Alfredo Roque Gameiroの肖像画

Alfredo Roque Gameiroの絵画:ギャラリーの視点で選ぶ、最も有名な100作品

11月 2026 更新 · 当サイトの人気スコア(各作品の検索数、閲覧数、注文数)に基づくランキング · 107点の Alfredo Roque Gameiroの作品がカタログにあります

要約すると

当ギャラリーの視点では、Alfredo Roque Gameiroの最も有名な作品はUntitled (AQQBXJ) (1920)です。 Self-portrait (1910)とUntitled (AQQC22) (1920)が加わり、誰もが一度は目にしたことのある至高のトリオが完成します。 当カタログに含まれるAlfredo Roque Gameiroの作品107点の中から、特に有名な100点を厳選してご紹介します。各作品は、制作年、所蔵美術館、そしてその作品ならではの魅力とともに、一点物のオリジナル作品として掲載されています。

1864 – 1935 Contemporary realism 最多収蔵館: José Malhoa Museum

ギャラリーが選ぶAlfredo Roque Gameiroのトップ10作品

1
Untitled (AQQBXJ) (1920) による Alfredo Roque Gameiro

Untitled (AQQBXJ)

1920 · Watercolor

The scene unfolds within the composition of Untitled (AQQBXJ), a work that captures a specific moment in time from 1920. This piece emerges from the hand of Alfredo Roque Gameiro, an artist whose life spanned from 1864 until 1935. Through his vision, the quiet pulse of a city street is frozen in a delicate layer of watercolor, preserving a fragment of urban existence that feels as though it is happening…

2
Self-portrait (1910) による Alfredo Roque Gameiro

Self-portrait

1910 · Watercolor · José Malhoa Museum, Caldas da Rainha

In this intimate work, titled Self-portrait, the artist Alfredo Roque Gameiro turns his gaze inward. Created about 1910, the piece offers a direct self-representation, capturing the artist as he saw himself during a period of significant creative development. It is a quiet moment of introspection, rendered with a focus on the psychological presence of the man behind the brush.

3
Untitled (AQQC22) (1920) による Alfredo Roque Gameiro

Untitled (AQQC22)

1920 · Etching

Untitled (AQQC22) by Alfredo Roque Gameiro presents a monochromatic cityscape, rendered in grayscale tones. The scene likely depicts an urban street in Portugal, characterized by a sense of verticality and enclosure. Tall, densely packed buildings line a narrow thoroughfare, their facades creating a rhythmic pattern of architectural forms. A street runs diagonally across the frame, establishing a clear linear perspective that leads the eye into the distance.

4
Untitled (AQQC26) (1920) による Alfredo Roque Gameiro

Untitled (AQQC26)

1920 · Engraving

Untitled (AQQC26) is an artwork created by Alfredo Roque Gameiro. This piece is dated about 1920. The subject matter focuses on urban life and architecture, specifically depicting a bustling urban scene. The composition centers on a large fountain located in the foreground of a city square or plaza, which appears to be a European city, likely Lisbon based on the architectural style. Buildings line the perimeter of the square, and…

5
Untitled (AQQC3W) (1920) による Alfredo Roque Gameiro

Untitled (AQQC3W)

1920 · Etching

Untitled (AQQC3W) is a work by Alfredo Roque Gameiro, created about 1920. The artist, a Portuguese painter and graphic artist, lived from 1864 to 1935. His hand moved between the precision of the printmaker and the fluidity of the watercolorist, capturing the quiet architecture of a changing era.

6
Untitled (AQQC56) (1920) による Alfredo Roque Gameiro

Untitled (AQQC56)

1920 · Etching

In Untitled (AQQC56), Alfredo Roque Gameiro organizes an architectural scene through a structured, monochrome arrangement. The composition is centered on a stone archway that functions as the primary focal point. Flanking this central element, buildings extend along both sides of the frame, creating a corridor that directs the eye toward a distant street scene. This arrangement utilizes linear perspective to establish a clear sense of depth within the urban landscape.

