Adèle Romanyの肖像画

Adèle Romanyの絵画：ギャラリーの視点で選ぶ、最も有名な37作品

11月 2026 更新 · 当サイトの人気スコア（各作品の検索数、閲覧数、注文数）に基づくランキング · 39点の Adèle Romanyの作品がカタログにあります

要約すると

ギャラリーの視点では、Adèle Romanyの最も有名な作品はPortrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795)であり、その原画はワシントンD.C.のNational Museum of Women in the Artsに展示されています。 Madame Coury, Duhamel Widow (1811)とPortrait of a Young Woman (1804)が加わり、誰もが一度は目にしたことのある至高のトリオが完成します。 当カタログに含まれるAdèle Romanyの作品39点の中から、特に有名な37点を厳選してご紹介します。各作品は、制作年、所蔵美術館、そしてその作品ならではの魅力とともに、一点物のオリジナル作品として掲載されています。

1769 – 1846, Paris Neoclassicism 最多収蔵館: Library-museum of the Comédie-Française
Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795) による Adèle Romany1. Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou 1795 Madame Coury, Duhamel Widow (1811) による Adèle Romany2. Madame Coury, Duhamel Widow 1811 Portrait of a Young Woman (1804) による Adèle Romany3. Portrait of a Young Woman 1804

ギャラリーが選ぶAdèle Romanyのトップ10作品

1
Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795) による Adèle Romany

Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou

1795 · Oil · National Museum of Women in the Arts, ワシントンD.C.

The gaze of the sitter meets us in Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, a work that captures a quiet, creative pause. Painted by Adèle Romany around 1795, the portrait presents a woman poised amidst the tools of her intellect and expression. She exists in a moment of stillness, her presence defined by the delicate textures of her attire and the objects that surround her.

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2
Madame Coury, Duhamel Widow (1811) による Adèle Romany

Madame Coury, Duhamel Widow

1811 · Oil On Canvas · 国立美術館, ストックホルム

In this portrait from 1811, we find ourselves in the private, composed space of Madame Coury, the widow Duhamel. She is seated with a quiet dignity, her presence defined by a sense of refined status and the stillness of a life lived with intention. The composition is a three-quarter length arrangement, positioning her slightly off-center to create a balanced, natural poise. A deep forest green gown anchors the figure, its…

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4
Portrait of Julie Candeille (1791) による Adèle Romany

Portrait of Julie Candeille

1791 · Oil On Canvas

In Portrait of Julie Candeille, Adèle Romany employs a formal, neoclassical arrangement to present the subject in a medium close-up. The figure is contained within an oval vignette, a choice that creates a sense of depth and focuses the viewer's attention on the sitter. This geometric structure provides a controlled boundary against a soft, atmospheric background of dark greenery. The composition balances the organic fluidity of the subject with this…

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5
Portrait of a Young Harpist (1795) による Adèle Romany

Portrait of a Young Harpist

1795 · Oil On Canvas · リール美術館, リール

The air in the room feels heavy with the scent of old wood and the quiet anticipation of a single note. A young woman sits poised, her body angled toward the left as her fingers prepare to brush against the vertical strings of a harp. The warm, reddish-brown wood of the instrument catches the light, creating a soft glow that contrasts against the deep, muted teal of the background. She…

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6
Portrait of a woman (1795) による Adèle Romany

Portrait of a woman

1795 · Oil On Canvas · ジャックマール・アンドレ美術館, パリ

The Portrait of a woman by Adèle Romany captures a single, quiet moment from 1795. This bust-length composition is set within an oval format, focusing the viewer's attention on the presence of the sitter. The subject is an elegant and intimate young woman, her likeness emerging from a dark, muted background that recedes into shadow.

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7
Portrait of Amélie-Justine Pontois (1795) による Adèle Romany

Portrait of Amélie-Justine Pontois

1795 · Oil

In this oval-format portrait, we encounter Amélie-Justine Pontois in a moment of quiet poise. The composition, captured in a three-quarter view, positions her with a gentle sense of movement that avoids the stiffness often found in formal commissions of the era. She is rendered with a soft, luminous quality, her skin tones warming against a background of atmospheric greys and deep, nebulous shadows. There is a certain stillness here, a…

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8
Charles-Antoine d'Artenay (1792) による Adèle Romany

