アンブロジウス・ホルバインの肖像画

世界的に有名なアンブロジウス・ホルバインの名作12点、そのすべてが唯一無二の芸術品

11月 2026 更新 · 当サイトの人気スコア(各作品の検索数、閲覧数、注文数)に基づくランキング · 14点の アンブロジウス・ホルバインの作品がカタログにあります

要約すると

Portrait of Hans Herbst (Herbster) (1516)はアンブロジウス・ホルバインの作品の中で最も注目を集めている絵画です。原画はバーゼルのバーゼル美術館に所蔵されています。 その後、視線はVirgin and Child (1514)とChrist as a mediator (1515)へと移ります。 当カタログに含まれるアンブロジウス・ホルバインの14点の作品のうち、これら12点は最も有名な作品です。制作年、所蔵美術館、そして時代を超えて愛される理由とともに、一点もののオリジナル作品をご紹介します。

1494 – 1519, アウクスブルク Northern renaissance 最多収蔵館: バーゼル美術館

ギャラリーの視点で選ぶ、アンブロジウス・ホルバインによるトップ10作品

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Portrait of Hans Herbst (Herbster) (1516) による アンブロジウス・ホルバイン

Portrait of Hans Herbst (Herbster)

1516 · Oil On Panel · バーゼル美術館, バーゼル

Portrait of Hans Herbst (Herbster) is a work by Ambrosius Holbein, executed in 1516. The artist, a German and later Swiss painter, produced this portrait during a period of significant professional transition. At the time of this work's creation, Holbein was active in Basel, where he served as a journeyman within the studio of Hans Herbster.

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Virgin and Child (1514) による アンブロジウス・ホルバイン

Virgin and Child

1514 · Oil On Panel · バーゼル美術館, バーゼル

Ambrosius Holbein painted Virgin and Child in 1514. This Northern Renaissance devotional painting emerged from the artistic traditions of the German and Swiss regions during a period of significant stylistic transition. The work reflects the technical rigor characteristic of the Holbein family workshop, where the artist received early instruction in the crafts of painting and printmaking.

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Christ as a mediator (1515) による アンブロジウス・ホルバイン

Christ as a mediator

1515 · Oil · バーゼル美術館, バーゼル

In this religious oil painting from 1515, Ambrosius Holbein presents a celestial scene of divine mediation titled Christ as a mediator. The work captures a profound theological moment through a densely populated arrangement of figures. At the upper left, God the Father emerges from a radiant golden mandorla, draped in a red mantle and holding a globus cruciger. Below him, the Holy Spirit descends in the form of a white…

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The Island of Utopia (1518) による アンブロジウス・ホルバイン

The Island of Utopia

1518 · Woodcut · バーゼル美術館, バーゼル

The Island of Utopia, created by Ambrosius Holbein about 1518, presents a detailed topographical view of a crescent-shaped landmass. The subject matter centers on an idealized island society, drawing from the descriptions of a specific fictional social and political structure. This depiction focuses on the geographical and human elements of the territory, including mountains, rivers, and various architectural structures. The landscape is populated by figures and maritime vessels, suggesting a…

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Death of the Virgin (1518) による アンブロジウス・ホルバイン

Death of the Virgin

1518 · Oil On Canvas · Academy of Fine Arts Vienna, ウィーン

To gaze upon this depiction of the Death of the Virgin is to step across the threshold into a moment suspended between earthly life and eternal grace. Painted in 1518 by Ambrosius Holbein, this work captures not merely an ending, but a profound transition—a sacred repose attended by devotion. The composition centers around the figure of the Virgin Mary, laid out upon her bed, embodying a quiet dignity even as…

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Portrait of a Young Man (1518) による アンブロジウス・ホルバイン

Portrait of a Young Man

1518 · Oil On Panel · エルミタージュ美術館, サンクトペテルブルク

In the quiet intimacy of this oil-on-wood panel, we encounter more than just a face; we meet a moment frozen in time. The Portrait of a Young Man, believed to be a self-portrait of the gifted Ambrosius Holbein, serves as a poignant fragment of the Northern Renaissance. Executed around 1518 in the vibrant German city of Augsburg, the painting captures a figure poised on the precipice of greatness, yet marked…

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Portrait of a Young Boy with Blond Hair (detail) による アンブロジウス・ホルバイン

Portrait of a Young Boy with Blond Hair (detail)

Oil On Panel

The image presents a close-up view of a young boy with blond hair. He is positioned against a solid blue background that provides a sense of depth behind his figure. The boy wears a brown coat, and a necklace is visible around his neck. His expression is serious as he looks directly toward the viewer. The focus remains on the facial features and the texture of the hair and clothing.