7
Untitled (AQQC2N) (1920) による Alfredo Roque Gameiro

Untitled (AQQC2N)

1920 · Charcoal

A narrow urban alleyway is captured in a monochromatic study, rendered with the precision of charcoal or pencil. The scene focuses on the verticality of tightly packed buildings that line a central street, creating a sense of enclosure. Figures move through the foreground and middle ground, their organic forms providing a soft contrast to the rigid, rectangular geometry of the architecture. Laundry hangs from balconies, adding a layer of domesticity…

9
Untitled (AQQC48) (1920) による Alfredo Roque Gameiro

Untitled (AQQC48)

1920 · Etching

Untitled (AQQC48) is a work by Alfredo Roque Gameiro, created in 1920. This piece emerges from the hand of a Portuguese painter and graphic artist who understood the weight of a single line. The artist, Alfredo Roque Gameiro, captured a specific moment of urban existence through his practiced eye for detail and form.

10
Untitled (AQQBXW) (1920) による Alfredo Roque Gameiro

Untitled (AQQBXW)

1920 · Etching

The scene unfolds within Untitled (AQQBXW), a work that captures a specific moment from about 1920. This piece emerges from the hand of Alfredo Roque Gameiro, a Portuguese painter and graphic artist. The image presents a monochrome view of an architectural scene, where a church with a prominent bell tower dominates the urban landscape. It feels as though a fragment of history is frozen in time, preserved through the meticulous…