Charles-Antoine d'Artenay

1792 · Oil On Canvas · ヴェルサイユ宮殿, ヴェルサイユ

The man sits in a quiet, oval frame, caught in a moment of stillness. He is a figure of the late eighteenth century, draped in the heavy, tactile weight of a dark coat. A crisp white cravat provides a sharp, bright break against the warmth of his skin and the earthy tones of his attire. Light falls from the upper left, carving the geometry of his face with a gentle…

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9
Portrait of Amélie-Justine and Charles-Édouard Pontois (1800) による Adèle Romany

Portrait of Amélie-Justine and Charles-Édouard Pontois

1800 · Oil

The air feels still, as if the world has paused to allow this couple a moment of private repose. Amélie-Justine and Charles-Édouard Pontois lean toward one another, their connection felt through the gentle tilt of their heads and the soft drape of a shawl. She rests her arm upon his shoulder, a gesture of quiet intimacy that speaks of a shared life lived in the calm of a changing era.…

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10
A young person hesitating to play the piano in front of her family (1804) による Adèle Romany

A young person hesitating to play the piano in front of her family

1804 · Oil On Canvas · Frances Lehman Loeb Art Center

The scene unfolds within the quiet tension of "A young person hesitating to play the piano in front of her family," an oil on canvas work that captures a fleeting moment of domestic hesitation. Adèle Romany brings this intimate gathering to life, freezing a single instance of social grace and youthful uncertainty. The figures are suspended in a poised, formal arrangement that suggests the weight of expectation hanging in the…

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Adèle Romanyの絵画、ランキング11位から37位

11Presumed self-portrait (1799) による Adèle RomanyPresumed self-portrait1799 · ルーアン美術館 12Young lovers playing the lyre (1802) による Adèle RomanyYoung lovers playing the lyre1802 13Portrait of Jeanne-Marie Mercier, the artist's mother (1799) による Adèle RomanyPortrait of Jeanne-Marie Mercier, the artist's mother1799 · Musee Baron Martin 14Portrait of Justine-Louise Mercier, aunt of the artist (1798) による Adèle RomanyPortrait of Justine-Louise Mercier, aunt of the artist1798 15Louis Jean-Baptiste Étienne Vigée (1800) による Adèle RomanyLouis Jean-Baptiste Étienne Vigée1800 16Portrait de Mme Thénard (1800) による Adèle RomanyPortrait de Mme Thénard1800 · カルナヴァレ博物館 17Full-length Portrait of a Young Lady Seated in a Landscape (1805) による Adèle RomanyFull-length Portrait of a Young Lady Seated in a Landscape1805 · Musée Grobet-Labadié 18Portrait of a Lady at a Pianoforte (1808) による Adèle RomanyPortrait of a Lady at a Pianoforte1808 · ボストン美術館 19portrait of Pierre-Marie-Nicolas Michelot (1807) による Adèle Romanyportrait of Pierre-Marie-Nicolas Michelot1807 20Joseph-Dominique Fabry Garat Playing a Lyre Guitar (1808) による Adèle RomanyJoseph-Dominique Fabry Garat Playing a Lyre Guitar1808 · ボストン美術館 21Portrait of Emilie Leverd (1808) による Adèle RomanyPortrait of Emilie Leverd1808 · Library-museum of the Comédie-Française 22Mlle Raucourt as Agrippine (1812) による Adèle RomanyMlle Raucourt as Agrippine1812 · Library-museum of the Comédie-Française 23Portrait of Joseph Souberbielle (1814) による Adèle RomanyPortrait of Joseph Souberbielle1814 24Portrait of mademoiselle A.P. (1806) による Adèle RomanyPortrait of mademoiselle A.P.1806 · Musée de la Chartreuse de Douai 25Portrait of Antoine Valedau (1809) による Adèle RomanyPortrait of Antoine Valedau1809 · ミュゼ・ファーブル 26Portrait of Alphonse de Chavanges (1812) による Adèle RomanyPortrait of Alphonse de Chavanges1812 27Portrait of Michael Kelly (1810) による Adèle RomanyPortrait of Michael Kelly1810 28Portrait of Fleury (1818) による Adèle RomanyPortrait of Fleury1818 · Library-museum of the Comédie-Française 29The Marquis de Romance Mesmon's snack (1815) による Adèle RomanyThe Marquis de Romance Mesmon's snack1815 · ヴェルサイユ宮殿 30Portrait of Aglaé-Constance Boudard in red velvet dress (1815) による Adèle RomanyPortrait of Aglaé-Constance Boudard in red velvet dress1815 31Portrait of Amélie-Justine Laidin de la Bouterie (1818) による Adèle RomanyPortrait of Amélie-Justine Laidin de la Bouterie1818 32Portrait de Zoé Prévost, de l'Opéra-Comique (1830) による Adèle RomanyPortrait de Zoé Prévost, de l'Opéra-Comique1830 · Musée Magnin 33Mlle Prévost de l’Opéra Comique (1830) による Adèle RomanyMlle Prévost de l’Opéra Comique1830 34The Flight from the Village Fire (1833) による Adèle RomanyThe Flight from the Village Fire1833 35Portrait of Voltaire (1836) による Adèle RomanyPortrait of Voltaire1836 · Library-museum of the Comédie-Française 36Baptiste cadet (1832) による Adèle RomanyBaptiste cadet1832 · Library-museum of the Comédie-Française 37Portrait of Auguste Vestris (1793) による Adèle RomanyPortrait of Auguste Vestris1793 · Rhode Island School of Design Museum of Art

