学生作品ガイド
著作権 この作品は、現在も著作権の保護対象です。Sudarshan Shetty は 1961 に生まれ、没年は記録されていません。著作権は、作者の死後 70 年間存続します。この画像は教育目的の参照用として掲載されており、権利は権利者に帰属します。
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Love — Sudarshan Shetty
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この作品について
Love — Sudarshan Shetty
Sudarshan Shetty’s Love shows a Braille typewriter incessantly typing the word ‘love’ on a sheet of paper. The repetitive production of the word, ‘love’ directs our attention to the mindless reproduction of the text in our daily life. As Shetty says, ‘Love begins with a basic human emotion, and at the other end of the spectrum it’s also a marketable phenomenon.’1 Using a Brailler to type the text, Shetty uses an international symbol of blindness to restate the cliché, ‘love is blind’. As a script, Braille is also paradoxical. It is both universal and limited to a particular group.Viewing Shetty’s work is fun. It has elements of fantasy, storytelling and playfulness. It is edgy. The absence of human representation ‘humanizes’ the mechanical devices, turning them into characters that express our own frustrations and hopes. The artist suggests, ‘With my installations, I think the roles of onlooker and object become reversed.’Movement is an integral part of Shetty’s work; and he often chooses to use old-fashioned and antiquated machinery. It is difficult to locate these objects in space and time or to tag them as ‘Indian’, ‘contemporary’ or ‘old-fashioned’.
アーティストと美術館
生誕地 Mangaluru, India
Born in Mangaluru, India, in 1961, Sudarshan Shetty is a prominent figure in contemporary Indian art. Details regarding his formal artistic education are not widely publicized; however, he developed a strong foundation that allowed him to explore diverse mediums and concepts throughout his career.
Shetty’s artistic practice is remarkably versatile, encompassing painting, sculpture, installation, video, sound, and performance. He doesn't adhere to a single style but rather employs various approaches depending on the concept he wishes to convey. His work often features everyday objects recontextualized to provoke thought and challenge perceptions. A key characteristic of his art is its immersive quality; installations frequently invite viewers to engage physically and emotionally with the artwork.
Shetty’s artistic explorations center around themes of memory, domesticity, temporality, and human connection. He often examines the relationship between personal experiences and broader cultural contexts. His work is influenced by a range of sources, including Indian philosophy, traditional crafts, and contemporary art movements. The influence of minimalism and conceptual art can also be observed in his reductive forms and emphasis on ideas over aesthetics.
1999: Commissioned to create the public sculpture “Home and Away” as part of the Hakata Reverain Art Project in Fukuoka, Japan. This was a significant milestone, making him the only Indian artist selected for this project.
International Exhibitions: Shetty’s work has been showcased at prestigious institutions such as the Fukuoka Asian Art Museum (Japan) and the Tate Modern (London), solidifying his international presence.
Residencies & Fellowships: He has held residencies at the Mattress Factory in Pittsburgh, USA, and was a Ford Foundation fellow at The New School for General Studies in New York, fostering artistic growth and exchange.
Shetty’s artworks are part of numerous important public collections, including:
Kiran Nadar Museum of Art (India)
Devi Art Foundation (Anupam Poddar, India)
Fukuoka Asian Art Museum (Japan)
FC MOCA (Frank Cohen Museum of Modern Art, Manchester, UK)
Sudarshan Shetty is considered a leading voice in contemporary Indian art. His innovative use of materials and his exploration of complex themes have contributed significantly to the evolving landscape of modern sculpture and installation art. He has paved the way for other Indian artists to gain international recognition, and his work continues to inspire dialogue about culture, memory, and identity.
As of today, Sudarshan Shetty continues to live and work in Mumbai, India, actively creating new works and participating in exhibitions worldwide. He remains a vital force in the contemporary art scene, constantly pushing boundaries and challenging conventional artistic norms.
展示中： Gurugram, India
In the bustling heart of Gurugram, where industrial progress meets the rapid pulse of modern India, lies a profound sanctuary for the soul: the Devi Art Foundation. More than a mere repository for objects, this institution serves as a luminous beacon for the evolving artistic landscape of South Asia. Established through the visionary passion of Anupam and Lekta Poddar, the foundation was born from a deep-seated desire to elevate the visibility of creative expression within the subcontinent. It stands as a testament to the power of private patronage, transforming a personal devotion to art into a public stage where the diverse voices of a region can converge, clash, and coalesce into a shared cultural narrative.
The collection itself is an expansive, breathing entity, boasting over 7,000 pieces that traverse the delicate boundaries between the ancient and the avant-garde. To wander through its halls is to embark on a temporal journey; one might find themselves captivated by the intricate precision of a Pahari miniature, such as Nainsukh’s
“Durga Confronts the Buffalo Demon Mahisha,”
where Mughal and Persian influences dance across the surface to recount the grandeur of Hindu mythology. Yet, this reverence for tradition is seamlessly juxtaposed with the raw energy of contemporary sculpture and tribal art that celebrates India’s rich, multifaceted heritage. The collection thrives on this tension, offering experimental works that push the limits of medium and meaning, challenging every preconceived notion of what South Asian art can be.
The physical presence of the Devi Art Foundation is as much a work of art as the treasures it houses. Designed by the architect Aniket Bhagwat, the museum’s structure is a masterclass in material dialogue. By blending the rugged, weathered texture of Corten steel with the organic warmth of handmade bricks, the architecture reflects a deliberate reverence for both industrial innovation and artisanal craftsmanship. This intentional marriage of materials mirrors the collection's own duality—the intersection of the modern moment and the enduring weight of history. The expansive, light-filled spaces are thoughtfully curated to prioritize visitor engagement, creating an immersive environment where the boundary between the observer and the observed begins to dissolve.
What truly distinguishes the Devi Art Foundation is its pioneering spirit as India’s inaugural private museum dedicated specifically to contemporary art. This unique autonomy grants curators the freedom to pursue ambitious, unconstrained programming that transcends commercial limitations. Notable exhibitions, such as the groundbreaking
“Still Moving Image,”
have spotlighted the cinematic potential of video and photography through the eyes of twenty-five Indian artists, fostering a vibrant intellectual exchange. Through initiatives like Khoj Studios, the foundation actively bridges the gap between art production and public discourse, ensuring that art is never cloistered within institutional walls but remains an active, debating presence in the lives of the community.
For the collector seeking depth or the interior designer searching for inspiration, the Devi Art Foundation offers a profound lesson in curation and atmosphere. It is a place where history is not just remembered but reimagined, and where every corner invites a new way of seeing. By fostering a culture of critical engagement and celebrating the shared histories of the Indian Subcontinent, the foundation continues to inspire a new generation of thinkers, ensuring that the pulse of South Asian creativity beats stronger and more vibrantly than ever before.
originaluniqueart.com/ja/art/download/sudarshan-shetty-love-D5DG7N-en/
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Love — Sudarshan Shetty
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「Love」を手がけたアーティストはSudarshan Shettyです。この作品はSudarshan Shettyの名でカタログに登録されています。
Sudarshan Shetty作「Love」は、作品のスライドショーページにてスライドショーとしてご覧いただけます。
Sudarshan Shettyの記録されたテーマであるmechanical art, minimalism & dada, braille symbolism, conceptual sculpture, exploration of emotion, critique of language, mechanical & human, reverse spectator roleの中でも、「Love」はlove, typography, braille, repetition, technology, blindness, minimalism, human emotionに独自の焦点を当てています。