Alfredo Roque Gameiroの絵画、ランキング11位から100位

11Untitled (AQQC4E) (1920) による Alfredo Roque GameiroUntitled (AQQC4E)1920 12Untitled (AQQC2L) (1920) による Alfredo Roque GameiroUntitled (AQQC2L)1920 13Untitled (AQQC5L) (1920) による Alfredo Roque GameiroUntitled (AQQC5L)1920 14Untitled (AQQC3Y) (1920) による Alfredo Roque GameiroUntitled (AQQC3Y)1920 15Untitled (AQQBYJ) (1920) による Alfredo Roque GameiroUntitled (AQQBYJ)1920 16Untitled (AQQBZJ) (1920) による Alfredo Roque GameiroUntitled (AQQBZJ)1920 17Untitled (AQQBZG) (1920) による Alfredo Roque GameiroUntitled (AQQBZG)1920 18Untitled (AQQC38) (1920) による Alfredo Roque GameiroUntitled (AQQC38)1920 19Untitled (AQQBZN) (1920) による Alfredo Roque GameiroUntitled (AQQBZN)1920 20Untitled (AQQC42) (1920) による Alfredo Roque GameiroUntitled (AQQC42)1920 21Untitled (AQQC2C) (1920) による Alfredo Roque GameiroUntitled (AQQC2C)1920 22Untitled (AQQC3U) (1920) による Alfredo Roque GameiroUntitled (AQQC3U)1920 23Untitled (AQQC5J) (1920) による Alfredo Roque GameiroUntitled (AQQC5J)1920 24Untitled (AQQC4W) (1920) による Alfredo Roque GameiroUntitled (AQQC4W)1920 25Untitled (AQQBYQ) (1920) による Alfredo Roque GameiroUntitled (AQQBYQ)1920 26Untitled (AQQC5S) (1920) による Alfredo Roque GameiroUntitled (AQQC5S)1920 27Untitled (AQQBYL) (1920) による Alfredo Roque GameiroUntitled (AQQBYL)1920 28Untitled (AQQBXC) (1920) による Alfredo Roque GameiroUntitled (AQQBXC)1920 29Untitled (AQQC2Q) (1920) による Alfredo Roque GameiroUntitled (AQQC2Q)1920 30Untitled (AQQBZ6) (1920) による Alfredo Roque GameiroUntitled (AQQBZ6)1920 31Untitled (AQQC5E) (1920) による Alfredo Roque GameiroUntitled (AQQC5E)1920 32Untitled (AQQC5U) (1920) による Alfredo Roque GameiroUntitled (AQQC5U)1920 33Untitled (AQQBZW) (1920) による Alfredo Roque GameiroUntitled (AQQBZW)1920 34Untitled (AQQBXS) (1920) による Alfredo Roque GameiroUntitled (AQQBXS)1920 35Untitled (AQQC3C) (1920) による Alfredo Roque GameiroUntitled (AQQC3C)1920 36Untitled (AQQBXN) (1920) による Alfredo Roque GameiroUntitled (AQQBXN)1920 37Untitled (AQQC4S) (1920) による Alfredo Roque GameiroUntitled (AQQC4S)1920 38Untitled (AQQC5W) (1920) による Alfredo Roque GameiroUntitled (AQQC5W)1920 39Untitled (AQQC4U) (1920) による Alfredo Roque GameiroUntitled (AQQC4U)1920 40Untitled (AQQBZ4) (1920) による Alfredo Roque GameiroUntitled (AQQBZ4)1920 41Untitled (AQQBYG) (1920) による Alfredo Roque GameiroUntitled (AQQBYG)1920 42Untitled (AQQC3Q) (1920) による Alfredo Roque GameiroUntitled (AQQC3Q)1920 43Untitled (AQQBZA) (1920) による Alfredo Roque GameiroUntitled (AQQBZA)1920 44Untitled (AQQC3J) (1920) による Alfredo Roque GameiroUntitled (AQQC3J)1920 45Untitled (AQQC3S) (1920) による Alfredo Roque GameiroUntitled (AQQC3S)1920 46Untitled (AQQBZL) (1920) による Alfredo Roque GameiroUntitled (AQQBZL)1920 · National Portrait Gallery of Sweden 47Untitled (AQQC2S) (1920) による Alfredo Roque GameiroUntitled (AQQC2S)1920 48Untitled (AQQC28) (1920) による Alfredo Roque GameiroUntitled (AQQC28)1920 49Untitled (AQQBYW) (1920) による Alfredo Roque GameiroUntitled (AQQBYW)1920 50Untitled (AQQBZS) (1920) による Alfredo Roque GameiroUntitled (AQQBZS)1920 51Untitled (AQQBY6) (1920) による Alfredo Roque GameiroUntitled (AQQBY6)1920 52Untitled (AQQC2W) (1920) による Alfredo Roque GameiroUntitled (AQQC2W)1920 53Untitled (AQQBYU) (1920) による Alfredo Roque GameiroUntitled (AQQBYU)1920 54Untitled (AQQBY2) (1920) による Alfredo Roque GameiroUntitled (AQQBY2)1920 55Untitled (AQQC24) (1920) による Alfredo Roque