Adèle Romanyの代表作、時代別一覧

Early Period

1791 – 1798 · 7作品がこのリストに含まれています
Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795), Adèle Romany #1 Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou 1795 · National Museum of Women in the Arts Portrait of Julie Candeille (1791), Adèle Romany #4 Portrait of Julie Candeille 1791 Portrait of a Young Harpist (1795), Adèle Romany #5 Portrait of a Young Harpist 1795 · リール美術館 Portrait of a woman (1795), Adèle Romany #6 Portrait of a woman 1795 · ジャックマール・アンドレ美術館 Portrait of Amélie-Justine Pontois (1795), Adèle Romany #7 Portrait of Amélie-Justine Pontois 1795

Mature Period

1799 – 1833 · 28作品がこのリストに含まれています
Madame Coury, Duhamel Widow (1811), Adèle Romany #2 Madame Coury, Duhamel Widow 1811 · 国立美術館 Portrait of a Young Woman (1804), Adèle Romany #3 Portrait of a Young Woman 1804 · マルモッタン・モネ美術館 Portrait of Amélie-Justine and Charles-Édouard Pontois (1800), Adèle Romany #9 Portrait of Amélie-Justine and Charles-Édouard Pontois 1800 A young person hesitating to play the piano in front of her family (1804), Adèle Romany #10 A young person hesitating to play the piano in front of her family 1804 · Frances Lehman Loeb Art Center Presumed self-portrait (1799), Adèle Romany #11 Presumed self-portrait 1799 · ルーアン美術館

Adèle Romanyが心を惹かれた主題

これらのオリジナル作品に繰り返し描かれている4つの主題と、それぞれの最高傑作。

Woman 24点

Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795), Adèle Romany #1 Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou 1795 · National Museum of Women in the Arts Madame Coury, Duhamel Widow (1811), Adèle Romany #2 Madame Coury, Duhamel Widow 1811 · 国立美術館 Portrait of a Young Woman (1804), Adèle Romany #3 Portrait of a Young Woman 1804 · マルモッタン・モネ美術館 Portrait of Julie Candeille (1791), Adèle Romany #4 Portrait of Julie Candeille 1791

Man 14点

Charles-Antoine d'Artenay (1792), Adèle Romany #8 Charles-Antoine d'Artenay 1792 · ヴェルサイユ宮殿 Portrait of Amélie-Justine and Charles-Édouard Pontois (1800), Adèle Romany #9 Portrait of Amélie-Justine and Charles-Édouard Pontois 1800 Young lovers playing the lyre (1802), Adèle Romany #12 Young lovers playing the lyre 1802 Louis Jean-Baptiste Étienne Vigée (1800), Adèle Romany #15 Louis Jean-Baptiste Étienne Vigée 1800

White dress 6点

Portrait of Amélie-Justine Pontois (1795), Adèle Romany #7 Portrait of Amélie-Justine Pontois 1795 A young person hesitating to play the piano in front of her family (1804), Adèle Romany #10 A young person hesitating to play the piano in front of her family 1804 · Frances Lehman Loeb Art Center Portrait of mademoiselle A.P. (1806), Adèle Romany #24 Portrait of mademoiselle A.P. 1806 · Musée de la Chartreuse de Douai Portrait of Amélie-Justine Laidin de la Bouterie (1818), Adèle Romany #31 Portrait of Amélie-Justine Laidin de la Bouterie 1818

