学生作品ガイド
著作権 この作品の著作権は現在も存続しています。Manuel González Serranoは1966に没年しました。著作権は没後70年間継続するため、2036まで有効です。本画像は教育目的の参照用として掲載しており、権利は権利者に帰属します。
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From the Balcony — Manuel González Serrano
原寸は 205 × 91 cm (高さ × 幅) で、ここでは平均的な身長の成人と並べて表示しています。 このページ上では、原寸大で表示するにはサイズが大きすぎます。
上の行：年。下の行：各期間の開始時と終了時の年齢 — 出生時は0、没時は 49。
作家が 31 歳の時に制作。 そのアーティストは49歳で亡くなりました。 1 の当カタログにおけるこの作家の制作年が判明している 2 点の作品のうち、これよりも以前に制作されたものがあります。
背景色：Manuel González Serranoの生涯 (1917–1966) ▲ 本作品、1948 年代ごとに記された、すべての絵画作品
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主要色
Phthalo Green #312a23
カタログ済みパレット
アーティストのパレット全体に含まれるこれらの色彩 色から他の絵画を探す
この作品について
From the Balcony — Manuel González Serrano
In González Serrano the subject of a landscape is freed from the confines of his imitative desire and rather is prolific in creating imaginary universes, whose elements are always intimately correlates. Starting in the forties his work acquired greater consistency in his discursive elements, avoiding the narrow description which critics so easily claim to be dreamlike. The pictorial world of González Serrano is, like that of Frida Kahlo, unique and real, it does not belong mainly to the world of dreams, perhaps to that of autobiographical passages which, because they are unknown, are cryptic for us. I find in the piece Desde el balcón a certain similarity with the technical treatment that Max Ernst gave the landscapes in his work from the forties, that detailed effect of the organic which he achieved with frotagge and a fine harmonious brush. We know that González Serrano traveled to and exhibited in the United States, especially California, which is why where much of his works located is unknown, which to date has made it more difficult for him to be known to both specialists and the general public.
アーティストと美術館
生誕地 Mexico City, Mexico
Born: Mexico City, Mexico (1917)
Died: 1966
Manuel González Serrano was a significant figure in the landscape of mid-20th century Mexican art. Born in Mexico City in 1917, his artistic journey unfolded against a backdrop of cultural and political change within Mexico. Though biographical details about his early life remain scarce, it is evident that he emerged as part of a generation deeply influenced by Mexico’s rich heritage and the burgeoning modernist movements.
While information regarding González Serrano's formal training is limited, he appears to have been largely self-taught. He began painting at an early age, demonstrating a natural inclination towards artistic expression. His initial works showcased a fascination with the fantastical and surreal, reflecting international trends of the time. He briefly attended classes at La Esmeralda National School of Painting and Sculpture but did not pursue formal studies extensively.
González Serrano is perhaps best known for his painting “From the Balcony” (1948), a work that exemplifies his distinctive style. His artistic approach is characterized by:
Bold Colors: González Serrano employed a vibrant palette, utilizing strong and contrasting colors to create visually striking compositions.
Geometric Shapes: A defining feature of his work is the incorporation of geometric forms – squares, rectangles, circles – which he integrated into both figurative and abstract elements.
Influence of Mexican Muralism: While not directly a muralist himself, González Serrano’s art was influenced by the broader movement's emphasis on national identity and social commentary, albeit expressed through a more personal and less overtly political lens.
Other notable works demonstrate his exploration of portraiture, landscapes, and still lifes, often imbued with symbolic meaning.
Early Exhibitions: González Serrano first exhibited his work in 1943 at the Primer Salón de Arte Libre held at the Palacio de Bellas Artes. He continued to exhibit there the following year and had his first individual exhibition at the Galería Decoración.
Collective Shows: Between 1947 and 1949, he participated in collective exhibitions alongside prominent artists such as Juan Soriano, Jesús Guerrero Galván, and Francisco González Camarena.
International Exposure: Through his marriage to a wealthy North American woman, González Serrano gained opportunities to exhibit his work in California and connect with the Hollywood art scene.
Colección Andrés Blaisten: A significant portion of his works can be found within the Colección Andrés Blaisten in Mexico, a renowned collection of Latin American art.