GameiroUntitled (AQQC24)1920 56Untitled (AQQBYA) (1920) による Alfredo Roque GameiroUntitled (AQQBYA)1920 57Untitled (AQQBYN) (1920) による Alfredo Roque GameiroUntitled (AQQBYN)1920 58Untitled (AQQBYC) (1920) による Alfredo Roque GameiroUntitled (AQQBYC)1920 59Untitled (AQQC4A) (1920) による Alfredo Roque GameiroUntitled (AQQC4A)1920 60Untitled (AQQBYY) (1920) による Alfredo Roque GameiroUntitled (AQQBYY)1920 61Untitled (AQQBXG) (1920) による Alfredo Roque GameiroUntitled (AQQBXG)1920 62Untitled (AQQBY8) (1920) による Alfredo Roque GameiroUntitled (AQQBY8)1920 63Untitled (AQQC58) (1920) による Alfredo Roque GameiroUntitled (AQQC58)1920 64Untitled (AQQC5N) (1920) による Alfredo Roque GameiroUntitled (AQQC5N)1920 65Untitled (AQQBXU) (1920) による Alfredo Roque GameiroUntitled (AQQBXU)1920 66Untitled (AQQC4J) (1920) による Alfredo Roque GameiroUntitled (AQQC4J)1920 67Untitled (AQQC34) (1920) による Alfredo Roque GameiroUntitled (AQQC34)1920 68Untitled (AQQC2E) (1920) による Alfredo Roque GameiroUntitled (AQQC2E)1920 69Untitled (AQQC3A) (1920) による Alfredo Roque GameiroUntitled (AQQC3A)1920 70Untitled (AQQC5C) (1920) による Alfredo Roque GameiroUntitled (AQQC5C)1920 71Untitled (AQQC4Q) (1920) による Alfredo Roque GameiroUntitled (AQQC4Q)1920 72Untitled (AQQBZ8) (1920) による Alfredo Roque GameiroUntitled (AQQBZ8)1920 73Untitled (AQQC4C) (1920) による Alfredo Roque GameiroUntitled (AQQC4C)1920 74Untitled (AQQC3L) (1920) による Alfredo Roque GameiroUntitled (AQQC3L)1920 75Untitled (AQQC3N) (1920) による Alfredo Roque GameiroUntitled (AQQC3N)1920 76Untitled (AQQC2J) (1920) による Alfredo Roque GameiroUntitled (AQQC2J)1920 77Untitled (AQQBZY) (1920) による Alfredo Roque GameiroUntitled (AQQBZY)1920 78Untitled (AQQBZE) (1920) による Alfredo Roque GameiroUntitled (AQQBZE)1920 79Untitled (AQQC3G) (1920) による Alfredo Roque GameiroUntitled (AQQC3G)1920 80Untitled (AQQC36) (1920) による Alfredo Roque GameiroUntitled (AQQC36)1920 81Untitled (AQQC2A) (1920) による Alfredo Roque GameiroUntitled (AQQC2A)1920 82Untitled (AQQBYS) (1920) による Alfredo Roque GameiroUntitled (AQQBYS)1920 83Untitled (AQQC4L) (1920) による Alfredo Roque GameiroUntitled (AQQC4L)1920 84Untitled (AQQC3E) (1920) による Alfredo Roque GameiroUntitled (AQQC3E)1920 85Untitled (AQQC2Y) (1920) による Alfredo Roque GameiroUntitled (AQQC2Y)1920 86Untitled (AQQBZ2) (1920) による Alfredo Roque GameiroUntitled (AQQBZ2)1920 87Untitled (AQQC2G) (1920) による Alfredo Roque GameiroUntitled (AQQC2G)1920 88Untitled (AQQC4G) (1920) による Alfredo Roque GameiroUntitled (AQQC4G)1920 89Untitled (AQQBZC) (1920) による Alfredo Roque GameiroUntitled (AQQBZC)1920 90Untitled (AQQBXQ) (1920) による Alfredo Roque GameiroUntitled (AQQBXQ)1920 91Untitled (AQQC52) (1902) による Alfredo Roque GameiroUntitled (AQQC52)1902 92Untitled (AQQC4N) (1920) による Alfredo Roque GameiroUntitled (AQQC4N)1920 93Inauguração do caminho de ferro (1856) による Alfredo Roque GameiroInauguração do caminho de ferro1856 94Untitled (AQQC44) (1920) による Alfredo Roque GameiroUntitled (AQQC44)1920 95Untitled (AQQC46) (1920) による Alfredo Roque GameiroUntitled (AQQC46)1920 96Untitled (AQQBYE) (1920) による Alfredo Roque GameiroUntitled (AQQBYE)1920 97Untitled (AQQBXL) (1920) による Alfredo Roque GameiroUntitled (AQQBXL)1920 98Untitled (AQQC4Y) (1920) による Alfredo Roque GameiroUntitled (AQQC4Y)1920 99Untitled (AQQC5G) (1920) による Alfredo Roque GameiroUntitled (AQQC5G)1920 100Untitled (AQQBZQ) (1920) による Alfredo Roque GameiroUntitled (AQQBZQ)1920

