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学生作品ガイド

Daedalus and Icarus

4 parts 1 The artwork2 In context3 Artist and museum4 Look closely

氏名 クラス 日付
domenico piola, Daedalus and Icarus (1670), Private collection. パブリックドメイン

基本情報

作家
domenico piola originaluniqueart.com/ja/artists/domenico-piola/
制作年
1627 – 1703
彩色済み
1670
原寸大
136 x 111 cm
開催場所
Private collection originaluniqueart.com/ja/museums/private-collection-genova/

In context

Daedalus and Icarus — domenico piola

How big is it?

The original measures 136 × 111 cm (height × width), drawn here beside an adult of average height.

制作年

  1. 1620
  2. 1630
  3. 1640
  4. 1650
  5. 1660
  6. 1670
  7. 1680
  8. 1690
  9. 1700

Shaded: domenico piolaの生涯 (1627–1703) ▲ 本作品、1670

比較する作品

上記の作品を一つ選んでください。この作品と共通する点を2つ、そして異なる点を1つ挙げてください。

こちらの作品と並べて鑑賞したい他の作品:originaluniqueart.com/ja/art/similar/domenico-piola-daedalus-and-icarus-8Y3FDV-en/

カラーパレット

画像より計測

    主な色

    Clay #ac7562

    登録済みパレット

    • #AC7562
    • #261F20
    • #5E3A38
    • #D9BDAA
    パレット
    Earthy 作品の中で主要な色調。
    主な色名
    Clay
    彩度
    Monochromatic 単一の落ち着いた色調から、多彩で鮮やかな色彩まで、色の彩度やバリエーションの豊かさ。
    コントラスト
    Statement 作品全体における、色の明度と彩度の差異の度合い。
    調和
    Strong Color Unity 対照的な色合いから完全に調和したものまで、色彩がいかに美しく響き合っているか。
    明るさ
    Deep_shadow 深い影から明るいハイライトまで、作品全体の明暗の度合い。
    彩度
    Subtle Color 限りなくグレーに近い色合いから、鮮やかな色彩まで、その純度と強さが際立ちます。

    アーティストと美術館

    Daedalus and Icarus — domenico piola

    作家

    domenico piola

    Born in Genoa, Italy

    The Master of the Genoese Baroque

    In the golden age of the seventeenth century, few names resonated through the grand halls and sacred sanctuaries of Genoa as powerfully as Domenico Piola. A titan of the Baroque period, Piola was not merely a painter but the beating heart of a vast, creative ecosystem known as Casa Piola. Born in Genoa in 1627, his life was inextricably linked to the flourishing maritime republic, where his brushwork helped define the very visual language of the era. His journey began under the tutelage of his brother-in-law, Stefano Camogli, and continued through the guidance of Pellegrino Piola, eventually leading him to study under Giovanni Domenico Cappellino. This rigorous foundation allowed him to emerge as a versatile virtuoso, capable of navigating the complexities of draughtsmanship, printmaking, and design with unparalleled grace.

    The essence of Piola’s artistry lies in his ability to transform architectural spaces into celestial realms. As the leading figure of the Genoese school in the latter half of the 17th century, he specialized in the breathtaking medium of ceiling frescoes. These works were not merely decorations but immersive experiences designed to draw the viewer's gaze upward toward the divine. Working alongside contemporaries like Gregorio De’ Ferrari, Piola executed monumental cycles for prestigious locations such as the Palazzo Rosso.

    美術館・博物館

    Private collection

    On show in Genova, Italy

    A Sanctuary of Modernism: Exploring the Villa Croce Museum

    Nestled in the heart of Padua, Italy, the Villa Croce Museum of Contemporary Art stands as a quietly compelling testament to the evolution of modern art and design. More than just a repository of paintings and sculptures, it’s an experience—a journey through the shifting aesthetic landscape of the 20th century, housed within a building that itself embodies a fascinating story of adaptation and preservation. The museum's unassuming exterior belies the richness contained within its walls, offering visitors a rare opportunity to delve into the world of Italian avant-garde movements with an intimate and remarkably personal touch.

    The villa’s origins trace back to the late 19th century, commissioned by the wealthy Croce family. Initially designed as a grand residence reflecting the opulent tastes of the era, it underwent a dramatic transformation in the early 20th century when the family, particularly Count Giovanni Croce, embraced the burgeoning ideals of modernism. This pivotal decision led to a systematic dismantling of the original structure and a subsequent rebuilding process spearheaded by architect Ernesto Cerri.

    詳細はこちら

    • アーティスト domenico piola originaluniqueart.com/ja/artists/domenico-piola/
    • 美術館 Private collection originaluniqueart.com/ja/museums/private-collection-genova/
    • 類似作品 他の作品と比較する originaluniqueart.com/ja/art/similar/domenico-piola-daedalus-and-icarus-8Y3FDV-en/

    オンラインで見る

    Daedalus and IcarusのダウンロードページへつながるQRコード

    originaluniqueart.com/ja/art/download/domenico-piola-daedalus-and-icarus-8Y3FDV-en/

    この作品の引用方法

    MLA
    piola, domenico. Daedalus and Icarus. 1670, Private collection. https://originaluniqueart.com/ja/art/domenico-piola-daedalus-and-icarus-8Y3FDV-en/
    APA
    piola, domenico (1670). Daedalus and Icarus [Painting]. Private collection. https://originaluniqueart.com/ja/art/domenico-piola-daedalus-and-icarus-8Y3FDV-en/
    Chicago
    domenico piola. Daedalus and Icarus. 1670. Private collection. https://originaluniqueart.com/ja/art/domenico-piola-daedalus-and-icarus-8Y3FDV-en/
    Harvard
    piola, domenico (1670) Daedalus and Icarus. Private collection. Available at: https://originaluniqueart.com/ja/art/domenico-piola-daedalus-and-icarus-8Y3FDV-en/

    Look closely

    Daedalus and Icarus — domenico piola

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Job and His Children, earlier in this guide. Name two things it shares with this work, and one that is different.
    4. domenico piola was about 43 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.