用紙
氏名 クラス 日付

エドゥアルド・アフォンソ・ヴィアナ, Tableware from Barcelos (1915), Soares dos Reis National Museum. 参考用として複製。著作権は権利者に帰属します。 動きのある光の下で、このキャンバスをご覧ください。描線、ニス越しに透ける真の色、そして剥き出しの顔料を。

事実関係

作家
エドゥアルド・アフォンソ・ヴィアナ originaluniqueart.com/ja/artists/eduardo-afonso-viana_ja/
制作年
1881 – 1967
彩色済み
1915
技法・素材
Oil
原寸大
50 x 61 cm
様式
Post-Impressionism Artists who kept the bright colour of Impressionism but pushed shape and feeling further than the eye really sees.
制作年代
Modern
開催地
Soares dos Reis National Museum originaluniqueart.com/ja/museums/soares-dos-reis-national-museum-porto/
Artistic style
Post-Impressionist
Influences
Cézanne, Robert Delaunay, Sonia Delaunay
Subject or theme
Still life with horse and tableware

文脈において

Tableware from Barcelos — エドゥアルド・アフォンソ・ヴィアナ

サイズ感について

原寸は 50 × 61 cm (高さ × 幅) で、ここでは平均的な身長の成人と並べて表示しています。

制作時期はいつですか?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950
  9. 1960

上の行:年。下の行:各期間の開始時と終了時の年齢 — 出生時は0、没時は 86。

作家が 34 歳の時に制作。 そのアーティストは86まで生きました。 2 of the 7 dated works by this artist in our catalogue came earlier.

背景色:エドゥアルド・アフォンソ・ヴィアナの生涯 (1881–1967) ▲ 本作品、1915 年代ごとに並ぶ、すべての制作年入り作品

似ている作品

上記の作品から一つ選んでください。その作品と共通する点を2つ、異なる点を1つ挙げてください。

こちらの作品とあわせてご覧いただける他の作品:originaluniqueart.com/ja/art/similar/eduardo-afonso-viana-tableware-from-barcelos-D9PKRV-en/

カラーパレット

画像から抽出したカラーパレット

    メインカラー

    Espresso #474a30

    保存済みパレット

    • #474A30
    • #282E29
    • #AB4422
    • #C59662

    アーティストのパレット全体を構成するこれらの色彩 色から他の絵画を探す

    配色
    Earthy 作品の中で主要な色調。
    主な色名
    Espresso
    彩度
    Balanced 単一の落ち着いた色調から、多彩で鮮やかな色彩まで、色の彩度やバリエーションの豊かさ。
    コントラスト
    Gentle 作品全体における、色の明度と彩度の差異の度合い。
    調和
    Discordant Palette 対照的な色合いから完全に調和したものまで、色彩がいかに美しく響き合っているか。
    明るさ
    Deep_shadow 深い影から明るいハイライトまで、作品全体の明暗の度合い。
    彩度
    Balanced Soft 限りなくグレーに近い色合いから、鮮やかな色彩まで、その純度と強さが際立ちます。

    エドゥアルド・アフォンソ・ヴィアナ の注目作品 2点

    1. 1 Interior - Tea set and toast, 1914 100.0%
    2. — Tableware from Barcelos, 1915 こちらの作品 0.0%

    これらの作品は、このアーティストの絵画が過去12か月間に受けた注目全体の 100.0% を占めています。カタログにはこのアーティストによる 7 点の作品が収められており、そのうち 1 点は少なくとも一度は閲覧されました。 この作品は現時点ではまだ閲覧されていないため、順位なしとしてリストの最後に表示されています。 月ごとの集計結果は同一です

    バーは注目度を示すものであり、品質を示すものではありません。リストの最上部にある作品と、こちらの作品を選んでください:絵画がその技術的な巧拙を超えて有名になる要因として、考えられることを一つ挙げてください。

    この作品について

    Tableware from Barcelos — エドゥアルド・アフォンソ・ヴィアナ

    A Symphony of Portuguese Tradition

    In the vibrant tapestry of early twentieth-century Portuguese modernism, few works capture the quiet charm of domestic life as evocatively as Eduardo Afonso Viana’s Tableware from Barcelos. Painted in 1915, this exquisite still life serves as a window into a world where the mundane is elevated to the monumental. The composition centers around an unexpected and whimsical protagonist: a horse, nestled amidst an array of ceramic vessels, bowls, and bottles. This arrangement transcends a simple display of objects; it creates a rhythmic dance of shapes and colors that invites the viewer into a serene, almost dreamlike, domestic landscape. The presence of the horse introduces a touch of surrealist charm, breaking the traditional boundaries of the still life genre and injecting a sense of narrative mystery into the scene.

