要約すると
Albert Gregoriusが遺したオリジナル作品の中で最も有名なものは、ヴェルサイユのヴェルサイユ王立歌劇場に収蔵されているNicolas Dahlmann, brigadier general (1769-1807) (1814)です。 Albert Gregoriusによる2点の作品をカタログに掲載しています。当ギャラリーでは、世界が称賛する2点を選定し、制作年、所蔵美術館、そしてその背景にある物語とともにご紹介しています。
1774 – 1853, Bruges
最多収蔵館: ヴェルサイユ王立歌劇場
Albert Gregoriusの代表作10選:ギャラリー厳選の作品集
Albert Gregoriusの原画を所蔵する美術館
このページに掲載されている絵画を最も多く所蔵している 2 の美術館
| 美術館 | 都市 | Albert Gregoriusの作品 | このリストの絵画 |
|---|---|---|---|
| ヴェルサイユ | 1 | Nicolas Dahlmann, brigadier general (1769-1807) | |
| ブルージュ | 1 | Portrait of Count Charles A. Chasset |
Albert Gregoriusの歩み:その時代を象徴するオリジナル作品
1813年から1814年までのわずか2年間にわたる、厳選されたAlbert Gregoriusの歴代作品:各年代の最高傑作がここに揃っています。
Albert Gregoriusの絵画に関するコレクターからの質問
Albert Gregoriusの代表作は何ですか?答えを見る
Nicolas Dahlmann, brigadier general (1769-1807) (1814)
Nicolas Dahlmann, brigadier general (1769-1807)が制作されたとき、Albert Gregoriusは何歳でしたか?答えを見る
40歳:Nicolas Dahlmann, brigadier general (1769-1807)は1814年の作品で、Albert Gregoriusの生年は1774年です。
Albert Gregoriusが遺した作品数は?答えを見る
当カタログには、1813年から1814年にかけて制作されたAlbert Gregoriusによる2点の作品が収められています。
Albert Gregoriusの名作は、どの美術館に収蔵されていますか?答えを見る
主にヴェルサイユ王立歌劇場 (ヴェルサイユ) と グルーニング美術館 (ブルージュ)に所蔵されています。上記の美術館一覧にすべて記載されています。
Albert Gregoriusによる最初と最後の代表的なオリジナル作品は何ですか?答えを見る
このページでは、最も古い作品はPortrait of Count Charles A. Chasset (1813)、最新の作品はNicolas Dahlmann, brigadier general (1769-1807) (1814)です。
Albert Gregorius:生涯と作品
Albert Jacob Frans Gregorius: A Life in Portraiture
Early Life and Education
- Born in Bruges, Belgium in 1774 into a laboring family, Albert Jacob Frans Gregorius demonstrated artistic talent from a young age.
- His abilities were recognized by François van der Donckt, a local amateur painter who provided initial lessons and facilitated his enrollment at the Bruges art academy in 1791.
- Gregorius excelled at the academy, receiving several awards before continuing his artistic journey.
Parisian Studies and Influences
- In 1801, Gregorius moved to Paris, initially apprenticing with Joseph-Benoît Suvée, a fellow Bruges native.
- Following Suvée’s appointment as director of the French Academy in Rome, Gregorius secured a position in the studio of the renowned neoclassical painter, Jacques-Louis David.
- David's influence is evident in Gregorius’ later work, particularly his emphasis on precise draftsmanship and classical composition.
Artistic Development and Career
- Gregorius returned to Bruges in 1805 but soon resumed his Parisian career, establishing himself as a respected portrait painter.
- He became associated with “De Club van de Belgen,” a group of expatriate Flemish artists working in Paris.
- Gregorius regularly exhibited at the Ghent and Paris Salons from 1812 until his departure, gaining recognition for his refined portraits.
- His clientele included members of the French nobility and prominent figures like August Wilhelm Schlegel, whose portrait is now housed in Coppet Castle.
Directorship and Later Years
- In 1835, at the age of 61, Gregorius was appointed director of “De Vrije Academie” (now “De Stedelijke Academie”) in Bruges.
- He served until 1852, but his conservative artistic views led to conflicts with colleagues, students, and city officials, ultimately resulting in his resignation.
- Ford Madox Brown, a notable Pre-Raphaelite painter, was among his students.
Legacy and Historical Significance
- Gregorius’ work represents a blend of classical principles and Flemish artistic traditions.
- His portraits are characterized by their meticulous detail, elegant composition, and psychological insight.
- Though not widely known today, Gregorius played an important role in the development of portraiture during the 19th century and contributed to the artistic landscape of both Belgium and France.
- His life story, including the mystery surrounding his marital status (described as a widower on his death certificate with no known wife), adds to his intriguing historical profile.