アンブロジウス・ホルバインの名作、11〜12点目

アンブロジウス・ホルバインが心を惹かれた主題

これらのオリジナル作品に繰り返し描かれている4つの主題と、それぞれの最高傑作。

アンブロジウス・ホルバインの原画を所蔵する美術館

このページに掲載されている絵画を最も多く所蔵している 4 の美術館

美術館 都市 アンブロジウス・ホルバインの作品 このリストの絵画
バーゼル美術館, バーゼルバーゼル美術館 バーゼル 4 Portrait of Hans Herbst (Herbster), Virgin and Child, Christ as a mediator
バーゼル美術館, バーゼルバーゼル美術館 バーゼル 1 The Island of Utopia
Academy of Fine Arts Vienna, ウィーンAcademy of Fine Arts Vienna ウィーン 1 Death of the Virgin
エルミタージュ美術館, サンクトペテルブルクエルミタージュ美術館 サンクトペテルブルク 1 Portrait of a Young Man

アンブロジウス・ホルバインの歩み:それぞれの作品が持つ唯一無二のオリジナル

1514年から1518年までの計5年間にわたり、アンブロジウス・ホルバインはここに掲載されているすべての作品を、毎年欠かすことなく制作しました。

年別作品数

年代を選択して、当時のオリジナル作品を見る

アンブロジウス・ホルバインの絵画:ギャラリーへの質問

アンブロジウス・ホルバインの最も有名な作品は何ですか?答えを見る

Portrait of Hans Herbst (Herbster) (1516)(バーゼル美術館, バーゼル)。次いでVirgin and Child (1514)、Christ as a mediator (1515)が続きます。

アンブロジウス・ホルバインがPortrait of Hans Herbst (Herbster)を制作したのは何歳の時ですか?答えを見る

22歳:Portrait of Hans Herbst (Herbster)は1516年の作品で、アンブロジウス・ホルバインの生年は1494年です。

アンブロジウス・ホルバインの最も有名な10作品は何ですか?答えを見る

Portrait of Hans Herbst (Herbster), Virgin and Child, Christ as a mediator, The Island of Utopia, Death of the Virgin, Portrait of a Young Man, Portrait of a Young Boy with Blond Hair (detail), And Hans Holbein, Teacher と St. paul.。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。

アンブロジウス・ホルバインの既知の作品数は?答えを見る

当カタログには、1514年から1518年にかけて制作されたアンブロジウス・ホルバインによる14点の作品が収められています。

最も有名なアンブロジウス・ホルバインのオリジナル作品はどこで見ることができますか?答えを見る

主にバーゼル美術館 (バーゼル), バーゼル美術館 (バーゼル) と Academy of Fine Arts Vienna (ウィーン)に所蔵されています。上記の美術館一覧にすべて記載されています。

アンブロジウス・ホルバインが最も有名な作品を制作したのは、どの時期ですか?答えを見る

1518年:このページにある全12作品のうち、3作品がその時期に制作されました。そのうちThe Island of Utopia作品が含まれます。

アンブロジウス・ホルバインの有名な絵画の中で、最も古い作品と最も新しい作品はどれですか?答えを見る

このページでは、最も古い作品はVirgin and Child (1514)、最新の作品はThe Island of Utopia (1518)です。

アンブロジウス・ホルバインが好んだ主題は何ですか?答えを見る

このページに掲載されている12点の作品におけるBlue background (3), Man (2) と Cherubs (2)

アンブロジウス・ホルバインが最も多く使用した画材は何ですか?答えを見る

このページに掲載されている全12作品のうち、4作品のOil On Panel

アンブロジウス・ホルバインの作品は、どの芸術運動に属していますか?答えを見る

このページに掲載されているオリジナル作品から判断すると、Northern renaissanceです。

バーゼル美術館では、アンブロジウス・ホルバインのオリジナル作品を何点鑑賞できますか?答えを見る

Portrait of Hans Herbst (Herbster), Virgin and Child と Christ as a mediator:バーゼル美術館, バーゼルには、このページに掲載されている作品のうち4点が所蔵されています。

