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A Canadian Gun-pit (1918)はWyndham Lewisの作品の中で最も注目を集めている絵画です。原画はオタワのカナダ国立美術館に所蔵されています。 その後、視線はMrs. R.J. Sainsbury (1940)とWhat the Sea is Like at Nightへと移ります。 当カタログに含まれるWyndham Lewisの6点の作品のうち、これら6点は最も有名な作品です。制作年、所蔵美術館、そして時代を超えて愛される理由とともに、一点もののオリジナル作品をご紹介します。
ギャラリーの視点で選ぶ、Wyndham Lewisによるトップ10作品
Wyndham Lewisの原画を所蔵する美術館
このページに掲載されている絵画を最も多く所蔵している 1 の美術館
| 美術館 | 都市 | Wyndham Lewisの作品 | このリストの絵画 |
|---|---|---|---|
| オタワ | 2 | A Canadian Gun-pit, Mrs. R.J. Sainsbury |
Wyndham Lewisの歩み:それぞれの作品が持つ唯一無二のオリジナル
23年にわたるキャリア、1918年から1940年まで:Wyndham Lewisの最も有名なオリジナル作品を、年代ごとにご紹介します。
Wyndham Lewisの絵画:ギャラリーへの質問
Wyndham Lewisの最も有名な作品は何ですか?答えを見る
A Canadian Gun-pit (1918)(カナダ国立美術館, オタワ)。次いでMrs. R.J. Sainsbury (1940)、What the Sea is Like at Nightが続きます。
Wyndham LewisがA Canadian Gun-pitを制作したのは何歳の時ですか?答えを見る
36歳:A Canadian Gun-pitは1918年の作品で、Wyndham Lewisの生年は1882年です。
Wyndham Lewisの既知の作品数は?答えを見る
当カタログには、1918年から1940年にかけて制作されたWyndham Lewisによる6点の作品が収められています。
最も有名なWyndham Lewisのオリジナル作品はどこで見ることができますか?答えを見る
主にカナダ国立美術館 (オタワ)に所蔵されています。上記の美術館一覧にすべて記載されています。
Wyndham Lewisの有名な絵画の中で、最も古い作品と最も新しい作品はどれですか?答えを見る
このページでは、最も古い作品はA Canadian Gun-pit (1918)、最新の作品はMrs. R.J. Sainsbury (1940)です。
カナダ国立美術館では、Wyndham Lewisのオリジナル作品を何点鑑賞できますか?答えを見る
A Canadian Gun-pit と Mrs. R.J. Sainsbury:カナダ国立美術館, オタワには、このページに掲載されている作品のうち2点が所蔵されています。
Wyndham Lewis:アーティストの肖像画
Percy Wyndham Lewis: A Life in Art and Literature
- Born: November 18, 1882, on a yacht near Amherst, Nova Scotia, Canada
- Died: March 7, 1957, London, England (aged 74)
- Nationality: British (though born in Canada)
Early Life and Artistic Development
- Lewis’s early life was marked by parental separation; his mother returned to England with him around 1890.
- He received formal art training at the Slade School of Fine Art, University College London (1898–1901), though he left before completing his course.
- Spent time in Paris studying art and was influenced by Henri Bergson's process philosophy, although later critiqued it.
- Early work showed influences from Expressionism and Cubism, which he began to explore upon returning to London in 1908.
- Associated with the Camden Town Group and briefly worked at Roger Fry’s Omega Workshops before founding the Rebel Art Centre.
Vorticism and Blast
- Founding of Vorticism: Lewis, along with Ezra Pound and others, developed Vorticism around 1914 – a movement that sought to combine Cubist structure with Futurist dynamism.
- Blast Magazine: He co-edited the literary magazine *Blast*, which served as a platform for Vorticist ideas and showcased radical graphic design and poetry. The magazine’s manifesto challenged Victorian values.
- Vorticist Aesthetic: Lewis articulated the Vorticist aesthetic, emphasizing geometric abstraction and the energy of modern machinery.
- Short-Lived Movement: The First World War significantly disrupted the Vorticist movement, leading to its dissolution.
World War I and Later Artistic Career
- Served as a second lieutenant in the Royal Artillery during World War I, experiencing frontline combat.
- Appointed an official war artist for both Canadian and British governments, producing works like *A Canadian Gun-pit* (1918) and *A Battery Shelled* (1919).
- Post-war, explored various artistic directions, including Dadaism and Surrealism.
- Developed a distinctive portrait style, often imbuing his subjects with a machine-like quality.
- His later works showed mythological influences.
Literary Works and Historical Significance
- Prolific Writer: Lewis was also a significant writer, producing novels, essays, and autobiographical works.
- Notable Novels: His novels include *Tarr* (1916–17), *The Childermass*, *Monstre Gai*, and *Malign Fiesta*.
- Critical Essays: Wrote influential critiques of modernism, politics, and society in works like *Time and Western Man* and *The Art of Being Ruled*.
- Controversial Figure: Lewis was a controversial figure known for his combative personality and sometimes provocative political views.
- Modernist Legacy: Despite controversies, he remains a significant figure in British modernism, recognized for his innovative art and challenging literary works. His Vorticist movement, though brief, left a lasting impact on the development of abstract art in Britain.