In his later years, González Serrano experienced periods of isolation and mental health challenges, which impacted his artistic output. Despite this, his work continues to be recognized for its unique blend of vibrant color, geometric abstraction, and symbolic imagery. His contribution to Mexican art lies in his ability to synthesize modernist influences with a distinctly Mexican sensibility, creating a body of work that is both visually compelling and culturally resonant.
For more information about Manuel González Serrano and his artwork, visit AllPaintingsStore.
展示中： Mexico City, Mexico
Mexico City pulses with a creative energy born from centuries of cultural confluence—a vibrant tapestry woven with indigenous traditions, colonial legacies, and a relentless spirit of an enduring innovation. Within this dynamic metropolis lies the
Colección Blaisten
, not merely a museum but a carefully curated journey through the very heart of 20th and 21st-century Mexican art. Founded by the passionate collector Andrés Blaisten, the collection began as a deeply personal pursuit, an intimate engagement with the artists shaping a nation’s identity in the wake of revolution and modernization. It has since blossomed into one of Mexico's most significant cultural institutions, offering an unparalleled panorama of artistic expression that extends far beyond familiar narratives of muralism to embrace the diverse voices of a generation grappling with profound change.
The collection distinguishes itself through its comprehensive representation of the
Generación de la Ruptura
—the “Breakaway Generation.” Emerging in the 1950s, these artists deliberately rejected the dominant nationalist style of Mexican muralism, seeking new avenues for expression rooted in abstraction, experimentation, and a dialogue with international art movements. Figures like Gustavo Arias Murueta stand as central to this shift, his work embodying a sophisticated interplay between form, color, and texture that moved beyond overt political messaging towards a more introspective exploration of the human condition. But the museum’s scope is vast; it thoughtfully traces the evolution of Mexican art from early Modernism through contemporary practices, showcasing the enduring influence of masters like Juan O'Gorman—whose unique fusion of modernist principles with pre-Hispanic motifs continues to resonate today—and Manuel González Serrano, whose contributions helped define a new visual language for Mexico.
The museum itself provides an ideal setting for contemplation and discovery. Housed within the
Centro Cultural Universitario Tlatelolco
, the architecture complements rather than competes with the artworks on display. The space is designed to foster a sense of serenity, allowing visitors to fully immerse themselves in the visual experience. Thoughtful lighting and carefully considered layouts guide the eye through the collection, revealing subtle connections and thematic resonances between different works. It is an environment that encourages slow viewing, inviting viewers to linger with each piece and engage in a personal dialogue with the art. The building's history as part of the UNAM campus adds another layer of significance, connecting the museum to Mexico’s broader intellectual and cultural landscape—a testament to the enduring legacy of humanist scholarship.
Throughout its history, the Colección Blaisten has hosted groundbreaking exhibitions that have challenged conventional interpretations of Mexican art history. Recurring themes explored include indigenous symbolism revisited through modern lenses, explorations of identity and diaspora within Latin American contexts, and investigations into the intersection of art and social activism. Collaborations with prominent curators and artists alike have ensured that the museum remains at the forefront of artistic discourse, fostering critical engagement and inspiring new perspectives on Mexican cultural heritage. These exhibitions underscore the institution’s commitment to promoting intellectual curiosity and stimulating conversations about the role of art in shaping our understanding of the world.
What truly sets the Colección Blaisten apart is its unwavering focus on the nuances of Mexican artistic identity. While acknowledging the influence of international trends, it consistently emphasizes the unique cultural context in which these artworks were created—the interplay between indigenous traditions and European influences, the legacy of colonialism, and the ongoing search for national expression. It is a museum that does not simply present art
from
Mexico; it presents art
of
Mexico, imbued with its history, its struggles, and its enduring spirit.
For interior designers seeking pieces that tell a profound story, collectors looking to diversify their portfolios with unparalleled historical depth, or art lovers eager to delve deeper into the richness of Mexican culture, the Colección Blaisten offers an experience that is both intellectually stimulating and profoundly moving. It remains a definitive destination for anyone seeking to understand the soul of a nation through its most masterful visual achievements.
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From the Balcony — Manuel González Serrano
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「From the Balcony」の原画はcolección-blaistenに所蔵されており、本作品は著作権により保護されていますです。
Manuel González Serrano作「From the Balcony」はTall形式です。この形式は、構図の比率を表しています。
Manuel González Serrano作「From the Balcony」の制作年は1948年です。