11月 2026 更新 · 当サイトの人気スコア（各作品の検索数、閲覧数、注文数）に基づくランキング · 154点の ウィリアム・フリスの作品がカタログにあります
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The Derby Day (1858)はウィリアム・フリスの作品の中で最も注目を集めている絵画です。原画はロンドンのテート・ブリテンに所蔵されています。 その後、視線はDr Johnson and Mrs Siddons in Bolt Court (1887)とJohn Knox Reproving Mary, Queen of Scots (1844)へと移ります。 当カタログに含まれるウィリアム・フリスの154点の作品のうち、これら100点は最も有名な作品です。制作年、所蔵美術館、そして時代を超えて愛される理由とともに、一点もののオリジナル作品をご紹介します。
William Powell Frith's “The Derby Day,” painted in 1858, isn’t merely a depiction of a horse race; it’s a meticulously crafted panorama of Victorian society at its most vibrant and, frankly, its most stratified. Exhibited to immediate acclaim at the Royal Academy, this large oil painting captures a single afternoon – a fleeting moment frozen in time – yet offers an astonishingly detailed window into the lives, aspirations, and social…
In this work, titled Dr Johnson and Mrs Siddons in Bolt Court, the artist William Powell Frith presents a quiet, intimate encounter between two significant figures of the era. The painting captures Dr. Samuel Johnson and Mrs. Siddons in a moment of shared presence. It is a study of character and connection, rendered with the meticulous observation that defined Frith's approach to his subjects.
The history painting John Knox Reproving Mary, Queen of Scots by William Powell Frith, executed in 1844, depicts a specific historical confrontation. The scene illustrates the fourth of a series of audiences in which the reformer John Knox confronted Mary, Queen of Scots. This particular encounter focuses on the discussions regarding her planned marriage to Lord Darnley.
The young man in this oil on canvas is William Powell Frith, captured in a moment of quiet introspection. Painted in 1838, the work presents the artist as a nineteen-year-old student, peering out from a time when his professional path was just beginning to take shape. At this stage, he is a resident of 6 Charlotte Street, a location that marks his early presence in the London art scene. The…
William Powell Frith’s masterful depiction of a bustling railway station is more than just a painting; it's a vibrant snapshot of nineteenth-century England, teeming with life and narrative. Completed in 1862, the original canvas captivated audiences with its meticulous detail and unprecedented scale for genre painting. This hand-painted acrylic reproduction faithfully captures that spirit, inviting viewers to step back in time and immerse themselves in the energy of Paddington Station.
The scene unfolds within the lush, shadowed depths of the forest outside of Windsor. Here, in this oil on canvas history painting, the air feels heavy with the quiet tension of the hunt. We find ourselves transported back to the Tudor era, witnessing a private moment of leisure and purpose. The British artist William Powell Frith captures a specific, suspended instant where the natural world and royal drama intersect.
The oil painting titled Self-Portrait at the Age of 83 was executed by the artist William Powell Frith. Created in 1901, this work functions as a self-portrait, capturing the likeness of the artist himself. The subject depicted in the composition is William Powell Frith, presented in a bust-length view that focuses on the facial features and head of the sitter.
The Duel Scene from 'Twelfth Night' by William Shakespeare is an oil on canvas work by the English painter William Powell Frith. Created about 1842, this piece captures a dramatic moment of theatrical tension. The artist, who was born in Aldfield, United Kingdom, in 1819, focused his early career on literary subjects and portraiture, often drawing inspiration from the dramatic narratives of the era.
Sunlight filters through a canopy of leaves, casting dappled patterns across a secluded garden setting. A young woman sits upon a rustic wooden bench, her attention entirely consumed by the delicate task of arranging a posy. She is a figure of stillness amidst the lush, organic textures of the greenery. Her voluminous dress, perhaps silk or satin, catches the light in its soft folds, while the intricate lace of her…
The portrait titled Anne Page is a work by the British artist William Powell Frith. Painted in 1852, the image captures a young woman in a moment of quiet poise. She exists within a space of soft light and deep shadows, her presence defined by the luminous white of her gown.
