint Holding a BookWalters Art Museum
21
Virgin and Child between Saint Helena and Saint FrancisNational Museum Cardiff
22
The Adoration of the Shepherdsベルリン絵画館
23
A baptismal ceremonyVanderbilt Museum of Art
24
Trionfo militare allウフィツィ美術館
25
Fregio con tritoni, cicogne e due coppie di animali mostruosiウフィツィ美術館
26
Centauromachiaウフィツィ美術館
27
Tre guerrieri che si mettono in salvo, raggiungendo la riva di un fiumeウフィツィ美術館
28
Euridice uccisa dal serpente alla presenza di Aristeoウフィツィ美術館
29
Busto di giovane uomo (Ritratto di Giovanni Achillini detto il Filotèo )ウフィツィ美術館
30
Figura maschile nudaウフィツィ美術館
31
Incredulità di San Tommasoウフィツィ美術館
32
St Cassianoピナコテカ・ディ・ブレラ
これらのオリジナル作品に繰り返し描かれている4つの主題と、それぞれの最高傑作。
このページに掲載されている絵画を最も多く所蔵している 8 の美術館
| 美術館 | 都市 | アミコ・アスペルティーニの作品 | このリストの絵画 |
|---|---|---|---|
 ウフィツィ美術館 |
フィレンツェ | 14 | Adoration of the Shepherds, Ercole e il cinghiale di Erimanto, Venere con Amore nella fucina di Vulcano |
 美術史美術館 |
ウィーン | 1 | Female Portrait |
 シュテデル美術館 |
フランクフルト | 1 | Portrait of a Man |
 Christian Museum |
Eger | 1 | Heroic Head |
 ナショナル・ギャラリー・オブ・アート |
ワシントン | 1 | Saint Sebastian |
 Pinacoteca Civica di Palazzo Volpi |
Comasco | 1 | Portrait of Albertus Magnus and Duns Scotus |
 ティッセン・ボルネミッサ美術館 |
マドリード | 1 | Portrait of Tommaso Raimondi |
 Fitzwilliam Museum |
1 | The Beheading of Saint John the Baptist |
その時代を象徴する名作を見るために、年代を選択してください。
In the painting Heroic Head by Amico Aspertini, the subject is a man depicted from the chest up. He possesses curly hair and wears a hat. A beard and a mustache cover his lower face. The man's gaze is directed toward the viewer, and his expression is serious and contemplative. This portrait is executed in tempera on canvas, a technique that provides the surface with an old-fashioned appearance.
A single woman faces left, her silhouette carved against a soft, atmospheric landscape. She is a study in profile, a quiet geometry of chin, nose, and brow. Her head is draped in a white veil that falls in precise, delicate folds, contrasting with the patterned bodice of her garment. The light arrives from the front left, casting gentle shadows across the curve of her neck and the smooth plane of…
Amico Aspertini’s “Adoration of the Shepherds,” painted in 1515, isn't merely a depiction of a biblical scene; it’s a vibrant, emotionally charged window into the heart of early Mannerism – a period poised between the High Renaissance and the radical innovations to come. This oil on wood panel, now residing within the Uffizi Gallery in Florence, immediately captivates with its dramatic use of light and shadow, a hallmark of Aspertini’s…
In the Portrait of Albertus Magnus and Duns Scotus by Amico Aspertini, two figures emerge from the shadows, locked in a moment of intense intellectual or spiritual exchange. Created about 1545, the work presents these two men in heavy religious garb, their presence commanding the space. On the left, one man leans forward, his mouth open as if caught mid-sentence or perhaps in the heat of a sudden, profound realization.…
Female Portrait (1502)（美術史美術館, ウィーン）。次いでPortrait of a Man (1505)、View of the Oratory (1504)が続きます。
27歳：Female Portraitは1502年の作品で、アミコ・アスペルティーニの生年は1475年です。
Female Portrait, Portrait of a Man, View of the Oratory, Adoration of the Shepherds, Heroic Head, Saint Sebastian, Legend of Sts Cecilia and Valerian, Scene 6, Legend of Sts Cecilia and Valerian, Scene 5, Portrait of Albertus Magnus and Duns Scotus と Adoration。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。
当カタログには、1496年から1545年にかけて制作されたアミコ・アスペルティーニによる33点の作品が収められています。
主にウフィツィ美術館 (フィレンツェ), 美術史美術館 (ウィーン) と シュテデル美術館 (フランクフルト)に所蔵されています。上記の美術館一覧にすべて記載されています。
1500s年：このページにある全32作品のうち、7作品がその時期に制作されました。そのうちFemale Portrait作品が含まれます。
このページでは、最も古い作品はHeroic Head (1496)、最新の作品はPortrait of Albertus Magnus and Duns Scotus (1545)です。
このページに掲載されている32点の作品におけるReligious (6), Man (4) と People (3)
このページに掲載されている全32作品のうち、4作品のAcrylic On Canvas
このページに掲載されているオリジナル作品から判断すると、Mannerism と Renaissanceです。
Adoration of the Shepherds, Ercole e il cinghiale di Erimanto と Venere con Amore nella fucina di Vulcano：ウフィツィ美術館, フィレンツェには、このページに掲載されている作品のうち14点が所蔵されています。