Alfredo Roque Gameiroの代表作、時代別一覧

Alfredo Roque Gameiroが心を惹かれた主題

これらのオリジナル作品に繰り返し描かれている4つの主題と、それぞれの最高傑作。

Alfredo Roque Gameiroの原画を所蔵する美術館

このページに掲載されている絵画を最も多く所蔵している 2 の美術館

美術館 都市 Alfredo Roque Gameiroの作品 このリストの絵画
José Malhoa Museum, Caldas da RainhaJosé Malhoa Museum Caldas da Rainha 1 Self-portrait
National Portrait Gallery of Sweden, ストレングセスNational Portrait Gallery of Sweden ストレングセス 1 Untitled (AQQBZL)

Alfredo Roque Gameiro、10年ごとに1枚の代表作

年代別作品数

その時代を象徴する名作を見るために、年代を選択してください。

Alfredo Roque Gameiroの絵画:ギャラリーの回答

Alfredo Roque Gameiroの作品の中で、最も有名な絵画は何ですか?答えを見る

Untitled (AQQBXJ) (1920)。続いてSelf-portrait (1910)、Untitled (AQQC22) (1920)が続きます。

Alfredo Roque GameiroがUntitled (AQQBXJ)を完成させた時の年齢は?答えを見る

56歳:Untitled (AQQBXJ)は1920年の作品で、Alfredo Roque Gameiroの生年は1864年です。

Alfredo Roque Gameiroの代表的な絵画トップ10は?答えを見る

Untitled (AQQBXJ), Self-portrait, Untitled (AQQC22), Untitled (AQQC26), Untitled (AQQC3W), Untitled (AQQC56), Untitled (AQQC2N), Untitled (AQQBZU), Untitled (AQQC48) と Untitled (AQQBXW)。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。

Alfredo Roque Gameiroの作品数は?答えを見る

当カタログには、1902年から1920年にかけて制作されたAlfredo Roque Gameiroによる107点の作品が収められています。

Alfredo Roque Gameiroの最も有名なオリジナル作品はどこに展示されていますか?答えを見る

主にJosé Malhoa Museum (Caldas da Rainha) と National Portrait Gallery of Sweden (ストレングセス)に所蔵されています。上記の美術館一覧にすべて記載されています。

Alfredo Roque Gameiroが最も有名な作品を描いたのはいつですか?答えを見る

1920s年:このページにある全100作品のうち、97作品がその時期に制作されました。そのうちUntitled (AQQBXJ)作品が含まれます。

Alfredo Roque Gameiroの初期および後期の代表作は何ですか?答えを見る

このページでは、最も古い作品はUntitled (AQQC52) (1902)、最新の作品はUntitled (AQQBXJ) (1920)です。

Alfredo Roque Gameiro が最も多く描いた主題は何ですか?答えを見る

このページに掲載されている100点の作品におけるBuildings (49), Street (46) と Architecture (46)

Alfredo Roque Gameiro が最も多く用いた技法は何ですか?答えを見る

このページに掲載されている全100作品のうち、36作品のEtching

Alfredo Roque Gameiroはどの芸術運動に関連していますか?答えを見る

このページに掲載されているオリジナル作品から判断すると、Contemporary realismです。

Alfredo Roque Gameiro:アーティスト

Alfredo Roque Gameiro: A Watercolorist of Lisbon’s Soul

Alfredo Roque Gameiro (1864-1935) stands as a pivotal figure in the development of Portuguese watercolor art, a master who captured the essence of his homeland with a delicate yet vibrant touch. Born in Minde and nurtured by a family steeped in artistic tradition – including his father, Manuel de Macedo, and sisters Raquel and Helena – Gameiro’s journey was one of dedicated study, experimentation, and ultimately, the creation of a uniquely Portuguese visual language. His legacy endures not only through his stunning artwork but also through the institutions bearing his name, solidifying his place as a foundational artist for generations to come.