    The artist’s technique reflects a masterful command over color and form, heavily influenced by the Post-Impressionist movements circulating through Europe at the time. Viana, having refined his skills in Paris under the guidance of Jean-Paul Laurens, brings a sophisticated structural integrity to the piece. One can observe the subtle echoes of Cézanne in the way the volumes of the bowls and vases are constructed, providing a sense of weight and permanence. The palette is a lush dialogue between earthy tones and vibrant accents, set against a deep green background that provides a verdant depth, pushing the colorful tableware toward the foreground. This careful use of contrast ensures that every curve of a cup and every rim of a bowl catches the light, creating a tactile quality that makes the painting feel almost touchable.

    A Legacy of Modernity and Charm

    To understand the emotional resonance of Tableware from Barcelos, one must consider Viana’s position within the first generation of Portuguese modernists. Alongside contemporaries like Amadeo de Souza Cardoso, Viana sought to bridge the gap between local tradition and international avant-garde movements. This painting is a testament to that duality; while the subject matter—the artisanal tableware of Barcelos—is deeply rooted in Portuguese identity, the execution is decidedly modern. The way light interacts with the surfaces and the rhythmic placement of objects suggest an influence from the Orphism of Robert and Sonia Delaunay, yet the soul of the work remains intimately connected to the warmth of Iberian life.

    For the discerning collector or interior designer, this artwork offers more than mere decoration; it provides a focal point of intellectual and aesthetic sophistication. The piece possesses a unique ability to anchor a room, offering a sense of historical depth and cultural richness. Whether placed in a contemporary minimalist setting to provide a burst of color and character, or within a classic, traditional interior to enhance its warmth, the painting acts as a conversation starter. It is an invitation to contemplate the beauty found in the everyday, making it a timeless acquisition for those who appreciate art that celebrates both the spirit of innovation and the enduring grace of tradition.

    アーティストと美術館

    作家

    エドゥアルド・アフォンソ・ヴィアナ

    生誕地 リスボン, ポルトガル

    early life and training

    eduardo afonso viana, a prominent figure in the history of portuguese art, was born in lisbon in 1881. he began his artistic journey at the academia de belas artes de lisboa, where he honed his skills alongside other notable artists of his time. in 1905, viana took his talents to paris, studying under the tutelage of jean-paul laurens, further refining his craft.

    artistic style and influences

    viana's approach to modern painting was characterized by a conservative yet innovative spirit. he was one of the first modern generation in portuguese painting, alongside amadeo de souza cardoso and almada negreiros. the influence of robert delaunay and sonia delaunay, whom he befriended during their time in portugal, is evident in his 1916 works, showcasing a unique blend of modern styles. later, viana's post-impressionist style, inspired by cézanne, produced some of his most notable pieces.

    notable works and exhibitions

    - in revolt (1916): a vibrant depiction of portuguese life, characterized by colorful arcs. - k4: the blue square (1917): considered a homage to portuguese modernism, inspired by almada negreiros' book of the same name and dedicated to amadeo de souza cardoso.

    museums and collections

    viana's works are represented in several prestigious portuguese museums, including: - chiado museum, lisbon - national museum soares dos reis, porto

    for more on viana's life and work, visit the eduardo afonso viana page on AllPaintingsStore.

    explore other notable portuguese artists like pedro casqueiro and their contributions to modern art.

    discover the auto-retrato num grupo by josé sobral de almada negreiros, a pivotal piece in the portuguese modern art scene.

    experience the depth of portuguese art through AllPaintingsStore's extensive collection and delve into the stories of its pioneers like eduardo afonso viana.

    美術館・博物館

    Soares dos Reis National Museum

    展示場所: Porto, Portugal

    A Window into Portugal’s Artistic Soul

    Nestled within the architectural grandeur of Porto, the

    Soares dos Reis National Museum

    stands as a profound testament to the enduring passion of the Portuguese spirit. As the nation's oldest public institution dedicated solely to its own artistic expression, the museum offers far more than a mere collection of objects; it provides an immersive journey through the vibrant tapestry of 19th and 20th-century culture. Housed within the magnificent

    Palácio das Carrancas

    , the museum serves as a sanctuary where history and beauty converge, inviting art lovers and collectors alike to wander through a narrative of national identity and creative evolution.

    The museum’s home is an architectural marvel in its own right. Designed in a refined Neo-Classical style by the architect José Augusto Vieira, the palace embodies an era of aristocratic prestige. Its façade, famously adorned with sculpted faces known as

    “Carrancas,”

    immediately captivates the observer with its stern yet soulful expressions. Stepping inside, visitors are enveloped by the elegance of a former residence that has been transformed into a temple of art. The surrounding tranquil gardens offer a deliberate space for contemplation, allowing the heavy weight of history to soften into a peaceful connection with nature, making it an ideal destination for those seeking inspiration or a moment of quiet reflection amidst the bustle of Porto.

    Masterpieces of Stone and Canvas

    The heart of the museum beats through its extraordinary collection, which presents a comprehensive panorama of stylistic developments across two centuries. The galleries are dominated by the monumental presence of

    António Soares dos Reis

    , the melancholic titan of Portuguese sculpture. His ability to breathe life into Carrara marble and bronze—seen in works such as the poignant

    “O Desterrado”

    —captures a unique intersection of Neoclassical precision and Romantic emotion. To stand before his sculptures is to witness the mastery of human anatomy infused with an internal psychological depth that remains unparalleled.