Mr Honeywood Introduces the Bailiffs to Miss Richland as His Friends (also known as rom Oliver Goldsmith's 'The Good Natured Man', Act III, Scene 1)1850
12
Feeding Time (My Lady's Pets)1860 · Rhode Island School of Design Museum of Art
13
イーストハム フェリーボート1862 · Williamson Art Gallery - Museum
14
William Powell Frith1867 · ナショナル・ポートレート・ギャラリー
15
Queen Alexandra (1844-1925) when Princess of Wales1867 · ロイヤル・コレクション
16
Olivia unveiling1874
17
The Marriage of the Prince and Princess of Wales (later King Edward VII and Queen Alexandra)1878 · Royal London Hospital
18
Retribution1880 · バーミンガム博物館・美術館
19
Self Portrait1883
20
After The Bath
21
Lovers
22
Portrait of a Lady La Marquise1885 · オークランド・アート・ギャラリー・トイ・オ・タマキ
23
The railway station
24
My First Attempt from Nature1837
25
An English Merry Making, a Hundred Years Ago1846
26
Dolly Varden1842
27
The Merry Wives of Windsor1843
28
The Highwayman1848
29
Measuring Heights (from Oliver Goldsmith's 'The Vicar of Wakefield')1842
30
The Sleeping Model1853 · Royal Academy of Arts
31
Mary, Queen of Scots Bidding Farewell to France, 15611851
32
Monsieur Jourdain's Dancing Lesson (from Molière's 'Le Bourgeois Gentilhomme', Act II, Scene 1)1850
33
Little Dorrit1859
34
The Two Central Figures in Derby Day1860 · メトロポリタン美術館
35
Many Happy Returns of the Day1856 · Mercer Art Gallery
36
Madame Jourdain Finds Her Husband Entertaining Dorimène and Dorante1860
37
Hugh and Dolly Varden (from the novel 'Barnaby Rudge' by Charles Dickens)1863
38
Isabelle Asleep1867
39
Little Seamstress1865
40
The Knight and the Maid1868
41
Mary Elizabeth Maxwell, née Braddon1865 · ナショナル・ポートレート・ギャラリー
42
In Naples, Portrait of the Artist1875 · Hospitalfield Centre For Art - Culture
43
For Better, For Worse1881
44
The Invalid1890 · Nottingham Castle Museum And Art Gallery
45
L'adieu de Marie Stuart1893 · Mercer Art Gallery
46
The Road To Ruin -
47
The Road To Ruin
48
The Crossing Sweeper
49
At the Opera
50
The Toilet
51
Evening Prayer -
52
Many Happy Returns of the Day
53
Coming Of Age In The Olden Time -
54
The Fair Toxophilites -
55
Evening Prayer
56
When we devote our youth to god
57
The Lover's Seat -
58
The Gossips
59
La Coranto -
60
A scene from Molieres LAvare
61
A may day celebration
62
Juliet o that i were a glove upon that hand
63
The ardour
64
ミニアチュール1883 · New Walk Museum - Art Gallery
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Lancaster Sands, Lancashire1848 · Touchstones Rochdale Arts And Heritage Centre
66
The derby day
67
The Village Clergyman
68
John Knox Reproving Mary -
69
Coming Of Age In The Olden Time
70
Portrait Of A Lady Resting With Her Dog
71
Dolly Varden
72
Coming Of Age In The Olden Time -
73
Claude Duval
74
The minstrel,
75
London Flower Girl
76
The Toilet -
77
The Miniature
78
John Knox Reproving Mary
79
Wandering Thoughts
80
Hogarth Brought Before The Governor
81
A Question Of Faith
82
The proposal
83
The new frock
84
Sir Roger De Coverley And Addison
85
Othello And DesdemonaFitzwilliam Museum
86
The Flower Seller
87
Lovers -シカゴ美術館
88
Study of Miss Mortimer holding a Parasol
89
The Lover's Seat
90
The Fair Toxophilites
91
The Artist's Model
92
Bedtime
93
The signal
94
Village merrymaking
95
Tenby prawn seller
96
Lord Foppington Relating his Adventures
97
Sterne's Maria
98
Poverty And Wealth
99
The novice
100
Mary Stuart returning from France
これらのオリジナル作品に繰り返し描かれている4つの主題と、それぞれの最高傑作。
このページに掲載されている絵画を最も多く所蔵している 8 の美術館
| 美術館 | 都市 | ウィリアム・フリスの作品 | このリストの絵画 |
|---|---|---|---|
 ナショナル・ポートレート・ギャラリー |
ロンドン | 3 | William Powell Frith, William Powell Frith, Mary Elizabeth Maxwell, née Braddon |
 ロイヤル・コレクション |
ロンドン | 4 | Anne Page, Queen Alexandra (1844-1925) when Princess of Wales |
 バーミンガム博物館・美術館 |
バーミンガム | 2 | Garden Flowers ( Making A Posy ), Retribution |
 Mercer Art Gallery |
Harrogate | 2 | Many Happy Returns of the Day, L'adieu de Marie Stuart |
 Sheffield City Art Galleries |
シェフィールド | 2 | John Knox Reproving Mary, Queen of Scots |
 Rhode Island School of Design Museum of Art |
プロビデンス | 2 | Feeding Time (My Lady's Pets) |
 オークランド・アート・ギャラリー・トイ・オ・タマキ |
オークランド | 2 | Portrait of a Lady La Marquise |
 テート・ブリテン |
ロンドン | 1 | The Derby Day |
その時代を象徴する名作を見るために、年代を選択してください。
The young man in this oil on canvas is William Powell Frith, captured in a moment of quiet introspection. Painted in 1838, the work presents the artist as a nineteen-year-old student, peering out from a time when his professional path was just beginning to take shape. At this stage, he is a resident of 6 Charlotte Street, a location that marks his early presence in the London art scene. The…
The history painting John Knox Reproving Mary, Queen of Scots by William Powell Frith, executed in 1844, depicts a specific historical confrontation. The scene illustrates the fourth of a series of audiences in which the reformer John Knox confronted Mary, Queen of Scots. This particular encounter focuses on the discussions regarding her planned marriage to Lord Darnley.