Early Life and Artistic Training

Gameiro’s early years were marked by a formative immersion in artistic practices. At just ten years old, he entered the bustling lithography studio of his older brother, Justin, gaining invaluable hands-on experience with printmaking techniques. This practical foundation was complemented by formal studies at the “Faculty of Fine Arts” of the University of Lisbon, where he benefited from the guidance of José Simões de Almeida, a respected figure in Portuguese art education. A pivotal moment arrived when he received a scholarship that enabled him to travel to Leipzig, Germany, and study lithography under Ludwig Nieper, a renowned master of the craft. This international exposure broadened his technical skills and introduced him to new approaches to image-making, which he would later integrate into his distinctive style. Returning to Portugal in 1886, he quickly ascended to positions of influence, first as director of the “Companhia Nacional Editora” and subsequently as a professor at the “Escola Industrial do Príncipe Real,” shaping the artistic landscape of Lisbon during this period.

Lisboa Velha: A Masterpiece and Defining Work

Perhaps Gameiro’s most celebrated achievement is *Lisboa Velha* (Old Lisbon), a monumental project undertaken between 1910 and 1920. This collection of 10 watercolors and 90 lithographs, introduced by the poet Afonso Lopes Vieira, represents the culmination of his artistic vision and cemented his reputation as a leading watercolorist. *Lisboa Velha* isn’t merely a depiction of Lisbon's historic district; it’s an evocative portrayal of its soul—its atmosphere, its people, and its enduring spirit. The watercolors are characterized by their luminous colors, organic lines, and meticulous attention to detail, capturing the light and shadow that define the city’s unique character. The lithographs, executed with remarkable precision, further amplify this sense of place, offering a broader perspective on Lisbon's urban fabric. This work demonstrated his ability to blend historical documentation with artistic expression, creating an enduring image of a bygone era.

Beyond Lisboa Velha: Illustrations and Institutional Contributions

While *Lisboa Velha* remains his most recognized achievement, Gameiro’s artistic output extended far beyond this single project. He was a prolific illustrator for numerous novels by Júlio Dinis, bringing these literary works to life with his distinctive watercolor style. He also contributed illustrations to periodicals and magazines, showcasing his versatility as an artist. In 1919, he took on the challenging role of founding the “Escola de Arte Aplicada de Lisboa,” a pioneering institution dedicated to applied arts education—a testament to his commitment to nurturing future generations of artists. The following year, he collaborated with his daughter, Helena Gameiro, in a successful exhibition in Brazil, further expanding his international recognition. His contributions were formally acknowledged in 1923 when he was elected a member of the “Real Academia de Bellas Artes de San Fernando,” solidifying his place among Portugal’s most esteemed artists. Three institutions now bear his name: the “Escola Roque Gameiro” in Amadora, the “Casa Roque Gameiro” (his former home), and the “Centro de Artes e Ofícios Roque Gameiro” in his hometown, each serving as a tribute to his enduring legacy.

Legacy and Artistic Influence

Alfredo Roque Gameiro’s impact on Portuguese art is profound and multifaceted. He elevated watercolor painting to new heights of artistic expression, establishing a distinctively Portuguese style characterized by its luminous colors, atmospheric perspective, and meticulous attention to detail. His work served as an inspiration for subsequent generations of artists, shaping the course of Portuguese watercolor art. His dedication to both painting and illustration demonstrated his versatility and commitment to various forms of visual communication. The numerous works on loan from the Gulbenkian Foundation and displayed in the Municipal Museum in his hometown underscore the continued appreciation of his artistic achievements. Furthermore, his designs have graced Portuguese postage stamps, a tangible recognition of his national significance. The family’s artistic lineage—with his daughters Raquel and Helena also pursuing careers as artists—ensures that Gameiro's influence continues to resonate within the Portuguese art world today.