    Beyond the sculptural triumphs, the museum celebrates a diverse lineage of painters who captured the very essence of their era. The collection invites exploration of the delicate brushwork of

    Vieira Portuense

    and the dramatic lighting found in the works of

    Domingos Sequeira

    . From the realistic portraits like the

    “Bust of Mrs. Elisa Leech”

    to the expressive, modern sensibilities of artists such as

    Júlio Resende

    and

    Aurélia de Souza

    , the museum showcases a continuous dialogue between tradition and innovation. For the interior designer or the connoisseur, these works represent not just historical artifacts, but timeless examples of aesthetic excellence that continue to influence contemporary perceptions of beauty and form.

    A Legacy of Preservation and Discovery

    The history of the Soares dos Reis National Museum is as turbulent and rich as the art it protects. Founded in 1833 by King Peter IV as the

    Museu Portuense

    , its origins were rooted in a period of profound social change, initially serving as a repository for religious art reclaimed from convents during a time of political upheaval. This early role as a protector of heritage laid the foundation for its later expansion, fueled by significant legacies such as the

    Museu Allen

    . This transition from a sanctuary for confiscated treasures to a world-class institution reflects Portugal's own journey through modernity.

    Today, the museum remains a living institution, dedicated to meticulous research and international collaboration. Through ongoing scholarly investigations into provenance and technique, it continues to deepen our understanding of Portuguese cultural heritage. By hosting notable exhibitions that bridge the gap between established masters and emerging talents, the Soares dos Reis National Museum ensures that the flame of Portuguese creativity is never extinguished, remaining a vital landmark for anyone captivated by the intersection of history, art, and the human condition.

    詳細はこちら

    オンラインで探す

    Tableware from BarcelosのダウンロードページへつながるQRコード

    originaluniqueart.com/ja/art/download/eduardo-afonso-viana-tableware-from-barcelos-D9PKRV-en/

    この作品を引用する

    MLA
    エドゥアルド・アフォンソ・ヴィアナ. Tableware from Barcelos. 1915, Soares dos Reis National Museum. https://originaluniqueart.com/ja/art/eduardo-afonso-viana-tableware-from-barcelos-D9PKRV-en/
    APA
    エドゥアルド・アフォンソ・ヴィアナ (1915). Tableware from Barcelos [Painting]. Soares dos Reis National Museum. https://originaluniqueart.com/ja/art/eduardo-afonso-viana-tableware-from-barcelos-D9PKRV-en/
    Chicago
    エドゥアルド・アフォンソ・ヴィアナ. Tableware from Barcelos. 1915. Soares dos Reis National Museum. https://originaluniqueart.com/ja/art/eduardo-afonso-viana-tableware-from-barcelos-D9PKRV-en/
    Harvard
    エドゥアルド・アフォンソ・ヴィアナ (1915) Tableware from Barcelos. Soares dos Reis National Museum. Available at: https://originaluniqueart.com/ja/art/eduardo-afonso-viana-tableware-from-barcelos-D9PKRV-en/

    細部まで見る

    Tableware from Barcelos — エドゥアルド・アフォンソ・ヴィアナ

    細部を詳しく見る

    ご自身の言葉で回答してください。正解はありません。大切なのは、その答えを説明できるかどうかです。

    1. まず最初に目に飛び込んでくるのはどこですか?また、それはなぜでしょうか?
    2. どのような色や形がその情緒を作り出しているでしょうか。そして、それはどのような情緒なのでしょうか。
    3. 当カタログでは、この作品を horse, vases, bowls として分類しています。この分類は適切でしょうか?追加したい項目や、削除すべき項目があれば教えてください。
    4. このガイドの前述にある Nude (1925) を改めて振り返ってみましょう。この作品と共通する点を2つ、そして異なる点を1つ挙げてください。
    5. Post-Impressionism: Artists who kept the bright colour of Impressionism but pushed shape and feeling further than the eye really sees. この作品のどこにその特徴が見て取れるでしょうか?

    回答内容

    この作品について短い文章を書いてください。本ガイドの前半部分に記載されている事実と、上記での回答内容を活用してください。

    Q&A

    「Tableware from Barcelos」の素材とスタイルについて教えてください。

    「Tableware from Barcelos」は、Post-Impressionism様式のOilで制作されています。

    美術史において、エドゥアルド・アフォンソ・ヴィアナ作「Tableware from Barcelos」はどのような位置を占めているのでしょうか?

    エドゥアルド・アフォンソ・ヴィアナ作「Tableware from Barcelos」の美術史的な分類は、Modern期におけるPost-Impressionismです。

    「Tableware from Barcelos」はいつ制作されたもので、どの様式(ムーブメント)に属していますか?

    エドゥアルド・アフォンソ・ヴィアナ作「Tableware from Barcelos」は1915年に制作されたもので、Post-Impressionismに属します。