White cravat 6点

Joseph-Dominique Fabry Garat Playing a Lyre Guitar (1808), Adèle Romany #20 Joseph-Dominique Fabry Garat Playing a Lyre Guitar 1808 · ボストン美術館 Portrait of Antoine Valedau (1809), Adèle Romany #25 Portrait of Antoine Valedau 1809 · ミュゼ・ファーブル The Marquis de Romance Mesmon's snack (1815), Adèle Romany #29 The Marquis de Romance Mesmon's snack 1815 · ヴェルサイユ宮殿 Portrait of Voltaire (1836), Adèle Romany #35 Portrait of Voltaire 1836 · Library-museum of the Comédie-Française

Adèle Romanyの原画を所蔵する美術館

このページに掲載されている絵画を最も多く所蔵している 8 の美術館

美術館 都市 Adèle Romanyの作品 このリストの絵画
Library-museum of the Comédie-Française Paris 5 Portrait of Emilie Leverd, Mlle Raucourt as Agrippine, Portrait of Fleury
ヴェルサイユ宮殿, ヴェルサイユヴェルサイユ宮殿 ヴェルサイユ 2 Charles-Antoine d'Artenay, The Marquis de Romance Mesmon's snack
ボストン美術館, ボストンボストン美術館 ボストン 2 Portrait of a Lady at a Pianoforte, Joseph-Dominique Fabry Garat Playing a Lyre Guitar
National Museum of Women in the Arts, ワシントンD.C.National Museum of Women in the Arts ワシントンD.C. 1 Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou
国立美術館, ストックホルム国立美術館 ストックホルム 1 Madame Coury, Duhamel Widow
マルモッタン・モネ美術館, パリマルモッタン・モネ美術館 パリ 1 Portrait of a Young Woman
リール美術館, リールリール美術館 リール 1 Portrait of a Young Harpist
ジャックマール・アンドレ美術館, パリジャックマール・アンドレ美術館 パリ 1 Portrait of a woman

Adèle Romany、10年ごとに1枚の代表作

年代別作品数

その時代を象徴する名作を見るために、年代を選択してください。

Adèle Romanyの絵画：ギャラリーの回答

Adèle Romanyの作品の中で、最も有名な絵画は何ですか？答えを見る

Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795)（National Museum of Women in the Arts, ワシントンD.C.）。次いでMadame Coury, Duhamel Widow (1811)、Portrait of a Young Woman (1804)が続きます。

Adèle RomanyがPortrait of an Artist, Traditionally Identified as Mademoiselle Halbouを完成させた時の年齢は？答えを見る

26歳：Portrait of an Artist, Traditionally Identified as Mademoiselle Halbouは1795年の作品で、Adèle Romanyの生年は1769年です。

Adèle Romanyの代表的な絵画トップ10は？答えを見る

Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, Madame Coury, Duhamel Widow, Portrait of a Young Woman, Portrait of Julie Candeille, Portrait of a Young Harpist, Portrait of a woman, Portrait of Amélie-Justine Pontois, Charles-Antoine d'Artenay, Portrait of Amélie-Justine and Charles-Édouard Pontois と A young person hesitating to play the piano in front of her family。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。

Adèle Romanyの作品数は？答えを見る

当カタログには、1791年から1836年にかけて制作されたAdèle Romanyによる39点の作品が収められています。

Adèle Romanyの最も有名なオリジナル作品はどこに展示されていますか？答えを見る

主にLibrary-museum of the Comédie-Française (Paris), ヴェルサイユ宮殿 (ヴェルサイユ) と ボストン美術館 (ボストン)に所蔵されています。上記の美術館一覧にすべて記載されています。

Adèle Romanyが最も有名な作品を描いたのはいつですか？答えを見る

1800s年：このページにある全37作品のうち、13作品がその時期に制作されました。そのうちPortrait of a Young Woman作品が含まれます。

Adèle Romanyの初期および後期の代表作は何ですか？答えを見る

このページでは、最も古い作品はPortrait of Julie Candeille (1791)、最新の作品はPortrait of Voltaire (1836)です。

Adèle Romany が最も多く描いた主題は何ですか？答えを見る

このページに掲載されている37点の作品におけるWoman (24), Man (14) と White dress (6)