アンブロジウス・ホルバイン:アーティストの肖像画

A Glimpse into a Renaissance Life Cut Short: Ambrosius Holbein

Born in the vibrant artistic hub of Augsburg, Germany, in 1494, Ambrosius Holbein emerged from a family already steeped in creative legacy. His father, Hans Holbein the Elder, was a pivotal figure transitioning German art from the intricate detail of the Gothic period towards the burgeoning Renaissance ideals sweeping across Europe. This familial environment wasn’t merely one of proximity to artistry; it was an immersive training ground where young Ambrosius, alongside his younger brother—the more renowned Hans Holbein the Younger—absorbed not only painting techniques but also the skills of goldsmithing, jewelry making, and printmaking. The workshop resonated with a collaborative spirit, evidenced by their inclusion in a panel of their father’s 1504 altar-piece triptych, “The Basilica of St. Paul,” a testament to the Holbein family's unified artistic vision. Augsburg itself provided fertile ground for development; a thriving center of commerce and culture, it exposed Ambrosius to diverse influences that would shape his early style.

Basel and Artistic Flourishing

Around 1515, Ambrosius’s path led him to Stein am Rhein in Switzerland, where he collaborated with Thomas Schmid on murals within the St. George Monastery. This project showcased his aptitude for large-scale decorative painting, a skill honed through years of familial instruction. However, it was Basel that truly became the center of his artistic activity. Arriving around 1516, he initially worked as a journeyman in the studio of Hans Herbster, immersing himself further into the local art scene. His dedication and talent quickly earned him recognition; by 1517, Ambrosius was enrolled in the register of the Basel painters' guild, solidifying his position within the artistic community. A year later, in 1518, he achieved citizenship in Basel, a testament to his integration into the city’s social and professional life. This period marked a significant blossoming of his individual style, moving beyond familial influence towards a unique voice characterized by delicate realism and sensitive portraiture.

A Legacy in Paint: Notable Works and Artistic Style

Though his career was tragically brief, Ambrosius Holbein left behind a body of work that reveals a masterful talent poised for even greater achievements. Among his most celebrated paintings are the companion pieces, “Portrait of a Boy with Blond Hair” and “Portrait of a Boy with Brown Hair,” both housed in the Basel Kunstmuseum. These portraits exemplify his skill in capturing not merely likeness but also the individual character and inner life of his subjects. Beyond portraiture, Ambrosius explored religious themes with works like "Death of the Virgin", demonstrating a command of composition and narrative storytelling. He was also recognized as an important illustrator, creating “small format” artworks that reveal a meticulous attention to detail and a refined aesthetic sensibility. His style reflects the growing influence of Renaissance ideals in Northern Europe—a focus on realism, detailed observation, and a burgeoning humanism. He skillfully blended these influences with the existing traditions of German painting, resulting in works that are both innovative and deeply rooted in his artistic heritage. "The Island of Utopia" and “Signboard for a Schoolmaster” further demonstrate this range, showcasing his versatility across different genres and formats.

A Pivotal Figure: Historical Significance and Lasting Influence

Sadly, Ambrosius Holbein’s promising career was cut short by his death around 1519, at the young age of approximately twenty-five. This untimely passing left behind a relatively small but remarkably significant body of work. Despite its brevity, his artistic contribution played an important role in the transition from Gothic to Renaissance art not only in Basel but also beyond. He served as a crucial link between the older traditions and the new aesthetic sensibilities that were transforming European art. Perhaps most importantly, his contributions likely influenced the development of his younger brother, Hans Holbein the Younger, who would go on to become one of the most celebrated portrait painters of the Renaissance. Ambrosius’s legacy extends beyond his individual paintings; he is remembered as a key figure among Basel’s illustrators and artists specializing in “small format” works—a testament to his skill, innovation, and enduring impact on the artistic landscape of his time. His work continues to offer a fascinating glimpse into a pivotal moment in art history, revealing the talent and potential of an artist whose life was tragically cut short.