Left by the Tide

作家

samuel maurice jones

Samuel Maurice Jones (1853 - 1932), Artist

Samuel Maurice Jones R.C.A. (1853 – 30 December 1932) was a Welsh landscape painter and illustrator, particularly active in North Wales. Working principally in watercolour, Jones made numerous studies and paintings of the fields near Caernarfon and the Conwy Valley. Many of these rural studies have an idealised, pastoral character suggestive of the English picturesque and Romantic landscape traditions originating in the works of John Constable and developed by J.M.W Turner.

Early Life

Samuel Maurice Jones was born in Mochdre, a coastal village in north-east Wales near Colwyn Bay. His father, Rev. John Jones, was a Calvinistic Methodist minister. Jones was trained first at the Caernarfon School of Art under the tutelage of John Cambrian Rowland and later, in London where he studied under William Collingwood between 1870 and 1873. Collingwood was an Associate of the Society of Painters in Watercolours and offered Jones a thorough and traditional training in the fundamentals of arts education; schooling him in the importance of line and composition, shading, drawing carefully from nature and drawing from memory.

The first entry in the study book documenting his lesson with Collingwood on Monday, 11 April 1870, recalls his teachers' words:

"You must regard your hand as an instrument requiring to be taught how to execute with certainty and freedom, every mental command.'"

While he was in London, Jones met two figures closely associated with the Pre-Raphaelite Brotherhood: the art critic, John Ruskin, and the painter, Holman Hunt, who reviewed and offered constructive criticism of his work. Shortly afterwards Jones returned to Caernarfon in order to pursue his career as an artist.

Early Work

Jones' early sketchbooks attest to the influence of the British Romantic painters, particularly J.M.W. Turner. A small, leather-bound copy book and sketchbook dated 1874 by Jones includes a copy of Turner’s painting Crossing the Brook, exhibited in the National Gallery in 1815. An inscription later in the small notebook reads:

*The Crossing the Brook is one of those pictures of Turner's which every one admires... The view is taken from the banks of Tamar, that divides Devonshire from Cornwall*.

It is possible that the first study in the 1874 notebook, a gothic ink study of Caernarfon Castle by moonlight, is modelled on Turner’s painting of

c. 1798, though Jones may well have brought his first-hand knowledge of the castle to bear on this study.

Notable Paintings

Jones' artistic output focused primarily on capturing the beauty of North Wales landscapes. His paintings frequently depict serene valleys and dramatic mountain vistas, imbued with a Romantic sensibility reminiscent of Turner’s masterful use of light and atmosphere. Recurring themes included depictions of Snowdonia National Park and coastal scenes along the Lleyn Peninsula.

Among his most celebrated works are “Left by the Tide,” an evocative oil painting depicting a shipwreck scene at sunset, and “Maesincla Road near Caernarfon,” which showcases Jones’ ability to convey mood and emotion through subtle tonal variations. His meticulous attention to detail—particularly in capturing the textures of stone and foliage—established him as one of Wales' foremost watercolour artists.

Legacy

Samuel Maurice Jones left an indelible mark on Welsh art history. His paintings continue to inspire admiration for their lyrical beauty and technical precision, cementing his place among the Romantic landscape painters who shaped the visual culture of Victorian Britain. He was elected an Associate of the Royal Cambrian Academy in 1882 and became an Academician (R.C.A.) in 1921. He was a regular exhibitor at the Academy’s annual exhibition in Conway.

Jones' dedication to artistic excellence and his unwavering commitment to portraying the grandeur of Welsh scenery ensured that his legacy would endure for generations to come.

美術館・博物館

Caernarfon Record Office

展示中： Carnarvon, United Kingdom

Caernarfon Record Office: Preserving Gwynedd’s Legacy Through Document and Detail

The Caernarfon Record Office stands as a cornerstone of Welsh heritage, more than just a repository of parchment and ink—it's a tangible embodiment of centuries past. Located in Victoria Dock, Caernarfon, this unassuming building houses an astonishing collection spanning eleven centuries, offering researchers and enthusiasts alike unparalleled access to the region’s formative narratives.

A Chronicle Etched in Ink:

The Archive’s core comprises official documents—deeds, wills, legal proceedings—providing a granular portrait of Gwynedd's governance from Norman conquest through Victorian expansion. These aren’t merely facts; they are whispers of battles fought, treaties negotiated, and lives lived under the watchful gaze of monarchs and revolutionaries.

Tracing Roots:

For genealogists captivated by Welsh ancestry, the Record Office presents a treasure trove of resources. Parish registers meticulously documenting births, marriages, and deaths alongside census records illuminate familial connections across generations. Examining estate papers unveils glimpses into social hierarchies and economic realities of bygone eras.

Visualizing Gwynedd’s Past:

Beyond textual accounts lie maps—detailed charts charting territorial disputes and agricultural landscapes—and architectural drawings capturing the grandeur of castles like Caernarfon Castle itself. These visual aids transport viewers back in time, fostering a deeper understanding of Gwynedd's evolving physical environment.

Community Voices:

Unique collections delve into the lives of specific Gwynedd communities – diaries detailing daily routines, newspapers chronicling local events, and photographs documenting social customs—revealing the vibrant tapestry of Welsh life beyond official records.

The Record Office’s significance extends far beyond its collection; it's inextricably linked to Caernarfon Castle’s history. Documents unearthed here illuminate the castle’s role in shaping Welsh identity and political discourse, complementing its imposing stone façade with layers of historical context.

What distinguishes Caernarfon Record Office is its unwavering commitment to conservation—a practice rooted in recognizing that these documents are not merely artifacts but living links to Gwynedd's past. Skilled archivists painstakingly preserve fragile manuscripts and prints, ensuring their stories endure for future generations.

Visitor Information & Engagement

Researchers and curious visitors alike are welcomed at Caernarfon Record Office. Dedicated research services cater to scholarly inquiries, while educational visits inspire a passion for Welsh history among younger audiences. Contact them at 01286 679095 to explore scheduling opportunities.

Beyond the Archives: Exploring Gwynedd’s Artistic Heritage

While primarily focused on historical documentation, Caernarfon Record Office's location within Gwynedd—a region celebrated for its artistic traditions—offers a serendipitous connection to Welsh art history. Consider visiting Art UK (

) to discover artworks inspired by the landscape and culture of Gwynedd, furthering your appreciation for Wales’s multifaceted heritage.

Further Exploration

Delve deeper into Welsh artistic expression with a visit to Essex Record Office (

Connecting Gwynedd’s Past & Present

Finally, explore Gwynedd County Council Collection (