Adèle Romany が最も多く用いた技法は何ですか？答えを見る

このページに掲載されている全37作品のうち、29作品のOil On Canvas

Adèle Romanyはどの芸術運動に関連していますか？答えを見る

このページに掲載されているオリジナル作品から判断すると、Neoclassicismです。

Library-museum of the Comédie-Françaiseが所蔵するAdèle Romanyのオリジナル作品は何ですか？答えを見る

Portrait of Emilie Leverd, Mlle Raucourt as Agrippine と Portrait of Fleury：Library-museum of the Comédie-Française, Parisには、このページに掲載されている作品のうち5点が所蔵されています。

Adèle Romany：アーティスト

Adèle de Romance (Adèle Romanée): A Life in Miniature and Portraiture

Adèle de Romance, also known as Adèle Romany or Adèle Romanée (December 7, 1769 – June 6, 1846), was a highly regarded French painter specializing in miniatures and portraits. Her career spanned several decades of significant social and political change in France, and she successfully navigated the art world while adapting her name and artistic presentation to reflect evolving circumstances.

Early Life and Artistic Training

  • Birth and Legitimation: Born Jeanne Marie Mercier in Paris, Adèle was initially recognized as an illegitimate child. In 1778, at age eight, she was legitimized by her father, Godefroy V, Marquis de Romance, brother of the writer Germain-Hyacinthe de Romance, from this point adopting the name Adèle de Romance.
  • Formal Education: She received formal artistic training under Jean-Baptiste Regnault, a prominent French history painter and academician. This foundational education provided her with a strong understanding of drawing, composition, and color theory – essential skills for both miniature painting and portraiture.
  • Marriage to François Antoine Romany: In 1790, Adèle married fellow miniature painter François Antoine Romany. While their marriage eventually ended in divorce, it significantly influenced her early career as she often exhibited under his surname, "Romany."

Artistic Style and Notable Works

  • Specialization: Adèle de Romance’s artistic focus centered on miniatures and portraits, particularly those depicting individuals involved in the performing arts. This niche allowed her to cultivate a clientele within Parisian theatrical and musical circles.
  • Exhibitions at the Paris Salon: From 1793 to 1808, she exhibited her works under the name "Romany," and subsequently from 1808 to 1833 as “Romanée.” She presented a substantial body of work over forty years, demonstrating consistent artistic output.
  • Notable Works:
    • Portrait of Auguste Vestris: This piece, housed at the Rhode Island School of Design Museum of Art, exemplifies her skill in capturing likeness and character.
    • Self-portrait with her children (1800): A poignant depiction showcasing both artistic talent and familial life.
    • Portraits of Mlle Raucourt and Mlle Emilie Leverd: These portraits, exhibited at various Salons, further solidified her reputation for capturing the essence of theatrical personalities.
  • Artistic Characteristics: Her miniatures are known for their delicate detail, refined color palettes, and ability to convey a sense of personality within a small format. Her larger portraits demonstrate a similar attention to detail and an understanding of light and shadow.

Recognition and Historical Significance

  • Gold Medal of the Jury (1808): This prestigious award recognized her artistic merit and contributed to her standing within the French art establishment.
  • Influence on Other Artists: While not a revolutionary figure, Adèle de Romance’s consistent production of high-quality miniatures and portraits helped maintain the popularity of these genres during a period when larger historical paintings were gaining prominence.
  • Representation of Performing Arts: Her focus on portraying actors, actresses, and musicians provides valuable visual documentation of Parisian theatrical life in the late 18th and early 19th centuries. The Comédie-Française holds a significant collection of her works due to this specialization.
  • Financial Acumen: Beyond her artistic pursuits, Adèle demonstrated business savvy through financial speculations during periods of political upheaval, showcasing an entrepreneurial spirit uncommon for women artists of the time.

Legacy and Rediscovery

Adèle de Romance’s work received limited critical attention after her death in 1846. However, recent scholarship and a retrospective exhibition at the Jean-Honoré-Fragonard Museum in Grasse (scheduled for 2025) are contributing to a renewed appreciation of her artistic contributions. Her legacy lies not only in her skillful execution but also in her ability to capture the spirit of a vibrant cultural scene and navigate a complex historical landscape as a successful female artist.

Adèle Romanyによる全 39点の作品 →