学生作品ガイド
The Block
詳細情報
- 作家
- Romare Bearden originaluniqueart.com/ja/artists/romare-bearden_ja/
- 制作年
- 1911 – 1988
- 彩色済み
- 1971
- 原寸大
- 128 x 97 cm
著作権 この作品の著作権は現在も存続しています。Romare Beardenは1988に没年しました。著作権は没後70年間継続するため、2058まで有効です。本画像は教育目的の参照用として掲載しており、権利は権利者に帰属します。
学生作品ガイド
著作権 この作品の著作権は現在も存続しています。Romare Beardenは1988に没年しました。著作権は没後70年間継続するため、2058まで有効です。本画像は教育目的の参照用として掲載しており、権利は権利者に帰属します。
文脈に合わせて
The Block — Romare Bearden
原寸は 128 × 97 cm (高さ × 幅) で、ここでは平均的な身長の成人と並べて表示しています。
上の行:年。下の行:各期間の開始時と終了時の年齢 — 出生時は0、没時は 77。
作家が 60 歳の時に制作。 そのアーティストは77歳で亡くなりました。 1 の当カタログにおけるこの作家の制作年が判明している 2 点の作品のうち、これよりも以前に制作されたものがあります。
背景色:Romare Beardenの生涯 (1911–1988) ▲ 本作品、1971 年代ごとに記された、すべての絵画作品
上記の作品を一つ選んでください。この作品と共通する点を2つ、そして異なる点を1つ挙げてください。
こちらの作品とあわせてご覧いただける他の作品:originaluniqueart.com/ja/art/similar/romare-bearden-the-block-D2UUKK-en/
画像から抽出したパレット
主要色
Rosy Brown #a8a2a6
カタログ済みパレット
アーティストのパレット全体に含まれるこれらの色彩 色から他の絵画を探す
主要な10カ国
地図上で最も色が濃い3つの国を見つけてください。この絵画を収蔵している美術館は、そのいずれかの国にありますか?遠く離れた場所にいる人々が、この作品に目を向ける理由を一つ書き出してください。
これらの作品は、このアーティストの絵画が過去12か月間に受けた注目全体の 99.9% を占めています。カタログにはこのアーティストによる 4 点の作品が収められており、そのうち 3 点は少なくとも一度は閲覧されました。 この絵画は、その中での注目度が 1 位で、その注目の 33.3% を占めています。 月ごとの集計結果は同一です
バーは注目度を示すものであり、品質を示すものではありません。リストの最上部にある作品と、こちらの作品を選んでください:絵画がその技術的な巧拙を超えて有名になる要因として、考えられることを一つ挙げてください。
この作品について
The Block — Romare Bearden
The Block is a tribute to Harlem, a neighborhood in New York City that nurtured both the life and work of artist Romare Bearden. Although he was born in Charlotte, North Carolina, Bearden spent part of each year in New York throughout his childhood. In 1940 he established his first studio in Harlem, at 306 West 125th Street, in the same building as the artist Jacob Lawrence and the poetnovelist Claude McKay. During the 1940s Bearden was active in the Harlem cultural community as part of the informal artists" organization known as the 306 Group and as a member of the Harlem Artists Guild.Each of the six panels of The Block presents an aspect of life in Harlem, depicting such neighborhood institutions as the Evangelical church, the barbershop, and the corner grocery store. Bearden took artistic license in revealing the private moments of tenement life as well as the exuberant humanity that existed in the prototypical city block. His concern with social issues reflects the influence of the German artist George Grosz, with whom Bearden had studied at the Art Students League in the 1930s. The "Cubist" character of Bearden"s cut-paper collage, a technique with which he is associated, resulted from formal experimentation, the documentary impulse of Dadaist photomontage, and Bearden"s own modern vision, which matured during the 1940s and 1950s.The original installation of this work included a tape recording of street sounds to enhance the viewer"s visual experience of the work, but even without this accompaniment the vitality of the scene is palpable.