William Powell Frith's “The Derby Day,” painted in 1858, isn’t merely a depiction of a horse race; it’s a meticulously crafted panorama of Victorian society at its most vibrant and, frankly, its most stratified. Exhibited to immediate acclaim at the Royal Academy, this large oil painting captures a single afternoon – a fleeting moment frozen in time – yet offers an astonishingly detailed window into the lives, aspirations, and social…
In this 1860 oil painting, a young woman is positioned on the right side of the composition, her figure creating a vertical anchor within a lush, pastoral landscape. She wears a gown of creamy white and lavender, featuring textures of fine lace and silk. Her gaze and posture are directed toward a group of animals gathered at her feet. To the left, several deer occupy the mid-ground, while dogs and…
In "Olivia unveiling" by William Powell Frith, the viewer is brought into an intimate, indoor setting through a medium shot at eye level. The composition centers on two figures dressed in Renaissance-style attire, creating a sense of quiet drama. A man is captured in a leaning posture with an outstretched arm, directing the viewer's attention toward the woman. She is shown in a delicate moment, adjusting her headpiece or veil.…
In this work, titled Dr Johnson and Mrs Siddons in Bolt Court, the artist William Powell Frith presents a quiet, intimate encounter between two significant figures of the era. The painting captures Dr. Samuel Johnson and Mrs. Siddons in a moment of shared presence. It is a study of character and connection, rendered with the meticulous observation that defined Frith's approach to his subjects.
In the quiet corners of late nineteenth-century England, domestic life was often defined by a delicate balance of social propriety and deep-seated familial devotion. William Powell Frith’s 1890 masterpiece, "The Invalid," serves as a profound window into this era, capturing a moment that is simultaneously heavy with the weight of illness and lightened by the warmth of human connection. The painting presents a domestic tableau where a family gathers around…
The oil painting titled Self-Portrait at the Age of 83 was executed by the artist William Powell Frith. Created in 1901, this work functions as a self-portrait, capturing the likeness of the artist himself. The subject depicted in the composition is William Powell Frith, presented in a bust-length view that focuses on the facial features and head of the sitter.
The Derby Day (1858)（テート・ブリテン, ロンドン）。次いでDr Johnson and Mrs Siddons in Bolt Court (1887)、John Knox Reproving Mary, Queen of Scots (1844)が続きます。
39歳：The Derby Dayは1858年の作品で、ウィリアム・フリスの生年は1819年です。
The Derby Day, Dr Johnson and Mrs Siddons in Bolt Court, John Knox Reproving Mary, Queen of Scots, William Powell Frith, The Railway Station - William Powell Frith, King Henry And Anne Boleyn Deer Shooting, Self-Portrait at the Age of 83, The Duel Scene from 'Twelfth Night' by William Shakespeare, Garden Flowers ( Making A Posy ) と Anne Page。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。
当カタログには、1837年から1901年にかけて制作されたウィリアム・フリスによる154点の作品が収められています。
主にナショナル・ポートレート・ギャラリー (ロンドン), ロイヤル・コレクション (ロンドン) と バーミンガム博物館・美術館 (バーミンガム)に所蔵されています。上記の美術館一覧にすべて記載されています。
1860s年：このページにある全100作品のうち、11作品がその時期に制作されました。そのうちFeeding Time (My Lady's Pets)作品が含まれます。
このページでは、最も古い作品はMy First Attempt from Nature (1837)、最新の作品はSelf-Portrait at the Age of 83 (1901)です。
このページに掲載されている100点の作品におけるVictorian era (13), Woman (11) と Man (8)
このページに掲載されている全100作品のうち、13作品のOil On Canvas
このページに掲載されているオリジナル作品から判断すると、Romanticismです。
William Powell Frith, William Powell Frith と Mary Elizabeth Maxwell, née Braddon：ナショナル・ポートレート・ギャラリー, ロンドンには、このページに掲載されている作品のうち3点が所蔵されています。