アーティストと美術館
生誕地 Charlotte, United States of America
Romare Howard Bearden, born in Charlotte, North Carolina, in 1911, was more than just an artist; he was a cultural architect, a visual storyteller whose work resonated with the rhythms and realities of African-American life. His early years were marked by constant movement, a childhood spent between the burgeoning artistic hub of Harlem, New York, and the quieter landscapes of Pittsburgh, Pennsylvania. This geographic fluidity instilled in him a unique perspective, an ability to observe and absorb the diverse experiences that would later fuel his creative vision. The Bearden home wasn’t simply a residence; it was a salon, a gathering place for luminaries of the Harlem Renaissance—writers, musicians, intellectuals—who shaped young Romare's understanding of art as a vehicle for social commentary and cultural preservation. His mother, Bessye Bearden, a prominent figure in New York City’s civic life and a journalist for the Chicago Defender, further nurtured this environment, instilling in him a sense of responsibility to his community and a deep appreciation for storytelling.
Bearden's formal education was equally diverse, encompassing studies at Lincoln University, Boston University, and ultimately New York University, where he earned a degree in science and education in 1935. However, his true calling lay in the realm of art, and he continued his training at the Art Students League under the tutelage of German artist George Grosz. His early artistic endeavors were rooted in social realism, depicting scenes from the American South with a keen eye for detail and a commitment to portraying the lives of ordinary people. These works often reflected the influence of Mexican muralists like Diego Rivera and José Clemente Orozco, whose powerful narratives and bold compositions resonated with Bearden’s own desire to address issues of social justice and human dignity. However, his experiences during World War II—serving in the US Army on the European front—profoundly impacted his artistic trajectory. The horrors he witnessed fueled a search for deeper meaning, leading him to explore more abstract forms of expression after the war. A period of study at the Sorbonne in Paris in 1950 further broadened his horizons, exposing him to new philosophical and art historical perspectives that challenged his previous assumptions and encouraged experimentation.
It was in the late 1950s and early 1960s that Romare Bearden truly found his signature style—collage. He didn’t simply adopt collage as a technique; he elevated it to an art form, transforming humble materials like magazine clippings, fabric scraps, and photographs into vibrant, emotionally resonant compositions. This choice wasn't accidental. Collage allowed him to fragment and reassemble reality, mirroring the complexities of memory, identity, and experience. His collages weren’t merely representations of scenes; they were evocations of moods, atmospheres, and cultural narratives. He often drew inspiration from jazz music—its improvisational spirit, its layered harmonies, its ability to convey profound emotions through seemingly simple melodies. Bearden saw parallels between the artist's process and the musician's performance, both relying on intuition, spontaneity, and a deep understanding of their respective mediums. He became a founding member of the Spiral group in 1963, an organization of African-American artists grappling with their role in the Civil Rights Movement. This commitment to social justice remained central to his work throughout his career.
Throughout his prolific career, Bearden received numerous accolades, including honorary doctorates from several prestigious universities and, in 1987, the National Medal of Arts. He was also a gifted writer and songwriter, co-writing the jazz standard "Sea Breeze" with childhood friend Dizzy Gillespie. But perhaps his most lasting legacy lies in his dedication to supporting emerging artists. Together with his wife, Nanette Rohan Bearden, he established the Bearden Foundation, providing financial assistance and mentorship to young creatives. The New York Times famously hailed him as “the nation’s foremost collagist” in its obituary following his death in 1988—a testament to his groundbreaking contributions to the art world. Romare Bearden's work continues to inspire and challenge audiences today, reminding us of the power of art to illuminate the human condition, celebrate cultural heritage, and advocate for a more just and equitable world. His ability to synthesize diverse influences—from African art and Byzantine mosaics to jazz music and personal memory—created a unique visual language that remains instantly recognizable and profoundly moving.
1964: Appointed the first art director of the Harlem Cultural Council.
1972: Elected to the American Academy of Arts and Letters.
1987: Awarded the National Medal of Arts.
Throughout his career: Received honorary doctorates from Pratt Institute, Carnegie Mellon University, Maryland Institute of Art, North Carolina Central College University, and Davidson College.
Posthumously: Recognized as a pivotal figure in 20th-century American art, with works featured in major museum collections worldwide.
originaluniqueart.com/ja/art/download/romare-bearden-the-block-D2UUKK-en/
細部まで見る
The Block — Romare Bearden
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Romare Bearden作「The Block」は1971年に制作されました。
Romare Bearden作「The Block」はPanoramic形式です。この形式は、構図の比率を表しています。
全体として、「The Block」の明るさはbalancedと記録されています。知覚的な明るさとは、作品がどの程度明るく、あるいは暗く感じられるかを表すものです。